Adrichem, Jan van. “The introduction of modern art in Hollan, Picasso as pars pro toto, 1910-30.” Simiolus: Netherlands Quarterly for the History of Art 21: 3, 1992, pp. 162-211.
Adrichem, Jan van. “Review article on studies by Carel Blotkamp, Yve-Alain Bois and W&J (Welsh and Joosten, 1998).” Simiolus: Netherlands Quarterly for the History of Art 27: 4, 1999, pp. 249-255.
Albert-Birot, Pierre, ed. Sic, 1916-1919; Paris: Jean-Michel Place, 1981, repr.
Anonymous correspondent, “A Visit to Piet Mondrian.” Het Vaderland 9 July 1920. Translated by Ruth Koenig. In Mondrian: From Figuration to Abstraction, edited by Herbert Henkels, pp. 24-26. Tokyo: The Tokyo Shimbun, 1987.
Anonymous correspondent, “At Piet Mondrian’s.” Nieuwe Rotterdamsche Courant 23 March 1922. Translated by R. Koenig. In Mondrian: From Figuration to Abstraction, edited by Herbert Henkels, pp. 26-30.
Anonymous correspondent, “At Piet Mondrian’s. The crystal-clear studio—an apology for the Charleston.” De Telegraaf, 12 September 1926. Translated by Ruth Koenig. In Mondrian:
From Figuration to Abstraction, edited by Herbert Henkels, pp. 30-32.
Apollinaire, Guillaume. “Zône.” Les Soirées de Paris 11, December 1912. Reprint, Geneva:
Slatkin, 1976. pp. 331-337.
Apollinaire, Guillaume. L’antitradition futuriste. Milan: Direction du Mouvement futuriste, 1913.
Apollinaire, Guillaume. Méditations esthétiques: Les peintres cubistes (Paris, 1913). Translated by Peter Read as The Cubist Painters. Berkeley, CA: University of California Press, 2004.
Apollinaire, Guillaume. “Lettre-Océan.” Les Soirées de Paris 15, June 1914. Reprint, Geneva:
Slatkin, 1976, vol. 2. pp. 340-341.
Apollinaire, Guillaume. Oeuvres poétiques. Edited by Marcel Adéma and Michel Décaudin. Paris:
Gallimard, 1965.
Apollinaire, Guillaume. Oeuvres en prose complètes, 3 vols. Paris: Gallimard, 1991.
Arbouin, Gabriel. “Devant l’idéogramme d’Apollinaire.” Les Soirées de Paris 26-27, July-August 1914. Reprint, Geneva: Slatkin, 1976. pp. 383-385.
Baar, Peter-Paul de. “A City on the Move: Amsterdam 1892-1912.” In Robert Welsh, Boudewijn Bakker, Marty Bax, Piet Mondrian: the Amsterdam Years, pp. 8-21. Amsterdam:
Gemeentearchief Amsterdam, 1994.
Bastié, Jean, and René Pillogret. Paris: De 1914 à 1940. Paris: Association pour la publication d’une histoire de Paris, 1997.
Becherer, Richard. “Monumentality and rue Mallet-Stevens.” The Journal of the Society of Architectural Historians 40:1, March 1981, pp. 44-55.
Becker, Jacques, and Serge Berstein. Victoire et frustrations: 1914-1929. Paris: Editions du Seuil, 1990.
Benjamin, Walter. “Passages, ‘magasins de nouveauté (s),’ ‘calicots’,” 1935. In Paris. Capitale du XIX siècle: le livre des passages, pp. 65-87. Paris: Editions du Cerf, 2000.
Benton, Tim. The Villas of Le Corbusier and Pierre Jeanneret, 1920-1930. Basel: Birkhäuser, 2007.
Berg, Hubert F. van den. The Import of Nothing: How Dada Came, Saw and Vanished in the Low Countries (1915-1929). New Haven, Conn.: Thomson Gale, 2002.
Blotkamp, Carel. Mondrian: The Art of Destruction. New York: Abrams, 1994.
