聆聽與靜默之間：隱然於陳幸婉創作中之音樂性

ᓉەΓЎޗ཮Ꮲൔ 2009 ԃ 1 Д ಃΟڔಃ΋ය। 19-38

Providence Studies on Humanities and Social Sciences January 2009, Volume 3, No. 1, pp.19-38

ಡ᠋ᆶᓉᓨϐ໔Ǻ

ᗦฅܭഋ۩஀ബբύϐॣ኷܄

൹ӹᙗ

ɀ

ᄔ! ! ा

ߪ੡؀᨜ૹ૞ऱ෼זီᤚᢌ๬୮Δຫࢉഠΰ1951-2004αسছᗨᄕچൕ ࠡהᢌ๬ীኪឯ࠷ᨋტΕܮگ塄։Δࠡխଃᑗፖຫࢉഠ܂঴ऱᣂএਢᄕࠡ ᧩ထऱΚԫֱ૿ڔఎՀԱല२Կۍׂऱሼ୴ഀׂΔᨃݺଚኙڔแᦫऱփ୲ ፖױ౨໛ფऱଃᑗڶԫଡࠠ᧯ܒឰऱഗ៕Δ׼ԫֱ૿ڔՈڇࠡ੡ᑇլ֟ऱ ܂঴խΔऴ൷ࢨၴ൷אଃᑗઌᣂဲ؁ࡎټΖء֮ൕຫࢉഠհଃᑗ୮ᖂෘᄭ ᓫದΔᛵᇞଃᑗፖڔ࿨ᒴऱၲࡨΔၞۖ։࣫ڔࢬᙊఎऱሼ୴ഀׂᙊขΔൕ ຍࠄഀׂऱփ୲वࠡኙଃᑗհױ౨ೣړΖຫࢉഠൕ 1990 ڣזࢬ໌܂ऱ܂ ঴Δܶ౏Ալٵଅ௑ፖփ୲հଃᑗრොΔೈԱॣཚڶࠄొጰଃᑗࢤհ।෼ א؆Δխཚፖ৵ཚ܂঴୶෼ኙ᎛ײऱអ࢓ፖኙԳᣊऱᣂᡖൣᖙΖྥۖΔᅝ ڔسࡎലߨԵጐᙰழΔ௛Ⴈᑫྔऱ܂঴լ٦Δຍଅ௑հ᠏ངۿ׏Ոፖڔऱ แᦫڴؾյઌࡅᚨΖء່֮৵א؀᨜ୃᖂ୮׾܂ぐհᨠរΔᎅࣔຫࢉഠሀ Ꮖ഑໌܂ऱႜٻፖءᔆΔរנຫࢉഠૹ१ࠩԫጟψ֮ڗছհొᦫᤚΕొီ ᤚΔࢨԫጟ२٤۞ྥ׈੺հױ౨ωΔሒࠩڔ໌܂ऱ೏୽Ζʳ ᣂ᝶ဲΚຫࢉഠΕᢄ྽ፖଃᑗΕሀᏆ഑ᇭᤩ ɀ ᙩࡵՕᖂᢌ๬խ֨׌ٚΕᇷಛႚᐾՠ࿓ᖂߓዄຏᢝխ֨ඒ඄Ζ

߻! ! ق

ڇຫࢉഠऱ֫ؤխΔݺଚ઎ࠩڔᙟ࿝ᐊထΚʳ ! ࣮ႝቹǵ᠋ॣ኷!!פ൨চബ! ႝቹǴόӧቃ௃όӧᄽמ! ॣ኷Ǵόӧᄽࠩמೌ!!ȐόӧǾǾȑ! ! ᆸᗂ! ࿘᝻ǵགᔈډᏤᄽЈᡫેཛޑၢ୏ǴࡐమධޑޕၰᏤᄽȐጓᆸޣȑ ܌ा߄ၲޑࢂϙሶʈচബᆒઓ˄ ! ! ߪ੡؀᨜ૹ૞ऱᅝזီᤚᢌ๬୮Δຫࢉഠΰ1951-2004αسছᗨᄕچൕ ࠡהᢌ๬ীኪឯ࠷ᨋტΕܮگ塄։Δຍԫ՛੄ऱೋڗׂ፿Δױᎅઌᅝ࿓৫ چຘ᥻ԱΚڔ៶ထൕլٵᢌ๬խᏆᄎࠡ壄ᆠΔࠀၞۖ༈ބଡԳ໌܂խ଺໌ 壄壀ऱױ౨Ζྥۖຍࠄլٵऱᢌ๬ীኪΫΫ壆ڕڔࢬ༼ऱሽᐙΕଃᑗፖፘ ᝢΫΫߒຶਢڕ۶ᐙ᥼ڔऱ໌܂ࡋΛط࣍ຫࢉഠسছࠀآಾኙ઎መऱሽ ᐙΕፘᝢ।ዝ࿛ڍࢬထᕠΔڇ܂঴խՈآڶኙሽᐙፖፘᝢऱऴ൷ᐙ୴Δڂ ڼݺଚৰᣄൕሽᐙፖፘᝢऱߡ৫נ࿇Δຑ࿨ຍࠄࠠጵٽࢤءᔆհᢌ๬ীኪ ፖຫࢉഠ܂঴ऱᣂএΖ܀ਢଃᑗፖຫࢉഠ܂঴ऱᣂএথਢ᧩࣐ۖߠऱΔԫ ֱ૿ڔఎՀԱല२Կۍׂऱሼ୴ഀׂΔᨃݺଚኙڔแᦫऱփ୲ፖױ౨໛ფ ऱଃᑗڶԫଡࠠ᧯ܒឰऱഗ៕Δ׼ԫֱ૿ڔՈڇࠡ੡ᑇլ֟ऱ܂঴խΔऴ ൷ࢨၴ൷אଃᑗઌᣂဲ؁ࡎټΖڂڼΔຫࢉഠ܂঴խଃᑗࢤհ᧩෼Δױᎅ ਢᢌ๬׾ՂሀᏆ഑ᢞᖕᒔᨼऱԫଡࠏ՗Δឈྥຍࠀॺਢᢌ๬׾Ղհ໌ᜰΔ ྥۖຘመڔᗑ௽ଅ௑հ୶෼Δຍࠄ࠹ࠩଃᑗᐙ᥼ऱီᤚᢌ๬܂঴Δᑑᜰထ ڔ᠆ጚऱᢌ๬଺໌ࢤ।෼Ζʳ 1 ຍ੄֮ڗࠐ۞ຫࢉഠհ֫࿝ᙊᒚΔط࣍ਢׂ੄ڤΕܛᘋڤ஼ᐊΔڂڼփ୲ࠀլݙᖞΖء֮ࢬ ڶຫࢉഠᇩ፿հ֧૪Δૉآ௽ܑᑑုঞઃࠐ۞ຫ୮հ଺ࡨᇷறΔؾছຍࠄᇷற׌૞طຫࢉഠ سছړ֖ۂඕጉ՛ࡦᖞ෻Ζ࿝ृڇڼ௽ܑტ᝔ۂ՛ࡦ༼ࠎნᖞࢤᇷறΔࠌ൓ڼᒧᓵ૪൓אႉ ܓݙګΖ׼؆ؘႊᜢࣔऱਢΔڼᒧ֮ີམڇᙩࡵՕᖂπ֨ွΘ଺ীΘྤুհቼΫΫٻຫ୙ॸΕ ຫࢉഠીᄃρᢌ๬ᖂ๬ઔಘᄎխאτแᦫፖᙩᚈհၴΫΫឆྥ࣍ຫࢉഠ໌܂խհଃᑗυ੡ټ ۖ࿇।ΰ2008. 5αΔࢭ፞ᅝழေᓵԳኣᄅضඒ඄࿯ղრߠΔףՂڼڻԲۯೳټᐉ਷Գ࿯ղრߠΔ ڇڼԫࠓી᝔Ζ

