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媒介消費與閱聽人研究

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媒介消費與閱聽人研究

Media Consumption and Audience Studies

100 學年度下學期

系(所)級:大眾傳播研究所 課程性質:選修3 學分

上課時間:週一10:10~13:00 LF 308

指導教授:陳春富(E-mail: 061328 @mail.fju.edu.tw ) Office Hours:週一 15:30~17:30 LE815(或另預約時間)

課程目標:

本課程旨在深入介紹傳播學領域中媒介消費文化與閱聽人相關的理論與研究。

透過對於閱聽人 (audience) 在當代傳播學領域中所扮演的角色及其媒介使用等 相關議題之探討,了解閱聽人概念如何在各類型媒介市場中被形塑建構,並思 考其所呈現的特殊消費文化意涵。

課程範圍:

本課程首先將就傳播學與媒介研究中有關閱聽人部分的理論典範及基本議題 作一歷史性與概念性的回顧。其次,我們將分別從從鉅觀與微觀的層面來切入,

探討閱聽人的文化與社會形構,並反思當前廣電及網路媒介市場中的閱聽人圖 像,閱聽人研究法,以及各類媒介消費文化之重要意涵。此外,課程當中亦將針 對媒介科技對日常生活的影響、迷的消費文化、各類社群與次文化的媒介消費樣 貌,閱聽人研究民族誌學,以及跨國/跨文化的媒介消費等主題,進行單元性的 討論。

授課方式:

Seminar 形式:課堂講授;分組導讀;問題討論;期末報告(書面&口頭)

一、課堂導讀(leading discussion):

1. 修課同學除了必須確實依課程進度預習指定讀物之外,也將針對所分 配之課程單元主題,輪流進行課堂導讀。

2. 導讀部分視修課人數決定分組方式與次數。

3. 導讀方式:

(1)針對當週指定之 readings 內容進行介紹與解說。

(2)主導課堂討論,擬出 1~2 個問題與其他同學進行討論。

(3)請預先將導讀內容上傳至 iCAN 系統。

二、期末報告(term paper):

1. 請於期中指定日期繳交期末報告之題目與大綱。

2. 期末報告請於指定日期前準時繳交。

3. 期末報告為 individual project,包含書面與口頭報告。

評分方式:

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課堂表現 20%:包含上課出席、發問、以及問題討論的參與 單元導讀 30%:包含大綱撰寫與課堂導讀

期末報告 50%:口頭提報 10%;書面報告 40%

課程進度:

第一週 (2/13):課程介紹 & 導論 第二週 (2/20):閱聽人研究綜述(I)

Alasuutari, P. (1999). Rethinking the media audience: The new agenda. Thousand Oaks, CA: Sage. pp. 1-37.

◎ McQuail, D (1997). Audience analysis. Ch.1 & Ch.2

◎ Napoli, P. (2010). Audience Evolution: New Technology and the Transformation of

Media Audiences. Ch.1& Ch.2

第三週 (2/27):和平紀念日調整放假 第四週 (3/5):閱聽人研究綜述(II)

◎ Abercrombie, N. & Longhurst, B. (1998). Audiences: A sociological theory of

performance and imagination. London: Sage. Ch.1 & Ch.2

Anderson, J. A. (1996). The pragmatics of audience in research and theory. In Hay, J., Grossberg, L. & Waterlla, E. (Eds.). The audience and its landscape.

Boulder: Westview Press. pp. 75-93.

◎ Napoli, P. (2010). Audience Evolution: New Technology and the Transformation of

Media Audiences. Ch.1& Ch.2

第五週 (3/12):實證主義的閱聽人分析—結構的觀點

◎ Napoli, P. (2003). Audience economics: Media institutions and the audience

marketplace. New York: Columbia University Press. Ch.1

◎ Napoli, P. (2010). Audience Evolution: New Technology and the Transformation of

Media Audiences. Ch.5

Webster, J. & Phalen, P. (1997). The mass audience: Rediscovering the dominant

model. Mahwah, NJ: Erlbaum. Ch.4 & Ch.5

第六週 (3/19):實證主義的閱聽人分析—媒介使用心理機制

◎ Levy, M. & Windahl, S. (1985). The concept of audience activity. In K.

