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音樂教育學基礎理論

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國立台中教育大學九十五學年度研究所碩士班招生考試

音樂教育學基礎理論 科試題

一、簡答題:解釋名詞(20%,每題五分)

(一)音樂批判思考 (Critical Thinking in Music) (二)音樂聽想 (Audiation)

(三)藝術與人文主題式統整課程(The Thematic Approach to Integrated Curriculum)

(四)多元文化音樂教育 (Multicultural Music Education)

二、配合題:(30%,每題 3 分) ____ 1. Juilliard Repertory

Project

(A)Music education should include materials from a wide spectrum of musical literature and promotes exposure to musics of other cultures.

____ 2. Music aptitude (B)Defining the role of music education. Call for music to be placed in the core of the school curriculum.

____ 3. Wisconsin Project (C)Proposes different intelligences to account for a broader range of human potential in children and adults

____ 4. Manhattanville Project (D)Children should learn through activity and through things; they should be free to pursue their own interests and draw their own conclusions

____ 5. Tanglewood Symposium

(E) Potentials to achieve in music ____ 6. Contemporary Music

Project

(F)Music pivots on particular kinds of human doing-and-making that are purposeful, contextual and socially-embedded

音樂教育組 用

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____ 7. Howard Gardner (G)Seek to initiate change in philosophy, goals and strategies for music education through performing groups. Using strategies of model program development, documentation and dissemination

____ 8. Bennett Reimer (H)230 vocal and instrumental music were selected as best musical literature for early grades.

____ 9. David J. Elliot (I)Built a curricular model with discovery and musical creation at its core rather than being on the periphery. Developed a spiral sequence of activities aimed at developing comprehensive musicians. ____ 10. Pestalozzi (J)Children as active problem-solvers who

are ready to explore 'difficult' subjects while being out of step with the dominant view in education at that time (K)To make contemporary music a part of

children's lives by placing composers and performers in the learning atmosphere

三、請評析達克羅茲、高大宜、奧福三大教學法應用於國小「藝術與人文」學習 領域課程實施之適用性(請以條列式舉出教學法在應用上之優缺點)。(20%)

四、申論題(30%)

戈登 (Edwin, E. Gordon)的音樂學習理論中強調「分辨學習 (Discrimination Learning)」與「推衍學習 (Inference Learning)」

1. 請說明兩者之意義與其相關性 (15%)。

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