ຫࢉഠڰڣڇഏمᢌറΰվ؀᨜ᢌ๬Օᖂα༉ᦰΔ1981 ڣழګ੡ޕ٘ سݬ՗ΔࠀףԵ෼זณ྽ᄎΔ໺ࡳڔߨٻ෼זᢄ྽ሐሁऱഗفΖࠃኔՂΔ ؀᨜෼זᢄ྽ሎ೯ڇ 1950Ε1960 ڣזழբڶઌᅝऱഗ៕Δψֱࣟ྽ᄎωऱ ܦࣘΕᘕႧΕ୙ၺΕᙥଶΔא֗ψնִ྽ᄎωऱᏥഏ࣪࿛ԳΔؚທለၲខ ڍցհᢌ๬ᛩቼΖ˅ ຫࢉഠࢭᤉڼࣷ໮ΔܘԺ༈ބ۞աᢌ๬հױ౨ࢤΔࠀڇ ߷ଡઌኙᄅଃᑗᛩቼսֱᘋآۦऱழזխΔאઌᅝߔߠऱᑷൣދԵଃᑗऱ Ꮖ഑խΔࠀڇࠡီᤚᢌ๬໌܂խၲक़࿨࣠Ζʳ

ഋৎϐॣ኷ৎᏢసྍ

ຫࢉഠፖଃᑗऱ࿨ᒴൕ۶ۖࠐࡋΛຍլ܍૞ᓫࠩڔऱ୮ᖂહནΖຫࢉ ഠऱᙡࠥ୮׀ᘣຫ୙ॸڰڣఎᖂֲءΔೈԱ൷࠹ભ๬ऱ塄ګඒߛא؆Δᚨ Ոڇٵழཚഛ塄Աኙֱ۫ײࠢଃᑗऱแᦫ฾ክΖൕֲءڃࠐ৵Δڰࠄڣᆖ ᛎឈྥլᐈᇛΔ܀ຫ୙ॸսྥᇢቹބᖲᄎՂ؀ק᝜၇ഀᒌഀׂΔڇڶૻऱ ᇷᄭՀ৬مࡺ୮ײࠢଃᑗऱᛩቼΙהլႛኙዚᏣڶࢬ௫ฃΔᚌሏ࣍ᚌߐዚ Ꮳዝഀृڕ׬ᢅైΰE. Caruso, 1873-1921αऱዚᜢΔՈኙԫ౳ᑗᕴዝ৉ڕ৉ Ꮣڴፖٌ᥼ڴ࿛෡ڶࢬړΖຫ୙ॸᆖൄڇՠ܂խแᦫײࠢଃᑗΔឈྥݺଚ լ堚ᄑଃᑗڼழኙהۖߢਢާᖸ֨ᨋऱᨋᢐΔᝫਢሶ࿪ࡌᔡᛩቼᕳଃऱ߻ ᥨᆝΔྥֱۖ۫ײࠢଃᑗਢהس੒ऱԫຝٝԯਢլञऱࠃኔΔݺଚٍױٽ ෻ංឰהኙ৘՗ऱଃᑗඒߛڶࠡਝࡳհᎁवֱٻΖ௅ᖕຫ୙ॸࠝ՗ຫྰᗒ ऱڃᖋΔה堚ᄑಖ൓ԿΕ؄ᄣழΔൄࡉ۞աᠨઽ઼ऱࡪࡪԫದ๯໦װ׀ᘣ ؓழլ଱הଚၞװऱ壀ᆣՠ܂৛Δ݄ڇࣨባՂแᦫԲԼࠐ։ᤪऱଃᑗΔኙ ᅝழऱהۖߢΔ߷ਢઌᅝ࿀ેऱᆖ᧭Ι֗९࿑ᇞԳࠃழΔהՈಖ൓׀ᘣ൅ הװแᦫԼԶᄣऱຫؘ٣ᙓྶᗑ৉ᄎፖፂՈ౏ٽഀቸऱዝנΖᕣጥམᆖڣ ֟ழڂধಭۖ࿍ᑉچψಲᠦωײࠢଃᑗࣷ໮Δຫྰᗒઌॾվ֚۞աᄎ੡ײ ࠢଃᑗထಮ֨೯լբΔኔਢڂ੡׀ᘣࢬᐾՀऱଃᑗጟ՗Δึߒڇաߪၲक़ ፖ࿨࣠Ζˆ ʳ ʳ 2 ೶ᔹᘕᡯᅗΔπ؀᨜ભ๬׾ઔߒᓵႃρΰ؀խΚ܄ࠅנठΔ1991 ڣαհψᖏ৵؀᨜෼זᢄ྽ሎ ೯Օࠃڣ।ΰ1945-1970αωΖ 3 ء੄ፖՀԫ੄ᇷறএ௅ᖕڇ 2008 ڣԲִԲԼԶֲ࣍ቯᆠຫྰᗒ୮խऱ๶ᓫΖ

۟࣍ຫࢉഠऱڰཚଃᑗᆖ᧭ڕ۶ࡋΛუؘլᄎઌ஁֜᎛Ζؾছݺଚኙ ຫࢉഠڣ९৵ދԵଃᑗऱणउΔֺለ౨ᒔ֊༳༽ऱࠃኔΔਢᅝڔᢌറฅᄐ հ৵ڇഏխඒ஼ழΔڶԫ৫Ⴇࢮ՛༼ྶრ඿໴ەᅝழऱઊمٌ᥼ᑗቸΔࠀ ەᐞ᠏۩ګ੡ଃᑗՠ܂ृΙڼ؆Δڔڇ 2000 ڣؐ׳ழٍਈࡺ۰࣍؀խ֜ؓ ؑऱ๗ߐੴ੡ஃΔᖂ฾ײྶΖطڼױवΔڇຫࢉഠऱسࡎᇙΔଃᑗࠀլႛ ૻ࣍แᓾۖբΔڔਢᒔ֊ऱኔᔌृΙۖൕڔᖑڶฒڍഀׂຍଡࠃኔ઎ࠐΔ ݺଚױٽ෻ංឰΔڔਢଃᑗऱᑷფृΖຫࢉഠམڇ֫ؤխಖሉထΚψ೭ԛך ѝૈҬр΋஭ѳѳޑԋᕮൂΑǴӢࣁךޑਔ໔ၸҽঊߦǴԶന߈ޑբࠔΞ ೿ࢂሡाਔ໔ಕᑈǵ؇ᐘԋޑǴךම࿶ኆኊ๱Ԗ΋Ϻૈബ೷р੿҅Ȭ଻εȭ ޑբࠔǴӵنӭ޹ޑಃΐဦҬៜԔǴ౜ӧךགྷٗࢂᒱᇤޑགྷݤǶᛤฝπբ όࢂ۳΋ঁനଯޑᗺѐଓ؃ǴԶࢂ৖౜р΋ࢤࢲғғޑғڮॉၞǶωΰ1987 ڣছ৵α੡ڔۖߢΔଃᑗᆖࠢࢤ܂঴མਢԫጟᑑઢΔྥۖึߒᎅࠐΔڃ१ سࡎመ࿓א֗టᆠհಳޣթਢ່ૹ૞ऱΖʳ

