Twombly, Robert (ed.), Louis Sullivan: The Public Papers, Chicago and London 1988 Rawson, George, Francis Henry Newbery and the Glasgow School of Art, PhD thesis,
University of Glasgow 1996
Rawson, George, “The Arts and Crafts Movement and British Schools of Art,” in: The
Journal of the Decorative Arts Society 1850 – the Present 28, Arts and Crafts
Issue 2004, pp. 29-32Redgrave, Richard, and Gilbert Richard Redgrave, Manual of Design: Compiled from
the Writings and Addresses of Richard Redgrave, London 1876
Robertson, Pamela (ed.), Charles Rennie Mackintosh: The Architectural Papers, Wendlebury 1990
Robertson, Pamela, Flower: Charles Rennie Mackintosh, New York 1995
Robertson, Pamela, The Chronycle: The Letters of Charles Rennie Mackintosh to
Margaret Macdonald, 1927, Glasgow 2001
Roxburgh, Graham, Building the Dream: The Realisation of Charles Rennie
Mackintosh’s House for an Art Lover, Glasgow 2006
Ruskin, John, The Nature of Gothic: A Chapter of The Stone of Venice, Hammersmith 1892
Ruskin, John, The Seven Lamps of Architecture, sixth edition, London 1889
Williams, Robert, Art, Theory, and Culture in Sixteenth-Century Italy, New York 1997 Vitruvius, translated by Morris Hicky Morgan, The Ten Books on Architecture,
Cambridge 1914
Website Sources
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https://www.theosophical.org/publications/quest-magazine/42- publications/quest-magazine/1451-the-symbolic-art-of-charles-rennie-mackintosh (accessed August 1, 2017)
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http://www.legislation.gov.uk/aosp/1560/1/contents (accessed March 27, 2017) Falkland Palace at http://www.nts.org.uk/Visit/Falkland-Palace/ (accessed July 17,
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91
Figures
1. Alfred Roller and Koloman Moser,
Ver Sacrum, no.1, 1898, lithograph,
29.5 x 28.2 cm, Vienna, MAK-Austrian Museum of Applied Arts/Contemporary Arts2. The Glasgow School of Art, 1896-1899, north front
3. Queen’s Cross Church, 1897-1899, south front
4. Scotland Street Public School, 1903-1907, north front
92
5. Charles Rennie Mackintosh, Antique Relief, 1886, sepia on paper, 72.4 x 54.6 cm, The Hunterian Museum and Art Gallery, University of Glasgow
6. Foliate Amoretti or “Genii” in Acanthus Scrolls, from: Phyllis Pray Bober and Ruth Rubinstein, Renaissance Artists and Antique Sculpture: A Handbook of
Sources, London 2010, p. 102, cat. 55
93
7. William Dyce, Study from a Plaster Cast, around 1840, black chalk drawing, 36.3 x 47.7 cm, London, Victoria and Albert Museum, inv. no. 700-1898
8. William Dyce, Elementary Outlines of Ornament, 1842-1843, lithograph, ink on paper, mounted on card, 31 x 37.2 cm, London, Victoria and Albert Museum, inv.
no. 15661: 9
94
9. Charles Rennie Mackintosh, Sketchbook of Travels in Scotland and a Tour to
Kent: Turtlehead, Langside, pp. 26-27, 1896, pencil on paper, 34.4 x 11.4 cm, The
Hunterian Museum and Art Gallery, University of Glasgow95
10. Richard Redgrave, Study of a Sow
Thistle, 1850, pen and inks, 153 x 102
mm, London, Victoria and Albert Museum, inv. 8452A11. Richard Redgrave, Study of a Sow
Thistle, 1850, pen and inks, 153 x 102
mm, London, Victoria and Albert Museum, inv. 8452B12. Charles Rennie Mackintosh, “Plans and Perspective of Student Design for a Public Hall,” reproduced in British Architect 34, 28 November 1890, pp. 402, 406-407
96
13. Giuseppe Bertini and Luigi Scrosati, The Tree of Life, 1854-1856, fireplace wall, Italy, Milan, Studiolo Dantesco, Museo Poldi Pezzoli
97
14. Charles Rennie Mackintosh, Study of a Wall at the Studiolo Dantesco, Museo
Poldi Pezzoli, Milan, 1891, pencil, 230 x 160 mm, Northern Italian Sketchbook
Project, GSA collections, p. 44 (44 out of 106)98
15. Arthur Mackmurdo, Wren’s City Churches, 1883, book cover, London, Victoria and Albert Museum
16. Charles Rennie Mackintosh, Carving over Renfrew Street Entrance, 1896-1899, The Glasgow School of Art
99
17. Charles Rennie Mackintosh, Study of Capital and Plan, Interior, San Michele,
Pavia, Italy, 1891, pencil, Northern Italian Sketchbook Project, GSA collections, p.
