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CHAPTER 1 INTRODUCTION

1.2 The Current Study

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gestures are generated from the semantics of lexical items. The third one maintains that the

information in gesture originates from the representations based on the on-line interaction of

spatial thinking and speaking. Kita and Öyzürek (2003) have conducted research on the

cross-linguistic expressions of motion events to look at the three hypotheses. They focused on

the informational coordination between iconic gestures and their corresponding lexical

affiliates. Likewise, the present study investigates the relationship between language and

gesture, but we will discuss the hypotheses from the perspective of metaphorical expressions.

1.2 The Current Study

The purpose of the thesis is to discuss: (i) people’s habitual expressions of metaphors to

conceptualize concepts in daily communication, and (ii) the collaboration of language and

gesture in expressing metaphors with regard to the hypothesis of speech-gesture production.

Concerning people’s habitual expressions of metaphors, five questions are addressed. What

are the metaphor types people usually convey in daily communication? What are the source

and target domains of the metaphors? What sources can be used to conceptualize multiple

targets? What targets can be realized by multiple sources? Do the metaphors concurrently

occurring in language and gesture and the metaphors occurring in gesture exclusively express

similar or different metaphor types, source/target domains, and source-to-target

correspondences? To discuss the cooperation between language and gesture, a question is

addressed. What is the temporal patterning of speech and gesture in presenting metaphors?

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The thesis is organized in the following order. Chapter 2 reviews previous studies

concerning the issues about conceptual metaphor and the theoretical hypotheses about speech

and gesture production. Chapter 3 introduces the data used in this study and the methodology

adopted to examine the metaphoric expressions. Chapter 4 reports the analysis of the

cross-modal manifestation of metaphors. Chapter 5 shows the general discussion and

compares the present study with the previous research. Chapter 6 is a conclusion of the thesis.

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9

CHAPTER 2

LITERATURE REVIEW

The thought that metaphor is not restricted to the realm of literature has been widely

accepted since Lakoff and Johnson’s study of conceptual metaphor in 1980. After that, a large

number of studies on metaphor in language as well as metaphor in gesture provide evidence

to support the conceptual and embodied view of metaphor. This chapter contains three main

sections. In Section 2.1, the notion of conceptual metaphor proposed by Lakoff and Johnson

and the past studies on the metaphoric expressions in language are discussed. In Section 2.2,

the previous studies on the gestural manifestations of conceptual metaphors are reviewed. In

Section 2.3, three theoretical hypotheses concerning the cognitive process underlying speech

and gesture production are introduced. Section 2.4 is the summary.

2.1 Conceptual Metaphor in Language

In Lakoff and Johnson’s framework, the word metaphor refers to the “metaphorical

concept” in thought and is presented in a form with small capital letters, for example, LOVE

IS A JOURNEY (Lakoff & Johnson 1980c: 6). The term metaphorical expression refers to the

surface manifestation of a metaphorical concept. Language is an essential modality for us to

understand the metaphors. Although we are not normally aware of our conceptual system, we

can explore the system by studying language, since communication shares the same system

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we use in thinking (Lakoff & Johnson 1980c). In addition, metaphor is central to our ordinary

language semantics due to the fact that everyday abstract concepts like time, state, and

change can be metaphorical (Lakoff 1993). The research on the metaphoric expressions in

language provides a way for us to look at what conceptual metaphor is like. An overview of

conceptual metaphor is presented in Section 2.1.1. Studies on metaphors in language which

allow us to see the nature of conceptual metaphor are reviewed in Section 2.1.2. The studies

on the embodiment of conceptual metaphor are discussed in Section 2.1.3.

