加勒比海的黑人女聲：四位英文女小說家研究
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(113) ,<6<deqÜ·®»'/! oLF`@ hu·¸,ë ]'æ'O ÎÄÀÁk{¯gxQÖ Û,{ÍÎ8]çZge.xvE⾠߯ Ä'ÍÎxv\=HÄ HI8:Ìa=>xv=H» %¾,ê<î} ¾³´Ûxvë ]'Uåæ-a[\wH[\Üg,\ "²î»JÝÞß³ÌÛ8ffgæzh, i¯»RºÐ NSC 86-2411-H-009-008-B5 ìéxùý., . Works Cited Brodber, Erna. “Fiction in the Scientific Procedure.” Cudjoe, Caribbean Women Writers 164-8. ---.. Jane and Louisa Will Soon Come Home.. London: New Beacon, 1980.. Chancy, Myriam J. A. Searching for Safe Spaces: Afro-Caribbean Women Writers in Exile. Philadelphia: Temple UP, 1997. Cobham, Rhonda. “Revisioning Our Kumbla: Transforming Feminist and Nationalist Agendas in Three Caribbean Women’s Texts.” Callaloo16.1 (1993): 44-64. Collins, Merle. Angel. 1987. Seattle: Seal Press, 1988. ---. Callaloo: A Grenada Anthology. London: Young World Books, 1984. 40-58.. ®½B0 2 w J_2Óg(Angela)[bS3?zg9§¼½*5/8m! (“Revolutionary” 55, n.15)>¼½ w 3+_7T` J/ õ[ . 21.
(114) ---.. “Themes and Trends in Caribbean Writing Today.” From My Guy to Sci-Fi: Genre and Women’s Writing in the Postmodern World. Ed. Helen Carr.. London: Pandora, 1989. 179-90. Cooper, Carolyn. “Afro-Jamaican Folk Elements in Brodber’s Jane and Louisa Will Soon Come Home.” Davies and Fido 279-88. Cudjoe, Selwyn R. Resistance and Caribbean Literature. Athens, Ohio: Ohio UP, 1980. Cudjoe, Selwyn R., ed. Caribbean Women Writers: Essays from the First International Conference. Wellesley, MA: Calaloux Publications, 1990. Dance, Daryl Cumber. “Go Eena Kumble: A Comparison of Erna Brodber’s Jane and Louisa Will Soon Come Home and Toni Cade Bambara’s The Salt Eaters.” Cudjoe, Caribbean Women Writers 169-84. Davies, Carol Boyce and Elaine Savory Fido, eds.. Out of Kumbla: Caribbean. Women and Literature. Trenton, NJ: African World Press, 1990. Edgell, Zee. Beka Lamb. Oxford: Heinemann, 1982. Gates, Henry Louis, Jr. Signifiying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford UP, 1988. Gikandi, Simon. Writing in Limbo. Ithaca: Cornell UP, 1992. Harris, Wilson. “The Life of Myth and Its Possible Bearing on Erna Brodber’s Fictions Jane and Louisa Will Soon Come Home and Myal.” Kunapipi 12 (1990): 86-92. Hodge, Merle. “Challenges of the Struggle for Sovereignty: Changing the World versus Writing Stories.” Cudjoe, Caribbean Women Writers 202-8. ---. Crick Crack, Monkey. Oxford, Heinemann, 1970. ---. For the Life of Laetitia. New York: Farrar Straus Giroux, 1993. Juneja, Renu. “Contemporary Women Writers.” West Indian Literature, 2nd ed. Ed. Bruce King. London: Macmillan, 1995. 89-101. Lalla, Barbara. Defining Jamaican Fiction: Maroonage and the Discourse of Survival. Tuscaloosa, Alabama: U of Alabama P, 1996. Lima, Maria Helena. “‘Beyond Miranda’s Meaning’: Critical Perspectives on Caribbean Women’s Literatures.” Feminist Studies 21.1 (1995): 115-28. ---.. “Revolutionary Developments: Michelle Cliff’s ‘No Telephone to Heaven’ and Merle Collins’s ‘Angel.’” Ariel 34.1 (1993): 35-56. Memmi, Albert. The Colonizer and the Colonized. Trans. Howard Greenfield. 1965. Boston: Beacon Press, 1991. O’Callaghan, Evelyn. Woman Version: Theroetical Approaches to West Indian Fiction by Women. New York: St. Martin’s, 1993. Senior, Olive.. Working Miracles: Women’s Lives in the English-Speaking. 22.
(115) Caribbean. Cave Hill, Barbados: Institute of Social and Economic Research, U of West Indies, 1991. Simpson, George Eaton. Religious Cults of the Caribbean: Trinidad, Jamaica and Haiti. 3rd ed. Rio Piedras, Puerto Rico: Institute of Caribbean Studies, U of Puerto Rico, 1980. Thomas, Eva V. “Crick Crack Monkey: A Picaresque Perspective.” Cudjoe, Caribbean Women Writers 209-14. Tiffen, Helen. “Cold Hearts and (Foreign) Tongues: Recitation and Reclamation of the Female Body in the Works of Erna Brodber and Jamaica Kincaid.” Callaloo 16.3 (1993): 909-21. Walker-Johnson, Joyce. “Autobiography, History, and the Novel: Erna Brodber’s Jane and Louisa Will Soon Come Home.” Journal of West Indian Literature 3.1 (1989): 47-59. Wilson, Betty. “An Interview with Merle Collins.” Callaloo 16.1 (1993): 94-107. Woolf, Virginia. A Room of One’s Own. 1929. San Diego: HBJ, 1957.. 23.
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