嫉妒與復仇--談普希金的「射擊」

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(2) ·.\ .>. f!tm*~. ~-!::;:M. ~~ 93 ~ 6. J3'.. . .',o',. On Jealousy and Revenge in Pushkin's (The Shot) Hui-Wan Chiang*. ABSTRACT During the now famous Bol~ino autumn of 1830 (which Pushkin was forced to spend at his country estate due to a cholera epidemic), Pushkin made his prose debut with the {Povesti pokoinogo Ivan Petrovicha Belkina (Tales of the Late Ivan Petrovich Belkin)} . In the experimental works, the poet successfully established some characters of the "little man". Among all the heroes of the tales, Silvio in {The Shot}, in which the structure ofthe duel plays a pivotal role, is the most controversial. The mysterious, skilled marksman could not put up with t.he existence of the Count, who was superior to him in everything, and decided to take revenge on the latter. After the "lucky guy" showed his timidity and panic, Silvio felt satisfied and left. It seemed an extreme parody to the gloomy, solitary antihero who was proud of his own diligent, excellent marksmanship but ended up dying in a defeated battle as a mercenary.. '<'. Key words: Pushkin, «Tales of the Late Ivan Petrovich Belkin», «The Shot», the duel.. • Lecturer of Department ofRussian, National Chengchi University.. 72.

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(11) ',~tIP:W1if.Jt-wrS';ffi-~B9. ;r.tB9~ja1€1il. B9i1'iitMI. 0. 0. m.i!§fiIUfE~1E~.::f~fUj~:lI::ff1glIDJt:m.'. ~9!1I,*B9f;f-¥te:mz1&. • fI!r1;;fg::fIJJt,ijk~tS. ")3i,~A'". (M.n. $:I:~~. • &l1UIZ§~5~r.!~B9~tlPffi). aJj1::-tm:!4~B9'fN~ 'i1!ffi)mJ~-~mWj7\1f.B91iffL1IT. 7f~iltf;ffi-~*TB9i!§.*fE~~~ 0. fUi~:1I¥Am;B9fL5R:fftT ' 7\1f.1&~ft!!.Ji~ffl~ "¥~B9ft5t," ttate.'IJJi' ~tBB9t$'I1f ' m ajj~1f.B97CZ,~T~Jttf:!.fiJlfB~~B9-lIDZ1&. f;fft!!.ffi)j§ , a:l!:i!tffB91if.Jt ~~B9mtRL. '. 0. ' ft!!.B9tffMJ{J\*~~~¥UMiiJE ' IZ§lltt;R:5E::fmJttf. EI3~iI'ii~B9~tlPJCdF~. :i!1&f:lDfOC~fJI~. , ~1E~~&' (!),tto. 0. , ~1::~r:p:i!~~B9Wtf.~J=l W!Jt:t£ ~~B9il1.iliti7f"§ffi)atu. 0. .:1J.EI. H~if. '. fit3t1ffi!~'. (iltf;ffi-~/J\~~). 0. a~t. : ~3tte/tliji± ' 1991. 0. Aq,aHacheB, 3. C. " (I1oBeCTH EeJIKHHa) A. C. I1YlllKHHHa: HpoHHlIecKruI npo3a", PycCKGR lIumepamypa, CaHI<T-I1eTep6ypr: IhJ].-BO AKaJ].eMHH HayK CCCP, 2000, N2 2, CC. 177-184. 3aCJI<lBcKHit, O. "I1apaJJ.oKc )KepTBhI B (BhlCTeJIe) ", llapaooKcbl PYCCKOU lIumepamypbl, peJ].. MapKoBHt{, B HlllMHJ]., B. CI1E.: MHAIlPECC, 2001. CC. 117-131. Bethea, M. D. & Davydov, S. P, Pushkin's Satumine Cupid: The Poetics of Parody in The Tales of Belkin, Publications of the Modern Language Association of America, New York, N. Y., 1981 Jan.; 96(1), pp. 8-21. Drukin, A. R. "Pushkin among the Edwardians: Revision and Renewal of Cultural Memory in James and Conrad",. in Genres as Repositories of Cultural Memory, ed. Gorp, H. &. Musarra-Schroeder, U., Amsterdam, Netherlands: Rodopi, 2000, pp. 67-76. Greg, R. "A Scapegoat for All Seasons: The Unity and Shape of The Tales of Belkin", Slavic Review, Seattle, Wash. : American Association for the Advancement of Slavic Studies, 1971, Vol. 30, pp. 748-761. Hoisington, S. S. "Pushkin's Belkin and the Mystifications of Sir Walter Scott", Comparative. 81.

(12) ffXlffi~~. m-t:;W3. R;~. 93 if 6 ~. Literature, Eugene, University of Oregon, 1981 Fall, 33(4), pp. 342-357. Klanderud, P. "Envy__ and Tragedy in Pushkin's "Vystrel" and "Mocart i Sal'eri": When volja Becomes dolja.", Slavic and East European Journal, Bloomington, Ind. Association. of Teachers. American. of Slavic and East European Languages, 1994 Fall; 38(3), pp.. 446-462. Love. 1. "Parody. as.. Polemos in Pushkin's'The Shot''', Canadian Slavonic Papers, Ottawa:. Canadian Association ofSlavists, 2002 Mar-June: 44(1-2), pp. 61-78. Moser, Charles A. "Introduction: Pushkin and the Russian Short Story", in The Russian Short. Story: A Critical History, ed. Moser, C. A., Boston: Twayne Publishers, 1986, pp.xi-xxiv. Reyfinan, 1. Ritualized Violence Russian Style: The Duel in Russian Culture and Literature, Stanford, Calif. : Stanford University Press, 1999. Terras, V. "The Russian Short Story 1830-1850", in The Russian Short Story: A Critical History, ed. Moser, C. A., Boston: Twayne Publishers, 1986, pp.1-49.. 82.

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