亞歷山大‧鮑羅定：《韃靼人舞曲》之分析與詮釋
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(3) Abstract. As a role of Balakirev and modern Russian music, the works of Moguchaya Kuchka provide an excellent clue to the Russian musical nationalism to give a glimpse of the future generations. Through the study of the subject of this paper, Borodin and "Prince Igor", we can understand the characteristics and development of some Russian folk music. And in the conducting skills, you can clearly analyze the difference between the hand-prepared movement and the two- or four-beat style selection, which is also helpful for music expression and rehearsal efficiency.. Keywords: Borodin, prince Igor, Moguchaya Kuchka, Russian musical nationalism.
(4) .......................................................................................................................... 1 ....................................................................................................... 1 ……………................................................................................... 2 ..................................................................................... 3 ..................................................................................................... 3 ........................................... 11 ....................................................................................... 19 ....................................................................... 19 ……………........................................... 22 ........................................................................................ 25. ........................................................................................ 49. .............................................................................................................................................. 85. ...................................................................................................................................... 88.
(5) ................................................................................................................................. 3-1. ............................................................ 26. 3-2. ……………. ....................................... 35 .............................................................................................................................. 3-1. .................................................................................................................. 28. 3-2. .................................................................................................................. 29. 3-3. .................................................................................................................. 30. 3-4. .................................................................................................................. 31. 3-5. .................................................................................................................. 32. 3-6. .................................................................................................................. 33. 3-7. .................................................................................................................. 34. 3-8. .................................................................................................................. 36. 3-9. .................................................................................................................. 37. 3-10. ................................................................................................................ 38. 3-11. ................................................................................................................ 39. 3-12. ................................................................................................................ 40. 3-13. ................................................................................................................ 42. 3-14. ................................................................................................................ 44. 3-15. ................................................................................................................ 45. 3-16. ................................................................................................................ 46. 3-17. ................................................................................................................ 47. 4-1. .................................................................................................................. 49. 4-2. .................................................................................................................. 50. 4-3. .................................................................................................................. 50. 4-4. .................................................................................................................. 51. 4-5. .................................................................................................................. 51. 4-6. .................................................................................................................. 52.
(6) 4-7. .................................................................................................................. 52. 4-8. .................................................................................................................. 53. 4-9. .................................................................................................................. 54. 4-10. ................................................................................................................ 55. 4-11. ................................................................................................................ 56. 4-12. ................................................................................................................ 56. 4-13. ................................................................................................................ 57. 4-14. ................................................................................................................ 58. 4-15. ................................................................................................................ 58. 4-16. ................................................................................................................ 59. 4-17. ................................................................................................................ 60. 4-18. ................................................................................................................ 61. 4-19. ................................................................................................................ 61. 4-20. ................................................................................................................ 62. 4-21. ................................................................................................................ 62. 4-22. ................................................................................................................ 64. 4-23. ................................................................................................................ 65. 4-24. ................................................................................................................ 65. 4-25. ................................................................................................................ 66. 4-26. ................................................................................................................ 67. 4-27. ................................................................................................................ 68. 4-28. ................................................................................................................ 69. 4-29. ................................................................................................................ 70. 4-30. ................................................................................................................ 71. 4-31. ................................................................................................................ 72. 4-32. ................................................................................................................ 73. 4-33. ................................................................................................................ 74. 4-34. ................................................................................................................ 75. 4-35. ................................................................................................................ 76.
(7) 4-36. ................................................................................................................ 77. 4-37. ................................................................................................................ 78. 4-38. ................................................................................................................ 79. 4-39. ................................................................................................................ 80. 4-40. ................................................................................................................ 81. 4-41. ................................................................................................................ 82. 4-42. ................................................................................................................ 83.
(8) . Alexander Porfiryevich Borodin, 18331887). Polovtsian Dances. (Prince. Igor). 1. 1721. 1917. 》. 1.
(9) . (Nikolay Rimsky-Korsakov, 1844-. 》 1908). (Alexander Glazunov, 1865-1936). 〈. (Dances of Polovtsian Maiden). “. “. “. 2.
