重逢真實界：以拉岡式精神分析探究主體性

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(1)१ഇઍᄂࣨȈо‫۫ܜ‬ԒᆠડϷ ‫ݙ‬௤‫ـ‬кᡝ‫ܒ‬ ‫ݓ‬᝺౾*! ! ᠻ‫ڟ‬ॖ**. ᄢ! ौ ҏМҥȶཎᜋ‫ٮ‬Ϛ࢐ලႇ‫ޟ‬ȷࡇᆎ໠ۖІࡦȂငҥ঱Ᏸ‫ڷ‬ᆠડ Ϸ‫ݙ‬Ᏸ‫ޟ‬Һᙑϭ७Ȃ१ཱིԕ࡙ฒཎᜋкᡝ‫ޟܒ‬ཎొЅ‫ڏ‬ᖝ‫ח‬ᄂ፺Ȅ ӵ፣क़๊౱ΰȂкौ௃‫ޟ۫ܜ‬кᡝ‫ܒ‬౩፣ᇄ‫ڏ‬গ౩ᏰϞ໢‫ޟ‬ᜰ߽Ȃ оᆠડϷ‫ݙ‬ᏰІ᙭௤ષ‫ޟ‬ൟ‫ܚ‬ȃਢ໢ȃᐠႄȃഺ༌Ѳএ౪ຫቹ७Ȃ ௤‫ـ‬ฒཎᜋкᡝ‫ޟ‬ਗ਼౪ȂҥԪ‫࡟ࣼپ‬Ιߞџ૖‫ޟ‬ȶᆠડϷ‫ݙ‬গ౩ ᏰȷȂӱ๎‫ܚ‬ᒝȶཎᜋкᡝԫιȷϞѴ‫ޟ‬ѪΙᆍкᡝ‫ܒ‬౩፣ၯ৷Ȃ ‫ٮ‬оԪཱི࠮ᄘ‫ޟ‬кᡝ‫پܒ‬ӱᔖཎᜋкᡝ‫ޟ‬ӠᐠȄҏМᇯ࣏Ȃฒཎᜋ кᡝ‫ޟ‬ઍᄂȃᐠႄᇄ१ഇȂฒߨ൷࢐Ιᆍಯ᠙భఖȂ‫ٷ‬๿ฒཎᜋк ᡝၼଢ଼ПԒԆࣀ‫ޟ‬భఖগ౩‫໌ޟ‬Ͻ໠৤ᐣแȄԃԪȂᄇܻഺ༌ငᡛ ‫ޟ‬೎౩ПԒȂζҡԙѪΙᆍџ૖‫ܒ‬Ȅ. ᜰᗤԅȈൟ‫ܚ‬ȃਢ໢ȃᐠႄȃഺ༌ȃগ౩ *. ୽ҳ‫ݍ‬๼σᏰᒚ୦ᇄᖝ‫ח‬Ж౩Ᏸ‫ف‬ఀ௲Ȅ E-mail: [email protected]Ȅ. **. ୽ҳѮࠒ᛺೚σᏰ᛺೚ഺհ౩፣ിρੲ୙ఀ௲ঙ‫ߝܚ‬Ȅ E-mail: [email protected]Ȅ ҏ፣МഋϷၥਟȂᕕு୽ऋོं‫ـ‬ॎหNSC99-2410-H-259-019-MY2င າ၄օȂ੫ԪमᗂȄ.

(2) 2! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. Returning to the Real: To Explore the Subjectivity of the Unconscious from the Lacanian Psychoanalysis Lin, Yaw-Sheng* Gong, Jow-Jiun**. Abstract To reflect the claim ‘the conscious is not the universal’, the paper is aimed to reconstruct the unconscious subjectivity from the theoretical psychology, and to put the related concepts into clinical practice. Borrowed from the four phenomenological concepts, namely, lieu, temporality, tuché and trauma, we propose the new ethics of the psychoanalysis as the route to the reemergence of the unconscious subject to reply with the enlightenment thought crisis what so called the conscious subject is dead. This article is concluded the unconscious subjectivity is reconstructed based on the ethics of desires, the process is nothing but listening to the desire by repetition without the betrayal of the semantics of the desire from the unconscious. Keywords: Lieu, Temporality, Tuché, Trauma, Ethical. *. Professor, Department of Counseling and Clinical Psychology, National Dong Hwa University. **. Associate Professor and Chairman, Doctoral Program in Art Creation and Theory, Tainan National University of the Arts.

(3) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬3. ൦ȃкᡝ‫ܒ‬୰ᚠ‫ޟ‬঱ᏰᙚᙽȈ௃ཎᜋк ᡝ‫ڗ‬ฒཎᜋȞభఖȟкᡝ ౩፣Ж౩ᏰȞtheoretical psychologyȟ࢐Ιߞӣਢଡؑ঱Ᏸ‫ڷ‬ऋ Ᏸᚖ१Ҭ‫ޟ‬Ϟ੫ۡሴ୿Ȃငலᙤօܻ‫׳‬րԒ‫ོޥ‬МϽ౩፣ȂІࡦЖ ౩Ᏸᇯᜋ፣‫ޟ‬ਲ਼ҏႱ೩Ȃ໌Մငҥࣺᜰ౩፣‫ޟ‬ᐌӫȃૈ਷‫֜ڷ‬ઽȂ ஠ ౩ ፣ ྅ ‫ ᙽ ܈‬Ͻ ࣏ Ж ౩ Ᏸ ‫ ޟ‬ᄂ ፺ Ȟ psychological practice ȟ ȞSullivan, 2008ȟȄஅܻԪȂкᡝհ࣏Ж౩Ᏸ௤‫ޟـ‬ᄇຫȂխн࢐ ΙএȶϚᜌՌ݂ȷ‫ޟ‬ដᚠȄծ௃౩፣Ж౩Ᏸ‫ีُ࡙ޟ‬୰Ȉդᒝȶк ᡝȷี৤‫ޟ‬౩፣ȉࠓάᜲо࡚ᄺюΙএȶ౩‫ܚ‬࿋ณȷ‫๎ޟ‬ਰȄ௃౩ ፣Ж౩Ᏸ‫ޟ‬ጒᛟȂҏМ஠ငҥ঱Ᏸ‫ڷ‬ᆠડϷ‫ޟݙ‬Һᙑϭ७Ȃ१ཱིІ ࡦкᡝ౩፣‫ޟ‬ཎొЅ‫ڏ‬ᖝ‫ח‬ᄂ፺Ȅ ‫ר‬ঈ௃‫۫ܜ‬ȞJacques Lacanȟӵ಑Πᖿ৴಑ΪΤണȲభఖȃҡ ᇄԫȳଆ፣Ρ᜸кᡝ‫ל‬ԙਢȂࡾю҅ࣄӀኈȞSigmund Freudȟ‫ޟ‬ᆠ ડϷ‫ݙ‬ငᡛശᆠौϞ೎ӵܻඪᒺ‫ר‬ঈȈȶཎᜋ‫ٮ‬Ϛ࢐ලႇ‫ޟ‬ȷ ȞLacan, 1978: 308ȟ೻ѯၗ໠ۖІࡦȄ൷ԪՄِȂᐌএ౪фжࣨ‫ޟ‬ ငᡛȂϚѴ൷࢐௃ႆ࡙‫ྡྷؖ‬ӵཎᜋ‫ޟ‬ஈ๿ϛംᅚสᒺ‫ޟ‬ငᡛȄ‫ר‬ঈ षौၰಳཎᜋ঱Ᏸ‫؂ޟ‬ᑩȂ໠ۖ७ᄇΡ᜸‫ޟ‬ԆӵȂ‫ڏ‬ᜰᗤӵܻ७ᄇ Ρ᜸‫ޟ‬భఖ๖ᄺҏ٘ȂӰ࣏௃భఖ๖ᄺϗ૖ஊ၌ភΡ᜸‫ޟ‬፛ҡȄ‫ܜ‬ ܻ۫Ԫ೎‫ࡾܚ‬Ρ᜸Ȃ‫ٮ‬Ϛ࢐యฒএտ७ᇼ‫ޟ‬တಀȂՄ࢐ོᇳၗ‫ޟ‬ ΡȄՄΡ᜸‫ޟ‬ၗᇭЕΣΟ࢚ᆍٗо‫ڷ‬ઍᄂࣨȞle réelȟࣺඪ‫ٮ‬፣‫ޟ‬ భఖϞ‫ސ‬Ȅ ‫۫ܜ‬ӵ1954ԑ‫ڗ‬1955ԑᖿ௲‫ޟ‬಑Πᖿ৴ϛȂඪю೻ኺΙᆍ௃భ ఖ๖ᄺᄇܻΡ᜸кᡝ‫ܒ‬१ཱིёоលភ‫ُ࡙ޟ‬ȞLacan, 1978ȟȄӵέ ΪԑϞࡣȂᅚᅚᄇዉछᖝ‫ח‬Ж౩Ᏸࣨ౰ҡΟ१σ‫ޟ‬ኇ៪ȂЎ‫ڏ‬ᄇܻ ܲԤ঱Ᏸ༊ө‫ޟ‬Ж౩Ᏸড়‫پ‬ᇳȂ೻ᆍȶࡣ๖ᄺкဎԒȷ‫ޟ‬кᡝ‫ܒ‬዁.

(4) 4! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ԒȂΙП७ȂᄇܻоՌ‫ר‬Ж౩Ᏸ࣏фߒ‫ޟ‬ᖝ‫ח‬౩፣ᇄᄂ፺ёо‫׳‬ րȂ‫׳ڏ‬ր‫ޟ‬ӓӣᘈ࢐‫ܢ‬๘ంᇌၼଢ଼ȃՌҥкဎȃΡМкဎ‫ܚޱ‬ඪ ю‫ޟپ‬ȶཎᜋкᡝ‫ܒ‬ȷ዁ԒȂоЅཎᜋкᡝ‫ܚ‬Ⴑ೩‫ޟ‬ԆԤᏰΰ‫ޟ‬ቋ ঄அᙃкဎȞfundamentalismȟ‫ڷ‬౩‫ܒ‬ලႇкဎȞuniversalismȟȂ ӣਢζ‫ܢ‬๘೻ᆍоཎᜋ঱Ᏸ࣏ਯЖ‫ޟ‬ቋ঄அᙃкဎᇄ౩‫ܒ‬ලႇкဎ հង֤‫ޟ‬ཎဎȃઍ౩ȃၾኈᇄগ౩‫ࣺޟ‬ᜰк஻Ȅ඲ِϞȂԃஶኈ ȞImmanuel Kantȟ‫ڷ‬ᆋࢠȞMichel Foucaultȟ഍ෆᄇȶంᇌȷߒҰ ౏࡙‫ࡦࣸޟ‬ȄஶኈᇳȈȶంᇌ൷࢐Ρ௃Ռ٘٥‫ڽ‬ҥՌ‫ޟڥ‬Ґԙԑ‫ޑ‬ ᄘϛٖю‫پ‬ȄҐԙԑ࢐ࡾΙҍಳᚔтΡ‫ࡾޟ‬ఀ൷ฒ‫ٺݲ‬ҢՌϏ‫ޟ‬౩ ස‫ݷޑޟ‬Ȅ‫ڽ‬ҥՌ‫ีࡾ࢐ڥ‬ҡ೻ᆍ‫ޟݷޑ‬নӰϚӵܻીм౩සȂՄ ӵܻીмଢ଼ҢՌϏ౩ස‫ؚޟ‬ᘞ‫੉ࠍڷ‬Ȅ਌юࠍ੉‫پ‬Ȃў໠ంձՌϏ ‫ޟ‬౩ස֑Ȋ೻൷࢐ంᇌ‫ޟ‬ਿِȄȷᆋࢠࠌ౏ϸࡾюȶంᇌਢфՍϬ ‫רڷ‬ঈ‫ۦ‬ԤΙ๛౞ಙ‫ޟ‬ጣષȂ‫רߨٮ‬ঈᄇంᇌၼଢ଼ఀనкԟ‫ۡ஀ޟ‬ ߬ᄂȂՄ࢐Ιᆍᄘ࡙‫ޟ‬җ࡯Ӕඈส˕٥൷࢐ᄇ‫ר‬ঈည٘‫ޟ‬ᐣѬԑ фȂ߳ࡻҗ࡯Ӵ‫׳‬ր‫ޟ‬Ιᆍ঱ᏰਢфᆠડȷȞFoucault, 1977ȟȄ‫ܚ‬ оȂ‫ݼ‬๿ஶኈ‫ڗ‬ᆋࢠ‫ޟ‬ంᇌඪ୰Ȃ‫ר‬ঈுоІࡦంᇌ‫҆ޟ‬ณ३‫ڙ‬Ȃ ໌ՄᡗҰཎᜋкᡝ‫ޟ‬ੑιȂғඪ‫רټ‬ঈІࡦѪΙᆍฒཎᜋкᡝ‫ޟ‬џ ૖Ȃ೻ζ࢐ҏМଆ፣‫ޟ‬அᙃȄ ѪΙП७Ȃӵ࿋фЖ౩Ᏸ౩፣ᇄᄂ፺ϛȂζӰ࣏೻ᆍཎᜋ঱Ᏸ ‫ޟ‬Ⴑ೩Ȃ‫ל‬ԙΟ‫ྃڍޟ࠮ڐ‬Ͻ‫ތ‬፣Ȃ೻ᆍ‫ྃڍ‬Ͻඌାкौᡗ౪ӵগ ౩‫ޟ‬፣ᚠΰȄ‫پ‬ՌܻȶஅᙃкဎȷȞԃӓ౰кဎ‫ޟޱ‬গ౩Ᏸȟᇄ ȶලႇкဎȷȞԃJohn Rawlsগ౩Ᏸȟᄇܻтঈಁϛ‫ޟ‬ȶࡣ๖ᄺк ဎȷശලႇ‫׳ޟ‬ຟȂ։ᇯ࣏ࢋณȶࡣ๖ᄺкဎȷ஼፡ఄᇳၽᔛ‫ޟ‬ӻ ϯȂ஼፡‫ר‬ঈϚᔖ၎‫רװ‬ঈՌϏ‫ޟ‬ၽᔛೣࠌ࢜ᄺӵтΡ‫ޟ‬ၽᔛೣࠌ ΰȂࠌȶࡣ๖ᄺкဎȷ‫ܚ‬ង֤‫ޟ‬গ౩Ᏸк஻൷༉༉࢐Ιᆍগ౩ࣺᄇ кဎȞrelativismȟȄณՄȂ‫װ‬೻ኺ‫ޟ‬፣ᏽᙏϽ࣏೻ᆍ‫ྃڍ‬ϽୢϷȈ.

(5) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬5. ලႇкဎVS.ࣺᄇкဎȂᄂሬΰѫ࢐‫װ‬গ౩୰ᚠ‫ޟ‬ଆ፣ᡐԙᇼխᝒ ๦‫ޟ‬МԅၽᔛȞBarnard, 2002: 160-161ȟȂ‫࢐ޱܖ‬ϚՌឈഞΣၾኈ ࢊॆᇄ‫شॆڧ‬Ԓ‫ࣺޟ‬ϣ‫׾‬ଅၽᔛϛȄӵ೻ᆍ‫ྃڍ‬ᄇҳϞѴȂ‫۫ܜ‬ၐ ყ‫װ‬গ౩୰ᚠ‫ܜ‬ӱ‫ڗ‬࿋ή‫ޟ‬ᆠડϷ‫ݙ‬ᄂ፺՗ଢ଼ϛȂтӵ಑Μᖿ৴ϛ ᇳȈȶ‫ר‬ঈӵऎആΟငႆᎍጶ‫ٱޟ‬ᄂȃࣥՍ࢐ଊ᜝Մॊҡю‫ޟپ‬Ж ౩ᏰϞϛ‫ีܚ‬౪‫࡙౏ޟ‬ϚᅖȂѓࢂ‫ר‬ঈആႆᆠડϷ‫ݙ‬Ᏸ‫࡚ܚ‬ҳ‫ޟ‬Ж ౩ᏰȂ‫ר‬ঈֆΨ‫װ‬ฐᘈ໱ϛӵ‫ר‬ঈՌϏ՗ଢ଼‫ޟ‬୰ᚠΰȂՄ೻ғ࢐‫ܚ‬ Ԥগ౩Іࣸ‫ޟ‬ҏ፴ᇄઍғஅᙃȷȞLacan, 1986: 27ȟȄ ࿋ᆠડϷ‫ݙ‬ড়‫۫ܜ‬ആႆ१ཱིᎧ᠞҅ࣄӀኈՄк஻ȶཎᜋ‫ٮ‬Ϛ࢐ ලႇ‫ޟ‬ȷϞਢȂ‫ޟ۫ܜ‬ᆠડϷ‫ݙ‬Ᏸᇳ‫ـ‬തӵդᆍแ࡙ΰȂџоඪю Ԥտܻంᇌၼଢ଼ȃՌҥкဎȃΡМкဎ༈ಛ‫࡚ܚ‬ᄺю‫ޟپ‬ཎᜋкᡝ ‫ܒ‬዁Ԓȉԃ‫ݎ‬Ρ᜸‫ޟ‬Ԇӵ҆໸௃т‫ޟ‬భఖ๖ᄺ‫پ‬ёоࣨۡ‫ڷ‬౩၌Ȃ ࠌࣺၶܻ‫ޟ۫ܜ‬࿋фӣᏔ஼፡кᡝ‫ޟ‬ತྃԫιȂ‫ٽ‬ԃᆋࢠ஼፡ཎᜋ кᡝ‫ޟ‬ԫιᇄੑѶȃኈ‫ה‬ႀȞJacques Derridaȟ஼፡кᡝ‫ޟ‬၌ᄺȂ ‫ޟ۫ܜ‬ᆠડϷ‫ݙ‬౩፣‫ـ‬തӵϧቄཎဎΰȂџоᇳᗙ߳੼Οкᡝ‫࢚ޟ‬ ‫ٲ‬ഋϷȂџоᇳтលक़๿ѪѴΙᆍкᡝ‫ޟܒ‬౩፣‫ڹ‬ȉ඲ِϞȂ௃গ ౩Ᏸ‫پُ࡙ޟ‬ᇳȂ‫ޟ۫ܜ‬ᆠડϷ‫ݙ‬Ᏸᇳ࢐֏ᗙ߳੼Ο࢚Ι੫ُ࡙ۡ ‫ޟ‬кᡝ‫ܒ‬౩፣Ȃ௃ՄһٗоЛࡻт࡚ҳΙᆍߨஅᙃкဎȃߨᢎ‫܈‬፣ ‫ޟ‬গ౩Ᏸ‫ڹ‬ȉ ‫ר‬ঈᇯ࣏Ȃ೻এཱི࠮ᄘкᡝᇄբᓍ‫ޟ‬গ౩ᏰՃ໔Ȃ‫ܖ‬೨џоആ ႆᆠડϷ‫ݙ‬ᇄ༈ಛЖ౩Ᏸࣼ࡟ȶభఖȷਢ‫ޟڥ௴ܚ‬σࣺഃ৳‫ُޟ‬ ࡙ȂᄥષΙనȶѪ᜸кᡝȷ‫ޟ‬ᚄ఼ጣષȄ‫۫ܜ‬ӵ಑ΪΙᖿ৴Ȯᆠડ Ϸ‫ޟݙ‬Ѳএஅҏ྅‫܈‬ȯ‫ޟ‬಑έണȲ፣ጂۡ‫ޟܒ‬кᡝȳϛඪᒺ‫ר‬ঈȈ ȶԃ‫ݎ‬ӵ༈ಛЖ౩Ᏸ‫ޟ‬ሴ୿࿋ϛȂ஼፡‫ޟ‬१ᘈ࢐ӵΡ᜸భఖฒџ௡ ‫ڙ‬оЅฒ‫ݲ‬३ۡ‫ޟ‬੫‫ܒ‬ΰȂԤ࢚‫ٲ‬ડထ‫ࠉޟ‬՗‫ޱ‬ϐင‫װ‬тঈ‫ٗޟ‬ၬ ੼ӵ೻এሴ୿ȂՄᆠડϷ‫ޟݙ‬ငᡛᡱ‫ר‬ঈ૖ஊࡇᆎ‫ޟ‬Чჿ࢐భఖ‫ޟ‬.

