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國立臺中教育大學 102 學年度研究所碩士班招生考試
藝術史與藝術理論試題
適用學系：美術學系碩士班（理論組）（創作組）（設計組）
一、請說明拼貼藝術（collage art）、集合物藝術（assemblage art）和裝置藝術 （installation art）的差異。（25%） 二、臺灣前輩畫家在日治時期所舉辦之「臺灣美術展覽會」及「臺灣總督府美術 展覽會」有優異表現。請例舉擅長東洋畫及西洋畫之畫家，介紹其藝術風格 與成就，並就其作品說明當時臺灣美術展覽會與美術發展之關連與特色。 （25%） 三、請以形式美學原理說明抽象表現主義（abstract expressionism）的繪畫風格。 （25%） 四、請閱讀下列文章，以中文說明寫作者所提出的核心主張，並對此主張發表個 人看法。（25%）
Contemporary public art is still in the process of defining its artistic and legal identity. Indeed to juxtapose the terms public and art is a paradox. Art is often said to be the individual inquiry of the sculptor or painter, the epitome of
self-expression and vision that may challenge conventional wisdom and values. The term public encompasses a reference to the community, the social order, self-negation: hence the paradox of linking the private and the public in a single concept. A goal of any general or jurisprudential theory concerning government sponsorship or ownership of art in the public contest must reconcile, through state institutions and law, this tension between art’s subjectivity with its potential for controversy and government’s need to promote the public good.
―Barbara Hoffman, "Law for art's sake in the public realm," in Mitchell, ed., Art
