• 沒有找到結果。

傳統文獻

中國第一歷史檔案館編

《康熙朝漢文硃批奏摺匯編》,北京:檔案出版社,1984-85。

《清宮粵港澳商貿檔案全集》,北京:中國書店,2002。

中國第一歷史檔案館、廣州荔灣區人民政府合編

《清宮廣州十三行檔案精選》,廣州:廣東經濟出版社,2002。

中國第一歷史檔案館、香港中文大學文物館合編

《清宮內務府造辦處檔案總匯》,北京:人民出版社,2005。

國立故宮博物院編

《宮中檔康熙朝奏摺》,臺北 : 國立故宮博物院,1976-1977。

清室善後委員會編

《故宮物品點查報告》,北京市:線裝書局,2004。

梁廷 枏

《粵海關志》,廣州:廣東人民 版社,2002。

近人論著

王竹平

2012 〈從科學分析文獻回顧看琺瑯彩、洋彩與粉彩的分類與命名〉,《故宮學術季刊》,

29卷3期,頁115-155。

Wang, Chu-ping

2012 “Cong kezue fenxi wenxian huigu kan falangcai yu fencai de fenlei yu mingming (Nomenclature for Painted Enamel on Porcelain in Qing Dynasty: A Scientific Viewpoint),” The National Palace Museum Research Quarterly, 29:3, pp. 115-155.

王竹平

2012 〈法國製造的印記――談康熙款金胎雕刻內填琺瑯花卉碗〉,《故宮文物月刊》,349 期,頁112-121。

Wang, Chu-ping

2012 “Feguo zhizai de yinji: tan Kangxikuang jintai diaoke neitian falang huahui wan (A Pressed Mark of Made in France: Discussion on a Kangxi Mark Low-cutting Gold Bowls),” The National Palace Museum Monthly of Chinese Art, 349, pp. 112-121.

王竹平

2013 〈金紅彩料在康雍時期琺瑯彩瓷的使用情形〉,《金成旭印》,臺北:國立故宮博物 院,2013,頁298-313。

Wang, Chu-ping

2013 “Jinhung cailiao zai Kangyong shiqi falangcaici de shiyong qingxing (The Use of Ruby-gold Enamel in the falang cai Porcelain of Kangxi and Yongzheng Periods),” Jincheng xuyin (Porcelain with painted enamels of Qing Yongzheng period, 1723-1735), pp. 298-313.

王光堯

2010 〈雍正時期御窯制度的建設〉,《為君難:雍正其人其事及其時代》,臺北:國立故 宮博物院,頁389-404。

Wang, Guang-yao

2010 “Yongzheng shiqi yuyao zhidu de jianshe (The construction of imperial kiln institution during the Yongzheng period),” Weijunnan:Yongzheng qiren qishi jiqi shidai (The complexities and Challenges of Rulerships: Emperor Yongzheng and His Accomplishments in His Time), Taipei: National Palace Museum, pp. 389-404.

王光堯

2010 〈乾隆時期御窯廠的管理體制與官樣制度〉,《宮廷與地方:17至18世紀的技術交 流》,北京:紫禁城出版社,頁31-76。

Wang, Guang-yao

2010 “Qianlong shiqi yuyaochang de quanli zhidu yu guanyang zhidu (Imperial Court and Distric: The Technology exchanges during the 17th and 18th centuries),” Gongting yu defang: shiqi zhi shiba shiji de jishu jiaoliu (Imperial Court and Distric: The Technology exchanges during the 17th and 18th centuries), Beijing: Forbidden City, pp. 31-76.

石守謙、馮明珠主編

2002 《乾隆皇帝的文化大業》,臺北:國立故宮博物院。

Shih, Shou-chien and Feng, Min-chu eds.

2002 Qianlong huadi de wenhua da ye (Emperor Ch’ien Lung’s Grand Cultural Enterprise), Taipei: National Palace Museum.

朱家溍

1982 〈清代畫琺瑯器製造考〉,《故宮博物院院刊》,第3期,頁67-76。

Zhu, Jia-zin

1982 “Qingdai huafalangqi zhizaokao (Investigation to the Qing Period Painted Enamelware),”

Palace Museum Journal, 3, pp. 67-76.