Rosengren, et al. (Eds.), Media gratifications research: Current perspectives.

Beverly Hills: Sage. pp. 109-122.

Livingstone, S. (1998). Making sense of television: The psychology of audience

interpretation. 2

nd

Edition. London and New York: Routledge. pp. 1-32.

◎ Nabi, R. L. (2003). Reality-based television programming and the psychology of its appeal. Media Psychology, 5(4): 303-330.

第七週 (3/26):網路、移動科技與閱聽人

Baym, N. (1998). The emergence of on-line community. In S. G. Jones (Ed.),

Cybersociety 2.0: Revisiting computer-mediated communication and

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community. Thousand Oaks, CA: Sage. pp.35-68.

◎ Jenkins, H. (2006). Convergence culture: Where old and new media collide. pp.

25-58.

◎ Kim, H., Kim, G. J., Park, H. W., & Rice, R. E. (2007). Configurations of relationships in different media: FTF, email, instant messenger, mobile phone, and SMS. Journal of Computer-Mediated Communication, 12, 1183-1207.

第八週 (4/2):調整放假一日

第九週 (4/9):期中考週(繳交&討論期末報告大綱)

第十週 (4/16):文本、愉悅、擬像與真實

◎ Ang, I. (1985). Watching Dallas: Soap opera and the melodramatic imagination.

Translated by Della Couling. London and New York: Routledge. pp. 13-50.

Baudrillard, J., Glaser, S. (Translator) (1995). Simulacra and simulation. Ann Arbor: University of Michigan Press. pp. 1-42.

◎ Hill, A. (2005). Reality TV: Factual entertainment and television audience.

London: Routledge. Ch.3

第十一週 (4/23):「迷」的消費文化研究

◎ Fiske, J. (1992). The cultural economy of fandom. In L. A. Lisa (Ed.), Adoring

audience: Fan culture & popular media. Florence, KY: Routledge. pp. 30-49.

◎ Gray, J. (2003). New audience, new textualities: Anti-fans and non-fans.

International Journal of Cultural Studies, 6(1): 64-81.

Kozinet, R. (2001). Utopian enterprise: Articulating the meanings of Star Trek’s culture of consumption. Journal of Consumer Research, 28: 67-88.

第十二週 (4/30):遊戲、玩家與閱聽人研究

Jenkins, H. (2006). Fans, bloggers, and gamers: Exploring participatory culture.

Ch. 6&7

◎ Murray, J. H. (2006). Toward a cultural theory of gaming: Digital games and the co-evolution of media, mind and culture. Popular Communication, 4, 185-202.

◎ Williams, D. (2006). Virtual cultivation: Online worlds, offline perceptions.

Journal of Communication, 56, 69-87.

第十三週 (5/7):社群、次文化與媒介消費

Mitra, A. (2005). Creating immigrant identities in cybernetic space: Examples from a non-resident Indian website. Media, Culture & Society, 27(3): 371-390.

◎ Parameswaren, R. (2002). Reading fictions of romance: Gender, sexuality, and postcolonial India. Journal of Communication, Summer: 84-105.

◎ Valkenburg, P., Schouten, A. & Peter, J. (2005). Adolescents’ identity experiments on the Internet. New Media & Society, 7(3): 383-402.

第十四週 (5/14):全球化與區域化下的閱聽人

◎ Iwasbuchi, K. (2002). Recentering globalization: popular culture and Japanese

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transnationalism. Durham: Duke University Press. pp. 121-157.

Olson, S. (1999). Hollywood planet: global media and the competitive advantage

of narrative transparency. Mahwah, N.J.: Erlbaum. pp. 1-29.

◎ Wildman, S. (1994). One way flows and the economics of audiencemaking. In J.

Ettema & C. Whitney (Eds.), Audiencemaking: How the media create the

audience. Thousand Oaks, CA: Sage. pp. 115-141.

第十五週 (5/21):Guest Speaker (TBA)

第十六週 (5/28):期末論文口頭報告&討論(I)

第十七週 (6/4):期末論文口頭報告&討論(II)

第十八週 (6/11):期末考週

* 請尊重智慧財產權,勿非法影印。

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