Blumenkrantz-Onimus, Noëmi. “ «Montjoie!» ou l’héroïque croisade pour une nouvelle culture.”
In L’année 1913, t. 2, edited by Liliane Brion-Guerry, pp. 1105-1106.
Blumenkrantz-Onimus, Noëmi. “«Lacerba» ou le nouvel ordre du déordre.” In L’année 1913, t. 2, edited by Liliane Brion-Guerry, pp. 1123-1130.
Bois, Yve-Alain, ed. L’Atelier de Mondrian: recherches et dessins. Paris: Macula, 1980.
Bois, Yve-Alain. “Mondrian en France, sa collaboration à «Vouloir», sa correspondance avec Del Marle.” Bulletin de la Société d’Histoire de l’art français, March 1981, pp. 284-298.
Bois, Yve-Alain. “Mondrian and the Theory of Architecture.” Assemblage 4, October 1987, pp.
103-130.
Bois, Yve-Alain. Painting as Model: Cambridge. Mass.: The MIT Press, 1990.
Bois, Yve-Alain. et al. Piet Mondrian, 1872-1944. New York: The Museum of Modern Art, 1994.
Bohn, Willard. Modern Visual Poetry. Neward: University of Delaware Press, 2001.
Bowness, Sophie. “Mondrian in London: Letters to Ben Nicholson and Barbara Hepworth.”
Burlington Magazine 1052, November 1990, pp. 782-787.
Braga, Dominique. “Les lettres: Le futurisme.” Le Crapouillott. Arts, lettres, spectacles 15, Arpil 1920, pp. 2-3. Italian version: Il futurismo: giudicato da une grande rivista francese. Milan:
Direction du mouvement futuriste [1920].
Brion-Guerry, Liliane, ed. L’année 1913. Les formes esthétiques de l’oeuvre d’art à la veille de la prmemière guerre mondiale. Paris: Klinksieck, 1971.
Chemetov, Paul, Marie-Jeanne Dumont, Bernard Marrey. Paris-Banlieue, 1919-1939.
Architecture domestiques. Paris: Dunod, 1989.
Cocteau, Jean. Le Coq et l’Arlequin: Notes autour de la musique. 1918. Reprint, Paris: Stock, 1979.
Coen, Ester. “Simultanéité, simultanéisme, simultanisme.” In Le futurisme à Paris: une avant- garde explosive, edited by Didier Ottinger, pp. 52-57. Paris: Musée national d’art moderne,
2009.
Combeau, Yvan. Histoire de Paris, 6th ed. Paris: Presses universitaires de France, 1999.
Cowling, Elizabeth. Picasso: Style and Meaning. London: Phaidon, 2002.
Culler, Jonathan. “Intertextuality and Interpretation: Baudelaire’s ‘Correspondances’.” In Nineteenth-Century French Poetry, edited by Christopher Prendergast, pp. 118-137.
Cambridge: Cambridge University Press, 1990.
Daix, Pierre, and Joan Rosselet. Le cubisme de Picasso: Catalogue raisonné de l’oeuvre peint 1907-1916. Neuchâtel: Ides et Calendes, 1979.
Debon, Claude. Calligrammes dans tous ses états. Paris: Calliopées, 2008.
Décaudin, Michel. “Apollinaire critique d’art.” In Apollinaire critique d’art, edited by Béatrice Riottot El-Habib, Vincent Gille, pp. 196-201. Paris: Paris-Musées, 1993.
De Paulis-Dalembert, Maria Pia. Giovanni Papini: culture et identité. Le Mirail: Presses universitaires du Mirail, 2007.
„De Stijl“ 1921, “Manifeste III: Vers une nouvelle formation du monde,” De Stijl IV:8, August 1921. Reprint, 1968, vol. 2.
Doesburg, Nelly van. “Some Memories of Mondrian.” In Robert Welsh, Piet Mondrian, 1872-1944: Centennial Exhibition, pp. 67-73. New York: The Solomon R. Guggenheim Museum, 1971.
Doesburg, Theo van, ed. De Stijl. 1917-1931. Reprint, Amsterdam: Athenaeum, 1968, 2 vols.
