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除了聲調制約之外︽我們也根據林蕙珊�2001 對三聲變調在台灣華語︾
閩南語語碼轉換的研究所提出的一組中文的韻律制約︽採用其中五組制約「
ParseSyll︾*MonoF︾FtBin︾Align(Ft, IC)L 和 Align(Ft, IC)R〈由於中文三聲 變調的規則是位於聲調範域中︽最右邊的三聲會維持本調︽因此我們在聲調 範域對整的部分我們需要看右邊界︽所以最後不用Align(Ft,IC)L 制約︽我們 所需要使用的韻律制約為FtBin, ParseSyll, *MonoF, 和 Align(Ft, IC)R〈這四 組韻律制約的排序如下「
(65) ParseSyll >> *MonoF, Align(Ft, IC)R >> FtBin
透過優選理論的表格分析︽我們歸納出在中︾英語碼轉換的語境中︽不論句
型結構為何︽韻律範域為一個和輸入值IC 右邊界相對應的音步︽是一個會包
含中文三聲字與英文單字所有音節的音步︽而且音步會因為英文單字的音節
數增加而擴大〈此結果和第三章韻律分析的結果-巨音步一致〈
總體而言︽三聲變調在中︾英文語碼轉換的運作情形為當中文三聲後方 接著英文帶低調特徵的音節︽兩者出現在同一個變調範域︽也就是被劃分在 同一個巨音步時︽後方的低調音節可以觸發前方三聲產生變調〈
5.2 後續問題
本論文在中︾英語碼轉換的三聲變調情形︽還有許多後續的問題可以探 討〈首先由於句法結構上僅針對五種組合進行分析︽若有其他句法結構︽本 文的分析是否適用」第二︾我們已知道文單字音節數量不同︽不會影響三聲 變調的應用︽但若是前方中文三聲字的數量不同︽對三聲變調的影響為何」
第三︾若將英文改為其他重音計時語言與中文語碼轉換︽是否也會發生語際 間的三聲變調」
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中文文獻
蕭宇超︾林蕙珊︽(2000)︽國︾台語夾雜時的三聲變調︽《聲韻論叢，第
九輯》，頁769~780，學生書局
蕭宇超︽(2001)︽優選理論對現代漢語音韻研究的影響︽《聲韻論叢，第
十輯》，頁477~495，學生書局
林蕙珊︽(2001)︽從�優選理論來談國語的三聲變調︽《聲韻論叢，第
十輯》，頁497~524，學生書局