(6) 6! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. Ԥ३հҢȞla fonction limitée du désirȟȄభఖȂ຺ႆΡ᜸џ૖‫ܚܒ‬ Ԥጒ൜‫ޟ‬ӈդ‫ڏ‬т࿽ᘈȂѺོӵ࢚‫ٲ‬ӴПᎏႄ‫ڏ‬३‫ڙ‬ȷȞLacan, 1973: 32ȟȄ൷ԪՄِȂкᡝϚӔ࢐এฒ३೽ആ‫ޟ‬౩‫ܒ‬кᡝȂՄ࢐ ӵཎᜋቹ७ฒ‫ׇݲ‬ӒՌ‫ޟޣ‬Ԥ३кᡝ˕‫ڧ‬३ܻ‫ོڏ‬Ռ՗ᎏႄ‫ڏ‬३ ‫ޟڙ‬భఖϞհҢȄ ҏጕ፣М‫ޟ‬к໅Ȃ൷࢐ौ௃‫ޟ۫ܜ‬кᡝ‫ܒ‬౩፣ᇄ‫ڏ‬গ౩ᏰϞ໢ ‫ޟ‬ᜰ߽Ȃ੫տ࢐௃ȶฒཎᜋȷȞunconsciousȟкᡝ‫ޟ‬ൟ‫ܚ‬ȃਢ໢๖ ᄺȂ໌Ι؏ࡾю‫ڏ‬ਗ਼౪‫ޟ‬ӰጢȞcausalitéȟȃᐠႄȞtuchéȟᇄഺ༌ Ȟtraumaȟ‫ޟ‬ਲ਼ҏ‫ܒ‬ȂҥԪ‫࡟ࣼپ‬Ιߞџ૖‫ޟ‬ȶᆠડϷ‫ޟݙ‬গ౩ ᏰȷȂӱ๎‫ܚ‬ᒝ‫ޟ‬ȶཎᜋкᡝԫιȷϞѴ‫ޟ‬ѪΙᆍкᡝ‫ܒ‬౩፣ၯ ৷Ȃ‫ٮ‬оԪཱི࠮ᄘ‫ޟ‬кᡝ‫پܒ‬ӱᔖంᇌၼଢ଼ࡦᆰ‫ޟ‬ӠᐠȄоήȂҏ МоᆠડϷ‫ݙ‬ᏰІ᙭௤ષ‫ޟ‬ൟ‫ܚ‬ȃਢ໢ȃᐠႄȃഺ༌Ѳএ౪ຫቹ ७Ȃ१௤ฒཎᜋкᡝ‫ޟ‬ਗ਼౪Ȃ໌Մඪю‫ܚ‬ᒝ‫ޟ‬ȶᆠડϷ‫ޟݙ‬গ౩ ᏰȷϞкᡝ౩፣໌৤Ȅ. ຯȃฒཎᜋкᡝ໠ນϞൟ‫ܚ‬ȈΙᆍߨު ໢ SamuelsȞ1993ȟࡾюȂ࣏Ο૖ஊшϷජक़҅ࣄӀኈ‫ٲ࢚ޟ‬к ौᢎ‫܈‬Ȃ‫۫ܜ‬ӱᘪ‫ڗ‬঱Ᏸ‫ޟ‬ൟ୿Ȅ೻ኺ‫ݎࡣޟ‬൷࢐ЕΣΟ೨ӻ঱Ᏸ ড়‫ڗ‬ᆠડϷ‫ޟݙ‬ൟ୿Ȃζ‫װ‬೨ӻᆠડϷ‫ݙ‬ৱЕΣ‫ڗ‬঱Ᏸ‫ޟ‬ൟ୿Ȅ௃ ঱Ᏸ‫پُ࡙ޟ‬ᇳζ൷࢐ȈԆӵ‫ޟ‬ሴ୿ȃ౪ຫ‫ޟ‬ሴ୿Ȃ๖ᄺ‫ޟ‬ሴ୿Ȅ SamuelsȞ1993ȟᇯ࣏Ԥέএቹ७‫ޟ‬঱ᏰࡦᆰȂኇ៪ᆠડϷ‫ݙ‬Ȃ։ Ԇӵкဎȃ౪ຫᏰᇄ๖ᄺкဎȄ಑Ιቹ७‫ޟ‬ȶԆӵкဎȷࡾ‫࢐ޟ‬এ տ۞ҳ‫ޟ‬кᡝ‫ޟ‬Ո٘ԆӵȂ೻এкᡝӵᇄӈդт‫ؠޱ‬Ԥᜰ೿ȃ‫ؠ‬Ԥ ᇭِȃ‫ؠ‬Ԥྜ೽૖Ψ‫ݷޑޟ‬ήȂ፛ҡжࣨ‫پ‬Ȅ൷೻এԆӵငᡛ‫ޟ‬ቹ ԩᇳ‫پ‬ᇳȂ‫ר‬ঈџоᇳкᡝ࢐ҥઍᄂཐ‫ڧ‬ᇄ‫ޣ‬ឈ‫ߨޟ‬ಒဴϽжࣨ‫ܚ‬.

(7) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬7. кᏲȄӰԪȂ۞൐ԆࣀӵઍᄂࣨȞthe realȟ‫ޟ‬кᡝȂ࢐‫ׇ‬Ӓ‫ޟ‬ᇄ‫ޥ‬ ོᜰ߽‫ޟ‬ຫ኉પ‫ו‬Ϸᚔ໠‫پ‬Ȅ ઍᄂࣨ‫ޟ‬೻ᆍনߑ‫ޑ‬ᄘȂસᆞ‫ޟ‬Ԇӵџоೝ಑Πቹ७‫ޟ‬ȶ౪ຫ Ᏸȷΰ‫ޟ‬ཎᜋ‫ڥܚ‬фȂӵ೻ᆍཎᜋ࿋ϛཐឈ‫ޟ‬સᆞငᡛೝಛΙ‫ޟ‬Ռ ‫ר‬ᇄএᡝ‫ޟ‬ཎө‫ܚܒ‬௥෇Ȅ‫װ۫ܜ‬ѺᆎϞ࣏ད჋ࣨಛΙᡝ‫לޟ‬ԙȂ Ӱ࣏‫ڏ‬ೝ࡚ҳӵᐌᡝϽ٘ᡝყԒ‫ޟ‬ਲ਼ҏВຫΰȄ‫۫ܜ‬ᇯ࣏кᡝѫԤ ആႆΙᆍІৢ‫ޟ‬Ռᠾ‫ל‬჋‫ޟ‬ᢎ‫܈‬Ӕ౪Ȃϗ૖ஊᄇԪு‫ڗ‬Ιএ྅‫܈‬Ȅ Մ೻এ‫ל‬ຫҏོ٘‫װ‬Ռ‫ޣޟר‬ឈሴ୿‫ޟ‬ಢᙑϽԙ࣏ΙএԤ३ᇄಛᐌ Ͻ‫ޟ‬ཎᜋሴ୿Ȅ ᆠડϷ‫ݙ‬঱Ᏸ‫ޟ‬಑έቹ७࢐ȶ๖ᄺкဎȷȂ‫ڏ‬ငᡛ‫ޟ‬ө࡙൷࢐ ‫ོޥ‬ᜰ߽‫ڷ‬ᇭِ‫ޟ‬๖ᄺቹԩȄӵ೻এቹԩȂкᡝϚӔ࢐ઍᄂࣨ‫ޟ‬ ȶӵϏԆԤȷȂζϚ࢐ད჋ࣨ‫ޟ‬ȶ࣏ϏԆԤȷȂՄ࢐ຫ኉ࣨ‫ޟ‬ȶ࣏ т‫ޟޱ‬ԆԤȷȄкᡝ҆໸ែࣘՌϏ‫ޟ‬ཐۢሯؑȂែࣘ‫ڏ‬Ռ‫ר‬ϛЖौ ؑȂо७ᄇ‫ོޥ‬ᐣѬᕗც‫ࠌݲޟ‬ᇄቋ঄Ȅ ൷ԪՄِȂ‫ޟ۫ܜ‬кᡝ౩፣խн֕౪ӵкᡝᇄт‫ޟޱ‬ᜰ߽࿋ ϛȂषᇳԪᆍᜰ߽џоຜϞ࣏Ιᆍൟ‫ܚ‬ȂࠌԃԪΙᆍൟ‫ོܚ‬оΙᆍ ࠉԆԤᏰȞpré-ontologiqueȟ‫ޟ‬ПԒȃΙᆍ౏ెນᖁȃΙᆍҐೝᄂ ౪Ȟnon-réaliséȟȃᒿ٘ՄႆȃΙᆍԤ࡟१ഇ‫ޟ‬ኺᄘՄԆӵ๿Ȅ඲ ِϞȂ೻এฒཎᜋၼհ‫ޟ‬ൟ‫ོܚ‬оΙᆍᜲоཎᜋ‫ޟڗ‬গ౩Ψ໔ԃୀ Ꮔૡ‫ܣ‬Е๿кᡝӵ१ፒȞrépétitionȟ࿋ϛϚᘞӴ‫܁‬ήၰȂ‫ࣥ۫ܜ‬Ս оϛഛ‫ޑ‬ᄘȞlimbesȟ‫לپ‬ৠ೻ᆍ֜Екᡝᇄт‫ޱ‬७ᄇ७ᎏഇ‫ޟ‬ᜰ ߽ൟ‫ܚ‬ȞLacan, 1973: 32ȟȄ ೻ኺΙএၙ౴‫ޟ‬ൟ‫ܚ‬Ȃ‫ܖ‬ȶߨൟ‫ܚ‬ȷȞnon-lieuȟȂᡱ‫۫ܜ‬ෆ င೻ኺຟ፣҅ࣄӀኈ‫ޟ‬ӀᅴϞჲਰ‫ٽ‬ȞDream of Irma's Injectionȟ ं‫ـ‬ȈȶོᏲЕю೻এџ‫ޟܐ‬хΡฐኌ‫לޟ‬ຫȞimageȟю౪ȂᏲ Ею೻Ιᗻઍᄂ‫ޟ‬Ꮔ؇಼ȞMedusaȟ‫ޟ‬ᓞȂᏲЕюጂϸ‫پ‬ᇳ࢐ฒо.

(8) 8! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ӪϞȃ൙ᓞ‫౏ޟ‬೎ȃ௑๖ȃᜲоۡ՝‫לޟ‬ԒȂӣਢζᡱѺᡐ౪юശ নߑ‫ࡊޟ‬ᡝȂ‫ܚ‬Ԥҡ‫ڼ‬ӵ࿋ϛងҡю‫ޟپ‬ഛ‫ܒ‬Ꮲۢ౏ె ȞabîmeȟȂ໠ο‫ޟ‬ฒ‫ࢾۻ‬Ȟle gouffre de la boucheȟȂ‫ܚ‬Ԥ‫ސٱޟ‬ ೝѺ‫֍ܚ‬ᏦȂѺӣਢζ࢐ԫι‫לޟ‬ຫȂᡱ‫ܚ‬Ԥ‫ٖސٱޟ‬өತ๖ȌȌ ‫ܚ‬о൷೻Ιএள‫پ‬ฐኌ‫לޟ‬ຫ‫ޟ‬६ᖝȂ‫ר‬ঈџоᆎϞ࣏ઍᄂࣨ‫ޟ‬໠ ᡗȂծ࢐೻ઍᄂࣨΝ࢐‫ׇ‬Ӓฒ‫ݲ‬೽ആ‫ޟ‬Ȃ೻ઍᄂࣨФીӈդџ૖‫ޟ‬ ϛϭȂ೻এತྃ‫ޟ‬ઍᄂȃശਲ਼ҏ‫ࡊޟ‬ᡝȂϐငϚӔѫ࢐ΙএࡊᡝȂ Մ࢐ӵ७ᄇ೻এ࢚‫ޟސ‬ਢঐȂ‫ܚ‬Ԥ‫ޟ‬ᇭِ഍ୄή‫پ‬Ȃ‫ܚ‬Ԥ‫ޟ‬ጒᛟ഍ ᎏ‫ڧ‬ਙఁȂѺ࢐ю᜸‫ܦ‬๵‫ޟ‬ฐኌࡊᡝȷȞLacan, 1978: 226-227ȟȄ ೻এ‫ؠ‬Ԥϛϭȃฒ‫ݲ‬ऎູȃᇭِୄႳȃጒᛟਙఁȃᡱкᡝฐኌ Ϛϐ‫ޟ‬ઍᄂࣨȂо౏ె‫ޟ‬໠ນ‫ޑ‬ᄘȂࡾөΟΙᆍ‫ٮ‬Ϛሯौᢎ‫܈‬፣ȃ ౩‫ܒ‬кဎԆԤᏰ‫࢐ޱܖ‬แ‫ו‬গ౩Ᏸ‫ޟ‬ѪѴΙᆍগ౩ᏰȄӵ೻ᆍগ౩ Ᏸ࿋ϛȂт‫ٮޱ‬ϚོೝՌ‫ר‬Ӕ࡙ੑᒊ‫ڗ‬ӈդӣΙ‫ޟ‬ᡝ‫ف‬၇७Ȃһ ։Ȃ೻ᆍҥฒཎᜋкᡝ‫ޑޟ‬ᄘ‫҈ܚ‬໠‫ޟ‬ນᖁȂԤџ૖ᡱ‫ר‬ঈࡦՃΙ এ‫ڎ‬Ԥ຺ູ‫ܒ‬ծࠓ‫ٮ‬Ϛ࢐຺ູ‫۬܄ڗ‬౩ད‫ޟ‬жࣨȃζฒ‫ݲ‬ೝᘪघ‫ڗ‬ Ռ‫ޟר‬ሴ୿‫ܖ‬ԆԤᏰ๖ᄺ‫ޟ‬પ‫ו‬࿋ϛȄณՄȂ൷ԃӣ҅ࣄӀኈӵԨ ‫ܜ‬ਰ‫ٽ‬ȞDoraȟᇄӀᅴਰ‫ٽ‬ϛ‫ܚ‬ᎏႄ‫ޟ‬ไफ़ϚԊȂάԃӣ҅ࣄӀኈ ӵჲ‫ޟ‬၌‫ݙ‬ϛଆ፣‫ڗ‬ȶЮᒑȂᜲၾௌ‫ؠ‬Ԥࣼ‫רڗ‬ғӵᐽᐶ༝ȉȷ೻ এ‫ٽ‬υ࿋ϛհჲ‫ޟ‬Юᒑ‫ܚ‬ዖԆ‫ޟ‬ȃᗴՄϚ౪‫ޟ‬ཛྷ‫ޞ‬ཐȂ໠৤ΟΙএ ၙ౴‫ޟ‬ൟ‫ܚ‬ȃхΡϚԊ‫ޟ‬ઍᄂȂ೻এൟ୿‫ܚ‬ᡗ౪‫ޑޟ‬ᄘ၇Ȃ‫ؠ‬ԤΙ ۡ‫לޟ‬ᏢԆӵ‫ל‬ԒȂՄ࢐оΙᆍၙ౴‫ޟ‬ეмཐȃоΙᆍϚӵൟ‫پ‬ᡗ ౪‫ڏ‬গ౩Ψ໔‫ޟ‬ӵൟȂӵЮᒑ‫ޟ‬ჲൟ‫ܚ‬ϞϛȂ‫ڋ‬υ‫לޟ‬ຫॸ๿Ιᆍ ฒ‫ݲ‬౪٘ӵЮᒑཎᜋ၇‫ུޟ‬Ӵეмཛྷ‫ޞ‬ཐȂоΙᆍхΡฐኌ‫לޟ‬ຫ ਗ਼౪ȂȶтғӵઍᄂࣨϛᐽᐶȂӵႤᏩ‫ܘ‬໢ȷ Ȟ Lacan, 1973: 35ȟȄӵ೻এཎဎϞήȂȶฒཎᜋ‫ޑޟ‬ᄘȂԃӣ‫ר‬ϐငᇳ݂‫ޟ‬Ȃӵ ‫ל‬ᏢԆӵ‫ޟ‬ቹԩΰ࢐ԃԪ‫ޟ‬૒৵Ȃ೻ᆍ‫ޑ‬ᄘ‫ڎ‬Ԥগ౩‫ܒ‬ȷȞLacan,.

(9) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬9. 1973: 34ȟȄӵҏМ฿ࡣȂ‫ר‬ঈོ‫װ‬೻ᆍগ౩‫ܹܒ‬ӵȶᆠડϷ‫ޟݙ‬ গ౩Ᏸȷ૕๜ёоលភȄ ആႆоΰ‫ޟ‬ฒཎᜋкᡝު໢Ϸ‫ݙ‬Ȃ௥ή‫پ‬ौ໌Ι؏௃ᆠડϷ‫ݙ‬ ‫ޟ‬ਢ໢‫ࣼپُ࡙ܒ‬ฒཎᜋкᡝ‫ޟ‬ਗ਼౪ਢᄘȄӵ‫ސ‬౩ਢ໢ᇄ౪ຫᏰ‫ޟ‬ ϱӵਢ໢ཎᜋࢺϞѴȂ‫ר‬ঈџо௃ϧቄཎဎή‫ޟ‬ਢ໢‫࡟ࣼپܒ‬ฒཎ ᜋкᡝ‫ޟ‬ਗ਼౪‫ڹ‬ȉԃ‫ݎ‬ӵ೻ጕМണ࿋ϛȂԤΙএ‫؁‬ਲ਼ҏ‫ޟ‬୰ᚠӵЛ ࡻ‫ר‬ঈӱ๎ΰक़୰ᚠȂࠌ೻এ‫؁‬ਲ਼ҏ‫ޟ‬୰ᚠᄇ‫پ۫ܜ‬ᇳฒ౴ܻ൷࢐ ौӱ๎Ȉȶհ࣏кᡝཎ‫ڨ‬๿ϧቄȉȷ೻Ιএਲ਼ҏ‫ޟ‬୰ᚠȄِܾϞȂ ᄇ‫پ۫ܜ‬ᇳȂ‫ڎ‬ԤΙᆍ੫ۡ‫ޟ‬ਢު๖ᄺȂӵ೻ᆍਢު๖ᄺ࿋ϛȂк ᡝആႆӵߨൟ‫ܚ‬ϛ‫ޟ‬ӰጢՄҡȃкᡝആႆฒཎᜋਢ໢ϛ‫ޟ‬ᐠႄՄு оҢ෤Ԇ‫ޑޟ‬ᄘᡗ౪ȂՄ೻‫ٲ‬Ӱጢȃ೻‫ٲ‬ᐠႄȂ഍ӵഺ༌‫ܚ‬അԙ‫ޟ‬ ਢ໢ນᖁϛೝҡ౰ю‫پ‬Ȅ. ୤ȃฒཎᜋкᡝ‫ޟ‬ਗ਼౪ਢ‫ړ‬Ȉέ१ਢ໢ ‫ܒ‬ ௥៉ΰक़‫ޟ‬ฒཎᜋкᡝު໢‫ޑ‬ᄘȂ‫ר‬ঈौ໌Ι؏௤ષభఖ‫ܚ‬ၼ հ‫ޟ‬੫Ԥਢ໢‫ޑ‬ᄘȄၖԃ҅ࣄӀኈ๝Ӏᅴ‫ޟৢݧ‬ჲ‫ܚ‬ҰȂ೻ᆍਢ໢ ‫ޑ‬ᄘၼհӵభఖ‫ޟ‬੫Ԥൟ‫ܚ‬ᇄП՝ϞϛȂȶᗶณభఖѫ࢐ឹள๿Ѻ ௃ႆў‫ܚ‬ᕕு‫ޟ‬Ιএ‫ל‬ຫȂ෉өΙএ฻ߴՄԤ३‫ޟ‬Ґ‫پ‬Ȃ҅ࣄӀኈ ᇯ࣏భఖ‫ٷ‬ณ࢐‫ذ‬Ϛџક‫ޟ‬ȞindestructibleȟȄ‫ר‬ঈौ‫ݧ‬ཎ‫ܚڗ‬ᒝ ‫ذޟ‬Ϛџક೻Ιএᇭ᜝ȂӵѺ‫ܚ‬Ԥ޻ۡ‫ޟ‬ᇭ੉࿋ϛȂѓ֤๿ശᜲо ΙमϽ‫ޟ‬ઍᄂ‫ܒ‬ȞréalitéȟȄԃ‫ذݎ‬Ϛџક‫ޟ‬భఖଠಳӵਢ໢Ϟ ѴȂѺӵ‫ޟސٱ‬પ‫ו‬࿋ϛά឴ܻϧቄኺ‫ޟ‬ሴ୿‫ڹ‬ȉ٥ቄϧቄά࢐‫ܚ‬ ᒝ‫ސޟ‬Ȟchoseȟ‫˕ڹ‬ԃ‫ٮݎ‬Ϛ࢐ӵਢު࿋ϛࡻԆȃӵӣΙ‫ޑ‬ ᄘȃӵ࢚Ιࢲਢ໢࿋ϛࡻԆ‫ݍޟ‬ՙȉ೻ኺΙএൟ‫ܚ‬Ȃ࢐֏࡬ԁԤտ ܻᆭ‫ޟ۽‬ਢ໢ȃ‫ޟސٱ‬ᄂᡝȂՄ឴ܻѪѴΙᆍ዁ᄘ‫ޟ‬ਢ໢˕ᡒᒮ.

