• 沒有找到結果。

EDB PROFESSIONAL DEVELOPMENT FOR TEACHERS 2015-16

N/A
N/A
Protected

Academic year: 2022

Share "EDB PROFESSIONAL DEVELOPMENT FOR TEACHERS 2015-16"

Copied!
55
0
0

加載中.... (立即查看全文)

全文

(1)

Effective use of IT to Explore Literary Texts in the Junior Secondary English Classroom

Richard Davis

EDB PROFESSIONAL DEVELOPMENT

FOR TEACHERS 2015-16

(2)

Icebreaker

1. Do you use stories or poems or songs with junior forms? Why?

2. What kind of support do your students need to appreciate them?

3. Have you used any e-resources or aspects of IT with the

above texts?

(3)

Housekeeping

(4)

Aims

(1) To introduce some e-resources which can be used with literary texts.

(2) To take part in demonstrations and activities which illustrate how to engage students with literary texts including analysis, problem solving and creativity.

(3) To consider how to design activities and tasks to engage students with literary texts.

(4) To reflect on the effective use of IT in the teaching and learning of literary texts.

(5)

Introduction

What are literary texts?

Texts that have aesthetic value and are primarily for entertainment.

(6)

Introduction

Why use literary texts?

Literature can make positive contributions to the language class in that:

It can be motivating and thought-provoking.

It provides meaningful (and memorable) contexts for new vocabulary and structures, thus encouraging language acquisition and expanding students’

language awareness.

It provides access to new socio-cultural meanings, offering opportunities for the development of cultural awareness.

It stimulates the imagination, as well as critical and personal response, thus contributing to the major aim of educating the whole person.

Ferradas http://www.teachingenglish.org.uk/article/britlit-using-literature-efl-classrooms

(7)

Introduction

Example

Ballads – Year 3

1. (Non – Authentic) Ballad – form, rhythm 2. Write own

3. Background Information 4. Traditional Ballad – Analysis 5. Traditional Ballad – Listen 6. Sing

(8)

Introduction

How can literary texts be used?

Classroom work with literary works may involve pre-reading tasks, interactive work on the text and follow up activities.

(9)

Introduction

Effective Staging

Pre-reading and prediction

(10)

Introduction

Effective Staging

Pre-reading.

Reading

.

• Opportunities to use the language.

• Follow up.

• Further analysis?

Colour the first line of each section of the story to break the text into accessible sections and provide easy reference for the teacher.

Students read the text section by section and answer selected questions about the characters in the story.

Guided Reading with a recording/CD.

(11)

Introduction

Effective Staging

(12)

Introduction

Effective Staging

Pre-reading.

Reading.

Post-reading.

Students explore the characters to understand them more fully.

Grammar practice.

Work on rhythm (poetry and songs).

Students read and perform a narrative play/recite/sing.

Students create posters about the text, choosing their favourite characters, chunks of text and writing/discussing their response.

(13)

Exploring Resources

Resources you can download and use in class Aims

To explore some resources

To consider models of using e-resources/use of IT in the classroom

To reflect on the uses of literary texts combined with technology

(14)

Exploring Resources

Resources you can download and/or use in class Storybird

Film English

Teaching English

Have a look at the resources online and complete the worksheet

(15)

Exploring Resources

Models of using e-resources/using IT with literary texts

No authoring – ready made resources.

Authoring – students can add or create content.

Lesson procedures – staging.

(16)

Exploring Resources

Selection criteria:

topics and themes

interests of students

age

maturity

appropriacy

language

text length

(17)

Demonstration 1

Stories (Key Features – openings, plot, dialogue and character)

Aims

• To exploit a text and engage students to read, analyse and respond to texts.

• To consider ways for students to notice key features of

stories.

(18)

Opening Techniques

How do stories

start?

(19)

Opening Techniques

A shock statement.

In the middle of dramatic action.

Starts in the future and then jumps back in time.

Dialogue.

A statement you can not understand.

Terminology How do

stories start?

(20)

Harry Chen looked like a middle- aged teacher.

He always wore a tie and an old cotton jacket, even in the hot sun.

His hair was going thin and he did not stand up straight.

He was fifty years old and for the past twenty years had been a

lecturer in archaeology at a

university in Singapore.

(21)

Harry Chen looked like *** ***-

*** teacher.

He always wore a tie and *** ***

*** ***, even in the hot sun.

His hair *** *** *** and he did not

*** *** ***.

He was *** years old and for the past twenty years had been ***

*** in *** at a university in Singapore.

What

can you

remember?

Do you like this man?

Why / why

not?

(22)

Harry Chen looked like a middle-aged teacher.

He always wore a tie and an old cotton jacket, even in the hot sun.

His hair was going thin and he did not stand up straight.

He was fifty years old and for the past twenty years had been a lecturer in

archaeology at a university in Singapore.

He was also a

thief.

(23)

What

does he steal

in

this story?

Cash?

Computer

secrets? Smart Phones?

Jewellery?

(24)

If he’s a lecturer in archaeology, he

might steal…

(25)

In the intro, did we read/hear (about):-

his family?

his name?

his clothes?

his shoes?

his hair?

his job?

his salary?

his age?

his eyes?

where he lives?

(26)

We read/heard (about):-

his name

his clothes

his hair

his job

his age

where he lives

In 5 sentences, we learn about him,

trust him, are even bored by him

and then in the 6 th sentence … a

shock: we learn he’s also a thief!

(27)

The shock

sentence

technique

(28)

‘Finders Keepers’ from The Fruitcake Special and other stories by Frank Brennan (Cambridge English Readers)

Harry Chen, a lecturer in archaeology at a university in Singapore, is also a thief, who has a private

collection of artefacts he has stolen.

He is frustrated that he cannot afford the choice items on display in the antique shops.