Doesburg, Theo van, Modnrian Antony Kok. “Manifest II van „De Stijl” 1920. De literatuur / Kundgebung II des „Stijl” 1920. Die Wortkunst / Manifeste II de „De Stijl” 1920. La littérature.” De Stijl III: 9, 1920. Reprint, 1968, vol. 1, pp. 543-548.
Doesburg, Theo van, and Cornelis van Eesteren. “Vers une construction collective,” De Stijl, VI:
6/7, 1924, pp. 89-91. Reprint, 1968, pp. 397-398.
Eliel, Carol S. “Purism in Paris, 1918-1925.” In L’Esprit Nouveau. Purism in Paris, 1918-1925, edited by Carol S. Eliel, pp. 11-69. Los Angeles: Los Angeles County Museum of Art, 2001.
Flint, F.-S. “Imagistes.” Les Soirées de Paris 26-27, July-August 1914, pp. 372-374, 379-383.
Ford, George Burdett. Urbanisme en pratique. Paris: E. Leroux, 1920.
Francastel, Pierre, “Les étapes de l’architecture nouvelle après 1900.” Art et technique aux XIXe et XXe siècles. 1956; Paris: Gallimard, 1988. Tranlated by by Randall Cherry as Art and Technology in the Nineteenth and Twentieth Centuries, pp. 193-242. Cambridge, Mass.: The MIT Press, 2000.
Giedion, Siegfried. Bauen in Frankreich Eisen Eisenbeton (1928), French translation by Guy Ballangé as Construire en France, en fer, en béton. Paris: Editions de la Villette, 2000.
Golding, John. Cubism: a History and an Analysis 1907-1914. 1959; Cambridge, Mass.: The Belknap Press of Harvard University Press, 1988.
Greenberg, Clement. Art and Culture: Critical Essays. Boston: Beacon Press, 1961.
Greenberg, Clement. The Collected Essays and Criticism, 4 vols. Edited by John O’Brian.
Chicago: University of Chicago Press, 1985-1993.
Henkels, Herbert, ed. Mondrian: From Figuration to Abstraction. Tokyo: The Tokyo Shimbun, 1987.
Jaffé, Hans L. C., et al. De Stijl: 1917-1931. Visions of Utopia. New York: Abeville Press, 1982.
Janssen, Hans, et al. Mondrian de 1892 à 1914: Les Chemins de l’abstraction. Paris: Réunion des musées nationaux, 2002.
Jeanneret, Charles-Edouard (Le Corbusier), and Amédée Ozenfant. Après le cubisme. Paris:
Editions des Commentaires, 1917.
Jencks, Charles. Le Corbusier and the Continual Revolution in Architecture. New York: The Monacelli Press, 2000.
Joosten, Joop. “Le contexte d’une évolution.” In Théo van Doesburg, edited by Serge Lemoine, pp. 54-79. Paris: Philippe Sers, 1990,.
Joosten, Joop. see Welsh and Joosten, 1998.
Juin, Hubert. “Préface.” Cercle et carré. 1930. Reprint, Paris: Jean Michel Place, 1977.
Jules-Rosette, Bennetta. Josephine Baker in Art and Life: The Icon and the Image. Urbana, Ill.:
University of Illinois Press, 2007.
Kery, Patricia Frantz. Art Deco Graphics. Edited by Marshall Lee. London: Thames and Hudson, 1986.
Krauss, Rosalind. “Grids.” In The Originality of the Avant-Garde and Other Modernist Myths, pp.
9-22. Cambridge, Mass.: The MIT Press, 1985,
Lanchner, Carolyn, ed. Fernand Léger. New York: The Museum of Modern Art, 1998.
Laude, Jean. “Retour ou rappel à l’ordre?” In J. Laude et al., Le retour à l’ordre dans les arts plastiques et l’architecture, 1919-1925, pp. 7-44. [Saint-Étienne]: Centre interdisciplinaire d'études et de recherche sur l’expression contemporaine, 1975.