(10) 10! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ‫ޟ‬ਢ໢Ȟun temps logiqueȟȉձঈ഍‫ޣ‬ၾ‫ר‬ϐငӵ‫ޟר‬Ιጕ፣Мϛ ញЅΟ೻এкᚠȷȞLacan, 1973: 33ȟȄоήȂҏМ஠໌ΣЕМ၇ ‫ܚ‬ඪ‫۫ܜޟڗ‬ଆ፣ӫнฒཎᜋкᡝϞᡒᒮਢ໢‫ޟ‬МണȲᡒᒮϞਢ໢ ᇄႱཐጂۡ‫ޟܒ‬ᘞِȳȞLe temps logique et l’assertion de certitude anticipéeȟȂтӵ೻ጕМണ࿋ϛങक़Οӫнฒཎᜋкᡝ‫ޟ‬έᆍᡒᒮ ਢ໢‫ޑ‬ᄘȈᢼ‫ݧ‬ຜ‫ޟ‬ᕡ໢Ȟinstant du regardȟȇᢽ౩၌‫ޟ‬ਢ໢ Ȟ temps pour comprendre ȟ ȇ ᢾ ή ๖ ፣ ‫ ޟ‬ਢ ‫ ړ‬Ȟ moment de conclureȟȞLacan, 1966: 204ȟȄ ಑Ιএਢ໢ᕗ࿽Ȃ‫ר‬ঈџоҢ‫پ‬஼፡સᆞ‫ޣ‬ឈ‫ޟ‬ԆӵငᡛᏰᇳ ‫پ‬ёоᇳ݂ȂϚ፣࢐ؓ੫ȞJean Paul Sarteȟᄇܻкᡝ‫ڷ‬т‫ޟޱ‬ȶ‫ݧ‬ ຜȷ‫ޟ‬஼፡Ȃ‫࢐ޱܖ‬దࣄᛁအȞMaurice Merleau-Pontyȟᄇܻ٘ᡝ кᡝ‫ޣ‬ឈհҢ‫ޟ‬஼፡ȂஅҏΰȂ഍яᡗΟฒཎᜋкᡝ‫ޟ‬಑Ιএᡒᒮ ਢࢲȂһ։Ȃ೻এਢঐ‫ޟ‬ฒཎᜋкᡝȂ࢐೎ӵΙᆍȶ‫ݧ‬ຜ‫ޟ‬ᕡ໢ȷ ‫ޟ‬ୄႳਢ໢‫ޑ‬ᄘ၇Ȃ೻ᆍਢ໢‫ޑ‬ᄘӣਢζ࢐឴ܻઍᄂࣨ‫ޟ‬ਢ໢‫ޑ‬ ᄘȇ಑Πএਢ໢໦ࢲี৤ΟᄇܻІࣸཎᜋ‫ޟ‬౪ຫᏰᜰ߽Ȃन༬ᅭ ȞE. Husserlȟӵଆ፣ϱӵਢ໢ཎᜋ‫ޟ‬ႆแϛȂՌ‫ר‬ᇄтΡȃ૖ཎᇄ ‫ܚ‬ཎȃᜰ߽ᇄጒᛟԃդ‫ל‬ᄺю‫پ‬Ȃџоհ࣏ฒཎᜋкᡝӵ೻এᡒᒮ ਢࢲհ‫ڎ‬Ԥ‫ޟ‬ਢ໢ငᡛ‫ޑ‬ᄘ‫ޟ‬அҏජक़Ȃζ൷࢐ᇳȂӵІࣸཎᜋϱ ӵਢ໢ࢺ‫ޟ‬ཎө‫ܒ‬ၼհஅҏ๖ᄺ࿋ϛȂ೻࢐ฒཎᜋкᡝӵ໌՗౩ ၌ȃౠกȃᛄᅸ‫ޟ‬кࡊᄇҳࡦՃȂӣਢζ࢐ฒཎᜋкᡝนᒣȃ᝚ᔤ ‫ޟ‬ਢ‫ړ‬Ȃтӵད჋ࣨ‫ޟ‬ਢࢲ၇໌՗௰กȇ಑έএᡒᒮਢࢲ‫ؚۡ‬Ο՗ ଢ଼‫ޟ‬ຫ኉પ‫ࠌݲו‬Ȃ೻ਢঐ‫ޟ‬ฒཎᜋкᡝആႆ࢚ᆍ໷݈ࢋԆຫ኉પ ‫ܖו‬ഺഅ࢚ᆍᄉཱིຫ኉પ‫ޟו‬՗ଢ଼ȂяᡗтՌ٘ᄇтՌ٘ᜰ߽೎ც ‫ࡾޟ‬ਖ਼Ȅ࿋ณȂ៮ଢ଼೻ᆍࡾਖ਼‫ޟ‬ཎဎᇄ҆ौ‫ܒ‬ငல࢐‫پ‬Ռฒཎᜋк ᡝ‫ܚ‬ౠϚആ‫ޟ‬т‫ޱ‬Ȃ೻࢐Ιᆍ឴ܻຫ኉ࣨ‫ޟ‬՗ଢ଼‫ؚ‬ᘞਢ‫ړ‬Ȅ ‫۫ܜ‬ആႆᚄ఼೻࿋ϛ‫ޟ‬Ιএᡒᒮᖼᚠ‫پ‬໠ۖт‫ޟ‬МҏȂζ൷࢐.

(11) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬11. ‫ܚ‬ᒝ‫ޟ‬ѳқ‫ᜲڍ‬Ȃ೻এᖼᚠӵ಑Πᖿ৴಑ΠΪΠണȲၗᇭӵ঺၇ȉ ᇭِӵ঺၇ȉȳζෆ၏ಠଆ፣ႆȞLacan, 1978: 394-402ȟȈΙ՝‫ڐ‬ ᅰߝᒵΟέএѳқȂөтঈࡇҀтौភܹ௬‫ڏ‬ϛΙ՝Ȅӣਢтөт ঈࡇҀȈ࣏Οौ‫ؚۡ‬።ौೝភܹȂт೩ညΟΙএกᡛȄтҢϤѫ᚟ ՓϚΙኺ‫ޟ‬ᆅυȈέএҩՓ‫ޟ‬ȃ‫ڍ‬এ༃‫ޟ‬ᆅυȂӵϚᡱѳқঈ‫ޣ‬ၾ ᚟Փ‫ݷޑޟ‬ήȂӵؐএΡ‫ޟ‬धΰӨဇΰΙѫᆅυȂ೻ѫᆅυӵтঈ ‫ޟ‬ຜഏϞѴȂтঈ‫ؠ‬Ԥӈդ‫ޢ‬௥‫ݧ‬ຜ‫ڗ‬ՌϏधΰ‫ޟ‬ᆅυ‫ޟ‬ᐠོȂ೻ ၇ζ‫ؠ‬Ԥӈդ‫ޟ‬ᜢυȄؐএΡ҆໸ՌϏ߆ਢ໢ўՃ໔тঈՌϏ‫ـ‬ത ध๿ϧቄ᚟Փ‫ޟ‬ᆅυȂծ࢐‫܄‬ԪϚџоྜ೽ᢎᄆ‫ޟ‬๖‫ݎ‬Ȅฒ፣ԃ դȂؐএΡ҆໸ՌϏ‫ڙ׻‬೻ᆍདᇄտΡྜ೽‫܈ޟ‬ᓞȂӰ࣏Ȃѫौ঺ ΙএΡ૖ஊ௰፣ӑютՌϏधΰ‫ޟ‬ᆅυ‫ޟ‬᚟ՓȂ൷૖ஊு‫ڗ‬ភܹȄ ծ࢐Ȃт‫ޟ‬๖፣҆໸ौငႆᡒᒮ௰፣Մ‫پ‬ȂՄϚ༉༉ѫ࢐Ιᆍџ૖ ‫ܒ‬Шၶଽ‫ޟ‬౩ҥȄӣਢ‫۫ܜ‬ζ໠݂۠ဎ‫֙ޟ‬ວ᠞‫ޱ‬Ȃӵ‫ڐ‬ᅰߝ‫ޟ‬Ԋ ௶ήȂ೻έ՝ѳқؐএΡधΰ഍ೝ௮ΰҩᆅυȂՄਲ਼ҏ‫ؠ‬ԤҢ‫ڗ‬༃ Փ‫ޟ‬ᆅυȞLacan, 1966: 197-198ȟȄ ‫ר‬ঈџоӑ‫װ‬༃Փ‫ޟ‬ᆅυᙚឍԙ1ဴȂ‫װ‬ҩՓ‫ޟ‬ᆅυᙚឍԙ0 ဴȂณࡣ‫װ‬ᆅυϞ໢έᆍџ૖‫ޟܒ‬ಢӫ‫װ‬ѺᙚឍԙȈ110Ȃ100Ȃ 000Ȅ‫۫ܜ‬ᇯ࣏ȂӵᏗຜ‫ޟ‬ᕡ໢ȂؐΙএฒཎᜋкᡝ഍ོၭՌϏӑ ᇳȈȶԃ‫ݎ‬Ԥ‫ڍ‬এ༃Փ‫ޟ‬ᆅυӵ‫ר‬७ࠉȂ‫ר‬ঈ൷‫ޣ‬ၾՌϏ‫ޟ‬ᆅυ࢐ ҩՓ‫ޟ‬ȷȞLacan, 1966: 205ȟȄณՄȂ೻಑Ιএџ૖‫ܒ‬110ೝ௰ᙚ ΟȂӰ࣏ؐΙএΡ഍ོࣼ‫ڗ‬ՌϏϞѴԤ‫ڍ‬এҩՓ‫ޟ‬ᆅυȄӰԪӵ಑ Ιএᡒᒮ‫ޟ‬ᕗ࿽ȂѫԤ‫ڍ‬ᆍџ૖‫ޟ‬๖‫੼ݎ‬ή‫پ‬100‫ڷ‬000Ȅ൷ԪՄ ِȂઍᄂࣨ‫ޟ‬নߑਢ໢‫ٮ‬ϚོᄇՌϏள‫پ‬ӈդ‫ޣޟ‬ᜋȂծІႆ‫پ‬ ᇳȂтᄇՌϏ‫ޣޟ‬ᜋ࢐࡚ҳӵᄇ࢚‫ٲ‬џ૖‫௶ޟܒ‬ଶϞΰȄ໌Ι؏ ᇳȂӵ೻ኺ‫ޟ‬સᆞ‫ޣޟ‬ឈਢ໢၇७Ȃ‫ؠ‬Ԥӈդฒཎᜋ‫ޟ‬кᡝ‫ޣ‬ၾт ঈՌϏ࢐።Ȃ‫ޱܖ‬т‫ޣ֏࢐ޱ‬ၾтঈ࢐።-тঈ‫ޟ‬ᆅυ࢐ȶ༃ȷ‫ޟ‬.

(12) 12! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ᗙ࢐ȶҩȷ‫ޟ‬Ȅ ӵ಑Πቹԩ‫ޟ‬౩၌‫ޟ‬ਢ໢࿋ϛȂؐΙএฒཎᜋкᡝོᇯ࣏Ȃ ȶԃ‫࢐רݎ‬༃Փ‫ޟ‬Ȃ٥ቄ‫ڍ‬এधࡣ௮ҩՓᆅυ‫ޟ‬ΡȂᒶԞོᕣ၌т ঈ௮‫࢐ޟ‬ҩՓȷȞLacan, 1966: 205ȟȄ೻এ಑Πቹԩ‫ޟ‬ฒཎᜋк ᡝȂೝᚇۡӵΙᆍІࡦ‫ޟ‬Πϯᜰ߽ϛȂӰ࣏ฒཎᜋкᡝӵ೻ᆍ‫ޑ‬ᄘ ࿋ϛ҆໸ौད჋‫ڏ‬т‫ޟ‬кᡝғӵࡦՃ‫ٲ‬ϧቄȄтџ૖ོདȂȶѪѴ ‫ڍ‬՝௮๿ҩՓ‫ޟ‬ᆅυ‫ޟ‬ΡȂԃ‫ݎ‬тঈࣼ‫࢐ޟڗ‬Ι༃ΙҩȂ೻এਢঐ тঈ҆ณོ໌՗ᕣ၌ᇄ௰ᆗȄӰԪȂؐΙএ௮๿ҩՓ‫ޟ‬ᆅυ‫ޟ‬ΡȂ ഍ོี౪၌‫ؚ‬тՌϏ୰ᚠ‫ޟ‬ᜰᗤӵܻт‫ޟ‬ᄇЙঈ‫ޟ‬ඔ‫ܒ‬Ȅ඲ѯၗ ᇳȂԃ‫ݎ‬т௰ᆗՌϏζ࢐༃‫ޟ‬Ȃ҆ณԤΙΡࣼ‫ڗ‬Ѫ‫ڍ‬Ρ࢐༃‫ޟ‬Մҳ ‫ړ‬ᚔ໠ȂԃϬࢋณ‫ؠ‬ԤΡҳ‫ړ‬ᚔ໠Ȃфߒтঈಁϛ‫࢐רޟ‬ҩ‫ޟ‬ȷ ȞLacan, 1966: 205ȟȄᄇܻ೻এ಑Πਢࢲ‫ޟ‬ᡒᒮਢ໢Ȃ‫۫ܜ‬஼፡‫ޟ‬ ࢐Ϛѫ࢐ӵՌ‫ר‬ᇄт‫ޟ‬ѪѴΙএՌ‫ר‬Ϟ໢‫ޟ‬ཎᜋІࡦᜰ߽Ȃζӵܻ ؐΙএฒཎᜋкᡝ‫ޟ‬นᒣȂ೻ࡾөΟΙᆍᛄᅸ‫ޟ‬кᡝौશȄ඲ѯၗ ᇳȂฒཎᜋкᡝӵ೻এਢঐ࢐оȶཎᜋՌ‫ר‬ȷ‫ޟ‬ኺᄘю౪ȂѺ҆ณ ӵད჋‫ܖ‬௰ก‫ڏ‬тՌ‫ࣺޟר‬ᜰཎొϞਢȂζ‫װ‬т‫ޟ‬ȶՌ‫ר‬ȷ೩ۡӵ ࢚ᆍጂϸ‫ޟ‬ཎొϞήȄ൷ԪՄِȂฒཎᜋкᡝ൷࢐ӵ೻এਢ໢ᕗ࿽ ആႆт‫ޟ‬భఖᡐ౪࣏Өᆍጂۡ‫ޟ‬ȶՌ‫ר‬ȷ‫ޑ‬ᄘȄ࿋ณȂҥܻт‫ޟ‬భ ఖά‫پ‬Ռᇄ‫ڏ‬тՌ‫ࣺޟר‬ϣ೩ۡȂ‫ܚ‬о೻এਢࢲ‫ޟ‬Ռ‫ר‬Ν࢐Ϛጂۡ ‫ޟ‬Ȃт‫ޟ‬ጂۡ‫ܒ‬ѫџ૖‫پ‬Ռܻࣺϣ‫ܒ‬Ȅ ӵ಑έএᡒᒮਢ໢ϛȂؐΙএฒཎᜋкᡝོ‫װ‬т‫ޟ‬భఖ௰৤‫ڗ‬ Ιᆍ࡚ҳཎဎપ‫ޑޟו‬ᄘȂឋԃтџ૖ོή๖፣Ȉȶ‫ר‬ौሂ‫ࡇפ‬Ҁ ‫ר‬ՌϏ࢐ҩՓ‫ޟ‬Ȃоջ೻‫ڍ‬এҩՓ‫ޟ‬Ρ˕‫ר‬ᇯ࣏‫ڏ‬ᄂ൷࢐ԃԪ ˕ т ঈ ོ ӑ ܻ ‫ ר‬ᇯ ю т ঈ Ռ Ϗ ൷ ࢐ ҩ Փ ‫ ޟ‬ȷ Ȟ Lacan, 1966: 206ȟȄ೻Ιএή๖፣‫ޟ‬ਢ‫ړ‬ȂфߒΟΙᆍฒཎᜋкᡝᄇܻтՌϏ ‫ޟ‬Ԇӵ‫ܖ‬՗ଢ଼‫ޟ‬ཎొ‫ܚ‬ή‫ޟ‬ᘞِրᘞȄ೻࢐Ӱ࣏ฒཎᜋкᡝശತ஠.

(13) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬13. ᕣ၌‫ڏڗ‬тΡ‫ٮ‬Ϛ‫ޣ‬ၾтঈՌϏ࢐ϧቄ˕Ӱ࣏ϚོԤΡࣼ‫ڍڗ‬এ ༃ᆅю౪ȃ௃Մ௰፣юՌϏ࢐ҩՓ‫ޟ‬ȂՄฒཎᜋкᡝᇯӣΟт‫ޟޱ‬ ೻ᆍฒ‫ݲ‬Ռ‫ޑޟޣ‬ᄘȂζࡇҀՌϏ൷࢐ҩՓ‫ޟ‬Ȅӵ೻၇Ȃฒཎᜋк ᡝ‫װ‬т‫ޟ‬భఖЀଽ‫ڗ‬ആႆ՗ଢ଼‫پ‬ഺഅ‫ࡾڷ‬ਖ਼Ιᆍཎဎຫ኉๖ᄺȂ‫װ‬ т‫ޟ‬భఖ‫׹‬Σ‫ڗ‬Ԇӵ‫ޟ‬ນᖁ࿋ϛ‫໌پ‬՗Ռ‫ר‬೩ۡ‫ܖ‬Ռ‫ר‬ഺഅ‫ޟ‬ώ հȂ඲ِϞȂӵ೻ᆍ՗ଢ଼࿋ϛȂฒཎᜋкᡝ‫ޟ‬భఖоၶ࣏๖ᄺ‫ޟܒ‬ ПԒ‫پ‬ᡗ౪Ȅ ᗶณ‫װ۫ܜ‬ฒཎᜋкᡝ‫ޟ‬ਢ໢๖ᄺϷ࣏έএቹ७Ȃծ‫ٮ‬Ϛфߒ ೻࢐Ιᆍฒཎᜋкᡝӵ‫ڏ‬ϛҁᒋඉᕗ‫ีޟ‬৤έഋԢȂІႆ‫پ‬ᇳȂғ Ӱ࣏ฒཎᜋкᡝငலӵт‫ܚ‬೎‫ޟ‬੫౴໠ນު໢࿋ϛଠ໋ுฒኇฒ ᙹȂ‫ר‬ঈϗሯौၼҢ೻ኺΙᆍਢ໢๖ᄺ‫پ‬ёо୼൜‫ڷ‬ਐਔȄ௃ᆠડ Ϸ‫ݙ‬ᖝ‫پُ࡙ޟח‬ᇳȂ೻ᆍਢ໢๖ᄺശᜲඡණϞ೎Ȃೃႆܻฒཎᜋ кᡝ౪٘Ϟ೎‫ڏ‬ᄂ࢐ӵᏗຜ‫ޟ‬ᕡ໢ȃ౩၌‫ޟ‬ਢ໢ϞѴȂฒཎᜋкᡝ ငலོཐ‫ڗڧ‬тᗙ‫ؠ‬Ԥு‫ڗ‬ശࡣ‫ޟ‬๖፣ȂӰԪȂ೻ᆍਢ໢๖ᄺհ࣏ Ιᆍນᖁ‫ڷ‬૕ཀྵૡ‫ޟ‬ᗴ౪࿽࠷Ȃ‫ל‬ԙΟభఖ‫ޟ‬ȶ१ፒȷၼଢ଼Ȉȶӵ ೻၇‫ר‬ঈӔ࡙ี౪Ο೻Ιএນᖁ‫ޟ‬࿽࠷‫݂࣏؁‬ᡗ‫ޟ‬๖ᄺȂ‫ר‬ӵΰԩ ϐငඪ‫ڗ‬ႆѺ‫ޟ‬ђ૖Ȅ೻Ιᆍӵ‫ڍ‬ᘈϞ໢‫ีܚ‬ҡ‫ޟ‬ᡗ౪ᇄੑѶȂ೻ Ιᆍᡒᒮਢ໢‫ีޟ‬ଢ଼ᇄ๖‫——؂‬ζ൷࢐௃Ꮧຜ‫ޟ‬ᕡ໢ȃ‫ޢ‬ᢎҏ٘၇ ७‫ސٱٲ࢚ޟ‬ᖂ࢐ོྤ໠ȃѶဣ‫࢐؁‬ϚӵၗήȂ௥ή‫ᜲ࢐پ‬о౩၌ ‫ޟ‬ਢ໢ȃζ൷࢐ᄇܻฒཎᜋ‫ޟ‬ඡණᗙ‫ؠٮ‬Ԥு‫ڗ‬๖፣Ȃ೻җሉ౞ਖ਼ ‫ڗ‬ΙᆍᇶΡ‫ޟ‬ඈনଢ଼հȄ‫ܚ‬о௃‫ל‬Ꮲ‫ޟ‬ቹ७‫پ‬ᇳȂฒཎᜋ൷࢐٥ଠ ເϞ‫ސ‬Ȟl’évasifȟ——ծ‫ר‬ঈϐင໠ۖ‫װ‬Ѻ୼३ӵΙএ๖ᄺ࿋ϛȂ Ιএਢ໢‫ޟ‬๖ᄺȂ೻এਢ໢‫ޟ‬๖ᄺȂ‫ר‬ঈџоᇳ‫ڗ‬Ҭࠉ࣏ХȂϚෆ ೝ݂ҩ‫ޟ‬ϻ୚ю‫پ‬ȷȞLacan, 1973: 33ȟȄ௃೻ᆍਢ໢๖ᄺُ࡙‫پ‬ ࣼᆠડϷ‫ޟݙ‬ᄂ፺Ȃ‫ܖ‬೨‫ר‬ঈџо໠ۖം؏ᕣ၌Ȃ࣏ϧቄᆠડϷ‫ݙ‬ ᗙौፙ፣кᡝӴ՝‫ޟ‬୰ᚠȄ.