2.1.1 Overview of Conceptual Metaphor

According to Lakoff and Johnson, “[t]he essence of metaphor is understanding and

experiencing one kind of thing in terms of another” (1980a: 455, 1980c: 5). Namely,

metaphor can be conceived as a conceptual mapping from one domain to another domain

(Lakoff 1993). The conceptual domain used to understand another domain is called source

domain. The conceptual domain that is comprehended is called target domain. The source

domain is typically concrete, physical, and delineated; on the contrary, the target domain is

typically abstract, non-physical, and less delineated (Lakoff & Johnson 1980c). For example,

JOURNEY is the more concrete source domain and LOVE is the more abstract target domain in

the metaphor LOVE IS A JOURNEY. There are also instances that concrete ideas can be

understood in terms of metaphors, such as LAND AREAS ARE CONTAINERS (Lakoff &

Johnson 1980c: 29) and INANIMATE OBJECTS ARE PEOPLE (Kövecses 2002: 58). A

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metaphor—a conceptual mapping—is a set of correspondences (Lakoff 1993). When we refer

to LOVE IS A JOURNEY, the mapping covers a set of correspondences: the lovers correspond

to the travelers, the lovers’ goal to the destination of the journey, and so on. Metaphorical

correspondences obey the Invariance Principle that “[m]etaphorical mappings preserve the

cognitive topology (that is, the image-schema structure) of the source domain, in a way

consistent with the inherent structure of the target domain” (Lakoff 1993: 215). The inference

pattern of a target follows the inference pattern of a source.

There are four false views of metaphor: metaphor is a rhetorical device—a matter of

language; metaphor is based on similarity; all concepts are literal not metaphorical; and

concepts are disembodied (Lakoff 1993; Lakoff & Johnson 2003). Lakoff and Johnson’s

Conceptual Metaphor Theory argues against these views. First, metaphor is in thoughts not in

language. Conceptual metaphors can be realized in both linguistic and non-linguistic ways

such as cartoons, rituals, sculptures, gestures, and so on. The cultural ritual that a baby is

carried upstairs to pray for success manifests the metaphor STATUS IS UP (Lakoff 1993:

241-242). The sculptures of oversized heroes manifest the metaphor SIGNIFICANT IS BIG

(Kövecses 2002: 58). The locus of metaphor is not in language but thought, which indicates

that metaphors can be conveyed by the modalities other than linguistic expressions. Second,

metaphor is typically based on source-to-target correlations in our experience not inherent

similarities. For instance, the metaphor MORE IS UP is grounded in the experience that adding

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more water into a container will lead to the water level rising. The event of adding more

water is not similar to the event of the water level raising. Moreover, a metaphor may be

based on “perceived structural similarity” (Kövecses 2002: 71). For example, the source of

the metaphor LIFE IS A PLAY is not inherently like its target, yet we still perceive some

similarities between the LIFE and the PLAY. The relationship between a role and his/her

performing ways in a play is similar to the relationship between a person and his/her action in

real life. It is the use of a metaphor that creates perceived similarities (Lakoff & Johnson

2003). Third, metaphor is indispensable in our conceptualization of the world. Even the

mundane concepts like TIME, QUANTITY, and STATE are understood via metaphors. Since

most our everyday concepts to define our world are metaphorical, how we think and what we

do would be associated with metaphors (Lakoff & Johnson 1980a, 1980c). Fourth, conceptual

metaphor can be shaped by our body experiences. For example, the metaphor ANGER IS

HEAT is grounded in the experience that a person feels hot when he/she is angry. In addition,

there are metaphors which depend on our social and cultural practice (Lakoff & Johnson

1980c, 2003). VIRTUE IS UP is a metaphor with social and culture basis because virtue is the

standard embedded in the culture and set by the society.

To sum up, metaphor is the conceptual correspondence between two domains in the way

that the logic of a source is used to understand the inference of a target. The Conceptual

Metaphor Theory maintains four significant views about metaphors: metaphor is in thoughts;

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metaphor is based on the correlations or the structural similarity between two domains;

metaphor helps to structure our ordinary conceptual system; and metaphor can be grounded

in the body or socio-cultural experiences.