Le Bot, Marc. “Mondrian et le cubisme.” In Le Cubisme: actes du premier colloque d’histoire de l’art contemporain 1971, pp. 147-152. Saint-Etienne: CIEREC, 1972.
Le Corbusier, “Architecture et urbanisme en tout.” Cercle et carré 3, 30 June 1930. Reprint, 1977, n.p. See also Edouard Jenneret.
Le Men, Ségolène. Seurat & Chéret: le peintre, le cirque et l’affiche. Paris: CNRS, 1994.
Léger, Fernand. Fonctions de la peinture. Edited by Sylvie Forestier. Paris: Gallimard, 2004.
Lemoine, J.-G. “Les Arts.” L’Intransigeant, 17 June 1919, p. 2.
Lemoine, Serge, ed. Théo van Doesburg. Paris: Philippe Sers, 1990.
Lemoine, Serge, ed. Piet Mondrian / Alfred Roth Correspondance. Paris: Gallimard, 1994.
Lista, Giovanni, ed. Futurisme: Manifestes, documents, proclamations. Lausanne: L’Âge
d’homme, 1973.
Lista, Giovanni. “Les sources italiennes du futurisme.” In Le futurisme à Paris: une avant-garde explosive, edited by Didier Ottinger, pp. 42-51. Paris: Musée national d’art moderne, 2009.
Lista, Giovanni. “La libération du mot.” In Filippo Marinetti, Les mots en liberté futuristes (1919), p. xxii.
Livingston, Alan. The Thames & Hudson Dictionary of Graphic Design and Designers. London:
Thames and Hudson, 2003.
Macy, L., ed. Grove Music Online, <http://www.grovemusic.com>.
Mallarmé, Stéphane. Œuvres complètes. Edited by Henri Mondor, G. Jean-Aubry. Paris:
Gallimard, 1945.
Marchand, Bernard. Paris: Histoire d’une ville. Paris: Seuil, 1993.
Marinetti, Filippo Tomaso. Les mots en liberté futuristes (1919). Edited by Giovanni Lista.
Lausanne: L’Age d’Homme, 1987.
Middleton, Robin, and David Watkin. Architecture du XIXe siècle. Paris: Gallimard, 1993.
Mondrian, Piet. “Dialoog over de nieuwe beelding.” De Stijl II:4-5, February, March 1919.
Reprint, 1968, vol. 1, pp. 289-291, 309-313.
Mondrian, Piet. “Natuurlijke en Abstracte Realiteit.” De Stijl August, 1919-July 1920; French translation by Seuphor, “Réalité naturelle et réalité abstraite,” in Seuphor, Seuphor, Michel.
Piet Mondrian: Sa vie, son oeuvre, pp. 303-351. Paris: Flammarion, 1956. “Natural Reality and Abstract Reality: A Trialogue (While Strolling from the Country to the City).” NANL, pp. 83-123.
Mondrian, Piet. Le Néo-Plasticisme: principe général de l’équivalence plastique. Paris: Galerie de l’Effort Moderne, 1921.
Mondrian, Piet. “De Realiseering van het Neo-Plasticisme in verre toekomst en in de huidige architectuur,” De Stijl V:3, 1922, pp. 41-47; V:5, 1922, pp. 65-71. Reprint, 1968, vol. 1, pp.
191-194, 211-214; English translation, “The Realization of Neo-Plasticism in the Distant Future and in Architecture Today,” NANL, pp. 166-172.
Mondrian, Piet. “Le néo-plasticisme.” 1926, unpublished manuscript for Vouloir, in Seuphor, Piet Mondrian: Sa vie, son oeuvre, pp. 164-166.
Mondrian, Piet. “L’expression plastique nouvelle dans la peinture.” Cahiers d’art 1926:7, July 1926, pp. 181-183.
Mondrian, Piet. “Le Home, la Rue, la Cité,” Vouloir 25, January-February 1927. Reprint, L’Atelier de Mondrian: recherches et dessins, edited by Yve-Alain Bois, pp. 65-70. Paris:
Macula, 1980.