(14) 14! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ҥԪȂԃ‫ݎ‬ᆠડϷ‫ޟݙ‬ώհ൷࢐ौᔓօฒཎᜋкᡝ‫ײ‬юȃ‫ؚۡ‬ ‫ڏ‬ӱᔖ೻ᆍϐငีҡ‫ٱޟ‬௑‫ޟ‬՗ଢ଼‫ࠌݲ‬ȂࠌᆠડϷ‫ޟݙ‬ώհ൷࢐Ι ᆍগ౩‫ޟ‬ώհȄ೻ᆍগ౩‫ޟ‬ώհȂ౞ਖ਼‫ڗ‬ฒཎᜋкᡝӵϚӣᡒᒮਢ ໢࿋ϛ‫ޟ‬ᡐϽᇄ१ፒኺᄘȄӵᏗຜ‫ޟ‬ᕡ໢၇Ȃ‫ߨװ۫ܜ‬Ρਿ‫ޟ‬ઍᄂ ࣨкᡝܹ໌‫پ‬ȇӵ౩၌‫ޟ‬ਢ໢Ȃкᡝೝளሴ‫ࣺڗ‬ϣ‫ܒ‬ᇄᜢ჋ІࡦІ ৢ‫ޟ‬ད჋ࣨᜰ߽ϛȇ‫ڗ‬Οή๖፣‫ޟ‬ਢ‫ړ‬Ȃ‫ר‬ঈี౪Ιᆍкᡝ‫ܒ‬оЅ ຫ኉‫֙ࡇޟܒ‬ȂΡਿ‫ޟ‬ȶ‫ר‬ȷȄ೻এၼଢ଼ଡષΟ௃ߨຫ኉Ͻ‫ߨޟ‬Ρ ਿ‫ޟ‬кᡝ‫ڗ‬Ρਿ‫ޟ‬ຫ኉ࣨ‫רޟ‬Ϟ໢‫ޟ‬ᡒᒮᅋ໌ȄӵᏗຜ‫ޟ‬নߑᕡ ໢ȂߨΡਿ‫ޟ‬кᡝ้ӣܻ҅ࣄӀኈ‫ܚ‬ᒝ‫ޟ‬idȂ‫רޱܖ‬ঈџо‫װ‬Ѻᙚ ឍ࣏ѺȄӵ‫ޟ۫ܜ‬ყҰLΰ७Ȃ೻এкᡝ‫࢐ܖ‬ҏ‫ר‬Ȟidȟೝညܹӵ кᡝȞSȟ‫ޟ‬՝υΰȂфߒΟฒཎᜋᇄᔉ‫ܒڋ‬ና‫ޟ‬Ԇӵкᡝ‫ޟ‬՝ ညȄ ӵ‫۫ܜ‬ଆ፣ᡒᒮਢ໢‫ޟ‬Мҏ࿋ϛȂᇄઍᄂࣨ‫ޟ‬গ౩ശࣺᜰ‫ޟ‬к ᡝ՝ည൷࢐೻এԆӵкᡝȄॶӑȂ೻এԆӵкᡝџоҢ‫پ‬ᄇШӵՌ ‫ר‬ᇄ‫ڏ‬ད჋ࣨ‫ޟ‬тΡϞ໢‫ࣺޟ‬ϣΠϯᜰ߽Ȅȶࠉ‫ߨ࢐ޱ‬Ρਿ‫ޟ‬к ᡝȂѺ‫ߒޟ‬ႀ࢐Ң࢚Ρ‫࢐ܖ‬σড়഍‫ޣ‬ၾȂт‫ܚ‬୅೩‫࢐ޟ‬Ιᆍᇯ‫ޣ‬к ᡝ‫ޟ‬ලႇ‫ל‬ԒȈѺџо࡞ሆܾ‫ޟ‬ԙ࣏ડȃਹυȃ‫ࢿ࢐ޱܖ‬ᐧࣵȄณ ՄȂ‫ܚ‬ᒝ‫ۦޟ‬Ґࣨۡ‫ࣺޟ‬ϣкᡝߒ౪ӵ‫ڍ‬এध๿ҩՓ‫ޟ‬ᆅυ‫ޟ‬ΡȂ тঈ҆໸ौ‫܄‬Ԫ‫ܛ‬ᇯȂӣਢ‫װ‬тΡ೻ኺ‫לޟ‬Ԓҏ٘Еϭ໌‫پ‬Ȃζ൷ ࢐ᇳȂհ࣏સᆞ‫ࣺޟ‬ϣ‫ܒ‬Ȃԙ࣏‫ܚ‬ᒝ‫࢚ޟ‬ΡȂ൷࢐ᡱΡѫ૖ஊӵт Ρ٥᜞ᇯютՌϏȄȷȞLacan, 1966: 207-208ȟȄ࿋кᡝ೎ӵ಑Ι এᡒᒮਢ໢‫ޟ‬ቹԩΰȂкᡝѫ࢐Ιএӵ‫ڏ‬Ռ٘Ϟ‫ސ‬Ȃծ࢐ઍᄂོࣨ ᄇ‫ีڏ‬ҡਝᔖȄઍᄂࣨҏ٘‫ܢת‬кᡝᄇѺ‫ޟ‬ཎဎ‫ܚ‬ୈ‫ޟ‬ӈդၛភȂ ‫ܚ‬Ԥ‫ޟ‬ཎဎ഍࢐ฒཎᜋкᡝ᠞ю‫ޟپ‬ȂѺџ૖ୋᅭོ҈ᘞ‫ר‬ঈȂᡱ ‫ר‬ঈϚுϚ߆າΨ੉‫پ‬ၛភᇄᎌᔖ‫ܚ‬ᎏႄ‫ޟ‬ബྮȂծ࢐‫ר‬ঈ‫ܚ‬ୈ‫ޟ‬ ၛភᄂӵߨலԤ३Ȃ൷ԪՄِȂઍᄂࣨ‫ڎ‬ԤΙᆍႲ஼ܰ‫ސޟת‬፴.

(15) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬15. ‫ܒ‬Ȅઍᄂࣨᄇܻฒཎᜋкᡝഅԙฐኌȃ֨ᘙϚԊȂѺᡱฒཎᜋкᡝ шᅖΟฒ‫ݲ‬ᒊೱ‫ڷ‬ຎୃ෢ᑎȂѺฒ‫ݲ‬Ⴑกȃฒ‫ݲ‬ϽघȂலலюΡཎ ਟ‫ٺ‬Ρ௩ЙϚЅȂ൷჋ӵ༃‫ޟۇ‬૩নΰ‫ی‬ເएณ௬໌֬ࢾΙኺȄઍ ᄂࣨ࢐ΙᆍѶဣȃᒿႆȂӈդ૩ᔣПਰ‫ޟ‬ཎဎࡾਖ਼Ϛ‫ޟڗ‬ӴПȂѺ ࢐෤ᎷȄԃӣZižekࡾю‫ޟ‬ȂᙤҥȶᕗᙓՌ‫ר‬ȷԁ჋࢐ՌϏ‫ޟ‬Њ ໨Ȃ೻ᆍՌк‫ܒ‬кᡝႄَϱഋ࢚ᆍȶӻᎷՌϏȷ‫ݍޟ‬ՙȂӵਯЖ೎ ю౪Ιᆍ‫ۉ‬౴‫٘ޟ‬ᡝȄ൷Ӱ࣏ȶѫԤᕗᙓӵՌ‫ר‬ȷȂкᡝᕗᙓ๿࢚ ᆍȶӻᎷՌ‫ר‬ҏ٘ȷ‫ݍ‬ՙȂ‫ࡾ۫ܜ‬ю‫ٴ‬ዅ‫ޟ‬ഺ༌ਯЖȂ൷࢐ҢኈМ নና‫ސ‬Ȟdas DingȟԪԅ‫پ‬ᇳ݂Ȅζ೨кᡝ൷࢐೻ᆍϱഋඉᕗ‫ޟ‬Ӫ ᆎȂӰ࣏ौᇄ೻নና‫ࡻ߳ސ‬ຽᚔȂՄ೻নና‫ސ‬άЊዥȂоमܻฒ‫ݲ‬ ᎬுЊߖȄ൷Ӱ࣏೻এনና‫ސ‬Ȃкᡝӵ೻ຫ኉ಒဴ‫ުޟ‬໢жࣨ၇൷ ‫ܢ‬๘ලႇ‫ܒ‬Ȃฒ‫ݲ‬ೝϽघ‫ڗ‬Ιএ‫ޟۡھ‬՝ည˕ࣥՍԃ‫ݎ‬೻࢐Ιএ ު‫ޟ‬՝ညȞጾీඏឍȂ1991/2008ȟȄ Іႆ‫پ‬ᇳȂઍᄂࣨ࢐‫ר‬ঈӵၛភѺȃࠓάӵཎဎࡾਖ਼ϞϛᒿѶ ΟѺ‫ޟ‬ਢঐ҆ณ‫ޟ‬ಢԙौશȂӣਢζѴܻᄇຫ‫ܚ‬ୈ‫ޟ‬ӈդЖ౩ࡾ ਖ਼Ȃծ࢐Ѻࠓ‫ۡھ‬բᓍՄฒ‫ݲ‬౩၌Ȅആႆད჋ࣨ‫ޟ‬Ռ‫ר‬ᇯӣհҢо Ѕຫ኉ࣨ‫ܚ‬ӓᒗ‫ޟ‬ฒཎᜋ‫ࠌݲ‬Ȃઍᄂࣨ໌ΣΟҏ‫לר‬ᄺ‫ޟ‬నӇϞ ϛȂѺϚ༉༉࢐एี‫ٱ‬Ӈ‫ސޟ‬፴໱ӫȂζ࢐Ж᡹ሴ୿҆ณ‫ڎ‬Ԥ‫ޟ‬ᗑ ᜙ഋϷȂӰ࣏ฒ‫ݲ‬ඡණȂѺᡐԙΟΙএஅҏ‫ޟ‬ഺ༌Ȅઍᄂࣨ൜ᙓ๿ ‫ܚ‬Ԥ‫ސٱޟ‬ȂѺ࢐ӒഋȂӵ‫ܚ‬Ԥጒᛟ௡‫ޟڙ‬᜞ጢ‫ڷ‬Һࣨ೎ᡅᡅ‫ؽ‬ ᇭȄ ඲ِϞȂ‫ڗ‬Ο಑Πএቹԩ‫ޟ‬ᡒᒮਢ໢Ȉ౩၌ਢ໢Ȃ൷౰ҡΟӵ Ռ‫ר‬ᇄ‫ڏ‬ᄇຫϞ໢‫ޟ‬ΠϯᜢຫІৢᜰ߽Ȅ‫໌۫ܜ‬Ι؏ᇳȂӵ೻এਢ ໢၇७кᡝ‫ۦ‬ҐೝࣨۡȂӰ࣏тঈആႆӵտΡ٘ΰ‫ܚ‬Іৢӱ‫ݍޟپ‬ ՙՄு‫ڗ‬ΟᄇܻՌϏ‫ޟ‬྅‫܈‬Ȅӵᖝ‫ޟח‬ਢ‫ړ‬Ȃ಑Π໦ࢲ‫ޟ‬ᡒᒮਢ໢ ശԁ‫ޟ‬фߒ൷࢐Ռᠾ‫ޟ‬кᡝȂѺငலሯौтΡ‫ޟ‬ӱ㕞ᇄᜌ݂Ȅᄇܻ.

(16) 16! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ೻‫ٲ‬кᡝ‫پ‬ᇳȂ‫ܚ‬Ԥ‫ޟ‬ቋ঄഍ौ௃Ѵӵ‫ࡊޟ‬ᡝ‫࢐ܖ‬Ρਿ‫پ‬ு‫ีڗ‬౪ ‫࡚ڷ‬ҳȄณՄӵ೻এᡒᒮၽᔛ࿋ϛȂᄇܻ‫ڏ‬т‫ޟ‬кᡝ‫پ‬ᇳȂؐΙএ кᡝ഍࢐Ι७ᜢυȂӰԪȂ‫܄‬ԪϞ໢ӵ೻ᆍՌᠾᜰ߽ϛள‫࢐ޟپ‬ฒ ३‫ف‬Ӗ‫ޟ‬ІৢȂՄ‫ؠ‬Ԥӈդџоёоࣨۡ‫ܖ‬ୄХ‫ޟ‬ᘈȄؐΙএкᡝ ഍ࣼ‫ڗ‬тΡ࢐ҩՓ‫ޟ‬ᆅυȂծ࢐ϫณϚ‫ޣ‬ၾтՌϏ࢐ϧቄ᚟ՓȄ๖ ‫ݎ‬൷࢐Ȃԃ‫ݎ‬Ռᠾ‫ޟ‬кᡝѫ૖ஊӵт‫ޱ‬ІৢᇄІࡦ࿋ϛ‫ڗײ‬ቋ঄Ȃ ٥ቄт൷‫ؠ‬Ԥᒲ‫ݲ‬ӵтՌ٘࿋ϛ‫ڗײ‬ઍᄂ‫ޟ‬ቋ঄Ȅт‫ޟ‬Ռ‫ר‬Ιฒ‫ܚ‬ ࢐ȂଶΟӵտΡ٥၇‫ݍޟڗײ‬ՙϞѴȂϧቄ഍Ϛ࢐Ȅԃӣᝒᐩഽ Ȟ2007ȟࡾюȂӵ‫ޟ۫ܜ‬౩፣ϛȂȶ‫ר‬ȷ‫ޟ‬ђ૖Ϟю౪Ȃ‫ٮ‬Ϛ࢐Ю ҔӈդϭΣ‫ޟ‬๖‫ݎ‬ȄՌ‫ޟר‬፛ҡ೽ႆྱᜢυՄีҡܻᜢϛȄӵ‫۫ܜ‬ ࣼ‫پ‬Ȃᜢυ࢐Ռ‫ޟר‬ҔᒑȂծҔᒑ‫ٮ‬ϚӵᜢϛȄтᇯ࣏Ȃȶ‫ר‬ȷ‫ޟ‬ নߑ‫ל‬Ԓ։Ռ‫לޟר‬ԙȶีҡܻ‫ר‬ӵᇄт‫ޱ‬ᇯӣ‫៝ޟ‬ᜌ‫ݲ‬ϛೝᄇຫ ϽϞࠉȂζีҡܻලႇ‫ޟܒ‬ᇭِ፭Ϡ‫ר‬кᡝ‫ޟ‬ђ૖ϞࠉȷȞᝒᐩ ഽȂ2007ȟȄһ։Ȃ൷჋ᔉ‫ڋ‬юҡுЊԞՄӵҡ౩၌ডΰᗙϚԙዣ ΙኺȂՌ‫ר‬ζ‫ל‬ԙுЊԞȂሉӵѺี৤юӈդᇄтΡ҈Һၾ‫ޟ‬ငᡛ ‫ڷ‬ඡණᇭِ‫ޟ‬૖ΨϞࠉȄՌ‫ר‬ѫ࢐кᡝ‫ܛ‬௥Οт‫ޟ‬ᜢ჋ȂՄ౰ҡ‫ޟ‬ ๖‫ݎ‬ȞᝒᐩഽȂ2007ȟȄ ณՄȂΙҍᇭِΰ‫ޟ‬кᡝ‫ר࢐ܖ‬Ȟjeȟ໠ۖϭΣȂ೻এӵՌ‫ר‬ᇄ ‫ڏ‬ᜢ჋Іৢ‫ޟ‬тΡϞ໢‫ޟ‬ད჋ࣨ‫ޟ‬Πϯᜰ߽൷ོ஫ዛȃϷນȄȶӵ ή๖፣ᘞِ‫ޟ‬೻এ‫ޟר‬кᡝȂ‫ڷ‬тᇄтΡ۞ҳ໠‫پ‬Ȃζ൷࢐௃ࣺϣ ‫ޟܒ‬ᜰ߽࿋ϛ۞ҳ໠‫پ‬ȂആႆΙএᡒᒮΰ‫ޟ‬ፐᔞၰ៚Ȃᡱ‫ר‬ঈӱད ΙήȂ൷჋࢐Ж౩ΰ‫רޟ‬௃ΙᆍҐۡ‫ޟ‬ᜢ჋ႆ෮‫ޑ‬ᄘਗ਼౪ю‫پ‬Ȃт ആႆΙᆍឈᒺ‫ޟָ༻ޟ‬༊ө‫ޟ‬ᔓօՄю౪Ȃ೻ኺ‫רޟ‬ആႆΙᆍᇄт Ρᝯ‫ޟތ‬кᡝϽհҢՄࣨۡѺՌϏȷȞLacan, 1966: 208ȟȄӵᏗຜ ‫ޟ‬ᕡ໢ϛ‫ߨޟ‬Ρਿ‫ޟ‬кᡝSȂհ࣏Ιᆍ‫ؠ‬Ԥ੫ۡ‫ޟ‬឴‫ܒ‬ՄસᆞԆԤՄ Ԇӵ๿ȂณՄӵ౩၌‫ޟ‬ਢ‫ړ‬࿋ϛ‫ࣺޟ‬ϣ‫ޟ‬кᡝaȞՌ‫ר‬ȟ ɧ a’Ȟт.

(17) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬17. ΡȟȂഞဣӵΙᆍՌ‫ר‬Іৢᇄᛄᅸ‫ޟ‬ᜢ჋ၽᔛ࿋ϛȄӰԪȂᄇܻк ᡝ࣏Οौ૖ஊ຺ູтᄇтՌϏ‫ޟ‬឴‫ޟܒ‬ฒ‫ޑޣ‬ᄘоЅᓍϞՄ‫ޟپ‬ᛄ ᅸȂт҆໸ौആႆӵᇭِ‫ࠌݲڷ‬ቹԩΰ‫ޟ‬т‫ޱ‬A‫ޟ‬ᜰ߽࿋ϛ‫ۡ޻ܚ‬ጂ ᇯ‫רޟ‬Ȃ‫پ‬Ⴑӑ୤ᇄт‫ޟ‬ጂۡ‫ܒ‬Ȅ೻ኺΙএ‫ר‬Ȃ࢐Ιএસᆞ‫ޟ‬ᇭِ ഺഅ‫ޱ‬Ȃкᡝ‫ٺ‬Ң೻‫ٲ‬ᇭِо߯Ӕ౪тՌ٘ȄҥԪȂ‫۫ܜ‬ඪ‫ڗ‬Ȉ ȶ‫ר‬ϐငϚᘞ‫ޟ‬஼፡ႆȌȌฒཎᜋ‫ޟ‬ȌȌ૕ཀྵհҢȂѺሯौੑѶȂ ೻խнӵ࢚ᆍཎဎΰ࢐Ѻϱӵ‫ھ‬Ԥ‫ޟ‬੫፴Ȃ࢚‫ٲ‬ਢঐȂӵ೻এນᖁ ࿋ϛ‫ܚ‬ᡗ౪‫ܚޟ‬Ԥ‫ސٱ‬խн഍࢐‫ۡݧ‬ԁȂആႆΙᆍӑี‫ڙ‬ΡȂѺ‫ݧ‬ ۡौӔ࡙ᜰഖтՌ٘ȌȌੑѶϚَȃੑഁᗴᙠȄӣਢȂ‫ר‬ζෆငᇳ ႆ೻ኺ‫הޟ‬ఖȂആႆ೻ᆍհҢ‫ܖ‬೨џо‫ཱི؁‬٥ᆍԤΨՄ‫ޟܒؚۡ‬๖ වհҢȌȌ‫ר‬ঈџоᆎϞ࣏кᡝ‫ޟ‬௰กऋᏰȷȞLacan, 1973: 44ȟȄ ฒཎᜋ‫ޟ‬кᡝȂ൷ԪՄِ҆໸ೝ౩၌࣏Ιᆍ௰ก๖‫ݎ‬Ȃฒཎᜋкᡝ ‫ޟ‬ᡗ౪Ӓณೝ‫ڏ‬१ፒ‫ޟܒ‬ੑѶ‫ڙܚ‬घȄ඲ِϞȂฒཎᜋആႆΙᆍ૕ ཀྵ‫ޟ‬ਢ໢๖ᄺ‫پ‬ᡗ౪‫ڏ‬੫ՓȂ‫ڎ‬ԤΙᆍ१ፒ‫҈ޟܒ‬໠ᇄᜰഖ‫ޟ‬ଢ଼ հȂ‫ר‬ঈζџоആႆΙᆍᇯᜋ‫ޟ‬ПԒ‫ࡾپ‬юฒཎᜋкᡝ‫ޟ‬੫ՓȂ‫ٺ‬ ‫ڏ‬ϚӔ௃Ռ‫ר‬ၛភ‫ޣޟ‬ᜋϛྤю‫ڷ‬ଠ໋Ȅӵ೻এஅᙃϞΰȂ‫ר‬ঈџ о໌Ι؏‫ޟ‬ଆ፣ᄇܻᆠડϷ‫ݙ‬ᖝ‫ח‬গ౩ΰ‫ڎ؁‬Ԥ‫ޟܒؚۡ‬ȶᐠႄȷ ਢ໢Ȅ ೻ਖ਼Ѕ‫ڗ‬кᡝငலौ७ᄇগ౩֨ცȂᆠડϷ‫ݙ‬ӌყᡱ‫ר‬ঈ‫ޣ‬ၾ ԃդўӱᔖีҡӵ‫ר‬ঈ٘ΰ‫ޟ‬ȃᇄ‫ں‬ᎏ‫ٱޟ‬௑Ȃζ൷࢐ԃդўӱᔖ Ϛᘞᇄ‫ר‬ঈᒿ٘Մႆ‫ޟ‬ઍᄂࣨȂശᙏ൐‫ޟ‬౩ҥ൷࢐Ȃӵฒཎᜋкᡝ ‫ܚ‬Ԇӵ‫ޟ‬१ፒਢ໢๖ᄺϛȂ༖҆ငலᡱкᡝᗴᗴघघӴཐ‫ڗڧ‬Ϛᘞ ᇄઍᄂࣨᒿ٘Մႆ‫ޟ‬ᒸᏺȄ඲ِϞȂগ౩୰ᚠԞ൷ีҡӵ‫ר‬ঈ٘ΰ ᇄ‫ר‬ঈ‫ںޟ‬ᎏȂՄഺ༌ѫ࢐Ιএ੫տ‫ޟ‬ᘞນᘈ‫ڷ‬ᐠႄȂᡱฒཎᜋк ᡝϚுϚӵນᖁϛ᝚ᔤ‫ڏ‬নҏϚᘞ१ፒ‫ޟ‬భఖ๖ᄺȂ१ཱིଡ൶кᡝ ‫ޟ‬Ӱጢ‫ڷܒ‬ཎဎપ‫ו‬Ȅܻ࢐Ȃᐠႄ‫ࡾޟ‬ਖ਼Ȃԙ࣏౩၌ฒཎᜋкᡝ‫ޟ‬.