2.1.2 The Nature of Metaphor

In this session, we will focus on the nature of conceptual metaphor through its

manifestation in linguistic modality. The partial characteristic of conceptual metaphor is

discussed first. The target domain of a metaphor is normally more abstract, and the source

domain of a metaphor is usually more concrete. Most of the time, a single abstract concept is

not completely or exactly defined by a single concrete concept. Lakoff and Johnson (1980b)

suggested that an abstract concept is normally understood in terms of more than one concrete

concept. A cluster of metaphors are used to understand an abstract concept, and each

metaphor partially defines the concept. For instance, the focuses are different in the following

two expressions: Life is empty for him (Lakoff & Johnson 1980c: 51) and He’s holding all the

aces (ibid.). In the former expression, life is comprehended as a container, and the emphasis

is on the content of life. In the latter one, life is understood in terms of a gambling game, and

we pay attention to how people live rather than what is in life. These examples denote that

“abstract concepts are not defined by necessary and sufficient conditions” (Lakoff & Johnson

1980b: 200). The partial nature of metaphor shows that a concept may be reasoned in terms

of different sources which profile different sematic aspects. Based on this notion, the present

study examines what the targets are that people tend to conceptualize through various

sources.

Next, we will focus on the direction of metaphorical correspondences. Kövecses’s

(2002) finding supports the notion that metaphorical correspondences usually go from the

more concrete and delineated domains to the abstract and less delineated domains. He

collected the linguistic expressions of metaphors in dictionaries (e.g., Cobuild Metaphor

Dictionary) to survey the common sources and targets in his qualitative study. The frequent

sources given by him are arranged in Table 1.

Table 1. Common source domains of metaphorical expressions in English (Kövecses 2002: 16-20)

Source Example

The human body the heart of the problem

Health and illness a healthy society

Animals He is a donkey.

Plants the fruit of her labor

Buildings and construction She constructed a theory.

Machines and tools conceptual tools

Games and sports He tried to checkmate her.

Money and economic transactions (business) Spend your time wisely.

Cooking and food What’s your recipe for success?

Heat and cold a warm welcome

Light and Darkness She brightened up.

Forces I was overwhelmed.

Movement and direction He went crazy.

These sources are concrete in general, and they are what we are familiar with.

Kövecses also mentioned that basic entities and the properties of the entities are common

source domains as well. The sources suggest that metaphor is grounded in our bodily

experience or socio-cultural practices. For instance, heat/cold and light/darkness associate

with our perceptual experience. Forces and movement relate to our motor experiences.

Games and commercial activities are the socio-cultural practice we perform in everyday life.

Table 2. Common target domains of metaphorical expressions in English (Kövecses 2002: 21-24)

Target Example

Emotion He was bursting with joy.

Desire She is hungry for knowledge.

Morality that was a lowly thing to do

Thought I see your point.

Society/ Nation What do we owe society?

Politics the president plays hardball

Economy the growth of the economy

Human relations the built a strong marriage

Communication That’s a dense paragraph.

Time Time flies.

Life and death Grandpa is gone.

Events and action She has reached her goals in life.

Religion the God’s sheep (sheep = follower)

The common targets given by Kövecses are arranged in Table 2. He roughly classified

the most frequent targets into psychological states and events (emotion, desire, morality, and

thought), social groups and process (society, nation, politics, economy, human relationship,

and communication), and personal experiences and events (time, life, death, and religion).

Compared to the frequent sources, these targets are more abstract and less delineated. We

may say the healthiness/illness of the society, yet we do not commonly talk about the society

of healthiness/illness. Kövecses then concluded that metaphors are normally unidirectional;

that is, the corresponding direction between the sources and targets is asymmetry.

