張彥遠「境與性會」的繪畫美學觀

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n\Gtli~ftl ~I!YM Journal of Art Studies No.4, 2010

Chang, Yan-Yuan"the encounter of

the scene/scenery and the nature boundary and the natural meeting" of painting esthetic view

Tsao, Jui-Chen

Graduate Student, Institute of Chinese Literature, National Cheng Kung University

Abstract

Landscape Painting development is a very important link for China Drawing progress process. Before Chang, Yan-Yuan, China Landscape Painting theory is quite already mature. But Chang-Yan-Yuan from the world view of China ancient philosophy "Harmony between man and nature" embarked, summed up the estheteic host object's relations as

"the encounter of the scene/scenery and the nature boundary and the natural meeting".

This article plans from the Wei Jin Southern and Northern Dynasties time, the earliest landscape painting discusses "making the mind clear to understand the substantiation as Zong-Bing proposed with the Wang-Wei "the coming of the state of clearness", until Tang Dynasty Chang, Y an-Yuan mentioned "the encounter of the scene/scenery and the nature boundary and the natural meeting" the thought vein. By analyzes esthetic contemplation object, how by "substantiation "

transformation development to "scene/scenery " the process, urges the landscape painting to advance to the mature road, really has the crucial status and the influence to the landscape painting development.

Key Word: Landscape Painting, The encounter of the scene/scenery and the nature boundary and the natural meeting

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