(18) 18! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ѪΙএ१ौᖝ‫ח‬౪ຫȄ. ဓȃฒཎᜋкᡝᇄᆠડϷ‫ݙ‬ᖝ‫ח‬ΰ‫ޟ‬१ ौਢ‫ړ‬Ȉᐠႄ ‫ר‬ঈ௤ଆฒཎᜋкᡝ‫ޟ‬ൟ‫ܚ‬ȃਢ໢๖ᄺࡣȂ஠໌Ι؏ࡾю‫ڏ‬ਗ਼ ౪‫ޟ‬ᐠႄȞtuchéȟᇄഺ༌ȞtraumaȟȂоӱ๎‫ܚ‬ᒝ‫ޟ‬ȶཎᜋкᡝԫ ιȷϞѴ‫ޟ‬ѪΙᆍкᡝ‫ܒ‬౩፣ၯ৷ȄᐠႄȞtuchéȟ೻এԅಁȂ࢐‫ܜ‬ ۫௃‫ٳ‬٨඼ӻኈȞAristoleȟ٥᜞অҢ‫ޟپ‬Ȃ‫ٳ‬٨඼ӻኈӵं‫ـ‬ন Ӱ‫ޟ‬ਢঐ‫ٺ‬ҢΟ೻এԅȄ‫۫ܜ‬஠ϞѺᙚឍ࣏ȶᇄઍᄂࣨ‫ޟ‬ᎏഇȷ Ȟthe encounter with realȟȄઍᄂ຺ູࣨΟՌଢ଼ᐠ‫ڙ‬ȃӱߕȃӱඈȃ ಒဴ‫ࡻ஀ޟ‬ȂӵՌଢ଼ᐠ‫ڙ‬࿋ϛ‫ר‬ঈࣼ‫רڗ‬ঈՌϏ‫ٴޟ‬ዅনࠌ‫ܚ‬৚ ‫ڙ‬Ȅઍᄂࣨ൷࢐җሉԆӵܻՌଢ଼ᐠ‫ڙ‬धࡣ‫ݍޟ‬ՙȂ࡞݂ᡗ‫࢐ޟ‬ആႆ ҅ࣄӀኈ‫ـंޟ‬Ȃ೻ϗ࢐тᜰЖ‫ޟ‬ઍғҬ኿ȞLacan, 1981: 5354ȟȄ‫۫ܜ‬ᇯ࣏ᐠႄџоҢೝҢ‫پ‬౩၌кᡝӵᎏഇт‫ޟޱ‬ਢঐ٥ᆍ ฒਲ਼அ‫ޟ‬ਲ਼ྛȂ೻ኺΙᆍᇄт‫ޟܒޱ‬ᎏഇ࢐ฒ‫ݲ‬ೝႱก‫࢐ܖ‬ᡗᚠϽ ‫ޟ‬Ȅ‫໌؁‬Ι؏‫ޟ‬ᇳȂ‫௴۫ܜ‬ҢΟᐠႄհ࣏кᡝ‫ޟ‬ጢଔনӰȂ஼፡Ο ᗶณӵ঱Ᏸ‫ޟ‬౩ད‫װ‬Ռ‫ר‬ຜ࣏࿋ή౪ԆоЅՌ‫ׇٗר‬Ȃծ࢐ᇄୋณ ‫ޟ‬ᐠႄ‫ڼ‬ၼӵ‫ר‬ঈҡ‫ڼ‬࿋ϛ‫ޟܒؚۡ‬ਢ‫׸ܚړ‬ᅋ‫ޟ‬Л଩ُՓШଔ ‫پ‬Ȃ‫ޱڍ‬Ϟ໢ӵ౩‫ܒ‬ᡒᒮΰ࢐ฒ‫ࣺݲ‬ৠȂӰ࣏‫ר‬ঈ‫ޟ‬ҡ‫ڼ‬ᖂ࢐ӵ१ σ‫ޟ‬ᐠႄϞࡣȂ‫ל‬ԙΟड़ณϚӣ‫ޟ‬Ռ‫ר‬ཎᜋȃՌ‫ר‬પ‫ו‬ᇄՌଢ଼ᐠ ‫ڙ‬ȄณՄ൷ฒཎᜋкᡝ‫ޟ‬ᡒᒮਢ໢‫پ‬ᇳȂ‫ר‬ঈџоᇳȂᐠႄ࢐Ռଢ଼ ᐠ‫ڙ‬ጢଔ‫ޟ‬নӰȂծҥܻᐠႄҏ٘࢐‫پ‬Ռܻઍᄂࣨ‫ޟ‬ӻ१‫ܚؚۡ‬ ҡȂ‫ܚ‬оՌଢ଼ᐠ‫ޟڙ‬ጢଔᇄВྞฒ‫ݲ‬ആႆՌ‫ר‬ཎᜋ‫ؚۡپ‬ȂՄ҆໸ ആႆઍᄂࣨആႆᐠႄ‫ޟ‬१σਝᔖ˕ഺ༌‫پ‬ёо‫׽‬ᡐȄ‫װ۫ܜ‬ᐠႄ ᇄт‫ޟ‬ઍᄂࣨ౩‫܈‬೿๖ӵΙଔȂтӣਢζ‫װ‬೻এ౩‫܈‬೿๖‫ׇڗ‬ӒϚ ӣܻཎဎȃ‫ޣ‬ᜋ‫ڷ‬ຫ኉પ‫ޟו‬ѪΙᆍԆӵȄ.

(19) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬19. ‫۫ܜ‬௥๿კၐୢϷ१ፒᇄ༈ོȞtransferenceȟ‫ޟ‬ᜰ߽Ȅтඪ ‫ڗ‬Ȉȶ‫ܚ‬оӵ೻၇‫ר‬ঈϚ૖‫װ‬१ፒᇄ‫ڏ‬т୰ᚠ౅࣏ΙፙȂᇳѺ࢐ಒ ဴ‫ޟ‬ӱߕȃፒᇧȃ࢚ᆍߒ౪ю‫ޟپ‬଄ᏹ‫ܚ‬അԙ‫ޟ‬՗ଢ଼፡࿽Ȅ१ፒ‫ޟ‬ ઍғҏ፴ȂӵᆠડϷ‫ݙ‬࿋ϛҗሉᇐΰΙቹ७ળȂӰ࣏ӵᆠડϷ‫ݙ‬ৱ ‫ޟ‬྅‫܈‬ϽհҢ࿋ϛȂ‫װ‬१ፒຜ࣏࢐‫ڷ‬༈ོӣΙӱ‫ٱ‬Ȅ౪ӵ‫ר‬ঈઍ‫ޟ‬ ौӵ‫ڏ‬ϛհюୢϷȄӵ༈ོ࿋ϛџоี౪‫ڗ‬Ѻᇄઍᄂࣨ‫ޟ‬ᜰ߽ೝ҅ ࣄӀኈߒႀю‫پ‬Ȃ࢐ӵтࡇҀӵ‫ك‬჋዁ᔣ჋ȃӵϚӵൟϞϛȂ‫ؠٮ‬ Ԥϧቄџоඡණ‫ޟ‬ȇณՄȂ༈ོ‫ܚ‬๝Ϡ‫ר‬ঈ‫ᜲޟ‬ၾϚ࢐հ࣏Ιᆍ‫ك‬ ჋዁ᔣ჋ȃհ࣏ΙᆍᇄϚӵൟ‫ޟ‬ᜰ߽༝ȉ‫ר‬ঈџоԙђ‫װޟ‬ઍᄂ‫ܒ‬ ‫ޟ‬೻Ιᆍᔪ࢏዁ጙ‫ޟ‬७ળёо၌໠Ȃઍᄂ‫ܒ‬Ϟ‫ܚ‬оོᇄ༈ོ౅࣏Ι ፙȂѫԤӵ१ፒ࿋ϛ‫ޟ‬ઍᄂࣨђ૖հҢ‫ޟ‬அᙃΰϗོีҡȄȷ ȞLacan, 1981: 54ȟȄആႆҏМӵࠉ७ᄇܻฒཎᜋкᡝਢ໢‫ޟܒ‬έ ᆍө࡙ᇄᐠႄ‫ޟ‬ᇳ݂Ȃ‫ר‬ঈӔ࡙ࣼ‫ڗ‬Οઍᄂࣨհ࣏Ռ‫ר‬ཎᜋ‫ܚ‬ཎᜋ Ϛ‫ྛޟڗ‬ᓞ‫ޟ‬ѪѴΙᆍཎొȂ඲ѯၗᇳȂആႆഺ༌ငᡛȂᐠႄӵฒ ཎᜋкᡝ‫ޟ‬భఖ๖ᄺΰ҈໠ΟѪѴΙᆍਢ໢዁ԒȈ१ፒȄ ‫۫ܜ‬ӵ೻၇ᡗҰΟഺ༌ᇄϚᘞ१ፒӱߕ‫ڗ‬ઍᄂࣨ‫ޟ‬ᜰ߽Ȅт‫؁‬ ఼ཿᇳюȈȶӵᆠડϷ‫ݙ‬ငᡛ‫ྛޟ‬ᓞϞ೎ȂᜲၾϚஊ݂ᡗ‫࢐ޟ‬ઍᄂ ࣨᔖ၎ϐငആႆ࢚ᆍϚџӣϽ‫לޟ‬Ԓ‫֕پ‬౪‫ڏ‬Ռ٘Ο˕ζ൷࢐ഺ ༌‫לޟ‬ԒȂՄҥ‫ؚۡپڏ‬Ο‫ܚ‬Ԥ௥ή‫ޑޟپ‬ᄘȂ‫ٮ‬иӵഺ༌Ϟΰ݂ ᡗ‫ޟ‬፭ϠΙᆍཎѴ‫ޟ‬ʝୋጢ‫ྛܒ‬ᓞ༝ȉғӵ‫ר‬ঈٖ‫ڗ‬ΟਯЖϞ೎Ȃ џоᡱ‫ר‬ঈᕣ၌ӵ‫ٴ‬ዅনࠌᇄ౪ᄂনࠌᄇҳϞϛ‫ܚ‬ЕΣ‫ޟ‬ፐए྅‫܈‬ ‫ڎܚ‬Ԥ‫ޟ‬ᐭ໌੫፴˕೻ζ൷࢐࣏ϧቄ‫ר‬ঈฒ‫ݲ‬ᇯ࣏౪ᄂনࠌ൷‫ڏ‬ ᓺ༖ՄِȂϐငඡණΟശࡣ‫ޟ‬ᜰᗤȷȞLacan, 1981: 55ȟȄ ઍᄂࣨϚ࢐౪ᄂনࠌ‫ޟ‬ၼհȂՄ࢐ΙᆍІ᙭‫ޟ‬ᎏഇȄLacan Ȟ1981: 55ȟࡾюȈȶ‫ٱ‬ᄂΰȂഺ༌ೝᇯ࣏҆ณ࢐ҥкᡝϽ‫ޟ‬Ռ‫ר‬ ҁᒋ‫ܚ‬അԙ‫ޟ‬Ȃ೻ᆍՌ‫ר‬ҁᒋЕᏲюΟԤ‫ٴ‬ዅনࠌ‫ޟۡࣨܚ‬ᐌএђ.

(20) 20! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ૖հҢȄܻ࢐‫ר‬ঈ‫ޟ‬ငᡛө‫ר‬ঈ֕౪࣏Ιএ୰ᚠȂ೻এ୰ᚠுՌܻ ೻ኺ‫ٱޟ‬ᄂȂӵߑ઻ႆแ‫ޟ‬ਯЖϞ೎Ȃ‫ר‬ঈࣼ‫ڗ‬Οഺ༌‫ࡻ஀ޟ‬ୄ ᎹȂ‫ٺ‬ு‫ר‬ঈឈᄆ‫ڗ‬ഺ༌‫ޟ‬ԆӵȄ‫ٱ‬ᄂΰȂഺ༌‫ޟ‬१ፒю౪ငல࢐ ᡗՄَܾ‫ޟ‬Ȅкᡝభఖ‫ܛޟ‬ၷ‫˕ޱ‬հჲȂჲԃդ૖ஊഺഅюᡱഺ ༌१ፒ‫ޟ‬ΙӔਗ਼౪Ȃԃ‫ݎ‬೻ΙӔਗ਼౪‫ݍޟ‬ՙ‫ٮ‬Ϛ࢐ഺ༌ઍғ‫ޟ‬ᖛ ᛁȂՍЍζ࢐ϫณၵӵᄍࡣ‫ޟ‬ഺ༌ө‫ר‬ঈኬᅋ‫ޟ‬ᒉᄍ֑ȉᡱ‫ר‬ঈඪ ю๖፣Ȃઍᄂ‫فޟ‬ಛȂϚ፣Ѻี৤‫ڗ‬ϧቄแ࡙ȂѺᗙ࢐ོ੼ήΙএ ਲ਼ҏ‫ޟ‬ഋϷȂ೻এਲ਼ҏ‫ޟ‬ഋϷ࢐ᗵ឴ܻઍᄂࣨ‫ޟ‬ΙএѳқȂѺဣΣ Ο‫ٴ‬ዅনࠌ‫୼ޟ‬ৈ࿋ϛȷȞLacan, 1981: 55ȟȄ ‫ࡾ۫ܜ‬ю‫࢐ޟ‬Ȃభఖ຺ႆΡ᜸џ૖‫ܚܒ‬Ԥጒ൜‫ޟ‬ӈդ‫ڏ‬т࿽ ᘈȂ‫ٴ‬ዅࠌ३‫ڙ‬ΟΡ᜸џ૖‫ޟܒ‬ጒ൜Ȅభఖᎏႄ‫ڗ‬Ѻ‫ޟ‬ጒ൜ࣨ३ȃ Ѻ‫ޟ‬३‫ڙ‬ᜰ߽ȃѺ‫ޟ‬३࡙ȂՄѺ൷࢐ӵᇄ೻ᆍ३࡙‫ޟ‬ᜰ߽࿋ϛுо ᆰࡻѺҏ٘‫ޑޟ‬ᄘȂᇄ‫ٴ‬ዅনࠌ‫ܚ‬೩ۡ‫ߞޟ‬ᘤҺᒿՄႆȄ‫ܚ‬оȂభ ఖ‫ڷ‬ઍᄂࣨ౰ҡᜰ೿ȄLacanȞ1981: 55-56ȟᓍࡣάඪ‫ڗ‬Ȉȶ७ᄇ ೻ኺΙᆍौؑ‫ڳ‬ᔖ๿‫ܚר‬ᒝ‫ޟ‬ӵઍᄂࣨ࿋ϛ‫ޟ‬ᎏഇ‫ڎܚސ‬Ԥ‫ޟ‬ᐭ໌ ፣ᘈȂ೻‫ٺ‬ு‫ר‬ঈ૖ஊ‫װ‬ઍᄂ‫ܒ‬ᇯ࣏ۡΙᆍ଩წȃ‫ۻ‬ή‫ޟ‬᠜წȂ೻ ளԤ‫ݲ‬ᇭ࿋ϛюՓ‫ޟ‬ᔪ࢏዁ጙ‫ܒ‬Ȃ೻ᆍ᠜წ࢐խн࢐ೝᙚឍ࣏оӣ ኺ‫ޟ‬ΙএԅಁȈฮवȃᔤညȃѓᇥȄઍᄂ‫ܒ‬Ȟ౪ᄂȟ࢐ΙᆍϛХȂ ้࡟ೝ‫ݧ‬ཎȞReality is in abeyance there, awaiting attentionȟȄՄ஼ ‫ڙ‬Ȃೣ३Ȃ҅ࣄӀኈആႆӱߕ१ፒ‫پ‬ёоࣨۡȂ஼‫ڙ‬৚‫ڙ‬Ο೻এন ߑႆแ‫ޟ‬ᆍᆍᙽөᇄᙽ඲Ȅ೻এনߑႆแȂζ൷࢐‫ר‬ႆўඁԩᅋᖿ ࿋ϛആႆฒཎᜋ‫לޟ‬Ԓ‫پ‬өӨ՝ၐყࣨۡ‫ݍޟ‬ՙȂѺ҆໸ӔΙԩ‫ޟ‬ ӵѺ‫ޟ‬ᘞນငᡛ࿋ϛೝඡණ‫ڗ‬Ȃӵ‫ޣ‬ឈᇄཎᜋϞ໢ȃӵ٥Ιᆍߨਢ ໢‫ޟܒ‬ॗၬΰೝඡණ‫ڗ‬Ȃ‫ོר‬ᇳȂ೻ኺΙᆍႆแ៮‫ٺ‬๿‫ר‬ঈौў೩ ҳ҅ࣄӀኈᆎϞ࣏ѪΙᆍП՝ȃѪΙᆍު໢ȃѪΙএൟශ‫ޟ‬ᢎ‫܈‬Ȃ ೻এᢎ‫پ࢐܈‬Ռܻາ‫ה‬ઽȂζ൷࢐ӵ‫ޣ‬ឈᇄཎᜋϞ໢Ȅȷ೻ࢲၗϻ.