Mondrian, Piet. “L’art réaliste et l’art superréaliste (la morphoplastique et la néoplastique).”
Cercle et carré 2, 15 April 1930. Reprint, Cercle et carré. Paris: Jean-Michel Place, 1977.
n.p.
Mondrian, Piet. “Réponse de Piet Mondrian (à l’enquête sur l’art abstrait).” Cahiers d’art 1931:1, January 1931, pp. 41-43.
Mondrian, Piet. The New Art — The New Life: The Collected Writings of Piet Mondrian. Edited by Harry Holtzman and Martin S. James. New York: Da Capo Press, 1986; abbreviated as NANL.
Ottinger, Didier, ed. Le futurisme à Paris: une avant-garde explosive. Paris: Musée national d’art moderne, 2009.
Papini, Giovanni. “Trois nouvelles: Le Démon m’a dit; Celui qui ne put pas aimer (Il demono mi disse; Colui che non poté amare–in Il tragico quotidiano, 1906); Deux images dans un bassin (Due immagini in una vasca–in Il pilota cieco, 1907).” Translated by F. Luchaire-Dauriac, Mercure de France, 1 November 1907, pp. 93-109.
Papini, Giovanni. “Lettres italiens: Le futurisme—Ses origines.—Poesia.—Les poètes futuristes.—Lacerba.—Les mots en liberté et le lyrisme synthétique.” Mercure de France, 1 February 1914, pp.644-649.
Papini, Giovanni. “Deux pholosophes (Bergson et Croce).” Les Soirées de Paris 22, 15 March 1914, pp. 133-135.
Perez, Gilberto. “Atget’s ‘Stillness’.” The Hudson Review 36: 2, Summer 1983, pp. 328-337.
Petrucci, Raphaël. Philosophie de la nature dans l’art d’Extrême-Orient. Paris: H. Laurens, 1911.
Poggi, Christine. In Defiance of Painting: Cubism, Futurism, and the Invention of Collage. New Haven: Yale University Press, 1992.
Phillips, Sandra S. “André Kertész: The Years in Paris.” In S. S. Phillips et al., André Kertész. Of Paris and New York, pp. 17-55. Chicago: The Art Institute of Chicago, 1985.
Postma, Frans, and Cees Boekraad. 26, rue du Départ: Mondrian’s Studio in Paris, 1921-1936.
Berlin: Ernst & Sohn, 1995.
Read, Peter. Picasso and Apollinaire: the Persistence of Memory. Paris, 1995; Berkeley:
University of California Press, 2008.
Richardson, John. A Life of Picasso: The Cubist Rebel 1907-1916. 1991; New York: Knopf, 2007.
Rowell, Margit. “Interview with Charmion van Wiegand, June 20, 1971.” In Robert Welsh, Piet Mondrian, 1872-1944: Centennial Exhibition, pp. 77-86. New York: The Solomon R.
Guggenheim Museum, 1971.
Schama, Simon. The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age. 1987; New York: Vintage Books, 1997.
Scheltema, P. H. “Les réactionnaires d’Arras.” De Stijl II:7, May 1919, pp. 73-75. Reprint, vol. 1, pp. 347-351.
Seuphor, Michel. Piet Mondrian: Sa vie, son oeuvre. Paris: Flammarion, 1956.
Seuphor, Michel, ed. Cercle et carré. Paris, 1930. Reprint, Paris: Jean-Michel Place, 1977.
Seuphor, Michel. “Textuel.” Cercle et carré 2, 15 April 1930. Reprint, 1977, n.p.
Seuphor, Michel. “Poétique nouvelle.” Cercle et carré 3, 30 June 1930. Reprint, 1977, n.p.
Severini, Gino. “La peinture d’avant-garde.” Ecrits sur l’art. Paris: Editions Cercle d’Art, 1987.
Silver, Kenneth. Esprit de corps: the Art of the Parisian Avant-garde and the First World War, 1914-1925. Princeton: Princeton University Press, 1989.