呂堅

1981 〈康熙款畫琺瑯瑣議〉,《故宮博物院院刊》,第3期,頁93-94。

Lu, Jian

1981 “Kangxikuan Huafalang suoyi (Some Thoughts on the Painted Enameledwares of Kangxi Mark),” Palace Museum Journal, 3, pp. 67-76.

李久芳主編

2001 《金屬胎琺瑯器》,香港:商務書局。

Li, Jiu-fang ed.

2001 Jingshutai falangqi (Metal-bodied enamelware), Hong Kong: Shangwu shuju.

李久芳主編

2004 《鼻煙壺》,香港:商務書局。

Li, Jiu-fang ed.

2004 Biyanhu (Snuff Bottles), Hong Kong: Shangwu shuju.

余佩瑾

2006 〈唐英與雍乾之際官窯的關係――以清宮琺瑯彩瓷的繪製與燒造為例〉,《故宮學術 季刊》,第24卷第1期,頁1-44。

Yu, Pei-chin

2006 “Tang Ying yu Yongqian zhiji Guanyao de kuangxi: yi Qinggong falangcaici de huizhi yu shouzao (The Relationship between T'ang Ying and Imperial Kilns of the Yung-cheng and Ch'ien-lung Time Period: Taking the Painting and Manufacture of Fa-lang Porcelain as an Example),” The National Palace Museum Research Quarterly, 24:1, pp. 1-44.

余佩瑾

2009 〈匠外之作—從唐英《陶成紀事碑》看雍正官窯燒造及帝王品味的問題〉,《雍正:

清世宗文物大展圖錄》,臺北:國立故宮博物院,頁414-427。

Yu, Pei-chin

2009 “Jiangwai zhizuo: cong Tang Ying Taocheng jishibei kan Yongzheng guangyao shaozao ji diwang pinwei de wenti (Works Beyond the workmanship: into the questions of Yongzheng imperial wares and emperor’s taste with reference to Tang Yin’s Taocheng jishibei),” Yongzheng: Qing shizong wenwu dazhan tulu (Illustrated Catalogue to

“Harmony and Integrity: The Yongzheng Emperor and His Times Special Exhibition”), Taipei: National Palace Museum, pp. 414-427.

余佩瑾

2010 〈清乾隆《陶冶圖冊》的繪製背景與創作意圖〉,《故宮文物月刊》,第326期,頁 14-23。

Yu, Pei-chin

2010 “Qing Qianlong Taoyetuche de huizhi Beijing yu changzuo yitu (The intention of making Taoyetuche of the Qianlong reign),” The National Palace Museum Monthly of Chinese Art, 326, pp. 14-23.

余佩瑾

2011 《乾隆官窯研究:做為聖王的理想意象》,國立臺灣大學藝術史研究所博士論文。

Yu, Pei-chin

2011 “Qianlong Guangyao yanyou: zhuowei Shengwang de lixiang yixian (A study of Qianlong official wares and the ideal of a sagacious ruler),” Ph.D. dissertation , Graduate Institute of Art History, National Taiwan University.

林莉娜

2002 〈清朝皇帝與西洋傳教士〉,《故宮文物月刊》,236期,頁42-69。

Lin, Li-na

2002 “Qingchao huangdi yu xiyang chuangjiaoshi (Qing Emperors and Western Missionary),”

The National Palace Museum Monthly of Chinese Art, 236, pp. 42-69.

易穎梅

2010 〈「皮球花」紋起源:以故宮所藏康雍乾三朝器物為中心〉,國立臺灣大學藝術史研 究所〈東亞與歐洲工藝美術交流〉課程2010年1月學期報告。

Yi, Yin-mei

2010 “‘Piqiohua’wen chiyuan: yi gugong suocang Kang Yong Qian sancao qiwu wen zhongsin (The Origin of “piqio” floral design: Discussion focusing on the works of Kangxi, Yongzheng and Qianlong periods in the National Palace Museum Collection),” Term paper, “The exchange of decorative arts between East Asia and Europe from the 16th to 19th centuries” course, Graduate Institute of Art History, National Taiwan University.

故宮博物院、香港中文大學文物館

1987 《清代廣東貢品》,香港:香港中文大學文物館。

The Palace Museum and the Art Gallery, the Chinese University of Hong Kong eds.