ഋ۩஀ޑႜ৔ୠТᒪౢ

௅ᖕຫࢉഠઽݬຫྰᗒࢬ༼ࠎऱᇷறΔຫࢉഠسছࢬᖑڶऱሼ୴ഀׂ પԲۍ԰ԼׂΔࠡխψ෼זଃᑗωᣊԫۍԫԼԲׂΔψײࠢଃᑗωᣊքԼԲ ׂΔψխഏЯ؀᨜ଃᑗωᣊնԼքׂΔψഏ؆اගଃᑗωᣊքԼԫׂΖˇ ڇຍ ؄ᣊଃᑗխΔψ෼זଃᑗωፖψײࠢଃᑗωຟ᥆ֱ࣍۫ᣤ࿸ଃᑗऱႚอΔང ߢհΔ༉ਢֱ۫ᖂ๬੺ፖဍ૎֮֏੺ࢬᎁױऱଃᑗᙊขΔ壆ڕԫ౳ࢬᑵव ԼԶ׈ધऱ֣᎒ΰJ. S. Bach, 1685-1750αΕԼ԰׈ધॣཚऱߦڍख़ΰL. van Beethoven, 1770-1827αΕᘕ߶ΰF. Chopin, 1810-1849αፖԼ԰׈ધأΕԲԼ ׈ધॣཚऱ್೬ΰG. Mahler, 1860-1911α࿛ଃᑗ୮ऱ܂঴Δຍࠄڇֱ۫ଃᑗ ׾Ղ᥆֣࣍੖܌ΕײࠢΕ௡ደ׌ᆠଅ௑ऱଃᑗΔڇڼઃូᣊ੡ψײࠢωᑗ ᣊΙۖԲԼ׈ધॣཚא৵ऱଃᑗ܂঴Δط࣍ଃᑗଅ௑૮ฆۖ᧢֏ڍጤΔঞ Օຝ։ូ੡ψ෼זωᑗᣊΖຫࢉഠࢬᖑڶऱഀׂᅝխΔ᥆࣍ψ෼זωᑗᣊ ऱ܂঴ᑇၦ່ڍΔץਔڇԲԼ׈ધছת࣍ଃᑗ੺ചׄۘऱཏᢅ೏ဗ֛ΰS. Prokofiev, 1891-1953αΕ೏ՕࡵΰZ. Kodaly, 1882-1967αΕᐚؒ۫ΰC. Debussy,

4

ط࣍ຫ୮ࡡᓮᖞ෻ຫࢉഠሼ୴ഀׂऱԳᚨॺࠠڶଃᑗറᄐై塄Δڂڼ֟ຝ։ഀׂऱូᣊਢᙑ ᎄऱΖڼ๠ऱᑇᖕਢԫଡ೶ەଖΔ،ՕࣂՂբ堚ᄑ᧩قຫࢉഠแᦫऱଃᑗփ୲࠷ٻΖ

1862-1918αΕۦٔՓΰC. Ives, 1874-1954αΕ׾௽ࢮ޹ཎഗΰI. Stravinsky, 1882-1971αΕۮᐚയ௽ΰP. Hindemith, 1895-1963α࿛Գऱ܂঴ΔՈץਔ੒ ᥬ࣍ԲԼ׈ધ৵תऱଃᑗ୮܂঴ΔࠡխחԳࣹؾऱਢપᘃΘ້ٳΰJohn Cage, 1912-1992αΕMorton Feldmanΰ1926-1987αΕIsang Yunΰ1917-1995αΕԯ۟ ս೜ڇऱ Meredith Monkΰb. 1942αΕJan Garbarekΰb. 1947αΕArvo Pärtΰb. 1935αΕᆼᅗཎഗΰHenryk Górecki, b. 1933αΕᢟએΰTan Dun, b. 1957α࿛ Գऱ܂঴Ζ5_{ຍࠄ܂ڴ୮ऱଃᑗΔՕຟਢᖂೃ੔Εۖॺԫ౳ײࠢଃᑗფړृ} ᣂࣹऱኙွΖ طຫࢉഠࢬᖑڶऱֱ۫ଃᑗഀׂࠐ઎Δױवڔኙ࣍ൕ֣੖܌אࠐऱᣤ ࿸ଃᑗႚอΔڶઌᅝᐖऑۖ٤૿ऱ൶౉ΖۖൕഀׂၦऱᨠរࠐᎅΔײࠢᑗ ᣊքԼԲׂΔࠡխאߦڍख़ऱ܂঴੡່ڍΔଖ൓ࣹრऱਢΔԫ౳ᑗಮࢬᑷ ფऱ๕ؤ௽থԫ്Ո޲ڶΙۖ෼זᑗᣊऱԫۍڍׂᅝխΔப৖܂ڴ୮ Jan Garbarek ऱଃᑗڶԼׂΔფޥ؍ࠅΰEstoniaα܂ڴ୮ Arvo Pärt ऱڶԶׂΔ ࠡהԯԫ۟؄ׂլ࿛Ζࠡኔൕၦऱᨠរլߩאᢞࣔຍࠄଃᑗኙڔऱᐙ᥼Ժ ֗ૹ૞ࢤΔլመݺଚՕᄗױवຫࢉഠኙ෼זଃᑗऱᘋᔊਢઌᅝᖺদऱΔۖ ׊௽ܑኙᅝזଃᑗ୮ऱ໌܂୶෼٥ᏓፖᚨࡉΔຍរऴ൷᧩෼ڇڔऴ൷אଃ ᑗհټ౏Եࠡ܂঴ټጠπᐚഏΘٱွ——ᦫԱᆼᅗཎഗΰGóreckiαऱรԿ ᇆٌ᥼ڴհ৵ρΰ1998αΖ ೈԱֱ۫ᣤ࿸ଃᑗא؆Δຫࢉഠࢬᖑڶऱॺֱ۫ᣤ࿸ଃᑗΫΫψխഏ Я؀᨜ωፖψഏ؆اගωଃᑗᣊܑऱഀׂΔঞ௽ܑᚨࡉԱڔڇ໌܂խኙء ᔆࢤ壄壀ԺၦऱಳޣΕኙ଺ীቼ੺հ൶౉Εኙሒࠩڕ଺ࡨᢌ๬Εײ֮ࣔᢌ ๬߷౳೏৫ऱٞቹΖڇຍฒڍऱഀׂխΔࠅ੊ऱֲءΕٱ৫Ε֣ߺ୾Ε۫ ៲Εॳ༄ۀΕْிΔॺ੊ऱୗ֗ΕխॺΕ್ሒףཎףΔᑛ੊ᢰၾऱতཎࢮ ֛Εᆿရ׃Δא֗խতભ࿛լٵاගΕ೴഑ࢤऱଃᑗΔຟਢຫࢉഠऱگ៲ ኙွΖ᥆࣍խഏଃᑗऱঞאײྶଃᑗ੡ڍΔຍᚨፖڔམᆖᖂ฾ײྶऱᆖᖵ ڶᣂΔࠡהאࠇᏣᆖࠢഀ࿺Εጥ࢐ଃᑗ࿛࿑ףរ堸Ι᥆࣍؀᨜ऱ׽ڶႆ॰ ፘႃנठऱπਚၢऱዚߨഀۂྋρΕπݺऱၢღݺऱዚρΔ׼ڶԫڇഏ؆נठ ऱ؀᨜଺۰اዚᝓᙇᙀΖˉ ʳ 5 ط࣍ԫࠄֱ۫ᅝז܂ڴ୮ࠀ޲ڶ੡Գࢬᑵवऱᑑᄷխ֮៬᤟Δਚڇء֮խԫ৳א଺֮᧩قࠡ ټΖ 6