Furthermore, some metaphors are universal. Expressions in Chinese are compared with

expressions in English in several qualitative studies on metaphors in Chinese (including

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Mandarin and Southern Min). In Yu’s (1998) study, metaphors in Mandarin were collected

from dictionaries to compare with the expressions of emotion metaphors, time as space

metaphors, and event structure metaphors in English. Lin (2003) obtained data from

dictionaries and compared the body-part metaphor in Southern Min with the ones in

Mandarin and English. Lai (2011) used data in pop songs to explore the sources for the

metaphor about LOVE in Southern Min. Metaphoric expressions of love in Southern Min,

Mandarin, and English are compared in her study. She also found that multiple source

domains (e.g., FOOD, PLANT, and GAMBLING) map to the target-domain concept of LOVE.

The above studies investigated metaphors from cross-language perspective, and it was found

some metaphors are universal and some are culture specific. In Wang’s (2010) quantitative

study, he gathered data from pop songs to examine love metaphors in Mandarin. He also

found love can be realized by different types of metaphor. Results show that the event

structure metaphor and the ontological metaphor are the most frequent types of metaphors to

express LOVE.

Kövecses’s (2002) study in English supported that source domains are more concrete,

that target domains are more abstract, and that the corresponding direction is asymmetrical.

The cross-linguistic research (Yu 1998; Lin 2003; Lai 2011) revealed there are some

universal metaphors shared by different cultures. Wang’s (2010) and Lai’s (2011)

investigations on love metaphors provided evidence for the notion that an abstract concept

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can be defined by different metaphors which highlight different semantic elements of the

concept. The findings also showed that a single target-domain concept can map to multiple

sources. Except for Wang’s study of LOVE metaphor, all the studies mentioned above only

employ qualitative analysis. The present study attempts to analyze the data in both

quantitative and qualitative ways to gain dependable information about the habitual

expressions of metaphors and the correspondences between the two domains.

2.1.3 The Embodiment of Metaphor

Embodied cognition holds the view that cognition is rooted in the body’s interaction

with the world (Wilson 2002; Gibbs 2005). Such view rejects that “cognition is computation

on amodal symbols in a modular system” but proposes that cognition is grounded in

simulations, situated action, and, bodily states (Barsalou 2008: 617). With regard to language

comprehension, empirical evidence demonstrates that language is grounded in bodily action.

In Glanberg and Kaschak’s (2002) study, participants decided whether a sentence is sensible

after reading a sentence of which the implied direction was manipulated (e.g., open the

drawer implies action toward body). Results revealed that bodily action can facilitate or

interfere with our understanding of a sentence. Hauk et al. (2004) used event related fMRI to

record brain activity in a passive reading task. It was found words referring to actions of

different body-parts would activate different brain areas which may be activated by actual

movement of the tongue, fingers, or feet. The findings implied that the meaning of action

words correlate with the physical body action. According to the Conceptual Metaphor Theory,

“which metaphors we have and what they mean depend on the nature of our bodies, our

interactions in the physical environment, and our social and cultural practices” (Lakoff &

Johnson 2003: 247). Metaphoric expression in language also provides evidence for the

embodied cognition.

Johnson (1987) and Lakoff (1987) introduced the notion of “image schema” to

metaphorical projection. An image schema is “a recurring dynamic pattern of our perceptual

interactions and motor programs that gives coherence and structure to our experience”

(Johnson 1987: xiv) and following is a more specific definition of image schemata:

[T]hey are not Objectivist propositions that specify abstract relations between symbols and objective reality...they do not have the specificity of rich images or mental pictures... A schema consists of a small number of parts and relations, by virtue of which it can structure indefinitely many perceptions, images, and events. In sum, image schemata operate at a level of mental organization that falls between abstract propositional structures, on the one side, and particular concrete images, on the other” (Johnson 1987: 28-29)

Image schemas are studied as the embodied bases for metaphoric extensions in past research

(Johnson 1987; Lakoff 1987, 1993; Lakoff & Johnson 1999; Kövecses 2002; Gibbs 2005,