(10) . 〈. 〈. 1833. 11 ” 12. (St. Petersburg). 〈. (Gedianov). 〈. 〈. 〈 》. 〈. 》. 2. “. 〈. 》. 3. ”. 】. 2 3. 12 ”. 〉 1812 1825. 12 ” 3. 1861. 》.
(11) (Mikhail Glinka, 1804-1857)4. 1834. (A Life For The Tsar)5 》 6. 〉. 。. 。. 。. 7. 。 。. 。 8. 1847. 。. 1849. . 〈 4. (Ruslan and. Ludmilla) 5. (Kamarinskaya) · (Ivan Susanin) 1836 (A Life For The Tsar). ) 》. 6. 」 2006 8-9 7 His first composition, a polka for piano entitled ‘Hélène’, was written at the age of nine as the result of a case of puppy love. Serge Aleksandrovich Dianin, BORODIN, Translated by Robert Lord, (Connecticut: Greenwood Press, 1980), 37. 8 Fantasia on a theme of Hummel, an étude entitled ‘Le courant’, and the ‘Adagio patetico’ in A Oldani, Robert W. "Borodin, Aleksandr Porfir′yevich." Oxford Music Online. 11 Apr. 2018. http://www.oxfordmusiconline.com/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630e-0000040687.. 4.
(12) 1949. “ “. “ “. 9. 1850. 〈 《10. (Zinin). 1856. 【. (Modest Mussorgsky, 1839-1881). 〈 1859. (Heidelberg). –. 1861 29. · 、. 。. (Yekaterina Sergeyevna Protopopova) 》. 9 10. Mr Borodin, busy yourself a little less with songs. I’m putting all my hopes in you as my successor, but all you think of is music: you can’t hunt two hares at the same time. By Zinin. 7 38 . 5.
(13) 1862. 1863. 、. 〈. ”. 〈 1862. 10 ”. ” (Mily Balakirev, 1837-1910) 11. ·. (César Cui, 1835-1918) 12. (Alexander Dargomyzhsky, 1813-1869) (Vladimir Stassov, 1824-1906). (Symphony No. 1 in. E Major). 12 ”. 1863. 1864. 1865 1869. 1867. (The Sleeping Beauty) 13. 〉〈. 11. “. 12 13. 6. 177-182. 6.
(14) 1867 (Tsarskaya nevesta)14 (Symphony No. 2 in b Minor) 15. 1879. 1880. “. (Mitrofan Petrovich Ballaiev, 1836-1904)16. 14. (Lev Mei, 1822-1862) 7 58 16 Harold C. Schonberg 1993 32 15. 1869. (The lives of the great composers) 7. 、、.
(15) 1880 25 (In The Steppes of Central Asia) 》. ” A. “ (String Quartet No. 1 in A Major) (String Quartet No. 2 in D Major). D. (Franz. 1880. (Louise de Mercy-Argenteau). Lisz, 1811-1886) (Baden-Baden) ·. “17. (Septain) 1881. 3”. 11 ”. “. . 17. Sociétédes Auteurs. Compositeurs et Editeurs de Musique 8.
(16) (Dlya beregovotchiznïdal'noy) 18. 《. 〈. “ 〈 1881. (Symphony No. 3). 1883. 5/8. 《 1884 1886. 1887. ” 。. 18 19. 8 7. 150. 9. ” 19.
(17) 1887. 2 ” 27. 》. “. 〈. (Saint Alexander Nevsky Monastery) (Tikhvin Cemetery). 10.
(18) . Polovtsian Dances 「 Polovtsian. Polovtsian “. Polovtsy. Polovtsy. Polovtsian. 《. 1869. ” (The Tale of. “ Igor's Campaign). “. ”. 11.
(19) (Ipatyevsky Chronicle). – 20. 《. … in my outlook on operatic matters I’ve always been at variance with many of my friends. A purely recitative style has always gone against my instincts and my character. I’m drawn to song and cantilena, not to recitative, although, according to the opinions of knowledgeable people, I’m not too bad at the latter. Besides that, I’m drawn to forms that are more closed, more rounded, grander scaled. My entire manner of treating operatic material is different. In my opinion, in an opera, as in its sets, tiny forms, details, and trifles must have no place; everything must be written in grand strokes – clearly, brilliantly, and as practically as possible for performance, both for voices and orchestra. The voices must be foremost, the orchestra secondary.. 21. 《. 《 (melismatic). 《 1887. 20. 7 58 Taruskin, Richard. "Prince Igor." Oxford Music Online. 11 Apr. 2018. http://www.oxfordmusiconline.com/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630e-5000005840. 21. 12.
