• 沒有找到結果。

“The Spirit Level”: English Poetry from Hopkins to Heaney:

N/A
N/A
Protected

Academic year: 2022

Share "“The Spirit Level”: English Poetry from Hopkins to Heaney:"

Copied!
1
0
0

加載中.... (立即查看全文)

全文

(1)

“The Spirit Level”: English Poetry from Hopkins to Heaney:

This course will sample some of the various types of “meta-physical” poetry written in the United Kingdom during the past century, with an emphasis on short lyric poems and their social, cultural, and religious contexts. We will be looking especially at poetry that pushes language to the edge of what is unsayable, to that which is beyond words. The title for this course is from a book by Seamus Heaney, The Spirit Level (New York:

Farrar, 1996), that contains a poem called “The Swing.” In that poem the speaker narrates the experience of riding with his friends on a tree swing that is a “lure let down to tempt the soul to rise.” Yet the speaker and his friends never really rise far above this world: “Even so, we favoured the earthbound.” The poem concludes, “In spite of all, we sailed, / Beyond ourselves and over and above / the rafters aching in our shoulder-

blades, / the give and take of branches in our arms.” Heaney’s description of the desire for and partial achievement of upward movement, yet the inevitability and glory of remaining earthbound is what this course will examine. We will be reading poets and poems that attempt to stretch language from our daily physical existence into a spiritual or even mystical/religious experience. The course will not be a survey course, though it will present poets and poems in a roughly chronologically order from late in the

nineteenth century to the present. We may look at texts by Gerard Manley Hopkins, Oscar Wilde, Patrick Kavanagh, David Jones, Philip Larkin, Eavan Boland, Seamus Heaney, and Paul Muldoon.

Each student will be responsible for three in-class presentations. In one of the presentations, you will lead the discussion of a particular aspect of the poems being addressed; in the second, you will briefly summarize and critique a recent critical writing about the poems under discussion; in the third, you will apply a critical methodology of your choice to some aspect(s) of the poems we will discuss that week. You will have the choice of writing two papers (the first due during midterm week; the second due at the end of the semester) or one long paper due at the end of the semester. You will also be expected to fully engage in class discussions. Your final grade for the semester will be based on the assigned writings, presentations, participation in class discussion, and attendance. As always, I welcome student input in our choice of texts and am willing to help students outside of class to understand better the texts we read and offer help with the paper(s) they write.

參考文獻

相關文件

You are given the wavelength and total energy of a light pulse and asked to find the number of photons it

The articles in this issue of the NET Scheme News will tell you how our English teachers continue to explore different innovative ways to enrich students’ English learning

 develop a better understanding of the design and the features of the English Language curriculum with an emphasis on the senior secondary level;..  gain an insight into the

Strategy 3: Offer descriptive feedback during the learning process (enabling strategy). Where the

volume suppressed mass: (TeV) 2 /M P ∼ 10 −4 eV → mm range can be experimentally tested for any number of extra dimensions - Light U(1) gauge bosons: no derivative couplings. =>

We explicitly saw the dimensional reason for the occurrence of the magnetic catalysis on the basis of the scaling argument. However, the precise form of gap depends

incapable to extract any quantities from QCD, nor to tackle the most interesting physics, namely, the spontaneously chiral symmetry breaking and the color confinement.. 

• Formation of massive primordial stars as origin of objects in the early universe. • Supernova explosions might be visible to the most