(21) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬21. ୚ю‫۫ܜ‬ᇄ҅ࣄ‫ٷ‬ኈᄇഺฮІ᙭‫ڧ‬व˨ᔤညЅฒཎᜋհჲʝჲᒺᏰ ᇳ‫ݢޟ‬౴ᘈȄоήࢲဣȂҏМོ൷೻এដᚠȂ໌Ι؏ᇳ݂Ȅ ‫ٱ‬ᄂΰȂӵ೻၇Ȃ‫װ۫ܜ‬т‫ޟ‬ȶઍᄂࣨȷ྅‫ڷ܈‬ၼ༖˨ᐠႄ Ȟζџᇳ࢐Ιᆍฒ‫ޟו‬ᐠጢีҡȂᓍᐠ‫ޟ‬ȃฒ‫ݲ‬ॎᆗ‫ޟ‬ȃӒณ౴፴ ‫ޟܒ‬Ȃฒ‫ݲ‬ೝᡗᚠϽ‫ܖ‬ϚџႱก‫ޟ‬ᎏႄȟࣺඪ‫ٮ‬፣Ȃᄇ‫ܚ‬ᒝ‫ޟ‬ཎဎ Ȟmeaningȟȃ‫ޣ‬ᜋȞknowledgeȟ‫ڷ‬ຫ኉ࣨȞthe symbolic orderȟ ՄِȂઍᄂࣨ࢐Ιএт‫ޱ‬Ȅᄇ‫۫ܜ‬ՄِȂઍᄂࣨ։ȶϚџ૖‫ޱ‬ȷȂ Ϛџ૖ೝད჋ȃϚџ૖ܰႀȃζฒ‫ݲ‬ငҥᇭِՄຫ኉ϽȞthe real is the ‘impossible’, that which is impossible to imagine, to achieve or attain, or to render significant via languageȟȄӰ࣏ઍᄂࣨીмӈդџ ૖‫ޟ‬፡ୄ˨ӆຘ‫ޱ‬ȞmeditationȟȂ‫ܚ‬оȶઍᄂࣨ൷࢐ᇄ‫ڏ‬७ᄇ ਢ Ȃ ‫ ܚ ٺ‬Ԥ ᇭ ِ ୄ Х Ȃ ‫ ܚ‬Ԥ ᜸ տ Ѷ ਝ ‫ ސ ٱ ޟ‬ȷ Ȟ the real is ‘something’ faced with which all words cease and all categories fail.ȟȄ࿋‫ר‬ঈငҥၼ༖ʝᐠႄՄཎყ‫ڷ‬ઍᄂࣨᎏഇȂࠓάငலᒿ ٘Մႆ‫ܖ‬ᇲѶܻѺȞmissed with the realȟȂӰ࣏ӵᎏഇ‫ޟ‬ᜰᗤᘈȂ Ռ‫ׇޟר‬Ӓ૖Ψਲ਼ҏฒ‫ݲ‬ӣϽ೻ᆍ५ҡ‫ޟ‬т౴‫ܒ‬ငᡛȂӰԪ౰ҡΟ ᄂӵࣨਯЖȞkernel of the realȟ‫ޟ‬ᚖ१‫ܒ‬ȂΙП७१ཱི࡚ᄺкᡝՌ ٘ȂΙП७ζ‫ٺ‬ுкᡝ‫ڷ‬Ռ‫ר‬ЅтΡ‫ޟ‬ᜰ߽Ȃᡐ࣏џᅸ‫ޟ‬୰ᚠȄܻ ࢐Ȃџо೻ቄᇳȂ‫۫ܜ‬ᇯ࣏Ӱ࣏೻ᆍฒ‫ݲ‬Ⴑ෈‫ޟ‬ȃฒ‫ݲ‬ӣϽ‫ޟ‬ᇯӣ ᇄငᡛ‫ޟ‬஫၌Ȃ‫ٺ‬ு‫ڷ‬ઍᄂࣨᎏഇࠓܰႀϚΟࠓᖂ࢐ᒿႄ‫ޑޟ‬ᄘȂ ‫ל‬ԙΟഺ༌Ȟоΰ୤ՃՌBarnard, 2002ȟȄ BarnardȞ2002ȟკၐ‫ޟ۫ܜװ‬ഺ༌ᇄઍᄂࣨ‫ޟ‬ᜰ߽ȂЕΣт Ρ‫ޟ‬྅‫܈‬Ȃ໌Մᡗ៩‫۫ܜ‬গ౩Ᏸ‫ۻޟ‬ងȂ‫ܚ‬оȂ‫ר‬ঈ஠ོᙽө‫۫ܜ‬ ᄇᆠડϷ‫ݙ‬গ౩Ᏸ‫ޟ‬លᇳȄBarnardȞ2002ȟᇯ࣏ȂтΡ‫ޟ‬Ԇӵਢ ΙᆍȞฒ‫ݲ‬ᐌଶઽጡȟ഻Ꮇ‫ސ‬ȞsurplusȟȂѺϚ૖Ͻघԙ࣏‫ޟר‬ж ࣨ‫ޟ‬ΙഋϷȄт‫ޱ‬Ϛ૖ೝਐਔȂӰԪ࢐ฒ‫ݲ‬౩၌‫ޟ‬ȞThe Other.

(22) 22! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. cannot be captured or grasped and is therefore incomprehensibleȟȄծ ೻এฒ‫ݲ‬౩၌‫ޟ‬т‫ޱ‬ԆӵȂѢൔΟΙᆍ้࡟ೝ౩၌‫ޟ‬ઍᄂȂζ൷࢐ ȶ ઍ ᄂ ‫ ܒ‬Ȟ ౪ ᄂ ȟ ࢐ Ι ᆍ ϛ Х Ȃ ้ ࡟ ೝ ‫ ݧ‬ཎ ȷ Ȟ Lacan, 1981: 56ȟȄณՄȂкᡝΙҍ७ᖝ‫ڷ‬ઍᄂࣨȞthe realȟᎏഇ‫ޟ‬ᜰᗤᘈ Ȟradical pointȟȂᖂ࢐‫ڷ‬ઍᄂࣨᒿ٘ՄႆȂӰԪઍᄂ‫ޟ‬ཎဎ߳ࡻ๿ ೝ ᝚ ည Ȟ suspense ȟ ଔ ‫ پ‬Ȃ к ᡝ ᖂ ࢐ ‫ ڧ ܛ‬๿ ၎ ‫ ݧ‬ཎ ࠓ ‫ ܇‬౱ Ϟ व Ȟsuffering for lack of attentionȟȄઍᄂ։‫ڧ‬वȂӵкᡝ‫ڷ‬ᄂӵࣨᔢ ٘Մႆ‫ޟ‬ᜰᗤᘈȂႂІȃ҈કΟՌ‫ࢋר‬Ԥ‫ޟ‬ђ૖‫ڷ‬ཎᜋȂӵ೻এᜰ ᗤᘈΰȂҡ౰Οၙᜎ‫ޟ‬ઍᄂȞuncanny realityȟȂ้࡟ೝ‫ݧ‬ཎ౩၌Ȃ ծࠓϚ૖ೝӣϽ໌ΣཎᜋȞassimilated into consciousnessȟȄҥ ԪȂкᡝೝт‫ࡇܚޱ‬ᆎȃ࡚ᄺȂծт‫ࠓޱ‬ฒ‫ݲ‬౩၌ȂӰԪкᡝӵ‫ڷ‬ ᄂ ӵ ࣨ ࣺ ഇ ‫ ޟ‬ᜰ ᗤ ᘈ Ȃ ‫ ڏ‬ᄂ ࢐ ༘ ᆹ ๿ ‫ ڧ‬व ‫ ܒ‬Ȟ souffrance/ sufferingȟȞ୤ՃՌBarnard, 2002ȟȄ ‫ܚ‬оȂՌ‫ר‬ᇄт‫ޱ‬ᎏഇ‫ޟ‬ಳ‫ܒו‬ഺ༌ȂϸᘞΟཎᜋည٘‫ܚ‬ӵ‫ޟ‬ அӴȂ‫ל‬ᄺΟഺ༌௑ཐਝᔖȂ‫ܚ‬ᒝ‫ޟ‬গ౩ζӵ೻এഺ༌‫ܒ‬ᎏഇ‫ܚ‬ᡗ ҰȂӵԪ‫ޑ‬ᄘήȂഺ༌‫ޟ‬গ౩Ȃ‫ܢ‬๘ӣϽԙ࣏ཎᜋȂζ‫ܢ‬๘ӈդ‫ל‬ Ԓ‫ޟ‬ຫ኉Ͻ‫ܖ‬ጡጆϽȞany form of symbolization or codificationȟȄ ‫ܚ‬оȂ‫۫ܜ‬ᇯ࣏‫ڷ‬ઍᄂࣨᒿ٘Մႆ‫ޟ‬ഺ༌‫ܒ‬ငᡛȂԃ‫ݎ‬Ϛ࢐౏‫ړ‬ኇ ៪‫ר‬ঈҡ‫ٱޟڼ‬Ӈᖂ࢐ีҡ‫ޟ‬ЊԞȂ൷࢐‫ר‬ঈᄇ‫ڏ‬ኇ៪ਝᔖ‫ޟ‬ᕣ ၌Ȃᖂ࢐‫پ‬ுЊᒶȄ‫ר‬ঈ࢐ೝ೻‫ٱٲ‬Ӈ‫ܖۡ୼ܚ‬ᒵᐅȞwe are chosen or elected by such eventsȟȄ࢐࢈ȂBarnardȞ2002ȟඪ‫ڗ‬Ȃ ઍ౩҆໸ᖂ࢐ӵഺ༌‫ٱޟ‬ᄂϞࡣϗ૖ೝᕣ၌ȂζӰԪ‫רڷ‬ঈᄇтΡ ‫ޟ‬೰ӈԤ‫ܚ‬ᜰ೿Ȃծ‫ר‬ঈ௃Ґ፺՗೰ӈȄᐣငഺ༌ӰԪ‫ڧܛ‬ȶԆ ࣀ ȷ ‫ ҆ ޟ‬ौ ࡡ х Ȃ о ຺ ູ ഺ ༌ ࢋ ۡ ၗ ᇭ ‫ ޟ‬П Ԓ ᇳ ၗ Ȟ to speak beyond traumaȟȂо߯૖ஊᇳю٥‫רٲ‬ঈ‫ۦ‬Ґ‫ޣ‬ၾ‫ޟ‬ཎဎȞto tell what it means not to knowȟȄ‫໌؁‬Ι؏ᇳȂकറպȞZižekȟᇯ࣏ᜰ.

(23) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬23. ܻઍ౩Ȃငҥഺ༌‫ޟ‬ઍᄂࣨ‫ޟ‬ശತҬ኿ϚӵܻȶϚџᇳȷ Ȟ unspeakable ȟ Ȃ Մ ࢐ ‫ ٺ‬ு ‫ ܚ‬Ԥ ఼ ඾ ‫ ޟ‬ຫ ኉ ‫ ܒ‬ઍ ౩ җ ሉ Ѷ ਝ Ȟarticulate symbolic truth forever failedȟȂ൷჋࢐൙ᝏা‫ޟږ‬ᇳၗ ‫ޱ‬ȂᡐுӔζϚџ૖ᇳюၗ‫پ‬Ȟ୤ՃՌBarnard, 2002ȟȄϚ࢐Ϛџ ᇳȂ࢐ਲ਼ҏᇳϚюȂ೻ϗ࢐ᆠડϷ‫ܚݙ‬१ഇ‫ޟ‬ઍ౩Ȅ BelauӣኺӴࡾюȂഺ༌ζ೨឴ܻઍᄂࣨ‫ิޟ‬ᓃȂѺ࢐ӵຫ኉ ࣨၼհȄຫ኉ࣨ൷࢐ഺ༌‫ܒ‬१ፒᡗ౪Ռ٘‫ޟ‬ൟ୿ȄӰ࣏ഺ༌‫ޟ‬१ፒ ‫ܒ‬ཎొ๖ᄺȂഺ༌ငᡛ၇‫ޟ‬Ѷဣ࢐ΙᆍϚџ૖ȂՄϚ࢐ೝ࿱‫ڙ‬ȄӰ ࣏ӵഺ༌ငᡛ၇Ȃ‫ؠ‬ԤϧቄઍᄂϞ‫ސ‬ѶဣȂѶဣ‫ޟ‬ਲ਼ྛ௃‫ؠپ‬Ԥઍ ғ‫ޟ‬՝֭Ȅഺ༌ȂฒᅸӴȂ҆ณೝΙᆍϚџ૖‫ޟ‬ཎဎ‫ܚ‬ѓ᙭Ȃӵ೻ Ϛџ૖‫ޟ‬ཎဎήȂ‫ר‬ঈζฒ‫ݲ‬ᘗш‫ר‬ঈ‫ޟ‬౩၌૖Ψ‫ีޱܖ‬৤ၛភ૖ ΨȄӰԪȂ‫ר‬ঈ୲Ԥ‫ܛ‬ᇯഺ༌࢐‫ھڷ‬Ԥ‫ޟ‬૖ࡾȞsignifierȟ‫ޟ‬ეм Ԥ‫ܚ‬႙೿Ȅ࢐࢈Ȃоᄇຫࡾᇯഺ༌Ȃ‫࢐܁܁‬Ιᆍᒿ՝ ȞdislocationȟȞоΰЕՌToremans, 2003ȟȄഺ༌࢐ӵΙᆍᜰ߽ᆩ ๜၇Ȃฒ‫ݲ‬ᄇຫϽȄӰԪȂBarnardȞ2002ȟࡾюȂ‫୽ݲ‬঱Ᏸড়Ӗ ᆰઽ඼ȞEmmanuel Levinasȟ‫۫ܜڷ‬ᇯ࣏ԃ‫ݎ‬ौӱ๎᜸խή७‫ޟ‬୰ ᚠȈȶհ࣏кᡝཎ‫ڨ‬๿ϧቄȉȷȃȶ‫ޟܒོޥ‬அᙃ࢐ϧቄȉȷ‫ܖ‬ ȶᄇտΡ‫ڷ‬ᄇ‫ר‬ঈՌϏ॒೰ӈཎ‫ڨ‬๿ϧቄȉȷ൷҆໸ᜰ೿‫ڷڗ‬ഺ༌ Ԥᜰ‫ޟ‬୰ᚠȂζ൷࢐т‫ޱ‬ᄇ‫ר‬ঈՄِȂԃդᡗ౪࣏кᡝȄӵкᡝ‫ܒ‬ ‫ޟ‬Ιૡ྅‫܈‬࿋ϛȂ‫۫ܜ‬ඪ‫ټ‬Οᄇᇄкᡝ‫ޟ‬নӰ‫ڷ‬ਢ໢‫ޟ‬Ιᆍᄉཱི‫ޟ‬ ϻ୚Ȃ‫؁‬ኄ‫پݿ‬ᇳȂ೻࢐Ιᆍᄇᇄগ౩ᜰ߽๖ᄺ‫ޟ‬ᄉཱིনӰ‫ڷ‬ਢ໢ ᇳ݂ȞBarnard, 2002ȟȄ оήȂ‫ר‬ঈ஠௃ഺ༌૖ࡾ‫ޟ‬ቹ७Ȃ໌Ι؏ᇳ݂Ȅ.

(24) 24! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ӂȃฒཎᜋкᡝ‫ޟ‬গ౩೎ცȈഺ༌૖ࡾ ‫ޟ‬Ϛ‫ׇ‬Ӓ‫ܒ‬ षᇳΙഋᆠડϷ‫ݙ‬ѬȂฒߨ൷࢐ഺ༌ѬȂ‫ٮ‬Ϛ࣏ႆȄषࡸྱ‫ܜ‬ ۫‫ݲࣼޟ‬Ȃ‫ר‬ঈ୲Ԥ‫ܛ‬ᇯഺ༌࢐‫ھڷ‬ԤӴ૖ࡾ‫ޟ‬ეмԤ‫ܚ‬ᜰ೿Ȃ‫ٮ‬ ӱᔖ೻ીο˨ეм‫ޟ‬໢௥ငᡛȂۖತᜲо౩၌ȂӰՄ‫ל‬ԙഺ༌І᙭ ӱᘪ‫ޟ‬Ιᆍ‫ڳ‬ൔଢ଼ᄘȂࠌഺ༌ฒᅸӴȂ࢐ਖ਼ЅՌ‫ר‬ᇄтΡᜰ߽‫ޟ‬গ ౩ᏰȄԃӣBarnardȞ2002ȟࡾюȂ‫ܖ۫ܜ‬Ӗᆰઽ඼ᄇкᡝ՝ည‫ޟ‬ ፴ᅸȂ഍࢐‫ڷ‬೰ӈ‫ޟ‬গ౩୰ᚠԤᜰ೿Ȃζ൷࢐࿋‫ר‬ঈ७ᄇีҡӵ‫ר‬ ঈ७ࠉ‫ٱޟ‬ӇਢȂ‫ר‬ঈࡩቄ‫ޣ‬ၾԃդўІᔖȉ඲ِϞȂӵӈդኈ ՗ȃဎ୛ȃ‫᠊ޣي‬՗‫ܖ‬՗ଢ଼ೣࠌۡਿϽ้྅‫ל܈‬ᄺϞࠉȂগ౩‫ޟ‬ၼ հ‫ל‬ᄘོ࢐ԃդኺᇼȉ ഺ༌‫ޟ‬ငᡛ࢐ਲ਼அܻΙᆍϚџ૖‫ޟܒ‬І᙭ȂѺ࢐຺ູ૖ࡾཎ ဎȂฒ‫ܡݲ‬ଶӴᇄઍᄂࣺࣨϻ೿Ȅ‫۫ܜ‬ᇯ࣏૖ࡾ‫ޟ‬Ϛ‫ׇ‬Ӓ‫ܒ‬Ȃ‫پ‬Ռ ܻ‫ڏ‬ҏ٘࢐௃ຎฒϛ‫ܚ‬ഺഅȞas creatio ex nihiloȟȞLacan, 1992: 115-127ȟȄ඲ِϞȂϚ‫ׇ‬Ӓ‫ܒ‬኿ᇬΟ૖ࡾȂ૖ࡾ࢐຺ູ૖ࡾཎ ဎȄ૖ࡾ‫ޟ‬Ϛ‫ׇ‬Ӓ‫ܒ‬ငҥкᡝ‫ڍޟ‬ᆍПԒՄิᓃȂॶӑȂ૖ࡾϸസ Οкᡝ੼ήΙএဣྜ‫ܖ‬ФીȂӰՄϷᚔΟкᡝȄՄࡣȂкᡝζิᓃ Ο೻এ૖ࡾ‫ޟ‬Ϛ‫ׇ‬Ӓ‫ܒ‬Ȃ‫ٺ‬ுкᡝ‫ڧܛ‬๿དौӱඈȃᅖӒ೻এഺ༌ Ѷဣ‫ޟ‬ϷᚔϞवȂ‫ܚ‬оΡ᜸‫ޟ‬፛ҡџᇳ࢐Ιᆍభఖ‫ޟ‬кᡝȄ૖ࡾΙ П७ငҥᄇкᡝ‫ޟ‬ᓏ༭኿଄Οкᡝ‫ޟ‬ᇌߑϸസȂΙП७ζ኿଄๿к ᡝཎభᎍጶ೻এϸസ‫ܚ‬໠ం‫ࢾުޟ‬ȃ༌ο‫ޟ‬ѶఁȄ೻࢐ΙൟάΙൟ кᡝ‫ޟ‬Ѷဣଡ൶Ȃծ௃‫پ۫ܜ‬ᇳȂ೻ኺ‫ޟ‬І᙭‫ޟܒ‬ᎏഇȂ࢐ΙᆍϚ џ૖‫ޟܒ‬ငᡛȄ‫ܚ‬оȂᆠડϷ‫ݙ‬Ϛ࢐ငҥၛភ‫ޟ‬ђЉўี౪ઍ౩о ၌‫ؚ‬ଜࡦȂІই࢐Ιᆍ໠ంкᡝഺ༌Ѷဣনߑൟශ‫ޟ‬՗ଢ଼Ȅ ҥԪȂ‫ר‬ঈՆዣ૖၏‫ޟ‬Ӏ‫ۻ‬۴඼ȞOedipusȟડၗ‫ޟ‬ᇌߑӴ ශȂ‫۫ܜ‬ඪюཱིࣼ‫ݲ‬ȄLacanȞ1992ȟӵȶᆠડϷ‫ݙ‬গ౩Ᏸȷϛࡾ.

