尾聲,我想引用 José van Dijck(2004)的研究作結。van Dijck 極具想像力地指出,網誌是「各式文類的容器」(a general container for a variety of genres),其與傳統文類的關連,必須同時以「文類的文 化形式,以及科技的物質性(materiality)」理解(van Dijck, 2004:1)。
網誌不僅僅是一種文化實踐的形式,它更受到網路科技的物質性牽 制,並帶動了新型態的反思與傳播行動(van Dijck, 2004:1)。在此 基底架構裡,網誌與網誌實踐雖顯露了傳統文類的特徵,但卻在完 全不同的狀態下運作、實踐著。以上五花八門的理論/實踐間遞回往 覆,因此並非科技創新的必然結果,而是「文化轉折的符號指標」
(signifiers of cultural change)(van Dijck, 2004:2)。van Dijck 的提 醒言簡意賅,然相較於以上的文獻,她極富創意地指出了三個理論 重點。第一,網誌與其他科技與文類透過何種機制串連轉引?第 二,網誌科技的物質性與其文化實踐如何共存共榮?第三、在各式 邊界的顛動裡,網誌主體的構成如何?這些問題相互糾纏影響著,
而一個適切的答案,不僅需要調整現有科技研究的認識論與本體論 立場、與後現代主體觀對話,更需要關鍵個案的說明詮釋。
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