結語

在色彩與音樂之間的關係中，色彩亮度與音高的關係、視覺節奏與音樂

節奏的關係以及色彩與音樂的冷暖、強烈關係都能夠被我們清楚的感覺到，

可以說是色彩與音樂關係中爭議較少的部份；然而經由本文中的文獻探討以 及實驗可以得知，色相與音符之間相關聯的實證，至今仍沒有一個令人滿意 的解釋。從畢達哥拉斯開始提出音樂在結構上的嚴謹比例關係（Musica universalis）之後，理性的思潮從未停止把音樂與色彩相結合。從 18 世紀開 始進入高峰的種種研究，雖然目前尚未獲得具體成果卻仍吸引眾多研究人員 厚望，期盼拉默（Jean-Philippe Rameau, 1683-1764）與科烈里（Arcangelo Corelli, 1653-1713）的奏鳴曲在視覺上所帶來的愉悅程度能與在聽覺上所帶

來的愉悅程度相同，然而卻事與願違（Arnheim, 1986）。在今日，或許只有 idiopathic synesthesia 以及 acquired synesthesia 類型的人們才能真正感受 到「聽見色彩」或「看見音樂」的奇妙經驗，雖然這個研究尚不足以提出讓 一般人也能夠擁有這種奇妙感覺的方案，但希望本研究能在這個領域有所貢 獻，並在後人持續累積研究成果之下，有朝一日，真正達成多元而又合一的 總體藝術。

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附錄一 第一組色盤之所有受試者實驗數據

附錄二 第二組色盤之所有受試者實驗數據

附錄三 第三組色盤之所有受試者實驗數據

附錄四 第四組色盤之所有受試者實驗數據

附錄五 第五組色盤之所有受試者實驗數據