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郭怡君小提琴獨奏會 (含輔助文件:從二重奏的創作型式探討貝多芬第九號小提琴與鋼琴奏鳴曲,作品編號四十七 “克羅采” 的風格及詮釋)

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(1)國立交通大學 音樂研究所 演奏組 碩士論文. 郭怡君小提琴獨奏會 (含輔助文件:從二重奏的創作型式 探討貝多芬第九號小提琴與鋼琴奏鳴曲, 作品編號四十七 “克羅采” 的風格及詮釋). Yi-Chun Kuo Violin Recital (with a supporting paper: Performance Issues and Interpretation on Beethoven’s Sonata for Piano and Violin No.9, Op.47 “Kreutzer” ― from the Violin and Piano Duo Context). 研究生 : 郭怡君 演奏指導教授 : 林暉鈞 老師 輔助文件指導教授 : 辛幸純 老師. 中華民國 九十三 年 六 月.

(2) 郭怡君小提琴獨奏會 (含輔助文件:從二重奏的創作型式探討貝多芬第九號小提琴與鋼琴奏鳴曲, 作品編號四十七《克羅采》的風格及詮釋). Yi-Chun Kuo Violin Recital (with a supporting paper: Performance Issues and Interpretation on Beethoven’s Sonata for Piano and Violin No.9, Op.47 “Kreutzer” ― from the Violin and Piano Duo Context). 研究生 : 郭怡君 演奏指導教授 : 林暉鈞 老師 輔助文件指導教授 : 辛幸純 老師. Student :Yi-Chun Kuo Performance Advisor :Hui-Chun Lin Supporting Paper Advisor :Hsing-Chwen Hsin. 國立交通大學 音樂研究所 演奏組 碩士論文 (演奏會與輔助文件). A Thesis (Presented in the Format of a Recital and a Supporting Paper) Submitted to the Institute of Music National Chiao Tung University in Partial Fulfillment of the Requirements for the Degree of Master of Music. June, 2004 Hsinchu, Taiwan. 中華民國 九十三 年 六 月.

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