74 (74 out of 106)
18. Roland Fréart de Chambrey, Parallèle de l'Architecture Antique et de la
Moderne, Paris 1650, p. 63
100
19. Charles Rennie Mackintosh, Roses, 1894-1895, pencil, 27.5 x 22.1 cm, The Hunterian Museum and Art Gallery, University of Glasgow, inv. GLAHA 41002
20. Christopher Dresser, Leaves and Flowers from Nature, from: Owen Jones, The
Grammar of Ornament, London 1856, chapter XX, plate 8
101
21. Charles Rennie Mackintosh, The Descent of Night, 1894, pencil and watercolor, 24 x 17.2 cm, GSA collections
22. Charles Rennie Mackintosh, Cabbages in an Orchard, 1894, pencil and watercolor, 8.6 x 23.5 cm, GSA collections
102
23. Charles Rennie Mackintosh,
Autumn, 1894, pencil and watercolor,
28.2 x 13.3 cm, GSA collections24. Charles Rennie Mackintosh,
Stylized Plant Form, 1894, pencil and
watercolor, 25.5 x 10.7 cm, GSA collections103
25. Charles Rennie Mackintosh, Tree, 1894, pencil, 17.2 x 11 cm, GSA collections
26. Charles Rennie Mackintosh, Winter, 1896, pencil and watercolor, 31.3 x 20.8 cm, GSA collections
27. Charles Rennie Mackintosh, The Tree of Influence, 1896, pencil and watercolor, 32 x 25 cm, GSA collections
104
28. Charles Rennie Mackintosh, The Shadow, 1896, pencil and watercolor, 29.8 x 18.1 cm, GSA collections
29. Charles Rennie Mackintosh, The Tree of Personal Effort, 1896, pencil and watercolor, 32 x 25 cm, GSA collections
105
30. Charles Rennie Mackintosh, Invitation to the Glasgow School of Art Club
Meeting on 19
thNovember 1892, 1892, blue ink on paper, 134 x 217 mm, The
Hunterian Museum and Art Gallery, University of Glasgow, inv. no. GLAHA 4154431. Michelangelo, The Delphic Sibyl, 1509, fresco, Vatican, Sistine Chapel
32. Michelangelo, The Erythraean Sibyl, 1509, fresco, Vatican, Sistine Chapel
106
33. Charles Rennie Mackintosh, Glasgow School of Art Club Diploma of Honor, 1893, engraving printed in pale green on paper, 23.2 x 29.3 cm, The Hunterian Museum and Art Gallery, University of Glasgow, inv. GLAHA 41097
34. Margaret Macdonald, Invitation Card for a Glasgow School of Art Club ‘At
Home’ 25 November, 1893, green ink on paper, 13.1 x 15.1 cm, The Hunterian
Museum and Art Gallery, University of Glasgow, inv. GLAHA 41077107
35. Frances Macdonald, Programme of Music for the Glasgow School of Art Club
‘At Home’ 25 November, 1893, green ink on paper, 13.1 x 11.8 cm, The Hunterian
Museum and Art Gallery, University of Glasgow, inv. GLAHA 4107836. Jessie Keppie, Autumn, 1894, pencil and watercolor, 21.5 x 22 cm, GSA collections
37. James Guthrie, A Hind’s Daughter, 1883, oil on canvas, 91.5 x 76.2 cm, Edinburgh, Scottish National Gallery of Modern Art, inv.
NG2142
108
38. Charles Rennie Mackintosh, Queen’s Cross Church (St Matthews Church)
Perspective, 1897 or 1898, pencil and ink, 569 x 619 mm, The Hunterian Museum
and Art Gallery, University of Glasgow, inv. GLAHA 5258639. John Honeyman and Keppie Architects Office, Queen’s Cross Church, Block
Plan, 1897, pencil, ink and wash, 463 x 544 mm, Glasgow City Archives
Collection, inv. TD1309/A122
109
40. John Honeyman and Keppie Architects Office, Queen’s Cross Church,
Ground-Floor Plan, 1897, photo-mechanical reproduction and wash, with ink inscriptions,
481 x 703 mm, Glasgow City Archives Collection, inv. TD1309/A12241. Charles Rennie Mackintosh, Conversazione Programme for the Glasgow
Architectural Association, 1894, black and green ink on blue paper, 133 x 190 mm.
Part of the Thomas Howarth collection, sold at Christies on 17th February 1994
110
42. Queen’s Cross Church, 1897-1899, carving on the south-east porch
111
43. Queen’s Cross Church, 1897-1899, pulpit
112
44. Queen’s Cross Church, 1897-1899, details of chancel panelling
45. Queen’s Cross Church, 1897-1899, details of chancel panelling
46. Queen’s Cross Church, 1897-1899, altar table
47. Queen’s Cross Church, 1897-1899, capitals
113
48. Queen’s Cross Church, 1897-1899, hall roof trusses
49. Queen’s Cross Church, 1897-1899, details of pulpit
50. Queen’s Cross Church, 1897-1899, details of pulpit
114
51. Queen’s Cross Church, 1897-1899, the upper part of the pulpit
52. Charles Rennie Mackintosh, Poster for “The Scottish Musical Review,” 1896, ink on paper, 240 x 95 cm, The Hunterian Museum and Art Gallery, University of Glasgow, inv. GLAHA 52563
115
53. The Glasgow School of Art, 1896-1899, symbols on the railings (scarab, bee, ant, bird, ladybird)
54. Kikuo Tanaka and Kiyoshi Takazieva, Iroha-biki Moncho (Book of Crests and
Designs), Tokyo 1800, p. 83 (83 out of 608)
116
55. Queen’s Cross Church, 1897-1899, east window
56. The Glasgow School of Art, 1896-1899, museum
57. Cheval Mirror for 120 Mains
Street, 1900, oak, painted white,
with colored glass panels and white metal handles, 207.3 x 67.6 x 62.5 cm, Glasgow University117
58. Glasgow coat of arms, 1866, Glasgow, Mitchell Library, inv. G 929.8 MCG
59. Saint Matthew’s token, 1843, from: George Ernest Philip, Free St. Matthew’s
Church, Glasgow: A Record of Fifty-Five Years, Glasgow 1898, p. 193
60. Charles Rennie Mackintosh,