第二章 中提琴家特悌斯之淺介與其對中提琴音樂的影響
第二節 特悌斯對中提琴音樂的影響
第二節 特悌斯對中提琴音樂的影響
於上述文章中，可體認到特悌斯一生的貢獻與推廣，對中提琴的音樂影響深遠。在
特悌斯剛接觸中提琴時，便無法自拔的愛上這項樂器，並且自此致力於將中提琴的能力
推向獨奏樂器的地位：
"When I reached the age of nineteen a fellow violin student came to me with the suggestion that I should take up the viola. He wanted to form a string quartet, and there was not one viola student at the Academy! So casual was my discovery of my mission in life, of that beautiful, soon-to-be-loved viola, to which I was to devote the rest of my days."4
因為特悌斯證明了中提琴也能有優秀的獨奏表現，所以有許多作曲家開始寫作樂曲
題獻給他，同時特悌斯也積極邀約作曲家(特別是英國作曲家)為中提琴譜曲，使得中提
琴的獨奏機會大大提升。請見表 二.1 列：
題獻給特悌斯的中提琴作品
作曲家 國籍 作品 寫作時間 備註
Arnold Bax 英國 Concerto (Fantasy) for Viola and
Orchestra, GP 235
1920 由特悌斯校訂、首演
6
Melody for the G String, Op. 47, for
Violin/Viola and Piano
Ca.1923 由特悌斯首演
Melody for the C String, Op. 51, No. 2 1918 由特悌斯首演
Poem (Romantic Poem), Op. 27, for Solo
Viola, Harp(or Piano) and Organ
1911 由特悌斯首演
Phantasy-Trio, Op. 24, for Violin,
Cello/Viola and Piano
由特悌斯首演
Romance in D-flat for Violin/Viola and
Piano
Londonderry Air for Cello/Viola and
Piano
1918 由特悌斯首演
Alan Bush 英國 Dance Melody and Song Melody, Op. 47 1957
Eric Coates 英國 First Meeting for Viola and Piano 1941 由特悌斯首演
Benjamin J. 英國 Introduction and Andante, Op. 5 for Six 1911, 由特悌斯首演
7
Romance and Finale for Viola and
Orchestra
由特悌斯校訂、首演
English Dance for Viola and Piano 1916 由特悌斯校訂、首演
Thomas
Dunhill
英國 Triptych, Three Impressions for Viola and
Orchestra, Op. 99
1945 由特悌斯首演
Harry
Farjeon
英國 Deux morceaux for Viola and Piano 由特悌斯校訂、首演
Gustav Holst 英國 Lyric Movement for Viola and Small
Orchestra
1933 由特悌斯首演
R.Vaughan
Williams
英國 Flos Campi for Solo Viola, Mixed Chorus
and Small Orchestra
1925 由特悌斯首演
Sutie for Viola and Small Orchestra 1934 由特悌斯校訂、首演
Gordon
Jacob
英國 Nocturne for Viola and Cello
Viola Concerto No. 1
J.B. 英國 Breath o’ June 由特悌斯首演
8
McEewn The Lone Shore for Viola/Violin and
Piano
由特悌斯首演
Concerto for Viola and Orchestra 1901 由特悌斯首演
Nocturne in B-flat for Viola and Piano 1917 由特悌斯首演
Sonata for Viola and Piano
Richard
String Orchestra
William
Walton
英國 Concerto for Viola and Orchestra 1928-192
9
在畢勤提議下譜寫
題獻給特悌斯，後由
亨德密特進行首演
9 William
Wolstenholm
e
英國 Légende, Op. 45, for Viola and Orchestra
表 二.1 題獻給特悌斯的中提琴作品
Elizabethan Melody for Viola and Cello
15th Century Folk Song: 1452-Anonymous for Viola, Cello and Piano
Hier au soir : Pensee Musicale for Viola and Piano 1925 Rêverie for Viola and Piano
Sunset (Coucher du soleil) for Viola (or Violin or Cello) and Piano 1923 Sunset (Coucher du soleil) for Viola and Piano 2006 Three Sketches for Viola and Piano: “Serenande”
Three Sketches for Viola and Piano: “The Blackbirds ” for Violin or Viola and Piano
1954; 2006
Three Sketches for Viola and Piano: “The River” for Soprano or Viola and Piano (words by Tertis)
