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! Form!of!Beauty!
An!Analysis!of!How!the!Art!Form!of!Dunhuang!Frescoes!
Influenced!the!Practice!of!Oil!Painting! !
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1! Clive!Bell 1811 1964 !
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Dunhuang frescoes are indispensable cultural treasure in Chinese cultural history. It not only serves as a record in Buddhist developing progress in China but also maintains many frescoes for empathic learning. Dunhuang Mogao Grottoes has preserved over one thousand years frescoes from pre-Qin in the Sixteen States Period to Yuan Dynasty . Dunhuang frescoes based on the China’s western regions painting and the traditional Chinese techniques to provide a lot of new painting history.
Study starts from the author’s motivation and purpose to discuss the performance and color of Dunhuang frescoes. Then the author borrows not only composition beauty of Dunhuang frescoes but also general principle of color performance to feel artistic personality. A rough study goes into by contrast and citing to briefly expound how Dunhuang frescoes accord with Clive Bell’s theory on significant form through its composition of picture color and form as well as what influence and inspiration appear to the another. After the investigation and analysis of the Dunhuang Frescoes, the author states her conclusion and feedback with three series of paintings created by the author: “Three and Thousand”, “Dunhunang Landscape Series” and “Dunhuang Murals Series”.
Dunhuang frescoes is the main part of Dunhuang Mogao Grottoes Arts fusing multiple culture to create new formal beauty through culture shock which enriches painting language in art circles later.
The author will enumerate representative Dunhuang frescoes to Study how Dunhuang frescoes form of beauty influence oil painting creation. The author focus on schema color as well as sculpt and model feature borrowing rich painting experience and advanced color application from Dunhuang frescoes to view author’s creation and look ahead!
Key words: Dunhuang frescoes form of beauty buddhism belief
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In each lines and colours combined in a particular way certain forms and relations of forms stir our aesthetic emotions . These relations and
combinations of lines and colours these aesthetically moving forms I call "
Significant Form " ; and " Significant Form " is the one quality common to all works of visual art .
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