(25) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬25. юȂᇯ࣏Ӏ‫ۻ‬۴඼‫ٮ‬Ґᎏ‫ڧ‬ᠾҔ௑๖ϞवȂࣺІӴȂт຺ູΟ‫ي‬๡ ᠊՗ጒ൜‫ޟ‬ਝҢȂ໌ΣଡؑՌϏభఖ‫ޟ‬ሴ୿ȄӀ‫ۻ‬۴඼௰өຫ኉ࣨ ‫ྃޟ‬३ȂՄᇄઍᄂࣨᎏഇȄณՄȂ೻ኺ‫ޟ‬ᐠႄ˨ၼ༖ᎏഇȂࠓά࢐ ᇄઍᄂࣨ‫ޟ‬ઍ౩ᔢ٘ՄႆȂࠉМඪ‫ڷڗ‬ઍᄂࣨ‫ޟ‬ᐠႄࠓάᇲѶȂζ ࢐ഺ༌Ϟਯ‫לޟ‬ԒȄ‫۫ܜ‬ӵȶᆠડϷ‫ޟݙ‬Ѳএ྅‫܈‬ȷࡾюȈ ȶ‫ٱ‬ᄂΰȂ‫ܚ‬Ԥೝ१ፒ‫ٱޟ‬௑җሉོоԁ჋࢐ϐณีҡ‫ݷޑޟ‬ ‫ีپ‬ҡȂีҡȞoccursȟ೻ᆍᇳ‫ݲ‬ϐင֙ວΟ‫ר‬ঈ೨ӻѺᇄᐠႄʝ ၼ༖‫ޟ‬ᜰ߽ȄȌȌᐠႄ˨ၼ༖հ࣏‫ܚ‬ᎏഇ‫ޟ‬ઍᄂࣨ‫ڎܚ‬Ԥ‫ޟ‬ђ૖հ Ң——೻ᆍᎏഇ࡞џ૖ೝᒿѶ௬ȂՄиӵҏ፴ΰѺџ૖൷࢐Ιᆍೝ ᇲѶ௬‫ޟ‬ᎏഇ——ӵᆠડϷ‫ݙ‬ᐣѬ࿋ϛॶ࡙֕౪‫ڏ‬Ռ٘Ȃ࢐ആႆΙ ᆍѺҏ٘൷ٗоЕଔ‫ר‬ঈ‫ݧ‬ཎ‫לޟ‬ԒȈζ൷࢐ഺ༌ȷȞLacan, 1981: 54-55ȟȄ ‫ڏ‬ᄂȂ‫ࡾ۫ܜ‬юӀ‫ۻ‬۴඼հ࣏Ιᆍೝ૖ࡾϸസ‫ޟ‬кᡝȂདौᗗ ջФી‫ޟ‬՗৷ࠓά໠ంѶဣ‫ٱޟ‬ᄂȂтᒿѶΟᗗջᡙា՗ଢ଼‫ޟ‬ᐠ ႄȂ၌юΟѬ߇պ඼ȞSphinxȟ‫ޟ‬ᖼ‫ۻ‬Ȃܻ࢐ЕΣΟഺ༌Ȃ೻ኺ‫ޟ‬ І᙭‫ܒ‬ඍቑȂӵҏ፴ΰ࢐Ϛ૖ೝक‫ޟ܈‬Ȃࠓά࢐Ϛᘞᇄઍᄂࣨᒿ޸ ՄႆȄܻ࢐ȂആႆϚᘞӴ१ፒάᜲоक‫܈‬ȃࠓ኿ᇬ๿೻এഺ༌င ᡛȂ‫ר‬ঈᡝᡛΟഺ༌ȇԃ‫ؠݎ‬Ԥ१ፒȂ൷ฒ‫ݲ‬ᒱᜋഺ༌ȄծӰ࣏ഺ ༌૖ࡾ‫ޟ‬Ϛ‫ׇ‬Ӓ‫ܒ‬ȂѶဣҏ٘൷࢐‫ٱ‬ᄂȂкᡝತ‫ـ‬ฒ૖ᒱᜋഺ༌Ȃ Ӏ‫ۻ‬۴඼ѫ૖Ϛᘞ१ፒ೻এᇲѶᎏႄ‫ޟ‬Ϛџ૖‫ޟ‬ቈ‫ڐ‬Ȅծ೻এϚџ ૖Ϛ࢐࢚‫ސ‬ฒ‫ݲ‬ೝ‫ڥأ‬ȂՄ࢐‫҆ސ࢚ڥأ‬ณཎ‫ڨ‬๿ѶўѺȂ‫ޟۡݧ‬ ѶဣȄ LacanȞ1981: 59ȟᇳȈȶѫԤആႆቈԒȂΙᆍҗฒХᅾ‫ޟ‬՗ ଢ଼Ȃ૖ஊक‫܈‬೻এϚ࢐٥ቄ঄ு଄ᏹ‫ޟ‬ᎏഇȄȷӀ‫ۻ‬۴඼ᄇϚџ૖ ‫ٱ‬Ӈ‫ޟ‬ᒱᇯȂත៩ΟᇲѶᎏഇ‫ޟ‬๖ᄺȂζ൷࢐‫ܚ۫ܜ‬ᇳ‫ޟ‬ඍቑϷ‫ݙ‬ ငᡛȂ඲ِϞȂᆠડϷ‫ีݙ‬౪‫ڏ‬ઍ౩‫ޟ‬ၯ৷Ȃӵܻᒱᇯкᡝ‫ޟ‬ഺ༌.

(26) 26! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ‫ޟ‬ઍᄂࣨȞtraumatic realȟȄLacanȞ1992: 243ȟӵᖿ৴಑ΜᖿԞϐ ࡾюȂȶඍቑ࢐‫ר‬ঈӵϷ‫ݙ‬ငᡛ၇‫ޟ‬ശࠉᎢȞtragedy is the forefront of our experiences as analystsȟȄȷ ҥԪȂᆠડϷ‫ݙ‬Ϛ࢐Ιᆍ၌ភ‫ܖ‬ΙᆍႳਂȂՄ࢐Ιᆍ՗ଢ଼Ȅӈ դӌყདौၛភȃӔ౪‫ܖ‬ᕣ၌ഺ༌Ȃ஠ོІ᙭‫ܒ‬Ӵᎏ‫ڧ‬ਙఁ‫ޟ‬१ ഺȂӰ࣏ഺ༌ѫԤӵΙᆍϚџ૖‫ޟ‬ᎏഇ၇፺՗Ȅഺ༌ᖂ࢐ྖюܻຫ ኉Ԓ‫ޟ‬ငᔼȂ೻‫ٮ‬Ϛཎ‫ڨ‬๿ഺ༌Ԇӵܻຫ኉ࣨϞѴȂ‫຺ູޱܖ‬ຫ኉ ࣨȂՄ࢐ྖю‫ޟ‬џ૖‫ܒ‬Ȃғ࢐ຫ኉ࣨ‫ޟ‬ΙഋϷȂઍᄂࣨ൷ӵܻຫ኉ ࣨѶఁ‫ޟ‬࿽ᘈΰȄഺ༌࢐ઍᄂࣨ‫ޟ‬Ιᆍਝ‫ݎ‬Ȃઍᄂࣨѫ૖ӵຫ኉ࣨ о॒ᡗ‫ޟ‬ПԒิᓃȄഺ༌ζ೨឴ܻઍᄂࣨ‫ิޟ‬ᓃȂѺӵຫ኉ࣨၼ հȄຫ኉ࣨ࢐ഺ༌І᙭‫ܒ‬ᐇᅋՌ٘‫ޟ‬ൟ‫ܚ‬Ȅ໌ِϞȂઍᄂࣨғ࢐к ᡝ‫ܚ‬ฒ‫ޟڥأ‬Ȃ࢐тȞԂȟ‫ޟ‬ႆў‫ߢܚ‬ᚔȞforeclosureȟ‫ޟ‬ഋϷȄ ծઍᄂࣨ‫ޟ‬Ψ໔‫ٮ‬Ґᓍ๿ߢᚔՄੑᒌȂઍᄂࣨ‫ޟ‬Ψ໔ᡗ౪ӵฒཎᜋ དӱߕ‫ڗ‬ઍᄂࣨ‫ޟ‬భఖȄհ࣏ΙᆍฒཎᜋభఖȂདौӱߕ‫ڗ‬ઍᄂࣨ ‫ޟ‬భఖȂ࢐Ιᆍຫ኉ࣨӵઍᄂࣨ‫ߢޟ‬ᚔȞforeclosureȟਝ‫ݎ‬Ȅծӵ ઍᄂࣨ‫ߢޟ‬ᚔ࢐Ιᆍઍᄂࣨ‫ޟ‬Іྗ‫࡚ޟܒ‬ᄺȂӰ࣏ઍᄂࣨ௃ϚԆ ӵȂ‫ڗޢ‬Ѻӵຫ኉ࣨ‫ྖܚ‬ю‫ޟ‬ӴПೝ࡚ᄺ๿Ȅ‫ר‬ঈ‫ޟ‬ӱߕ‫ڗ‬ઍᄂࣨ ‫ޟ‬ฒཎᜋభఖȂӰՄ࢐Ιᆍຫ኉ࣨಒ኉ࡾᗥ‫ޟ‬ਝ‫ݎ‬Ȅ Ӱ࣏І᙭‫ޟܒ‬๖ᄺ‫ٺ‬ณȂ‫ܚ‬оȂӔ१ፒΙႇȂഺ༌ငᡛ၇‫ޟ‬Ѷ ဣ‫࢐ݷޑ‬ΙᆍϚџ૖ȂՄϚ࢐ೝ࿱ХȄӵഺ༌‫ޟ‬ငᡛ၇Ȃ‫ؠ‬Ԥઍᄂ Ϟ‫ޟސ‬ѶဣȂনߑ‫ޟ‬Ѷဣ௃‫ؠپ‬Ԥઍғ‫ޟ‬ൟ‫ܚ‬Ȃഺ༌҆ณ࢐ೝΙᆍ Ϛџ૖‫ޟ‬ཎဎȞimpossible meaningȟ‫ܚ‬ѓ᙭Ȃ‫ר‬ঈζᜲี৤юӈդ ၛភ‫ޟ‬૖Ψඡණഺ༌Ȅ‫ܚ‬оȂഺ༌ᇄҡ঍‫ڷپ‬Ιᆍ૖ࡾ‫ޟ‬Ϛ‫ׇ‬Ӓ‫ܒ‬ ࣺᜰ೿Ȅ CaruthȞ1996ȟᇯ࣏Ȃ௃Ꭷ᠞҅ࣄ‫ٷ‬ኈ้Ρ‫ޟ‬հࠢᡗҰȂഺ༌ ྅‫܈‬ᄇ‫ר‬ঈ‫ޟ‬७፴Ϛѫ࢐Ιᆍᙏ൐੾౩ᏰȂӣਢζ࢐ᜰܻЖ౩‫ڷ‬ઍ.

(27) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬27. ᄂ‫ޟ‬ᜰ߽‫ޟ‬Ιᆍਲ਼ҏ‫ޟܒ‬ᖼ७ȄCaruthȞ1996ȟࡾюഺ༌‫ٱ‬Ӈ‫ޟ‬І ᙭‫ܒ‬՗ଢ଼Ȃۖತᆰࡻ๿Ϛೝཎᜋ‫ڥأܚ‬ծࠓІ᙭‫ܒ‬ӴඨΣಁᛨ‫ܖ‬သ ੕ȂҥԪᡗҰΙᆍ‫ٱڷ‬Ӈ‫؁‬ቶኄ‫ޟ‬ᜰ߽Ȟa larger relation to the eventȟȂ຺ູ‫ٱ‬Ӈ༉༉࢐ೝࣼ‫ܖڗ‬ೝ‫ޣ‬ၾȂӰՄៈᙓ๿ഺ༌‫ޟ‬ঞᒶ ‫ܒ‬Ȟbelatednessȟ‫ᜲڷ‬၌‫ܒ‬ȞincomprehensibilityȟȂԃԪ‫ל‬ᄺ๿І ᙭Ҭ࿝‫َܖ‬ᜌ‫ޟ‬ਯЖȄ೻ૡَ၌ӵჲც‫ޟ‬ཎဎ၇Ȃ൷ઉ‫఼ל‬඾ΟȄ оήȂ‫ר‬ঈ஠Ӕ࡙លक़ȶЮᒑȂᜲၾௌ‫רڗࣼؠ‬ғӵᐽᐶ ༝ȉ ȷ೻ΙࠌჲცȄ‫۫ܜ‬ӵଆ፣ᜰܻ೻ΙࠌჲცϞࠉȂLacan Ȟ1981: 56ȟӑ௃ՌϏ‫ޟ‬ΙൟငᡛፙଔȄ ȶϚδϞࠉȂӵ‫ר‬ᒺႆ‫پ‬Ϟࠉ‫ר‬ೝΙଲࡨߴ‫ޟ‬ᄭߞᖐ‫ܚ‬ѩᒺȄ ᓍ๿೻Ιଲࡨߴ‫ޟ‬ᄭߞᖐȂ‫ר‬ӵ࿋ਢୈΟΙএჲȂ೻Ιএჲө‫֕ר‬ ౪Ο࢚‫ٲ‬Ϛӣܻ೻Ιଲᄭߞᖐ‫ٱޟ‬௑Ȅ࿋‫ר‬ᒺႆ‫پ‬Ȃӵ‫ר‬१ཱི‫ל‬ᄺ ᜰܻ೻Ιଲᄭߞᖐ‫ޟ‬ᐌএӔ౪ߒຫ˕೻ኺ‫ޣޟ‬ឈ˕‫ר‬ϗឈᄆ‫ڗ‬ ‫ܚר‬ୈ‫ޟ‬ჲȄ‫ޣר‬ၾ‫ר‬ӵ঺၇Ȃ‫ר‬ӵϧቄਢঐΰ‫ח‬ᆃឈȂоЅ‫࣏ר‬ ϧቄເўᆃឈȄ࿋ଲଲᄭߞᖐีҡ‫ޟ‬ਢঐȂ‫ٮ‬Ϛ࢐ӵ‫ޣޟר‬ឈ࿋ ϛȂՄ࢐ӵ‫ޟר‬ཎᜋ࿋ϛȂ೻࢐Ӱ࣏‫ޟר‬ཎᜋ൜ᙓ๿೻ΙᆍӔ౪˨ ߒ኉Մ१ᄺ‫ڏ‬Ռ٘Ȃ‫ޣר‬ၾ‫ר‬ϐငᒺႆ‫پ‬Ȃ‫࢐ר‬ೝᄭߞᖐѩᒺ‫ޟ‬ȷ ȞLacan, 1981: 56ȟȄ LacanȞ1981ȟ१᠞Ο҅ࣄ‫ٷ‬ኈӵȮჲ‫ޟ‬၌‫ݙ‬ȯ಑ΜണȂΙࠌ Ԥ ᜰ ȶ Ю ᒑ Ȃ ᜲ ၾ ௌ ‫ ר ڗ ࣼ ؠ‬ғ ӵ ᐽ ᐶ ༝ ȉ ȷ ‫ ޟ‬ჲ ც Ȅ Lacan Ȟ1981ȟࡾюȂ೻Ιএჲ‫ڎ‬ԤѺՌϏᐿҳ‫ޟ‬ጒᛟ˕೻এჲਗ਼౪ӵ ശхΡฮव‫ޟ‬ડજ࿋ϛȂΙএЮᒑᇄтߖӵࠦЏ‫ڋޟ‬υ‫ࡏޟ‬ᡝ‫ޟ‬ᜰ ೿Ȃтϐငԫў‫ڋޟ‬υȄ࿋тᆃ๿‫ޟ‬ਢঐȂ೻এЮᒑࣼ‫ڗ‬т‫ڋ‬υ‫ޟ‬ ‫ל‬ຫӵт७ࠉ‫ދ‬ଔ‫پ‬Ȃ֙ວтȂȶЮᒑȂᜲၾௌ‫רڗࣼؠ‬ғӵᐽᐶ ༝ȉȷ‫ٱ‬ᄂΰȂ೻এ‫ڋ‬υ‫ޟ‬ጂғӵᐽᐶȂ൷ӵႤᏩ‫ܘޟ‬໢Ȅ҅ࣄ‫ٷ‬ ኈ‫ޟ‬၌ភ࢐ჲც࢐࣏ΟᡱЮᒑᆃ๿Ȃо෈࡟‫ڋ‬υџоࣀு‫؁‬δ‫ޟ‬᜹.

(28) 28! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ఖ‫ޟ‬ႀԙȇծ‫۫ܜ‬ᇯ࣏ჲც࢐࣏ΟൔଔЮᒑȂൔଔհ࣏Юᒑкᡝ‫ޟ‬ ᇯӣȂ࢐‫ڋڷ‬υԫιȃՌϏԆࣀԤᜰȄCaruthȞ1996ȟࡾюȂ௃‫ܜ‬ ۫‫ޟ‬၌‫ݲ‬Ȃ೻এჲც֙ວ‫ר‬ঈΙএЮᒑ‫ޟ‬ඍ௕Ȃғ࢐Ж౩ᇄઍᄂ‫ޟ‬ ᜰ߽Ȉჲცհ࣏Ιᆍ‫۽‬᰹Ȃතᡗ๿Ιᆍӵԫι‫ޟ‬ઍᄂȞthe reality of a deathȟ‫ڷ‬ଶΟӵჲცຎᄺ၇ฒ‫ݲ‬ೝպ݈‫ޟ‬భఖϞ໢Ȃᜲоਲ਼๘‫ޟ‬ ᘄྜȞineradicable gapȟȄ CaruthȞ1996ȟ໌Մល݂Ȃჲϛَ‫ࡆڗ‬υԫࡣάೝЬᐶ‫ޟ‬ഺ༌ Ҭຜ‫ޟ‬ᎪᐂȂත៩๿Ρ᜸кᡝ‫ޟܒ‬ਯЖϚѫ࢐ᇯᜋ፣ΰ‫ޟ‬Ȃ‫࢐؁‬Ι ᆍ‫ڷ‬ઍᄂࣨ‫ޟ‬গ౩ᜰ߽Ȅ඲ِϞȂЖ౩‫ڷ‬ઍᄂ‫ޟ‬ᜰ߽Ϛѫ࢐Ιᆍᙏ ൐ࣼ࡟‫ٱ‬௑‫ݲࣼޟ‬Ȃ‫ޱܖ‬ўᇯᜋᄂ኉‫ٱ‬Ӈ‫ޟ‬ҏ፴ȂϚ࢐٥ᆍԤᜰઍ ᄂ၇џ‫ڷޣ‬Ϛџ‫ޟޣ‬ԙϷȂՄ࢐࢈‫ٱ‬ҏ٘‫ޟ‬Ιᆍफ़ϸ‫ޟ‬೰ӈȂζ൷ ࢐ᇄઍᄂࣨ‫ޟ‬গ౩ΰ‫ޟ‬ᜰ߽Ȟan ethical relation to the realȟȂΙᆍ Ϛ‫ڧ‬ᔆ‫ޟ׻‬໷๿భఖ՗ଢ଼‫ޟ‬৤ҰȞCaruth, 1996; Lacan, 1992ȟȄ࿋ ཎᜋ‫ڗ‬೻ᆍϚџ૖‫ޟܒ‬೰ӈȂζంଢ଼๿‫ڷ‬тΡ‫ޟ‬ᜰ߽ȂЎ‫࢐ڏ‬७ᄇ тΡԫι‫ޟ‬ᜰ߽Ȅհ࣏ΙᆍൔᒺȂ‫ڷ‬ઍᄂࣨ‫ޟ‬গ౩ᜰ߽Ȃғ࢐Ρ᜸ ཎ ᜋ ਯ Ж ᄇ ೻ এ Ϛ џ ૖ ‫ ޟ‬ौ ؑ ‫ ޟ‬ం Ұ Ȟ the revelation of this impossible demandȟȞCaruth, 1996ȟȄ ‫ܚ‬оȂϚѫ࢐߳ԆωࡆԆࣀ‫ޟ‬᜹ఖߴ‫ٺ‬ЮᒑᆃឈȂ‫࢐؁‬ཎᜋΰ དᆃ‫ޟ‬᜹ఖȂ։‫࢐ٺ‬оЬᐶ‫ٱޟ‬ᄂ࣏фቋȂߴ‫ٺ‬ჲც‫ޟ‬౰ҡȄծჲ ც‫ޟ‬౰ҡ࢐࣏ΟൔᒺȂܻ࢐CaruthȞ1996ȟᇯ࣏‫ޟ۫ܜ‬୰ᚠ࢐ȶЮ ᒑ࢐ԃդȂоЅ࣏դೝൔᒺȉȷCaruthȞ1996ȟᇯ࣏‫۫ܜ‬ӵ೻এჲ ცϷ‫ݙ‬၇ȂᡗҰ๿ΙᆍДၙ‫ޟ‬ӌყȂ௃ჲϛೝൔᒺȂདौўӱᔖΙ ᆍ‫ڳ‬ൔȂࠓάѫ૖ӵჲც၇ϗ૖᠙‫ޟڗ‬ၗᇭ‫ڳڷ‬ൔȄЬᐶ‫ޟ‬ჲცϚ ࢐ Ι ᆍ ‫ ޢ‬௥ ‫ ߒ ޟ‬኉ Ȟ direct representation ȟ Ȃ Մ ࢐ Ι ᆍ १ ፒ ȞrepetitionȟȂතᡗ๿Юᒑ‫ࡆڷ‬υ‫ޟ‬ᗤ๖ԃդ‫ל‬ԙȂоЅтᄇࡆυ ၗᇭ‫ޟ‬ӱᔖȂฒߨ഍࢐‫ࡆڷ‬υԫιȃՌϏԆࣀ‫ޟ‬ᇲѶԤᜰ೿Ȅൔᒺ.