(20) . (Igor). –. (Yaroslavna). (Vladimir) (Skula) –. – (Yeroshka). “ (Putivl). 〈. “. 22. 6. 105-112. (Konchak) (Ovlur)22. (Konchakovna). 13. (Galitsky). –.
(21) 23. 24. 。. 1890. 〈. 23 24. 21 6. 106. 14.
(22) “ 《. ”. 15.
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(24) 《 」. · 25. 25. 6. 107-114. 17.
(25) . 18.
(26) . 》. 《 26. (Moguchaya Kuchka) 》 “《. 27. “ (Glinkians). (Russlanist) 28. 26. – 27 28. MUZIK. 6 14 Russlanist. 91. 2014. 10 ” 7. 19. 40. 23.
(27) 29. 1862. 》 “ “ 1872. 30. 29 30. 15 15. 14 17-19. 20.
(28) . . 31. 〉. “ 1877 32. 1879. 31 32. 15 8. 26 21.
(29) . “. 33. 1871 《. 〈 34. . 33. 34. James Baskt, A History of Russian-Soviet Music, (Connecticut: Greenwood Press, 1966), 171.. 1874. 22.
(30) . 《 “. 〈. 〈. –. 〈 “. (Boris Godunov). –. (A Night on the Bare Mountain). 23.
(31) . 24.
(32) . 35. Kalmus. 1933. 3-1. “. 35 Waldbuhne Concert - Russian Night / Berliner Philharmoniker: Seiji Ozawa, Brian Large: Movies & TV. 25.
(33) . 3-1. Andantino A 」. C. Allegro vivo Allegro. mm.1-45. F. Phrygian. mm.1-142. I. N. mm.1-136. O. P. mm.1-64. A. Q. U. mm.1-138. D. V W. mm.1-16 Z. mm.15-45 D. H. mm.1-14. 26. mm.17-59. D. A. A. Phrygian.
(34) (Andantino) 4/4. A. 》. 。. 。. 3-1. A 》. 3-2. 27.
(35) 3-1 . 28.
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(38) 3-4. 。. 31.
(39) 3-5 . 。 32.
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(41) 3-7 . 34.
(42) ·. (Allegro) 3/4 3-2. ff. 》 3-8. A. 》 》. 3-9. 3-2. mm.1-4. mm.81-96. mm.5-20. mm.97-104. mm.21-28. mm.105-120. mm.29-44. mm.121-142. mm.45-80. 35. 》.
(43) 3-8 . 36.
(44) 3-9. B. f p 3-10. 《. 《 A. 37. C.
(45) 3-10 . 38.
(46) (Presto) 》. 3-11. 6/8 I. 》. 3-12. 3-11 . 39.
(47) 3-12 . 40.
(48) K. 》. 。 3-13. 41.
(49) 3-13. 42.
(50) . 43.
(51) M. 14. 。. 2/4. 6/8. 3-14. 3-14 . 。. 44.
(52) 2/2 A-B-A' 。. P. 。. 12/8. 3-11. 3-12. 3-15. 3-15. 45.
(53) V. ·. (Allegro con spirito). 3-16. 3-16 . 46.
(54) –〈. (Piu animato). Y. 3-17. 47.
(55) . 48.
(56) . (Andantino). 。. 。. 4-1 4-1. 49.
(57) 4-2. 4-3. 4-2. 4-3. 50.
(58) 12. 4-4. 14. 4-5. 4-4. 4-5. 51.
(59) . (con espress. e dolce). 》 《 4-6 4-7. 23 。. 4+2+2. 《 4-8. B. 。. –. 4-6 . 4-7. 52.
(60) 4-8. 53.
(61) B. 》. – 4-9. 《. 4-9 . 。. 。. 〈. –. 54. 〈.