Soper, Alexander C. “The First Two Laws of Hsieh Ho.” The Far Eastern Quarterly 8:4, August 1949, pp. 412-423.
Sutcliffe, Anthony. Paris: An Architectural History. New Haven: Yale University Press, 1996.
Steinberg, Leo. “The Algerian Women and Picasso At Large.” Other Criteria with Twentieth- Century Art, pp. 125-234. Oxford: Oxford University Press, 1972.
Steinberg, Leo. “Resisting Cézanne: Picasso’s Three Women.” Art in America 66:6, Nevember- December 1978.
Steinberg, Leo. “The Polemical Part.” Art in America 67:2, March-April 1979, pp. 115-127.
Taylor, Brandon. Collage: the Making of Modern Art. London: Thames and Hudson, 2004.
Tériade, E. “Documentaire sur la jeune peinture, III. Conséquences du cubisme.” Cahier d’art January 1930, pp. 17-27.
Troy, Nancy J. The De Stijl Environment. Cambridge, Mass.: The MIT Press, 1983.
Troy, Nancy J. Modernism and the Decorative Arts in France: Art Nouveau to Le Corbusier.
New Haven: Yale University Press, 1991.
Varagnac, André. “Dada.” Le Crapouillott. Arts, lettres, spectacles, 1 April 1920, pp. 8-9.
Varnedoe, Kirk, and Adam Gopnik. High and Low. Modern Art and Popular Culture. New York:
The Museum of Modern Art, 1991.
Weill, Alain. “L’affiche vers les temps modernes.” In Paris-Moscou, 1900-1930: arts plastiques, arts appliqués et objets utilitaires, architecture, urbanisme, agitprop, affiche, théâtre-ballet, littérature, musique, cinéma, photo créative, edited by Alexandre Khaltourine and Pontus Hulten, 1979; Paris: Centre Georges Pompidou: Gallimard, 1991, rev. ed. pp. 441-449.
Welsh, Robert. Piet Mondrian, 1872-1944: Centennial Exhibition. New York: The Solomon R.
Guggenheim Museum, 1971.
Welsh, Robert. “The Birth of de Stijl, Part I: Piet Mondrian, The Subject Matter of Abstraction.”
Artforum 11, April 1973, pp. 49-54.
Welsh, Robert. “Sacred Geometry: French Symbolism and Early Abstraction.” In The Spiritual in Art: Abstract Painting 1890-1985, edited by Maurice Tuchman et al., pp. 63-87. Los Angeles: Los Angeles County Museum of Art, 1986.
Welsh, Robert, and Joop M. Joosten. Piet Mondrian: Catalogue Raisonné, 2 vols. New York:
Harry N. Abrams, 1998. Abbreviated as W & J.
Welsh, Robert. “De Stijl, A Reintroduction.” In De Stijl: 1917-1931. Visions of Utopia, edited by Hans L. C. Jaffé, pp. 29-31. Minneapolis: Walker Art Center, 1982.
White, Michael. De Stijl and Dutch Modernism. Manchester: Manchester University Press, 2003.
Will-Levaillant, Françoise. “Norme et forme à travers L’Esprit Nouveau.” In J. Laude et al, Le retour à l’ordre dans les arts plastiques et l’architecture, 1919-1925, pp. 241-276.
[Saint-Étienne]: Centre interdisciplinaire d'études et de recherche sur l’expression contemporaine, 1975.
Willinger, David, ed. Theatrical Gestures of Belgian Modernism: Dada, Surrealism, Futurism, and Pure Plastic in Twentieth-Century Belgian Theater. New York: Peter Lang, 2002.
Zervos, Christian. “Feuilles volantes. P. Mondrian.” Cahiers d’art 1928:2, February 1928, p. 94.
Zervos, Christian. editorial introduction to Mondrian, “Réponse de Piet Mondrian.” Cahiers d’art 1931:1, January 1931, p. 41.
Zervos, Christian. “Les expositions à Paris et ailleurs, IIe exposition du groupe 1940.” Cahiers d’art 1932:1-2, January-February 1932, pp. 79-81.