未來研究

本研究以 a+u 國際建築雜誌作為案例分析母群，在以數位媒材進行建築設計之建築師中，

統計刊登數最高的前五名作為案例分析之建築師，再取每一位建築師兩個建築案例，一個為非 數位媒材進行創作之建築設計，另一個則為以數位媒材進行創作之建築設計。希望能藉由同一 位建築師進行建築設計消弭建築元素運用除了設計媒材本身影響外的其他變因，但同時也因為 這五位建築師本身的風格與習慣限制了建築元素的其他可能。因此，未來研究建議可以以其他 方式選擇建築案例，例如建築機能或是結構方式，如此將對於本研究中實虛空間與運動向度建 築因子有更深入探討的機會。

本研究之研究方法是案例分析，案例分析的資料來源以建築相關圖片、建築評論文字資料 以及主觀分析所得，因為未曾訪談過設計師本人的想法，可能有誤解其對於建築媒材在設計思 考的可能，建議未來研究者可以將對於設計師本人的訪談列為研究方法之一。另外，本研究先 前研究的部份是從歷史的脈絡出發，事實上在歷史關於自由造型的建築出現過幾個階段，包括 哥德式建築、有機建築以及當代的數位建築，未來建議未來研究可以針對同樣強調自由形體的 建築，探討設計媒材在其中所扮演的角色。最後給未來研究的建議，建築元素的學派事實上除 了以物質和非物質區分成兩派，也可以從整體(integration)與細分(subdivision)作為切入點。前 者從大方向出發，強調建築最原始的建築元素，例如建築本體以及建築表述；後者例如門、窗、

柱、樑、板以及牆的細項的分類，本研究所採用的觀點是將其更細分，因而找到未曾被定義過 的數位建築元素，未來研究者也可以從整合建築元素著手，將所有細項的建築元素因子加以整 合。

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