2006
A Tune for Viola and Piano 1954; 2006
Variations on a Passacaglia of Handel(from Suite No. 7 ) for 2 Violas 2001 Variations on a Passacaglia of Handel for Viola and Cello 1961 Variations on a Four Bar Theme of Handel for Viola and Cello
Crimond (Psalm 23) for Viola and Piano Romance for Viola or Violin and Piano 表 二.2 特悌斯寫作的中提琴樂曲
特悌斯也自己改編多首樂曲進行演出，展現了中提琴不亞於其他樂器的演奏能力。
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如下表；
特悌斯改編給中提琴演奏之樂曲
原作曲家 樂曲名稱 原樂曲樂器編制
Anton Arensky Berceuse
Johann Sebastian Bach
Air on the C String Original from Orchestral Suite No. 3
Aria "Come Sweet Death" From Cantata BWV 191
Adagio from Toccata in C Major Published 1935; Original for Organ
Suite No. 3 in C Minor for Viola, BWV 1009
Original for Cello
L. van Beethoven Menuet Published 1912; Original for
Orchestra; from 12 Menuette, WoO 7
Theme and Variations (on Mozart's "Ein Mädchen oder Weibchen"), Op. 66
Original for Cello and Piano
Johannes Brahms Minnelied, Op. 71 No. 5 (1877) Original for Voice and Piano
Wir wandelten for Violin or Viola and Piano, Op. 96 No. 2 (1884)
Original for Voice and Piano
Willy Burmester Französisches Lied aus dem 18.
Jahrhundert (French Air from the 18th Century) (1909)
Original for Violin and Piano
11
Eric Coates Ballad in G major, Op. 13 (1906)
First Meeting: Souvenir
Frederick Delius Caprice and Elegy for Viola and Orchestra (1930)
Original for Cello and Orchestra
Double Concerto for Violin, Viola and Orchestra (1915–1916)
Original for Violin, Cello and Orchestra
Serenade from the
Drama Hassan (1920–1923)
Sonata No. 2 (1922–1923) Original for Violin and Piano; 1929 Transcription
Sonata No. 3 (1930) Original for Violin and Piano; 1932 Transcription
Ernő Dohnányi Sonata in C-sharp Minor, Op. 21 (1912) Original for Violin and Piano
Edward Elgar Concerto in E Minor for Viola and Orchestra, Op. 85 (1918–1919)
Original for Cello and Orchestra
Gabriel Fauré Après un rêve, Op. 7 No. 1 Original for Voice and Piano
É légie for Viola and Orchestra, Op. 24 Original for Cello and Orchestra
Baldassare Galuppi Aria Amorosa
Giovan Battista Grazioli
Sonata in F Major Original for Cello and Continuo
12
Edvard Grieg Ich liebe Dich (I Love But Thee!), Op. 5 No. 3 (1864–1865)
Original from Hjertets Melodier, 4 Songs for Voice and Piano
George Frideric Handel
Arietta Published 1910; Transcription
(Violin and Piano) by Hamilton Harty of "Si che lieta goderò"
from Rodrigo; Viola part by Tertis
Sarabande Transcription of "Sorge nel petto"
from Rinaldo
Sonata in F Major (Adagio and Allegro) Original for Violin with Basso continuo
Concerto in B Minor for Viola and Orchestra/Piano
Joseph Haydn Capriccio Published 1912; Transcription (Violin and Piano) by Willy Burmester from String Quartet No.