(62) 45. 。. 。 4-10. 4-10. · 〈. (Allegro vivo). (Vivace) 。. (quasi in 2). 》. 《 4-11. 55.
(63) 4-11. 4-12. 4-12. 56.
(64) 11 (marc.). 4-13. 4-13. 》. 《. (Accelando). 4-14. 57.
(65) 4-14 . 4-15. 4-15 . 58.
(66) 3/4. (pp – p – mf – f – ff) 4-16. 4-16. 4-17. –. 9 4-18. 59.
(67) 4-17. 60.
(68) 4-18. 21 4-19. 4-19. 61.
(69) E. (colla bacchetta). 《. cresc.. 4-. 20 4-21. 4-20 . 4-21 . 62.
(70) . G 4-22 。 4-23. 63.
(71) 4-22. 64.
(72) 4-23. I. (Presto) (leggierissimo). –. 。 p. 4-24. 4-24. 65. 《. (saltando).
(73) 。 ·. 》 “. –. 。. (pizz.). 4-25. 11 –. 4-26. 4-25. 66.
(74) 4-26. 67.
(75) K. cresc. molto 4-27. 4-27. K. 。 4-28. 68.
(76) 4-28. 69.
(77) L 75. 2/4. 。. 4-29. 4-29. M. I. 。. 。 4-30 O. – a. E. A. 70.
(78) 4-30. 71.
(79) O. 2/2. O O O. 2/2 –. –. –. (Moderato alla breve) 4-31. ( 。. 。. 4-32. 4-31. 72.
(80) 4-32. 73.
(81) P. dim.. P. 12/8. 4-33 4-33. P 《 Q. 。 。. 6/8. 4-34. 74. Q. (pizz.).
(82) 4-34. 75.
(83) Q. I D. Q. p. 4-35. 4-35. 76. 5.
(84) V V. · –. (Allegro con spirito) 4-36. ·. 4-36. 77.
(85) V. 9. (marc. assai). 4-37. W 《 4-38. 78. 4-37.
(86) 4-38. 79.
(87) Y. 4-39 4-39. 80.
(88) Z. “ quasi in 2 4-40 4-40. 81.
(89) . Z. quasi in 4 4-41. 4-42. 4-41 . 82.
(90) 4-42. 83.
(91) . quasi in 2. Z 》 《. “. 84.
(92) . “. 《. 《. 85.
(93) . 1. 》 –. “. 《 –. 》. 《. 《. 。. 86. 。. 《.
(94) 《. 《. 87. –.
(95) . 1.. 1989. 2.. 1981. 3.. 22 2006. 4. Schonberg, Harold C.. The lives of the great composers. 、、. 1993 5.. –. MUZIK. 22-23. 88. 91. 2014. 10 ”.
(96) 1. Dianin, Serge Aleksandrovich. BORODIN. Translated by Robert Lord. Connecticut: Greenwood Press, 1980. 2. Baskt, James. A History of Russian-Soviet Music. Connecticut: Greenwood Press, 1966.. 1. Oldani, Robert W. "Borodin, Aleksandr Porfir′yevich." Oxford Music Online. 11 Apr. 2018.. http://www.oxfordmusiconline.com/view/10.1093/gmo/9781561592630.001.0001/omo-. 9781561592630-e-0000040687.. 2. Taruskin, Richard. "Prince Igor." Oxford Music Online. 11 Apr. 2018.. http://www.oxfordmusiconline.com/view/10.1093/gmo/9781561592630.001.0001/omo-. 9781561592630-e-5000005840.. 89.
(97) 1. Rimsky-Korsakov: Scheherazade; Borodin: Polovtsian Dances, Chicago Symphony Orchestra, Seiji Ozawa. EMI: CDC-7 47617 2, 1986. 2. Mussorgsky: Pictures at an Exhibition; Borodin: Symphony No.2, Berliner Philharmoniker, Simon Rattle. Medici art: 88024256798, 2007.. Borodin, Alexander. Polovtsian Dances from “Prince Igor”. Orchestrated by Nikolay Rimsky-Korsakov. New York: Edwin F. Kalmus & Co,. Inc, 1933.. 90.
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