(29) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬29. Ռ٘ᡗҰ๿Ιᆍഺ༌‫ޟ‬౪ൟȂ७ᄇтΡԫι‫҆ޟ‬ौ‫ڷܒ‬ӱᔖ‫ޟ‬Ϛџ ૖‫ޟܒ‬ഺ༌Ȅ‫ܚ‬оȂჲც‫ܚ‬ൔᒺ‫ޟ‬ഺ༌ȂϚѫ࢐‫ڷ‬ωࡆԫι‫ޟ‬ᔢ٘ Մႆ‫ޟ‬ᎏഇȞthe missed encounter with the child’s deathȟȂζ࢐೻ এ ᔢ ٘ Մ ႆ ‫ ޟ‬ᇲ Ѷ ҏ ٘ Ȃ ᄺ ԙ Ο Ю ᒑ ‫ ޟ‬Ԇ ࣀ Ȟ missing also constitutes the very survival of the fatherȟ‫ޟ‬ઍᄂȂՄ೻ኺ‫ޟ‬Ԇࣀғ ࢐ ҥ ӱ ᔖ ‫ ޟ‬Ϛ џ ૖ ‫ ܒ‬๖ ᄺ ‫ ޟ ۡ ؚ ܚ‬Ι ᆍ Ԇ ӵ ዁ ᄘ Ȟ a mode of existence determined by the impossible structure of the responseȟ ȞCaruth, 1996ȟȄ CaruthȞ1996ȟ໌Մᇯ࣏೻ᆍൔᒺȂ൷჋࢐ᅋᇳ‫ޟ‬৤ᅋȂ༈‫ܛ‬ ๿ᜰܻࡆυ‫ޟ‬тΡ‫ܒ‬ȂΙᆍԆࣀЮᒑ‫ڷ‬ԫўࡆυ‫ޟ‬тΡ‫ޟܒ‬ᎏഇȄ ҥԪȂ೻ኺ‫ޟ‬ൔᒺ൷Ϛ࢐ԤᜰΙএЮᒑᐿՌ‫ޟ‬Ιᆍࣺӣ‫ޟ‬Ѷఁ‫ܖ‬Ѷ ఁ‫ޟ‬൐સІ᙭࢈‫ٱ‬ȂՄ࢐Ιᆍཱི՗ଢ଼Ȃ೻ᆠጂӴІ᙭юΙᆍሉᚔᇄ ৯౴ȈሉᚔЮᒑ७ᄇᐶ๿ωࡆ‫ޟ‬ଊпȂоЅтᒺࡣ‫ޟ‬৯౴Ȃӵᐽᐶ ᇭცϞϱᇄϞѴ໢ᜲо‫ޟڧע‬৯౴Ȅൔᒺհ࣏Ιᆍ՗ଢ଼Ȃ൷Ϛѫ࢐ Ιᆍ౩၌ȂՄ࢐Ιᆍ༈‫ܛ‬ȞtransmissionȟȂൔᒺ՗ଢ଼‫ޟ‬৤ᅋȂѓ֤ ๿Ռ٘‫ޟ‬৯౴Ȃζ൷࢐‫ܚ۫ܜ‬ᒝ‫ޟ‬ȶ१ፒौ࢚ؑ‫ཱིٲ‬ཎȷȄ೻ኺཱི ཎ‫ޟ‬ஈ՗Ȃ‫ٱ‬ᄂΰ࢐೻‫ٲ‬ჲϛၗᇭӔζϚ૖ೝԫў‫ޟ‬ωࡆඡණ‫ࡻܖ‬ ‫ڎ‬ȂҗሉЊఏՄฒ‫ݲ‬ᇳюȇζฒ‫ݲ‬ೝ᠙‫ڗ‬ၗᇭ‫ޟ‬Юᒑ‫ܚ‬ඡණ‫ࡻܖ‬ ‫ڎ‬ȂՌ‫࢐ר‬ӵᆃჲϛȄ‫ܚ‬оȂϚ࢐Юᒑ‫ܖ‬ωࡆࡻ‫ڎ‬ၗᇭȂՄ࢐೻‫ٲ‬ ၗᇭ࢐Ιᆍ༈‫ޟܛ‬՗ଢ଼Ȃ೻Ϛ࢐ൔᒺՌ‫ר‬ȂՄ࢐஠೻ᆍൔᒺ༈ሎ๝ т‫ޱ‬Ȟpasses the awakening on to othersȟȄ೻ኺ‫ޟ‬༈‫࢐ܛ‬௃ᖂ࢐Ҭ ࿝ӴЊఏ‫ڗ‬ΙᆍంีԒ‫ޟ‬࿠໠ಁ࿘ȂൔᒺԆࣀ‫ޱ‬ᄇ‫ڏ‬тΡ‫ޟ‬೰ӈȂ ໌ՄൔᒺៈᙓӵΡж໢Ґ‫ޟޣ‬Ґ‫ޟپ‬Ρሬᜰ߽ᗤ๖Ȅ CaruthȞ1996ȟᙽϽ‫ޟ۫ܜ‬ഺ༌ఄᇳࡾюȂഺ༌‫ߨٮ‬џоӵএ Ρႆ‫܁‬ȂоΙᆍᙏ൐‫ޟ‬ኸΨ‫ܖ‬নߑ‫ٱ‬ӇϠоۡ՝ȂՄ࢐Ιᆍฒ‫ݲ‬ӣ Ͻ‫ޟ‬឴‫לܒ‬༭๿ഺ༌˕Ι໠ۖฒ‫ݲ‬ᆠጂᕣ၌‫ޟ‬ПԒȂӵ‫ࡣٱ‬ά჋.

(30) 30! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ࡗ᡹ૡߕӱ‫ڗ‬Ԇࣀ‫٘ޱ‬ΰȄ‫ܚ‬оഺ༌‫ޟ‬ઍ౩ȂӰ๿Ѻ‫۽ޟ‬᰹ᡗ౪‫ڷ‬ ঞᒶਝᔖȂϚ૖༉༉ѫᇄϐ‫ࣺޟޣ‬೿๖Ȃӣਢζ‫ڷ‬ӵ‫ר‬ঈ‫ޟ‬՗ଢ଼‫ڷ‬ ᇭِϛȂϫณҐ‫ޣ‬Ȟwhat remains unknownȟ‫ࣺޟ‬ϣ೿๖Ȅ‫ܚ‬оઍ ౩‫ޟ‬՗ଢ଼Ȃӵഺ༌‫ޟ‬Ґ‫ޣ‬၇ȂӵϚџ૖‫ޟ‬নߑಛӫ၇Ȃζӵభఖগ ౩‫ޟ‬՗Х၇Ȅ Caruthᇯ࣏ഺ༌ᖂ࢐‫ڷ‬тΡ‫ޟ‬ഺ༌ԤᜰȂ೻Ϛ࢐ཎ‫ڨ‬๿‫ޟר‬༌ οф෇ۚ‫ޟ‬༌οȂ‫ۚޱܖ‬ф෇‫ڧר‬वȂՄ࢐এᡝฒ‫ݲ‬ಳᚔည٘૕๜ ՄுоՌ٘ࣨۡт‫ܖ‬Ԃ‫ޟ‬ԆӵȂഺ༌࢐ሜ‫ړ‬ӵᐣѬ྅‫܈‬၇‫ޟ‬Ϛџӓ ໔‫ܒ‬Ȟincommensurableȟ‫ٱ‬ӇȄծCaruthȞ1996ȟᇳȂȶ‫ר‬ঈȷ‫ٮ‬ Ϛ ф ߒ ӈ դ Ԇ ӵ ‫ ޥ ޟ‬တ Ȟ ‘we’ȟ does not stand for any existing communityȟȂӰ࣏ȶ‫ר‬ঈȷϚ૖Ϸ‫ٴ‬ȶ‫ר‬ঈ‫ޟ‬ȷԫιȂζϚ࢐ ᇳȂԫιϚ࢐‫ר‬ঈ‫ܚ‬ӓ೽७ᄇ‫ޟ‬Ȅഺ༌၇‫ޟ‬ԫιȂ࢐ΙᆍҐِࡇ‫ޟ‬ ȶϛϭȷȞunclaimed betweenȟȄѺШΙӻȂζШΙЍȄШ‫ר‬ӻȂ Ш‫ר‬ঈЍȞMore than ‘me’ and less than ‘we’.ȟȄӰԪȂ੼ή‫ᜲޟ‬ᚠ ࢐Ȃȶഺ༌‫ـ‬ത࢐ཎ‫ڨ‬๿Ιᆍ‫ڷ‬ԫι‫ޟ‬ᎏഇȂᗙ࢐Ιᆍवᜲࡣ៉Ԇ ‫ޟ‬ϚᘞငᡛȷȞIs the trauma the encounter with death, or the ongoing experience of having survived it?ȟȄRamadanovicȞ2001ȟᇯ࣏Ȃഺ ༌‫ࢺޟ‬ᚔѶ‫ܚ‬Ȟdiasporaȟ‫ܒ‬፴Ȃ֕౪ΟΙᆍ࡟ࡦȂࠓҐࡦ‫ޟ‬೎ც ‫ުܖ‬໢Ȟa situation or space which is not yet and which still waits to be thoughtȟȂ೻ζ࢐ᆠડϷ‫ޟݙ‬ઍᄂᇄ१ഇ‫ޟ‬ᐠႄ‫ܚ‬ӵȄ ‫ٱ‬ᄂΰȂLacanȞ1981: 29-30ȟ֙ວ‫ר‬ঈȂฒཎᜋ‫ޟ‬ᘄྜζ೨ џоᇳ࢐ȶࠉ˕ԆԤ፣ΰ‫ޟ‬ȷȂζ൷࢐ȶઍғ឴ܻฒཎᜋ‫ޟ‬ȂϚ࢐ ԆԤȂζϚ࢐ߨԆԤȂՄ࢐ΙᆍҐȞฒ‫ݲ‬ȟᕣ၌‫ޟ‬Ȅȷғ࢐Ӱ࣏ઍ ᄂࣨ‫ڷ‬ຫ኉ࣨ໢ᘄྜȂ‫ٺ‬ுฒཎᜋுоஈ՗‫ڏ‬Ψ໔Ȃкᡝ‫ޟ‬ФીЅ ‫ڏ‬Ռ٘Ϛ‫ׇ‬ᐌ‫ޟܒ‬ฒཎᜋ௑ཐȄкᡝӰՄ࢐భఖ‫ޟ‬кᡝȂଡؑΙᆍ ϚԆӵ‫ׇޟ‬ᐌ‫ܒ‬ȄζџоᇳȂкᡝ‫ޟ‬՗ଢ଼‫ۥ‬ԃ‫ڏ‬ғӵଡ൶Ιᆍনߑ.

(31) ख़೹੿ჴࣚǺа܎‫۝‬Ԅᆒઓϩ‫݋‬௖‫ز‬Ьᡏ‫ !܄‬31. ‫ޟ‬ಛӫ‫ޑ‬ᄘȂծ೻ኺ‫ޟ‬ಛӫ௃‫پ‬ϚෆԆӵႆȄ. ചȃ༈ಛগ౩ᏰϞѴȈᆠડϷ‫ޟݙ‬গ౩ Ᏸ ҏМ௃ൟ‫ܚ‬ȃਢ໢ȃᐠጢ‫ڷ‬ഺ༌Ѳএ१ौ౪ຫȂ௤ଆฒཎᜋк ᡝ‫࡚ޟ‬ᄺȂ໌Մᡗ៩Ж౩Ᏸкᡝ౩፣‫ีޟ‬৤Ȃӵȶཎᜋкᡝȷ‫ߨޟ‬ ලႇনࠌήȂ१ཱི௤೤ฒཎᜋкᡝӵЖ౩Ᏸ౩፣ี৤ႆแ‫҆ޟ‬ौ‫ܒ‬ ‫ڷ‬ғ࿋‫ܒ‬Ȅӱ‫ڗ‬ᆠડϷ‫ݙ‬ႆแ‫ࣼپ‬ȂLacanȞ1981: 267ȟᇯ࣏Ȃӵ Ϸ‫ݙ‬ತ๖‫ޟ‬ਢ‫ړ‬Ȃᔖ‫ޣ‬кᡝȞthe subject supposed to knowȟ‫ޟ‬೩‫׋‬ ᔖ၎ೝశϽȂࣥՍџоೝ೩ད࣏ᇑีΟȄԃԪȂкᡝ໠ۖᕣ၌‫ڏ‬к ᡝ‫ڷܒ‬σᄇᡝ‫ޟ‬ᜰ߽ȂӰՄ޻ᇯՌ‫ޟܒר‬ຎӾȄ‫ܚ‬оȂᆠડϷ‫ޟݙ‬ ၌ܹӵܻᕣ၌ฒཎᜋІ᙭‫ޟܒ‬ୈώȂ໌Մ‫ٺ‬кᡝ௥‫ڏڧ‬ນ၌‫ܒ‬ ȞsplitȟȂ‫پ‬Ռฒཎᜋϱഋ‫ޟ‬ນ၌ȃཎᜋ‫ڷ‬ฒཎᜋፐଢ଼‫ޟ‬ນ၌ȃຫ ኉ࣨ‫ڷ‬ད჋ࣨ‫ޟ‬ນ၌ȃຫ኉ࣨ‫ڷ‬ઍᄂࣨ‫ޟ‬ນ၌ȂՄ᠙‫ܻڼ‬σᄇᡝ‫ޟ‬ ൟ୿၇Ȅ‫ܚ‬оᆠડϷ‫ޟݙ‬গ౩ᏰϚ࢐ஶኈԒ‫ޟ‬ලႇၾኈࡡхȂζϚ ࢐‫ٳ‬౩඼ӻኈԒ‫يޟ‬๡ଡؑȂ‫؁‬Ϛ࢐᜞ؔԒ‫ޟ‬ശσਝҢкဎȂՄ࢐ ΙᆍϚधࠕฒཎᜋభఖ‫ޟ‬গ౩ᏰȄLacanȞ1992: 230ȟᇳȈȶϷ‫ݙ‬ ौؑΙᆍᄇ‫ي‬๡౩‫܈‬ଡ൶‫ޟ‬ణ๘Ȃ‫ܚ‬окᡝֆΨᏭାо෈‫࢚ڷ‬ᆍ‫ي‬ ๡౩‫܈‬ᄕ‫ޟۻ‬ణ๘࢐҆ौ‫ޟ‬Ȅȷ‫ܚ‬оȂᆠડϷ‫ݙ‬গ౩ᏰᙽөభఖȂ ζ൷࢐ᙽөฒཎᜋȂоี౪Ԇӵ‫ޟ‬ፐएȄծᙽөฒཎᜋগ౩ᏰȂฒ џᗗջӴሯ஠‫ݧ‬ཎΨܹӵઍᄂࣨȂϗ૖‫఼؁‬ཿࣼ‫ڗ‬ฒཎᜋፐएȂӰ ࣏‫۫ܜ‬ᇯ࣏Ȃȶၾኈ՗ଢ଼ᄂሬΰȂ࢐௥‫ܻݒ‬ઍᄂࣨȞMoral action is, in effect, grafted on to the realȟȷȞLacan, 1992: 21ȟȄ‫ר‬ঈᖂ࢐ฒ ཎᜋ‫ޟ‬ଡ൶‫ي‬๡Ȃ࢐Ӱ࣏‫ר‬ঈᒿᇲӴ஠‫ي‬๡ิᓃӵઍᄂࣨȂ‫۫ܜ‬஠ Ϟԙ࣏ȶ‫ސ‬ȷȄ‫ר‬ঈᒿᇲӴо࣏ѫौଡؑ‫ي‬๡౩‫܈‬൷࢐‫ސڗײ‬Ȃ‫ײ‬ ‫ڗ‬భఖ‫ޟ‬Ѷဣ‫ސ‬Ȃ೻࢐༈ಛগ౩Ᏸ‫ޡޟ‬ᘈȄ‫۫ܜ‬ᇯ࣏ઍᄂࣨ௃‫پ‬Ϛ.

(32) 32! Ӡժᐯु‫˖ٿ‬಑ΪΠ෈. ོೝܰႀȂѺ࢐Ιᆍฒཎᜋ‫ޟ‬ВَȞfantasyȟȂઍᄂࣨϚ࢐Ιᆍ౩ ‫܈‬ȞidealȟȂՄ࢐ΙᆍϚџ૖ȞimpossibleȟȄ‫ܚ‬оȂϷ‫ޟݙ‬Ҭ኿ Ϛ࢐ўੑଶฒཎᜋ‫ޟ‬భఖȂζϚ࢐ߴ‫ٺ‬ฒཎᜋ໷݈ܻ‫ོޥ‬પ‫ו‬Ȃо ෈ᕕு۷ᆋȄ‫۫ܜ‬ᇯ࣏ȂȶϷ‫ޟݙ‬ઍғತ๖Ȃᔖ၎࢐ў७፴‫ڧܛ‬๿ Ρ᜸೎ცઍᄂ‫ޟܒ‬ਰкȷȞLacan, 1992: 303ȟȄ LacanȞ1992: 315-316ȟඪ‫ڗ‬Ȉȶ౪ӵ‫ר‬ঈϷ‫ݙ‬ৱџо‫ܛ‬ᇯΙ এೝభఖ‫ܚ‬ዺᐃ‫ޟ‬ൟ‫ܚ‬Ȅ‫ר‬ঈ‫ޟ‬ငᡛ๝юΟΙএᙚᙽȂ٥࢐՝ӵΙ ᆍϚџӓ໔‫ܒ‬Џ࡙ȃΙᆍฒ३Џ࡙‫ޟ‬ϛЖȂӪϞСభఖȄȷҥԪȂ ԃ‫ݎ‬গ౩Ᏸ࢐ᜰܻȶᔖ၎ȷ‫ޟ‬жࣨȂ٥ᄇ‫۫ܜ‬ՄِȂ೻এᔖ၎൷࢐ ‫ר‬ঈభఖ‫ޟ‬ၼଢ଼ȂӰ࣏‫ר‬ঈ‫ޟ‬భఖ࢐оΙᆍᔖ၎‫ޟ‬ПԒ֕౪Ȅభఖ ៮ଢ଼๿‫ר‬ঈȂծ‫ר‬ঈ࢐֏‫ٷ‬๿গ౩Ᏸΰ‫ޟ‬ПԒ‫پ‬՗ଢ଼Ȃ‫۫ܜ‬ᇯ࣏Ȃ ‫ߨٮ‬о࢐֏ᒳඉϱϽ‫ޟ‬ၾኈࡡ‫ڷݲ‬ጒᛟࡡх‫ؚۡپ‬ȂՄ࢐‫ר‬ঈ࢐֏ ‫ٷ‬๿‫ר‬ঈ‫ޟ‬భఖ՗ଢ଼Ȅ‫ܚ‬оȂᆠડϷ‫ݙ‬গ౩Ᏸ࢐Ιᆍฒཎᜋᄂӵ‫ڷ‬ ‫ר‬ঈభఖઍᄂ‫ޟ‬ත៩Ȅ‫۫ܜ‬ौ୰‫࢐ޟ‬Ȃȶਰк‫ڷޑ੿ޟ‬٩ፏᐠᙽ࢐ ԃդӴᇄϭнՌ٘భఖᇄ‫ي‬๡౩‫܈‬໢‫ޟ‬Ιᆍ੫ۡ‫ޟ‬ฒཎᜋፐएԤ‫ܚ‬ ೿๖ȉȷ‫ܚ‬оȂᆠડϷ‫ݙ‬গ౩ᏰᜰЖ‫ޟ‬ฐᘈϚӵܻ‫ר‬ঈԃդրᘞี ҡ‫ٱޟ‬௑ȂՄӵܻȶ౪ӵีҡΟϧቄȉȷ‫۫ܜ‬ӵ಑Μᖿ‫ޟ‬ശࡣΙѯ ၗ࢐ȶ१ौ‫ٱޟ‬ȂϚ࢐Ι໠ۖў‫ޣ‬ၾΙএΡ࢐֏‫ي‬๡‫ܖ‬ඌӛȇ१ौ ‫ٱޟ‬Ȃ࢐Ιҍ೻ҏਪೝӬ௬ϞࡣȂ஠ོีҡϧቄ‫ٱ‬ȉȷȞLacan, 1992: 325ȟȄȶ஠ོีҡϧቄ‫ٱ‬ȷԙ࣏Ж౩ᕛᘾ‫ޟ‬ПөȂӵܻ၌ଶ ᔆ‫॒ޟ׻‬ᐊȂ࿋َᜋ‫ڗ‬ՌϏ࢐భఖкᡝȂџоᔓօ‫ר‬ঈቶ၌ᔆ‫ޟ׻‬ ‫ڧ‬वȄ LacanȞ1997: 275ȟӵଆ፣ᆠડϷ‫ݽޟݙ‬ᕛПөЅ‫ڏ‬Ψ໔‫ޟ‬ন ࠌਢඪ‫ڗ‬Ȃौؑ࢐Ϸ‫ݙ‬ϛȂғԁೝ᝚ညଔ‫ޟپ‬ϱৠȂӰ࣏Ϸ‫ޱݙ‬Ϛ ૖ᅖܻٗ੾௉‫ޟ‬ӈդौؑȄLacanȞ1977: 229-230ȟо҈ᐝถ‫ޟ‬ᗴ ൕࡾюȂϷ‫ڥޱݙ‬ுӵᐝถϛᆎ࣏ȶ݂ড়ȷȞdummyȟ‫ڞޟ‬օȂӰ.