2006; Johnson 2007). Three important aspects of image schema relate to the grounding of

meaning (Johnson 2005: 21-22, 2007: 139). First, image schema is part of the thing that

makes bodily experience to have meaning for us. Second, image-schematic structure has a

logic which makes it possible for us to make sense of our everyday experiences. Third, image

schema is not merely mental or merely bodily, but a contour of body-mind. Johnson (1987)

proposed a selective list of image schemas which he thought to be the more important image

schemas (see Table 3). It should be noted that “the image schema list has never constituted a

closed set” (Hampe 2005: 2). If one defines schema more loosely than Johnson does, it is

possible to extend the list.2 Nevertheless, the core of the standard inventory of image

schemas is on the basis of Johnson’s list of schemata and many of the image schemas offered

by Johnson are frequently discussed in other studies.

Table 3. Image schemas proposed by Johnson (1987: 126)

Image Schema

CONTAINER BALANCE COMPLUSION

BLOCKAGE COUNTERFORCE RESTRAINT REMOVAL

ENABLEMENT ATTRACTION MASS-COUNT

PATH LINK CENTER-PERIPHERY

CYCLE NEAR-FAR SCALE

PART-WHOLE MERGING SPLITTING

FULL-EMPTY MATCHING SUPERIMPOSITION

ITERATION CONTACT PROCESS

SURFACE OBJECT COLLECTION

The metaphor MORE IS UP is an instance based on the SCALE schema which is

grounded in the experience that when we add more water into a container, the water level

rises. Such an image-schematic based metaphor is treated as a member of the “primary

metaphor” category, which shows a straightforward correlation to our ordinary embodied

experience (Lakoff & Johnson 1999; Gibbs 2005, 2006). Unlike primary metaphor,

2 Some image schemas were not included in Johnson’s list: FRONT-BACK (Lakoff 1987), UP-DOWN (Lakoff 1987), SELF MOTION (Mandler 1992), LEFT-RIGHT (Krzeszowski 1993; Clausner & Croft 1999), FORCE (Cienki 1997;

Clausner & Croft 1999), IN-OUT (Clausner & Croft 1999), and SPACE (Clausner & Croft 1999).

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“compound” or “complex” metaphor does not suggest a direct experiential basis (Lakoff and

Johnson 1999; Gibbs 2005, 2006). The complex metaphor A PURPOSEFUL LIFE IS A

JOURNEY does not directly relate to the image schema but it is still embodied. This metaphor

is built up by the primary metaphors (PURPOSE ARE DESTINATIONS and ACTIONS ARE

MOTIONS) and the cultural knowledge that people are believed to have purposes in life and to

act to achieve the purposes (Lakoff and Johnson 1999: 60-61).

Empirical evidence also reveals that people’s understanding of metaphorical language

is based on non-linguistic experience. In the experiment made by Gibbs et al. (1997), people

made lexical decisions to letter-strings related to metaphor (e.g. heat) faster after they read

the idioms (e.g., blew his stack) with metaphorical implications. The result showed that

people could compute embodied representations as soon as they understand the idioms with

metaphorical meaning. Research made by Gibbs et al. (2004) investigated people’s

interpretation of metaphors realized in language (based on DESIRE IS HUNGER) about human

desires. Their research tests participants’ acceptability of different linguistic expressions of

desire. Results implied that embodied knowledge could be the primary source of

metaphorical meaning and understanding. In Wilson and Gibbs’s (2007) experiment, people’s

reaction time for comprehending the metaphors was faster in the matching prime condition

when they practiced or imagined the priming actions which relate to the metaphors. The

results demonstrated that real and imagined body movements associated with metaphorical

phrases can facilitate people’s immediate comprehension of the metaphors.

2.2 Conceptual Metaphor in Gesture

So far, we have discussed the studies on linguistic expressions of metaphors. However,

some scholars suspect that the language-based analysis can directly reflect the pattern of our

some scholars suspect that the language-based analysis can directly reflect the pattern of our