論導演使用音樂劇中之歌隊— 以果陀劇場黃梅調音樂劇《梁祝》為例
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(2) chorus. chorus c u chorus. chorus ensemble. ensemble ensemble. c. … c. I.
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(4) Abstract The word “Chorus” first appeared in Ancient Greek drama. Drama was transformed from the ritual. The earliest form of the chorus simply consisted of singing and dancing. Greek dramatists had added more and more characters in order to increase the conflict between them, making the function of the “Chorus” in the script more and more indistinctive. As time went by, categories of drama were getting enriched. The American Broadway, influenced by the Minstrel Show, started to make complex singing and dancing shows and became the important basis of the later Broadway musicals. After 20 A.D., Broadway musicals in New York were gradually getting matured, and the “Chorus” was greatly used in them. Its function had transformed from simple singing and dancing into script-relating figurants. People got much attention on this functional “Chorus”, and they renamed it as “Ensemble”, which had a closer relationship to the play. The use of “Ensemble” become very important in modern musicals. It not only represents as a chorus, but it also accompanies more dramatic functions: sometimes as a reviewer, sometimes as a narrator. It helps the audience understand more clearly about the meaning and thoughts which the play writer or the director wants to convey in the scenes and the whole script.. III.
(5) Comparing to Ancient Greek drama, Traditional Chinese theatrical opera has been carrying out the form of “Mixing dancing and singing to perform the story”. It has developed into nearly three hundred and sixty kinds of forms so far. The story of Liang Shanbo and Zhu Yingtai is a famous Chinese legendary story. It has been performed in numerous forms of performance art. The Godot Theatre Company re-arranged and reinterpreted the original huangmei opera movie and turned it into the stage performance. It blended with the use of the chorus in western musicals, making the original story on the big screen stereophonic and as a result re-introducing the classic. The research uses the play “Liang Zhu” of the Godot Theatre Company as the main research object. With the ways of content analysis and document analysis, it arranges and summarizes the function and the use of the “Chorus” in musicals. It also figures out the right timing of the chorus using in the script of “Liang Zhu”, adding the researcher’s own directing interpretation of “Chorus” and discussing about every possibility of the chorus in “Liang Zhu”.. Keywords. chorus, musical, Liang Zhu, Godot Theatre Company. IV.
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(9) 2D. r 】. Thespis 6. 2. 1974. Oscar G. Brockett, 2. 100.
(10) c 6 theatricality. 6. c —. c 3. 1999. 4. 4. 2010. 5. No.1 2017. 13 6. 55. ― 2005. 6. 3. 6-.
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(15) document analysis. (content analysis). c. 8. h.
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(20) —. .. o. Minstrel Show. c h. c. h. h c. c. c. c i. c. c. 7. 78. 183. 13. 2006. 165-.
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(30) 6. Joe Deer 19. 2014. Directing In Musical Theatre. 18. 2017 19. 6-13. Joe Deer , Directing in musical theatre an essential guide.(New York : Routledge, 2014.),43-52 23.
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