49, Op. 64 No. 2; Viola part by Tertis
Menuet Published 1912; Original for
Orchestra; Transcription (Violin and Piano) by Willy
Burmester from Symphony No. 96;
Viola part by Tertis
William Yeates Hurlstone
4 Characteristic Pieces (1899) Original for Clarinet and Piano
John Ireland The Holy Boy Published 1918
13
Sonata in G Minor (1923) Original for Cello and Piano; 1941 Transcription
Sonata No. 2 in A Minor (1915–1917) Original for Violin and Piano; 1918 Transcription
Fritz Kreisler La Chasse, Caprice in the Style of Cartier
Original for Violin and Piano
Franz Liszt Liebestraum No. 3 in A-flat Major, S.
541 (ca. 1850)
Published 1954; Original for Piano
É tienne Méhul Gavotte Published 1912
Felix Mendelssohn Duetto Original for Piano: Song without Words, Op. 38 No. 6 (1836)
The Fleecy Cloud Original for Piano: Song without Words, Op. 53 No. 2 (1838)
Gondola Song Original for Piano: Song without Words, Op. 19 No. 6 (1830)
On Wings of Song, Op. 34 No. 2 (1835) Original for Voice and Piano: Auf Flügeln des Gesanges
Spring Song Original for Piano: Song without Words, Op. 62 No. 6 (1842)
Sweet Remembrance Original for Piano: Song without Words, Op. 19 No. 1 (1831)
Wolfgang Menuet
14 Amadeus Mozart
Sonata [No. 22] in A Major, K. 305:
Allegro molto; Tema con variazione
Original for Violin and Piano
Gabriel Pierné Sérénade, Op. 7 Original for Piano
Nicola Porpora Aria in E Major Extracted from the Collection I Classici Violinisti Italiani, freely developed and harmonized by Mario Corti
Anton Rubinstein Melody in F, Op. 3 No. 1 (1852) Original for Piano
Camille Saint-Saëns
Melody for Viola or Violin or Cello and Piano (1959)
Franz Schubert Allegretto, Duet for Violin or Viola or 2 Violins or 2 Violas and Piano (1936)
Original from the String Quartet No.
15 in G Major, Op. 161, D. 887 (1826)
Ave Maria, Op. 52 No. 6 (D. 839) (1825)
Original for Voice and Piano
Du bist die Ruh, Op. 59 No. 3 (D. 776) Original for Voice and Piano
Nacht und Träume, Op. 43 No. 2 (D.
827)
Original for Voice and Piano
Robert Schumann Abendlied (Evening Song) in D-flat Major, Op. 85 No. 12 (1849)
Original for Piano 4-hands
Romance, Op. 28 No. 2 Original for Piano
Schlummerlied (Slumber Song) in Original for Piano
15 E-flat Major, Op. 124 No. 16
Cyril Scott Cherry Ripe
Alexander Scriabin É tude, Op. 42 No. 4 Original for Piano
Joseph Sulzer Sarabande: Air on the G-string, Op. 8 Original for Cello (or Violin) and Piano
Karol Szymanowski
Pieśń Roksany (Chant de Roxane) From the Opera Król Roger
Pyotr Ilyich Tchaikovsky
Chanson triste, Op. 40 No. 2 Original for Piano
June (Barcarolle), Op. 37b No. 6 (1875–
1876)
Original for Piano
None But the Lonely Heart (also
entitled A Pleading), Op. 6 No. 6 (1869)
Original for Voice and Piano
Francis Thomé Sous la feuillée, Op. 29 Original for Piano
William Wolstenholme
Allegretto in E-flat Major, Op. 17 No. 2 Published 1900; original for Organ
Canzona in B-flat Major, Op. 12 No. 1 Original for Organ
Die Antwort (The Answer), Op. 13 No.
2
Original for Organ
Die Frage (The Question), Op. 13 No. 1 Original for Organ
Romanza, Op. 17 No. 1 Published 1900; original for Organ
表 二.3 特悌斯改編給中提琴演奏之樂曲
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特悌斯對中提琴有著深刻的影響，無怪乎後人將之譽為 「第一位偉大的中提琴大師」，
而也因為特悌斯不遺餘力的推廣，促使中提琴的音樂越加豐富璀璨。
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