1987 Qingdai Guangdong gongpin (Tributes from Guangdong to the Qing Court), Hong Kong:

The Art Gallery, the Chinese University of Hong Kong.

施靜菲

2012 《日月光華:清宮畫琺瑯》,臺北:國立故宮博物院。

Shih, Ching-fei

2012 Reyue guanghua: qinggong huafalang (Radiant Luminanace: The Painted Enamelware of the Qing Imperial Court), Taipei: National Palace Museum.

施靜菲、彭盈真

2012 〈從文化脈絡探討清代釉上彩名詞:「琺瑯彩」、「洋彩」與「粉彩」〉,《故宮學術季 刊》,第29卷第3期,頁1-74。

Shih, Ching-fei and Peng, Yin-cheng

2012 “On the Origin and Development of Three Terms for Qing Dynasty Overglazed Enamels:

Falangcai, Yangcai, and Fencai,” The National Palace Museum Research Quarterly, 29:3, pp. 1-74.

許曉東

2010 〈康熙、雍正時期宮廷與地方畫琺瑯技術的互動〉,《宮廷與地方:17至18世紀的技 術交流》,北京:紫禁城出版社,頁271-335。

Xu, Xiao-dong

2010 “Kangxi, Yongzheng shiqi gongting yu difang huafalang jishu de hudong (The exchanges of technology between the Imperial Court and Provincial Metropolis during the Kangxi and Yongzheng period ),” Gongting yu defang: shiqi zhi shiba shiji de jishu jiaoliu (Imperial Court and Provincial Metropolis: The Exchanges of Technology during the 17th and 18th centuries), Beijing: Forbidden City, pp. 271-335.

嵇若昕

2005 〈十八世紀宮廷牙匠及其作品研究〉,《故宮學術季刊》,第23卷第1期,頁467-530。

Chi, Jo-hsin

2005 “Shiba shiji gongting yajiang ji qi zuopin yanjou (Ivory Artisans and Their Work in the Eighteenth Century Court),” The National Palace Museum Research Quarterly, 23:1, pp.

467-530.

嵇若昕

2006 〈乾隆時期的如意館〉,《故宮學術季刊》,23卷3期,頁127-152+159。

Chi, Jo-hsin

2006 “Qianlong shiqi de Ruyiguang (The Hall of Self-Fulfillment in the Ch'ien-lung Court),”

The National Palace Museum Research Quarterly, 23:3, pp. 127-152+159.

嵇若昕

2006 〈乾隆朝內務府造辦處南匠薪資及其相關問題研究〉,收於陳捷先、成崇德、李紀 祥主編,《清史論集》,上冊,北京:人民出版社,頁519-575。

Chi, Jo-hsin

2006 “Qianlong neiwufu zaobanchu Nanjiang xinzi ji qi xiangguan wenti yanjou (A Study on the salary of Southern Artisans and other related questions in the Qianlong Imperial Household Workshops),” in Chen, Chieh-hsien, Cheng, Chong-de, Li, Ji-xiang eds., Qingshi lunji (Collected Essayes on Qing History), Beijing: People’s Publishing House, pp. 519-575.

嵇若昕主編

2006 《天工寶物》,臺北:國立故宮博物院。

Chi, Jo-hsin ed.

2006 Tiangong baowu (Treasures from the Working of Nature: Eight Thousand Years of Antiquities), Taipei: National Palace Museum.

莊吉發

1984 〈得勝圖—清代的銅版畫〉,《故宮文物月刊》,15期,頁102-109。

Chuang, Chi-fa

1984 “Deshengtu: Qingdai de tungbanhua (The Conquest of the Western Frontier: the Copperplate Prints of the Qing Period),” The National Palace Museum Monthly Journal of Chinese Art, 15, pp. 102-109.

莊吉發

1993 〈錐拱雕鏤、賦物有象:唐英督陶文獻〉,《故宮文物月刊》,129期,頁62-71。

Chuang, Chi-fa

1993 “Zhueigong diaolo fuwu youxian: Tang Ying dutao wenxian (Thriling, Sculpturing, Carving and Engraving; composing objects with appearances: the document of Tang Yin’s supervising pottery-firing ),” The National Palace Museum Monthly Journal of Chinese Art, 129, pp. 62-71.