ᗦฅܭഋ۩஀բࠔύϐॣ኷܄

ൕଃᑗፖᢄ྽ၴ༈ޣױ౨հტຏΰcorrespondenceαΫΫٍܛڇԲृឈ ۿٺլઌᘩऱ।෼णኪխΔ༈ࠡ᎟ઌࡅᚨհᣊֺࢤΰanalogyαΫΫڇֱ۫ ֮֏խױᎅطࠐբՆΖឈྥֱ֮۫ᢌ੺ڇԼ԰׈ધأழੌႚထψ΋Ϫ᛬ೌ ࣣᖿӛॣ኷ޑރᄊω7 հᎅऄΔՈڰբڶԳ৬ߢᢄ྽ᚨཅඵႚอᑓُኔढհ ༴ᢄΔۖ۞طࠌشۥ൑ፖীኪࠐሒࠩڕᕴᑗڴԫᑌᇣრऱൣቼΔ܀྽୮ట إ౨ച۩ຍᑌऱॺࠠွ໌܂Δսႊ࿛ৱ۟ԲԼ׈ધॣཚթ൓אݙګΖԼ԰ ׈ધأழᢄ྽طᐊኔ׌ᆠΕ۞ྥ׌ᆠߨٻޓڍۥ൑ፖᒵයऱᇞ࣋Δ๺ڍ྽ ୮ຟאଃᑗ੡ࠡኙᅃհ෼ွΔਬጟ࿓৫ٽ෻֏Ա۞ա໌܂խլٽႚอᐊኔ ᢄ྽ଅ௑ऱ᝟ႨΔ྽୮ଚ壆ڕ೏ޓΰP. Gauguin, 1848-1903αΕ್ᆳཎΰH. Matisse, 1869-1954αΕතߣΰV. van Gogh, 1853-1890α௽ܑאۥ൑ऱՕᜬࠌ شΔא।෼ኙᚨ࣍ڕٵଃᑗ౳ऱԺၦΖ8_{ԲԼ׈ધॣཚΔᙟထൈԭཎഗΰW.} Kandinsky, 1866-1944αऱଠᤜΔאଃᑗ੡ஃऱᢄ྽ଅ௛࣍෫୶ၲΔۥ൑ፖ ݮڤऱሎشፖ؆੺ࠠွऱᣂএዬ۩ዬ᎛Δ܀੡Ալࠌڼ᝟࣍ࢼွհᢄ྽ੌ ࣍ᇘ堸ࢤࢨ෗ޯլࣔऱणኪᇙΔൈԭཎഗፖࠡהݳٵሐٽृીԺࠌᢄ྽ऱ ցైࠠڶิ៣ࢤΕ఼ݧࢤѧΫאԫጟઌᅝ࣍ଃᑗิ៣ࠡցైऱֱڤΔࠐ༈ ބ᥆࣍ᢄ྽հࢼွऱױ౨ࢤΖൈԭཎഗᎅΚψؒԖ΋ঁਔڅႽϞϺ೭ঁᆒઓ ᙯࠠය೭ኬǴ᛬ೌ۶Ԝ᎞߈ǾǾ΋ঁฝৎӵ݀όૈᅈىܭԾฅ౜ຝޑӆ ౜ǴԶҁيΞࢂ΋ঁബբޣǴ٠׆ఈஒځϣӧШࣚ߄౜рٰǴஒ཮༭֪Ӧ ว౜ॣ኷ȋȋനܜຝޑ᛬ೌǴࡐ৒ܰၲډд܌׆ఈޑǶܭࢂǴдߡᙯӛॣ ኷Ǵ٠Ҿკӧдޑ᛬ೌ္ว౜ӕኬޑБԄǶӢԜ೷ԋϞВᛤฝޑଓ൨ᜩࡓ གǵଓ൨ኧᏢ܄ǵܜຝ܄ޑ่ᄬǵՅፓޑख़ፄǵஒՅற஥຾ၮ୏္ޑ᛬ೌ ฻ǾǾ᛬ೌѸ໪࣬ϕᏢಞǴՠ೭Ꮲಞόࢂ߄य़Զࢂচ߾܄ޑǶω9 ڇຫࢉഠऱ໌܂سෑխΔ۞ڔګ੡ޕ٘سऱݬ՗৵Δ༉ᒔمڔߨٻࢼ ွᢄ྽ऱሐሁΖطԶሿڣזऱ᝱ᨈፖګ९Δࠩ԰ሿڣזऱګᑵፖವ࿇Δڔ 7

ڼᎅऄ׌૞ط૎ഏᢌေ୮ Walter Pater ࣍ 1873 ڣ༼נΔ೶ᔹ Walter Pater, “The Condition of Music,” in Words on Music: from Addison to Barzun, ed. Jack Sullivan (Athens: Ohio University Press, 1990), 339.

8

Karin v. Maur, The Sound of Painting (Munich: Prestel Verlag, 1999), 19-23. 9

ڇ໾ޗᔆچ༳༽ऱొᑵ৫Εփ୲ऱ෡֏ࢤא֗ᗑ௽ଅ௑ऱ৬م࿛૿ٻΔ׌ ૞।෼ڇࠡᓤٽ໾ޗፖֽᕠ܂঴խΙፖଃᑗڶᣂऱ܂঴ΔՈࣔᒔچ୶෼࣍ ԰ሿڣזऱګᑵཚΖྥۖΔչᏖᑌऱ܂঴௽ᔆױࡳᆠ੡ଃᑗࢤհ٦سΛଃ ᑗءߪਢԫጟ೏৫ࢼွࢤऱᢌ๬ীኪΔ،ᆖطழၴፂ৫ࢬղԳհტवΔᣉ ৳ტຏൄਢ່ࠡ௅ءհ૞ైΙڇࢼွࢤհီᤚ।෼ীኪխΔរΕᒵΕ૿ࢨ ۥჇ࿛ഗءցైऱኙֺࢤΕૹᓤࢤڜඈΔൄ౨ႚሒࠠழၴࢤऱᆏ৉೯౨Ζ ຫࢉഠൕ 1992 ڣၲࡨΔຍጟ֫ऄऱ।෼ყᘊᑵᒭΔࠡխለᙩ᝖ऱπྤߢρ ΰ1992αΕπྤᜢρΰ1993αፖπާጕρΰ1994αਢڔ֟ᑇ௛ᔆՂ࿑᧩փᚹऱ ܂঴Δڼၴ๵ঞࢤऱᒵයٺڶլٵ।෼Κπྤߢρΰቹԫαऱ࿍މڤ႕ۥᒵ යᒯയچඈ٨ထΔਢጟᚘލڇ֨ऱ৳೯ΙπྤᜢρΰቹԲαঞא෡ཝۥፖػ ۥᒵයᐈᠾچઌၴۖנΔ।෼ڜᙩۖงிऱࣷ໮ΙπާጕρΰቹԿα׌૞ط ػۥؒයࢨ඙ࢨؓ۩چ៿።ڇ႕ۥؒჇՂΔႚሒץ៿ࢤऱڜ٤ࡉ᡹ૹტΔ א֗ԫጟᑨڇࢤऱ৳೯Ζ ۟࣍ࠡה༄ڶයెۥ൑ኙֺઌၴऱ܂঴Δط࣍൑৫ΕທীհਚΔՕڍ ᧩൓ለ੡੒ᑣΔࠡխ൅ڶՠᖞᒵය।෼ऱπ៴ጸρΰ1993Δቹ؄αΕπᡯᑔد ڙρΰ1993αΕπࡎሎρΰ1993αΕπऴ඙ᒵρΰ1993Δቹնα࿛ΔઃႚሒԱ༭ங ऱࣷ໮Δۖ൅ڶլ๵ᖞය൅ण।෼ऱ܂঴Δࠏڕπଃ৳ρΰ1993ΔቹքαΕπٻ Ղᒷᒷཾ೯ρΰ1993ΔቹԮαΕπᒵհኙᇩρΰ1993αፖπ૩ሐρΰ1993α࿛Δ ঞࢨڍࢨ֟ႚሒփ֨ऱᤵ೯ΔᨠृᇿထᒵයཾฝီᒵΔ໦ದऱਢլڜऱ֨ ऱ৳೯Ζ ڇຍࠄאદΕ႕Εػۥ੡׌ऱ໌܂խΔຫࢉഠࢨᙩࢨ೯Εࢨ໛ࢨ♛ऱ ।෼ຟॺൄ໢ొۖऴ൷ΖٵᑌՈਢڇ 1993 ڣ໌܂ऱπᛤՓρΰቹԶαፖπ႓ ۥֱჇρΰቹ԰αঞਢא႓ۥ੡ס᧩ૹរΔছृאႽഎທীൎ֏Աױფ঄ؼ հტΔ৵ृޓሂๅԱመ࢓ֱإ௃ਮऱᾲ⇾Δޏאᣊۿფ֨ທীऱݮڤ।෼Δ ،ऱ႓ۥֱჇחݺଚუࠩ፞ᐚߺڜΰP. Mondrian, 1872-1944αऱࠟ༏ᣊᛤՓ ᑗ ܂ ঴ Κ Broadway Boogie-Woogie ΰ1942/43Δ ቹ Լ α א ֗ Victory