One day, his superior, Professor Teo, asks Harry to check through a collection of goods found in a nearby grave. There appears to be little of interest

until Harry accidentally smashes a sealed pot. Inside is a whistle with the inscription BE STILL. He decides to keep it.

(29)

For example:-

Media:

Journalist

Finance:

Bank clerk Art/Design:

Cartoonist

Science:

Biologist Medicine:

Nurse

1

Choose a

job

(30)

For example:-

Clothes Stature / stance Age Speech

Eyes

2

Build a

character

(31)

She was also …

3

Add the

shock

sentence

(32)

Harry Chen looked like a middle- aged teacher.

He always wore a tie and an old cotton jacket, even in the hot sun.

His hair was going thin and he did not stand up straight.

He was fifty years old and for the past twenty years had been a

lecturer in archaeology at a

university in Singapore.

(33)

Demonstration 1 - Stories

Toondo version of Finders Keepers

http://www.toondoo.com//ViewBook.toon?bookid=611471

(34)

Demonstration 1- Stories

Toondo – interface

(35)

Demonstration 1- Stories

Toondo – a means of re-purposing

Examples of work with junior secondary students

(36)

Demonstration 1- Stories

Toondo – a means of re-purposing

Examples of work with junior secondary students

http://ywjsg2.pbworks.com/w/page/99273138/Max Stage 1: Introducing the task and ToonDoo

Stage 2: Creating the comic strip online

Stage 3: Commenting on each other's work

(37)

Demonstration 1- Stories

Toondo – a means of re-purposing

1.

Why is Toondo a useful tool?

2.

How does it help students to notice key features?

3.

What issues might you have with classroom management?

4.

How much time do students need to complete a toondo?

5.

How would you assess or give feedback on a toondo?

6.

Are there any other issues you can think of?

(38)

Demonstration 1- Stories

Toondo – can be used….

To enable the students to interpret the text visually.

To check understanding of the story.

To enable close analysis in order to select ‘key’ features.

To share interpretations.

For peer and self-assessment.

For formative assessment.

(39)

Demonstration 1- Stories

(40)

Break – 15 minutes

(41)

Aims

To encourage intensive reading.

To dramatise a text.

To provide a way to practise speaking from written texts.

Demonstration 2

Reading Texts – creating a soundtrack

(42)

Are your junior forms creative?

Do they like to read?

Do you read to them?

How do they respond to texts that are read to them?

Demonstration 2

(43)

Let’s create a soundtrack!

Look at the pictures.

What sound effect or background music would you add to the image?

Demonstration 2

(44)

Demonstration 2

Add your sound effect to the poem.

Listen to my poem.

When I point to your table. Make your sound effect!

1.

Is there anybody there?

2.

Knocking

3.

A horse eating grass

4.

A bird flying

5.

Knocking

6.

Is there anybody there?

(45)

Let’s look at ‘Booktrack Classroom’

https://www.booktrackclassroom.com/content/intro

https://www.booktrackclassroom.com/content/intro?bp50555=1

Demonstration 2

(46)

Booktrack Classroom

1.

Why is Booktrack Classroom (BC) a useful tool?

2.

What do the students need to do?

3.

What would you need to do in terms of preparation?

4.

What kind of student would benefit from BC?

5.

How would you evaluate or assess the students work?

6.

Are there any other issues to consider?

Demonstration 2

(47)

Aims

To look at some resources to practise listening

To look at resources that introduce some poetic features

Other Resources for songs and poems

(48)

Do you use poetry?

How do use poems and or songs?

Do your students like poems and songs?

Have you used any IT or e-resources to with poems and songs? What?

Other Resources for songs and poems

(49)

Lyrics Training

http://lyricstraining.com/

Look at the site and make notes on:

1.

Song selection

2.

Language level

3.

What you have to do

4.

What kind of feedback you get

5.

Other things you can do

Other Resources for songs and poems

(50)

Lyrics Training

What kind of issues does this resource raise?

Other Resources for songs and poems

(51)

Magnetic poetry

http://magneticpoetry.com/pages/play-online

Look at the play online poetry kits.

Use the worksheet provided and try to write a haiku poem.

How could you use this resource with your students?

Other Resources for songs and poems

(52)

Magnetic poetry

http://magneticpoetry.com/pages/play-online

Other Resources for songs and poems

(53)

Magnetic Poetry

Themes

Use it to teach word order/word class

Scaffolding/structure

Other Resources for songs and poems

(54)

Introduction

Exploring Resources

Demonstration 1 Stories – key features

Demonstration 2 Reading – creating soundtracks Resources for poems and songs

Round up

(55)

Feedback

Please complete the feedback forms.

參考文獻

相關文件

Guiding students to analyse the language features and the rhetorical structure of the text in relation to its purpose along the genre egg model for content

1.4 For education of students with SEN, EMB has held a series of consultative meetings with schools, teachers, parents and professional bodies to solicit feedback on

To promote Chinese history and culture, EDB will strengthen teachers’ professional development and provide a one-off grant of $100,000 and $150,000 respectively to each

An additional senior teacher post, to be offset by a post in the rank of Certificated Master/Mistress or Assistant Primary School Master/ Mistress as appropriate, is provided

An additional senior teacher post, to be offset by a post in the rank of CM or Assistant Primary School Master/Mistress (APSM) as appropriate, is provided to each primary

An additional senior teacher post, to be offset by a post in the rank of CM or Assistant Primary School Master/Mistress (APSM) as appropriate, is provided to each primary

An additional senior teacher post, to be offset by a post in the rank of Certificated Master/Mistress or Assistant Primary School Master/Mistress as appropriate, is provided to

An additional senior teacher post, to be offset by a post in the rank of APSM, is provided to each primary special school/special school with primary section that operates six or