陳夏生

1999 《明清琺瑯器展覽圖錄》,臺北:國立故宮博物院。

Chen, Hsia-sheng

1999 Ming Qing falangqi zhanglan tulu (Enamel Ware in the Ming and Ch’ing Dynasties), Taipei: National Palace Museum.

陳國棟

1980 〈清代前期粵海關監督的派遣(1683-1842)〉,《史原》,第10期,頁139-168。

Chen, Kuo-tung

1980 “Qing chengqi yuehai guan jiandu de pieqian (1683-1842) (Dispatch of the Superintendent of Guangdong Maritime Customs in Early Qing Period),” Shiyuan (The Journal of Historical Review), vol.10, pp. 139-168.

陳國棟

1982 〈粵海關的利益分配:粵海關監督的角色與功能〉,《食貨月刊》,復刊第12卷第1期,

頁19-33。

Chen, Kuo-tung

1982 “Yuehaiguan de liyi fenpei: Yuehaiguan jiandu de jiaose yu gongneng (The Allocation of Interest in the Guangdong Maritime Customs:the Role and Function of the Superintendent of Guangdong Maritime Customs),” shihuo yuekan, republished 12:1, pp.

19-33.

陳國棟

2012 〈內務府官員的外派、外任:與宮廷文物供給之間的關係〉,《國立臺灣大學美術史 研究集刊》,第三十三期,頁225-269。

Chen, Kuo-tung

2012 “Imperial Bondservants’ Provincial Positions and Their Contribution to the Acquisition of Objets d’Arts for Emperor Qianlong’s Court,” Taida Journal of Art History, 33, pp. 225-269.

國立故宮博物院編

1984 《清代畫琺瑯特展目錄》,臺北:國立故宮博物院。

National Palace Museum ed.

1984 Qingdai huafalang tezheng mulu (Qing Painted Enamelware Special Exhibition Catalogue), Taipei: National Palace Museum.

國立故宮博物院編

1992 《清宮中琺瑯彩瓷特展》,臺北:國立故宮博物院。

National Palace Museum ed.

1992 Qinggong zhong falangcaici tezheng (Falangcai Enameled porcelains Special Exhibition), Taipei: National Palace Museum.

黃聖芝

2011 《廣彩外銷瓷研究》,國立臺北藝術大學美術史研究所碩士論文。

Huang, Sheng-zhi

2011 Guancai waixiaoci yanjou (A Study of Canton Export Porcelain), M.A. Dissertation, Taipei National University of the Arts.

傳振倫等編

1982 〈唐英瓷務年譜長編〉,《景德鎮陶瓷》,第2期,頁19-20。

Fu, Zheng-lun et al.

1982 “Tang Ying ciwu nianpu changbian (The edited chronicle of Tang Ying),” Jingdezhen Taoci, 2, pp. 19-20.

張發穎主編

2008 《唐英全集》,北京:學苑出版社。

Zhang, Fay-ing ed.

2008 Tang Ying quanji (The Complete Works of Tang Ying), Beijing: Xueyuan chubanshe.

張臨生

1983 〈試論清宮畫琺瑯工藝發展史〉,《故宮季刊》,第17卷第3期,頁25-38。

Chang, Lin-sheng

1983 “Shilun qinggong huafalang gongyi fazhangshi (Discussion on Qing Court Huafalang handicraft development history),” The National Palace Museum Quarterly, 17:3, pp. 25-38.

張麗

2005 〈描金畫琺瑯芻議〉,《故宮博物院院刊》,第4期,頁25-32。

Zhang, li

2005 “Miaojin huafalang cuyi chutan (The special characteristics of gold outline painted enamelware),” Palace Museum Journal, 4, pp. 25-32.

楊伯達

1980 〈康熙款畫琺瑯初探〉,《故宮博物院院刊》,第4期,頁42-48。

Yang, Bo-da

1980 “Kangxi huafalang chutan (The First Investigation to the Painted Enamelware with Kangxi Mark),” Palace Museum Journal, 4, pp. 42-48.

楊伯達

1981 〈景泰款掐絲琺瑯的真相〉,《故宮博物院院刊》,第2期,頁20。

Yang, Bo-da

1981 “Jingtai kuang chiasi falang de zhengxian (The Real Facts of the Cloisonée with Jingtai Mark),” Palace Museum Journal, 2, p. 20.