Boo-gie-Woogie ΰ1943/44ΔቹԼԫαΖ್ᆳཎឈྥՈڶ壆ڍፖᛤՓڶᣂऱ܂঴Δ ܀ה܂঴խᒵයऱਫຌࢤথۿ׏ፖຫࢉഠऱπ৩ሏΰદ႕αρΰ1994-98Δቹ ԼԲαڶޓڍࡅᚨհ๠Ζ

ڕছࢬᓫհࠠొጰଃᑗࢤհ܂঴Δױᎅਢຫࢉഠ۞֣ᕟഏᎾᢌ๬ޘڃ ࠐ৵ຝٝऱګ࣠।෼Δۖڔ࣍ 1995 ڣ᎛૥ભഏ៱८՞௧ᐚᥞᢌ๬խ֨໌܂

৵ΔࠡଡԳᣂᡖऱီມ墿ݮឩՕΔ໌܂ޓ᧩෼נྤאލރհ༟݇௛ႨΖឈ ྥᎅڼழհ܂঴ڕπᖏञፖࡉؓ No. 2ρא֗πᖏञፖࡉؓ No. 3ρΰ1995αΔ ڇࡎᠲՂۿ׏ፖଃᑗ޲ڶᣂএΔ܀ਢπᖏञፖࡉؓ No. 2ρΰቹԼԿαऱ႕ ػທীլ༉ਢᙓྶ᝶ᒌፖྶߪऱᄆقႯΛ᝶ᒌՂךየထᘀމऱદۥؒයլ ༉ਢཌཌۨᇾႯΛຍլ༉ਢᖏञऱଃᑗႯΛઌኙ࣍ຍᖿ௺ऱ।ሒΔπᖏञፖ ࡉؓ No. 3ρΰቹԼ؄α๵ᖞࢤऱ႕ػයెஆᆵֱ࣍إऱદۥؒჇՂΔףՂ ՂֱڶထቝᏆդΕ࿭൅ࡉ׳ᢰڕଃฤऱᑑ፾Δຍ༏܂঴ړۿዝ৉ထࡉؓऱ ᑗଃΖٵڣ໌܂ऱπڜᏒڴρΰቹԼնαឈྥאଃᑗհټࡎټΔ܀ਢথլਢ חԳᏒᕗ൓אڜྥऱڴ՗Δ،חԳᜤუࠩᖏञऱۨ౧Ᏼ്Δ༉ਬଡ૿ٻࠐ ᎅΔຍጟᇭᤩπڜᏒڴρऱֱڤᚨࡉԱֱ۫௡ደ׌ᆠՕীڴڤΰץਔڜᏒ ڴαൣტᑫྔऱ।ሒΖ ᙟထຫࢉഠດዬ෡֏ڔኙ଺ীΕట෻ऱ൶౉ፖಳ༈Δ଺ࡨଃᑗࢬ࿯ղ ڔऱඔقၲࡨࠠ᧯ᆵኔڇࠡ໌܂խΙڔऱπՆ᎛ऱᜢଃρΰ1995-6ΔቹԼքαΕ πྤᓳࢤ᧢৉ρΰ1996ΔቹԼԮαא֗πՕچհዚ No. 1ρΕπՕچհዚ No. 2ρΕ πՕچհዚ No. 3ρΰપ໌܂࣍ 1996-97 ڣαױᎅז।ࠡኙ଺ࡨᜢ᥼Ε଺ࡨ ژڇΕ଺ࡨءటಳޣऱ।෼Ζڔإᒔچຫ૪଺ࡨଃᑗऱ௽ۥΚψ࿯ࠩᙁൂǵ ԖΚǵϸᙟൻᕉǶωࠀၞۖ༿ق଺ࡨ壄壀ࢬڇΚψҔΓᜪന߃ޑᖂॣǴهᇘ ޑᖂॣǵهᇘޑ୏բǴচۈᆒઓޑཀက൩ӧٗهᇘᇘޑև౜ǴᆶεԾฅӝ ΋Ζωլٵ࣍ 1993 ڣழՕၦࠠ๵ᖞࢤයెۖොᤖለ༭ஙᣉ৳ტऱ܂঴Δڼ ழຫࢉഠ༓׏ඵ࿪Աٚ۶༓۶ທীΔۖאԫጟլࡳऱڶᖲ᧯ীႿ௯ᡤՕᕴ հዚΔೈԱᑵ൜ऱદΕ႕ΕػؒறհցైᚨشΔޓףԵ෍ཝۥհᡬؼࢨؒ றΔᄆقسࡎፖՒچ౨ၦऱᣂএΔຍڇ 1996 ڣπՕچհዚρߓ٨ᇙ֠੡ࣔ ᒔΔຍԿٙᐈሒԿۍڍ֗؄ۍڍֆ։ऱՕী܂঴Δฒڍিᆵऱທীցైਬ ጟ࿓৫چႚሒ೯ᛯհტΔ।ሒՕچྗسᆄढΔψόՠᄺႨғϐ഻৹ǴΨᓨᛗ ԝϐࠉࡘǶωຍԫߓ٨܂঴ឈྥױ౨ፖຫࢉഠแᦫ್೬ထټऱπՕچհዚρ ڶᣂ10_{Δ܀࿝ृઌॾ್೬ऱଃᑗ׽ਢຫࢉഠಳ༈ᢌ๬଺໌መ࿓խԫଡױ౨ऱ} ඔ࿇Δ࠷ٵᑌऱټڗآؘ༉ژڇထऴ൷ፖؘྥऱਐ௫ΖࠃኔՂΔຫࢉഠڰ ڇ 1990 ڣழ༉མ໌܂ԫߓ٨πՕچհዚρ܂঴ΔץਔԿٙ൑ᕠऱπՕچհ ዚρא֗ᓤٽ໾ޗऱπՕچհዚ—ݧڴ IρΕπՕچհዚ—ݧڴ IIρΔឈྥټ ੡ψዚωΔྥۖڇຍࠄ܂঴խଃᑗհტࠀآ௽ܑ᧩ထΖଙਢ 1990 ڣԫߓ٨ 10 ᖕຫྰᗒፖຫࢉഠړ֖ۂඕጉ।قΔຫࢉഠॺൄ໛ფ್೬ऱଃᑗΖ

ֽᕠ܂঴πسࡎऱቈᨬρ୶෼Աڙࡶسࡎԫᜢᜢ᥮ྥ؎᥼ऱ଺ॣଃΔ༉ቝ Ղ০ڇ່ڰ֜ॣ෗ޯխ࿯Աψ٠ωΔ׈੺ԯڶԱݮፖଃԫ౳Ιۖٵᑌऱᎅऄ Ոױᚨش࣍ኙπՆ᎛ऱᜢଃρፖπྤᓳࢤ᧢৉ρऱᇭᤩΖԫ౳ᎅࠐΔྤᓳ ࢤଃᑗຏൄਐຫऱਢൎ௺լᘫࡉࢤଃ᥼ऱ।෼ΔྥۖΔπྤᓳࢤ᧢৉ρ࿯ᨠ ृਢլᘫࡉऱტᤚႯΛࠡኔፖຫࢉഠࠡה܂঴ֺለದࠐΔ،ਢᄵࡉ᎘င ऱΔຫࢉഠڇڼࢬ૞।ሒऱΔᚨਢԫጟ෗ޯ֜ॣآᆖ֮ࣔଥ堸ऱ଺ଃΔπՆ ᎛ऱᜢଃρՈፖπྤᓳࢤ᧢৉ρԫᑌم࣍ᣊۿऱഗᓳΔ܀،ለቝਢൕ႕੐ ࢏ۼנࠐऱԫ྾ާૹ؎᥼Ζʳ

வȠቺ୯Άӑຝȋȋ᠋Αလྷථ୷ޑಃΟဦҬៜԔϐ

ࡕȡډ Alina

1998 ڣழΔຫࢉഠᆖطԫۯᐚഏଃᑗ୮֖Գං៺Δၲࡨแᦫंᥞ܂ڴ ୮ᆼᅗཎഗΰHenryk GóreckiαऱπรԿᇆٌ᥼ڴΫΫٌ᥼༟ዚρΰ1976αΔ ຍଈץܶԿଡᑗີΕዝ৉९৫ല२ԫଡᤪᙰऱጥ࢐ᑗٌ᥼ڴΔޢଡᑗີઃ ڶՖ೏ଃ೯ԳऱᗑഀΔࠡխรԫᑗີዚဲࠐ۞࣍Լն׈ધՀתᆺԫ੄᥆࣍ ψᆣԼڗଥሐೃωΰ“Holy Cross Monastery”αऱ༟ዚΔڇڼળᗫऱئᘣאร ԫԳጠֱڤ۞፿Δઙޣڽװऱࠝ՗ኙڔڶࢬڃᚨΙڇຍ੄༟ዚנ෼հছፖ հ৵Δᆼᅗཎഗࠌش࢐ᑗᕴא׬ልऱ֫ऄᐋᐋഔᦤΔݮګࠠൎՕ౨ၦऱዬ ᐋࢤଃ᥼ய࣠Δڇ٤ᑗີԿԼ։ᤪऱழၴփᔮຫڕ༄Փ՞߷ጟኙጠࢤऱਮ ዌΔॺൄტԳΖรԲᑗີऱዚဲࠐ۞࣍ 1944 ڣၴΔڇंᥞতጤৄؑ Zakopone հ౏ጰയᤞ11_{׹חຝ጑ጂփΔࠥڇᛥՂऱԫ੄ઙᡷ֮Δ،ਢ๯؅ᆃृ}12_ڜᐣ ئᘣΕՈਢٻᆣئጆᣝࠅޣܗࠀ༈ޣঅᥨऱઙᡷ֮ΖรԿᑗີঞආشԱא ंᥞতֱ Opole ೴഑ֱߢࢬዝഀऱاᝓ᎙ዚΔڇຍ੄່९ऱዚဲխΔԫۯ ෝੌګࣾऱئᘣ൳္වڽࠝ՗ऱᑅԳΔࠀઙᡷՂ০ኙ፧سऱඑᦱΙڼᑗີ ଃᑗՂऱࣔ᧩௽ᐛࠐ۞࣍ቄࡐ܅ଃ֘៿ڤऱ۴৉ଃীΔ່৵ᆵԵ਍ᥛࢤऱ A ՕᓳԿࡉ࢐Δွᐛထسृݦඨڽृ౨ڇ֚׌ᡖփڜஒऱ֨ᣋΖ٤ڴऱԿ ଡᑗີઃאᄕኬհຒ৫ၞ۩Δ୶ၲԫ੄෡᠒Ε९᎛Ε༄঩൧ࢤ܀Ծᤖܶထ 11 ౏ጰയᤞΔٍܛ GestapoΔՈ༉ਢঋጠऱ።׈֜অΖ 12

طઙᡷ֮Հֱհ᡽ټΰHelena Wanda BáaĪusiakównaαࠐܒឰΔ๯؅ᆃृਢԫۯԼԶᄣऱՖ ࢤΖ

ݦඨऱள࿓Ζຍଈٌ᥼ڴଃᑗ፿ნ׌૞৬ഗ࣍ײ۔ऱඒᄎᓳڤא֗ᓳࢤऱ ࡉᜢტխΔࠡૹᓤࢤऱ֫ऄױᎅ௅ᄭ࣍ंᥞاᝓፖᨬભᇣऱ௽ࢤΔ،ᘜٽ Աࣟᑛ׈ঋፖࡲඒଃᑗႚอΔ୶෼Աኙᖏञ֘৸ऱრቹΔՈᛜທԱ၌။ࢤ ऱࣷ໮Δଃᑗڇݾ؏ՂፖൣტՂऱ।ሒઃऴ൷ۖࣔػΖڼ܂঴ഀׂ࣍ 1992 ڣ࿇۩Δګ੡ߔߠऱײࠢଃᑗ੺հ෼זଃᑗዃᔭڴؾΖ13 ຫࢉഠ۞ߢΚψךڙԜॣ኷ཱུε᎜ᏴǴ٠ుుޑࣁѬޑऍᆶϣ৒܌ག ୏ǴၱВڹಡ᠋Ǵӆ΋ԛޑϸࡘ೭ঁΓᜪΒΜШइ܌ᡨ೷ޑѮεᄐቃǴԶ ౢғΑԜ΋سӈޑբࠔǾǾǶω˄ˇ ࠡ࿨࣠༉ਢπᐚഏԦٱွΫΫᦫԱᆼᅗཎ ഗऱรԿᇆٌ᥼ڴհ৵ρߓ٨ֽᕠ܂঴ΰቹԼԶαΖߪ੡ՖࢤΔຫࢉഠኙᆼ ᅗཎഗٌ᥼ᑗխຍࠄࠐᄭլٵऱՖࢤհ༟္ؘڶࢬტ༩Δۖኙ࣍Գᣊյઌ ྲྀ୭ᖄીऱᖏञ༟ᏣΔࠡ༟ᐬፖլؓհ֨ፃΔᚨൕڼଃᑗխ൓ࠩ٥Ꮣፖڜ ᐣΖլٵ࣍հছऱֽᕠ܂঴πسࡎऱቈᨬρΔπᐚഏԦٱွρڇᖺૹۖݶຒ ऱֽᕠ࿝ऄխΔ।෼נड़ड़ฒس堷࠹ᾲ⇾ፖᚘ૰ऱრွΙڇ࿨ዌՂΔൕؐ ᢰጩದऱรԫΕԿΕն༏ΔፖรԲΕ؄Εք༏ܧ෼ψയωፖψงωᔆچऱ ཙངΔ܀،ଚऱءᔆຟԫᑌᒯയۖጹྃΔࠡխ़ػհࡅܮࢤ़ၴΔ׽੡ס ᧩ޓൎՕऱ႕ᕠԺၦΖʳ ԫଈ༓२ԫଡᤪᙰऱଃᑗΔױڇຍք༏ຑ܂խᎅጐࠡփොႯΛᅝྥਢ լױ౨ऱΔຫࢉഠՈլᄎڶຍጟڐუΖൕڼ܂঴ऱ।෼რቹ઎ࠐΔڔೡૹ ڇ।ሒԳᣊ༟Ꮳխᐬ׈ऱൣᡖΔࠡխݶຒऱֽᕠᒵයΕि࿨ᥚ៥ऱඅ֬ࢤ ਢחԳ᧫֨೯ᕗऱΔࠡኔຍࡉᆼᅗཎഗଃᑗഗᓳխާᒷጿ९ۖઌᅝ໢ొऱ ।ሒࠀլਢॺൄܭٽऱΔط࣍ଃᑗխऱൣፃ᧢֏ܶ፝ۖ৩პΔڂڼڇޓՕ ऱ௑ݝᇙΔࠡψ࿀ᄑωհტբො౏࣍ึᄕڜᐣፖඑᦱհ၌။ࢤΖຫࢉഠแ ᦫڼڴऱტ೯ᆖ᧭Δ᠏֏ۖࠐऱսਢփ֨آؓऱൣፃΔຍጟᑫྔլբऱ֨ ቼΔۿ׏Ꮑ૞ԫࠄழၴڜᙩፖާᖸΙൕ 1995 ڣאࠐΔຫࢉഠ୶ၲԫຑۭף ڠݼֲ׾ኔፂᥨᄎऱທ๶Εᐚഏ౏ጰളවྫ֜Գ֗ભഏٱچڜԳളවٱچ ڜԳ࿛׾றऱ፦ႃΔኲ۟ڼழΔڔኙ٤Գᣊ٥ٵംᠲऱ൶ಘΔࠡ༟঩ፖᐬ 13

ڼ੄ዚဲᇞᦰ֗ࠡה੡֮Δ೶ᔹ David Drew, Henryk Górecki (1933): Symphony No. 3, Elektra Nonesuch, 1992. א֗ Adrian Thomas, “Henryk Górecki,” The New Grove Dictionary of Music

and Musicians, vol. 10, ed. Stanley Sadie (New York: Macmillan Publishers Limited, 2001),

159-62.