楊伯達

1986 〈清乾隆五十九年廣東貢物一瞥〉,《故宮博物院院刊》,第3期,頁3-10+97-98。

Yang, Bo-da

1986 “Qing Qianlong wushijiu nian Guangdong gongwu yibie (A Glance on the Tributes from Guangdong in the Year of 59th , Qianlong reign, Qing Period),” Palace Museum Journal, 3, pp. 3-10+97-98.

楊伯達

1987 〈十八世紀清內廷廣匠史料紀略〉,《中國文化研究所學報》,第18期,頁119-137。

Yang, Bo-da

1987 “Shiba shiji Qing neiting Guanjiang shiliao jilue (A Brief Account of the Historical Materials of Guangdong Artisans Serving in the Ch’ing Court in the Eighteenth Century),” Journal of Chinese Studies, 18, pp. 119-137.

楊伯達

1987 〈從清宮舊藏十八世紀廣東貢品管窺廣東工藝的特點與地位〉,《清代廣東貢品》,

香港:香港中文大學文物館,頁10-38。

Yang, Bo-da

1987 “Cong Qinggong jiucang shiba shiji Guangdong gongpun guanguei Guangdong gongyi de tedian yu diwei (The Characteristics and Status of Guangdong Handicrafts as seen from Eighteen Century Tributes from Guangdong in the Collection of the Former Qing Palace),” Qingdai Guangdong gongpin (Tributes from Guangdong to the Qing Court), pp. 10-38.

葉佩蘭、蔡毅主編

1999 《琺瑯彩、粉彩》,香港:商務出版社。

Ye, Pei-lan and Cai, Yi eds.

1999 Falangcai, fencai (‘falang’ and ‘fencai’ enameled porcelains), Hong Kong: Shangwu chubanshe.

廖寶秀編

2009 《華麗彩瓷:乾隆洋彩》,臺北:國立故宮博物院。

Liao, Po-hsiu ed.

2009 Hualicaici: Qianlong yangcai (Illustrated Catalogue of Stunning Decorative Porcelains from the Ch'ien-lung reign), Taipei: National Palace Museum.

廖寶秀

2009〈附錄:端凝殿、養心殿磁胎洋彩及其製作年代〉,《華麗彩瓷:乾隆洋彩》,臺北:

國立故宮博物院,頁266-282。

Liao, Po-hsiu

2009 “Fulu: Duanning dian, Yangxin dian citai yangcai ji qi zhizuo niandai (Appendix: The List of ‘yangcai’ porcelains in the Duanning and Yangxin Palace and their dating),” in Hualicaici: Qianlong yangcai (Illustrated Catalogue of Stunning Decorative Porcelains from the Ch'ien-lung reign), Taipei: National Palace Museum, pp. 266-282.

廖寶秀

2009 〈乾隆磁胎洋彩綜述〉,《華麗彩瓷:乾隆洋彩》,臺北:國立故宮博物院,頁10-31。

Liao, Po-hsiu

2009 “Qinglong citai yangcai zongshu (The General Description on Qinglong porcelain-based “yangcai”),” in Hualicaici: Qianlong yangcai (Illustrated Catalogue of Stunning Decorative Porcelains from the Ch'ien-lung reign), Taipei: National Palace Museum, pp.

10-31.

香港歷史博物館等

2005 《東西匯流:粵港澳文物大展》,香港:香港歷史博物館。

Hong Kong Museum of History et al. eds.

2005 Dongxi Huiliu: Yuegangau weuwu dazhang (East Meets West: Cultural Relics from the Pearl River Delta Region), Hong Kong: Hong Kong Museum of History.

賴毓芝

2012 〈圖像帝國:乾隆朝《職貢圖》的製作與帝都呈現〉,《中央研究院近代史研究所集 刊》,75期,頁35-36(1-76)。

Lai, Yu-chih

2012 “Picturing Empire: Illustrations of “Official Tribute” at the Qianlong Court and the Making of the Imperial Capital,” Bulletin of the Institute of Modern History Academia Sinica, vol.75, pp. 35-36 (1-76).

劉潞主編

1998 《清宮西洋儀器》,香港:商務印書館。

1998 《清宮西洋儀器》,香港:商務印書館。

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