14

ຫࢉഠΔπ൝ሏհቼρΰ؀խΚઝցᢌ๬խ֨Δ2000 ڣαΔ଄ 44ΖຍଡψԳᣊԲԼ׈ધऱ؎Օ

৷սآַஒΖऴࠩ 2002 ڣڔၲࡨڇ༓༏ֽᕠ܂঴ڕ Alina ࿛ΰቹԼ԰Εቹ ԲԼαΔ।෼נለ᎘આ۞ڇऱֽᕠᄉ਩ய࣠Δݺଚױ堚ᄑچტ࠹ࠡᑫྔऱ֨ ቼດዬࡉᒷՀࠐΖ15 ຫࢉഠڇװຓছམᆖᢤղԫࠄړ֖ფޥ؍ࠅ܂ڴ୮ Arvo Pärt ټ੡ Alina ऱറᙀഀׂΔڼଃᑗጿ९ΕࡉᒷΕ໢ొۖ׊དྷᑽଵຘڕᤪᜢΔਬጟ࿓ ৫ႚሒࡰഭհტΔਢ᥆࣍ᄕૻ׌ᆠΰminimalismαଅ௑ऱ໌܂Δݺଚױٽ෻ ංྒྷຍଃᑗፖڔٵټ໌܂ऱᣂຑࢤΖᇨڕຫࢉഠࢬߢΚψAlina!ύԖు؇ޑ ൿࠉǴӧ஽஽ྃДύǴڀԖೕ߾࿯ࠩޑ௽ࡓǴόჇځྠޑಒᇥдբࣁ΋ঁ Γޑې஍ᆶคڼǶωΰ2002αۖڔާᙩငᒷऱٵټֽᕠ܂঴ᒔኔរנࠡᢌ๬ ᠏ٻፖ֨ቼՂऱ᧢֏Δ׽ױ൦ڔऱᨏྥመ׈ࠌຍଡ᠏֏ቱྥַۖΖ׼؆ଖ ൓ԫ༼ऱਢΔຫࢉഠࢬ໛ფऱᆼᅗཎഗፖ Arvo Pärt ଃᑗΔຟਢ᥆࣍ຍࠟۯ ܂ڴ୮ࡲඒࢤᖺদࠀ൅ڶᄕૻ׌ᆠଅ௑ऱ܂঴ΔࠡᒷኬፖଭუڤऱৎኪΕ ֘៿լբऱ՛೯ᖲΔګ༉Ա壀ᆣፖ壀ఽऱࣷ໮Δຍࠄଃᑗუؘਢڔ৵ཚس ࡎᇙ൓ࠩڜᐣऱੈᄭհԫΖ 15 ڼԲ༏܂঴ઃ੡୮᥆ࢬ៲Δᒳᇆ੡ۂඕጉ՛ࡦࢬ੡Ζ

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ڇࢬڶऱᢌ๬ݮڤᇙΔଃᑗԫٻאࠡࢼွऱءᔆࠌԳఞ༝Δڇլ൅֮ ڗऱଃᑗᇙΔ،ة᎛ྤऄംݺଚψଇ堷آΛωຍᑌࠠ᧯ऱΕኔڇऱംᠲΙ ܀ଃᑗױ౨।෼հ෡ሑऱΕ၌။ऱݮՂ壄壀ࢤΔথՈਢࠡה।෼໾տࢬអ ࢓ऱቼ੺Ζഏփᖂृ׾܂ぐᖵᆖ९Նऱભᖂ൶౉৵ΔڇπݮՂભᖂ૞ᆠρ խאࠡݛᨠհߡ৫᤭ᤩԱԲԼ׈ધאࠐᖞ᧯֮ࣔ࿇୶ऱ෼ွΔ࿝ृᎁ੡ה ऱᨠរإߩאᎅࣔຫࢉഠሀᏆ഑໌܂ऱႜٻፖءᔆΖ׾܂ぐਐנΚȨኧί܈ ኧ࿤ԃаٰǴΓᜪЎܴ܈ځ߄ၲǴ܌ಕᑈϐᐕў܄ϐ߄ၲБԄǴځుڀж ߄܄ޣǴёԖѤᅿǴջǺᖂॣʈკ׎ʈЎӷʈપࣽᏢ಄ဦǶǾǾᖂॣёᇥ ࢂΓᜪന߈୏ނϐԾฅޑ߄ၲБԄǴឦܭ᠋᝺܈ਔ໔܄ϐሦୱǶࣽᏢϐપ ಄ဦ߄ၲǴёаᇥࢂനڀΓЎ܄ϐᆒዴޑБݤ߄ၲǴឦܭຎ᝺܈ޜ໔܄ϐ ሦୱǶϟܭځ໔ޣǴ߾ࣁਔޜ܈ຎ᠋షӕϐ߄ၲሦୱǴҭջკ׎ᆶЎӷޑ ߄ၲǶӢԜǴკ׎ᆶЎӷϐ߄ၲόՠӭڀᔜࢁόమϐ܄፦ǴӕਔǴΨӢԶ ԋࣁҗપਔ໔܄ᖂॣ߄ၲᙯඤࣁપޜ໔಄ဦ߄ၲϐၸ෠ޣǶځ໔ϐόӕǴ ѝࢂҗܭკ׎߄ၲᆶᖂॣၨ߈Ǵ߾ӭપԾฅϐԋϩǴԶЎӷᆶપ಄ဦၨ߈Ǵ ߾ӭ಄ဦ܄ԶϿԾฅ܄Ƕω˄ˉ הԾၞԫޡਐנΔط࣍२זאࠐΔઝᖂొݮڤ հ।ሒყ᝟ࠡᄕૻࢤΔԲԼ׈ધॣཚԯດዬඊದԫै׈੺ࢤऱᝫ଺հଅ ᑪΔ壆ڕ෼ွᖂΕژڇ׌ᆠΕᇞᤩᖂΕ෼זᢌ๬Ε፿ߢᖂΕԳᣊᖂΕ֨෻ ᖂ࿛࿛Δ୶෼Աٻژڇࢤհഗ៕ۖᝫ଺ऱᡓՕ᝟ႨΖ˄ˊ ઌኙ࣍ড়ᨠݮڤፖڶ யࢤऱ૞ޣΔᝫ଺ऄڍࠠڶԫጟ׌ᨠუቝհᚼਡࢤᔆΔۖႜٻ࣍ኙ౒֟ൎ ࠫݮڤፖ๵৳ࢤऱ଺ࡨ֮ࣔհᗨᄕ൶౉Δڼ؆Δᝫ଺ऱრᆠՈڇ࣍ψֹԋ ΋᏾ᡏ܄ޑᢀ࣮ૈΚᆶ߄ၲϐ୷ᘵȩΔۖૹ१ࠩԫጟȨЎӷ߻ϐપ᠋᝺ǵપ ຎ᝺Ǵ܈΋ᅿ߈ӄԾฅШࣚϐёૈǶω˄ˋ ʳ ʳ ຫࢉഠ۶ቫլਢᇢቹ᝟२׾܂ぐࢬᘯऱψᝫ଺ωࡋΛڔแᦫՕၦऱॺ ֱ۫ଃᑗፖ෼זଃᑗΔྤॺრቹൕॺֱ۫ଃᑗऱ଺ࡨࢤխޓᘣ२۞ྥΔՈ א෼זଃᑗ੡ଗᢴΔ൶౉ီᤚᢌ๬଺໌ࢤխ।ሒԳᣊ๠ቼऱױ౨Ζଃᑗ੡ 16 ׾܂ぐΔπݮՂભᖂ૞ᆠρΰ؀קΚ஼ଉ֮֏ࠃᄐΔ1993 ڣαΔ଄ 53-4Ζʳ 17 ׾܂ぐΔπݮՂભᖂ૞ᆠρΔ଄ 51Ζ 18 ׾܂ぐΔπݮՂભᖂ૞ᆠρΔ଄ 8Δ21-2Ζ

ڔۖߢΔᚨਢޓڍٻ᎛ײ֜ॣ଺ࡨଃᝫ଺ऱუቝΔᨃຍࠄޓ൷२Գᣊء౨ ऱᜢଃ᠏֏ࠩڔ൅ڶ।෼׌ᆠଅ௑ऱ܂঴խΔࠀআګڔ໌܂խ۞࿇ࢤऱ। ሒΖڔԫၲࡨൕለ១᝷ऱొଃᑗࢤ܂঴נ࿇Δ֗۟ࠩ৵ࠐ౥ᜦךየထإᆠ ፖᣂᡖԳᣊհ௛Δࠀኙ଺ীհᄗ࢚ڶࢬ᧯ஔ৵Δࠡ܂঴ሑګ੡ڇڕൄᙩᚈ խΔথ੉ᄨထᑫྔ壄壀հ؎᥼ፖܱ໗Ζຫࢉഠམᆖ੡۞աࢬಳ༈ऱψట෻ω ೚ԫ྾ုᇞΔڔא੡ట෻ψӸӧܭђЎܴൂપޑ೷္ࠠǴٯӵύ୯ᇻђޑ ߙልǵҏᏔǹӸӧܭচۈ೽ပޑॣ኷ȋȋ҂࿶অႬޑȬচॣȭǹӸӧܭ΋٤ Ծฅғނޑମᓝϯҡύȋȋ܌ԖӭᎩޑଷຝࣣςమନǴഭΠޑߡࢂ҉ࡡό ᡂޑᆒᡎǶωΰ1995αᇨྥΔຫࢉഠຘመኙጟጟଃᑗऱแᓾፖ᧯ᎁΔࢬݙګ ऱ܂঴ڇᙩᚈխቔ೯ထᨠृփ֨ऱଃंΙڔطొழၴࢤᜢଃ।ሒ᠏ང੡ొ ़ၴฤᇆ।ሒऱګ༉Δፖֱ۫ছᔘ྽୮ࠐֺኔਢլሚڍᨃΔຍਢ؀᨜ᢌ๬ ੺෡ױ֧א੡႙հࠃΖʳ

! ቹԫΚྤߢΰ1992α184x163cm ᓤٽ໾ ޗ ቹԲΚྤᜢΰ1993α250x118cm ᓤٽ໾ޗ! ! ቹԿΚާጕΰ1994α135x225cm ᓤٽ໾ ޗ ቹ؄Κ៴ጸΰ1993α178x225cm ᓤٽ໾ޗ

! ቹնΚऴ඙ᒵΰ1993α160x130cm ᓤٽ ໾ޗ ቹքΚଃ৳ΰ1993α190x162cm ᓤٽ໾ޗ ! ! ቹԮΚٻՂᒷᒷሏ೯ΰ1993α220x150cm ᓤٽ໾ޗ ቹԶΚᛤՓΰ1993α190x240cm ᓤٽ໾ޗ

! ቹ԰Κ႓ۥֱჇΰ1993α178x165cm ᓤ

ٽ໾ޗ

ቹԼΚ፞ᐚߺڜΫBroadway Boogie Woogie ΰ1942-3α ! ቹ Լ ԫ Κ ፞ ᐚ ߺ ڜ Ϋ Victory Boo-gie-Woogieΰ1943-4α ቹԼԲΚ൝ሏΰદ႕αΰ1994-8α280x250x25cm ! ! ቹԼԿΚᖏञፖࡉؓΔNo.2ΰ1995α 210x220cm ቹԼ؄ΚᖏञፖࡉؓΔNo.3ΰ1995α150x138cm

! ቹԼնΚڜᏒڴΰ1995α198x201cm ᓤ ٽ໾ޗ ቹԼքΚՆ᎛ऱᜢଃΰ1995-96α230x155x20cm ᓤٽ໾ޗ ! ቹ Լ Ԯ Κ ྤ ᓳ ࢤ ᧢ ৉ ΰ 1996 α 220x244x28cm ᓤٽ໾ޗ ቹԼԶΚᐚഏΘٱွΰ1998αΰ140x70cmα x6

ቹ Լ ԰ Κ 0208P15 ΰ alina αΰ 2002 α

ЇҔਜҞ

ϛМ ׾܂ぐΔπݮՂભᖂ૞ᆠρΖ؀קΚ஼ଉ֮֏ࠃᄐΔ1993 ڣΖ ൈԭཎഗထΔܦጆ㰵᤟Δπᢌ๬ऱ壄壀ࢤρΖ؀קΚᢌ๬୮נठषΔ1985 ڣΖ ຫࢉഠΔπ൝ሏհቼρΖ؀խΚઝցᢌ๬խ֨Δ2000 ڣΖ ᘕᡯᅗΔπ؀᨜ભ๬׾ઔߒᓵႃρΖ؀խΚ܄ࠅנठΔ1991 ڣΖ ़М

Drew, David. Henryk Górecki (1933): Symphony No. 3, Elektra Nonesuch, 1992. Maur, Karin v. The Sound of Painting. Munich: Prestel Verlag, 1999.

Thomas, Adrian. “Henryk Górecki,” The New Grove Dictionary of Music and Musicians, vol. 10, ed. Stanley Sadie, 159-62. New York: Macmillan Pub-lishers Limited, 2001.

Pater, Walter. “The Condition of Music,” in Words on Music: from Addison to

Between the Listening and Silence ---The Musicality

in Chen Hsing-Wan’s Art

Yushun-Elisa Pong

Abstract

As an important contemporary visual artist in Taiwan, Chen Hsing-Wan (1951-2004) got involved with other forms of arts enthusiastically during her lifetime. Among those arts, music plays an intimate and important role in her works. On the one hand, she left nearly 300 compact discs of music, so it is ap-propriate to deduce that what kind of music she might like; on the other hand, she gave the musical names to her significant works. This article starts from the discussion of musical heritage from Chen’s family, then goes on to analyze the content of the compact discs Chen Hsing-Wan left. From 1990’s, there are dif-ferent kinds of style and content in Chen’s works. In addition to pure musicality expressed in the earlier works, Chen’s later works aspire to ancient times, show her great concern of human conditions, and exhibit powerful imagery. However, when she went on to the end of her life, the style of her works became subtle and gentle. And this change accorded to what she listened to during those times. This article concludes by quoting a Taiwanese philosopher’s words which might account for the essence of Chen’s creativity inspired by the spirit of cross-fields. And through the music and the process of drawing near to the wholly natural world, Chen achieves the climax of her art.

Key wordsΚChen Hsing-WanΕpainting and musicΕinterpretation of cross-fields

Director of Providence University Art Center, Professor of Department Computer Science & Com-munication Engineering and General Education Center