創作具有階段性，不同階段下所需的自我效能、心情感受、沉浸體驗可能會 有所變動，因此未來可將研究時間軸放寬，探討從創作初期到末期，自我效能、
心情、沉浸感的改變，以及其對於創意表現、創作滿意度、再創作意圖之影響。
另外，由於本研究僅探討至個人的再創作意圖，未來可繼續追蹤創作者們再創作 之行為，特別是對於半自願性創作者的再創作行為。
二、跨文化研究
由於本研究僅蒐集台灣區創作者資料，未來可蒐集其他文化下的自願、半自 願創作者資料進行驗證及比較。尤其是自願創作者的部份，本篇以台灣創意市集 工作者為樣本；然而，目前在英國、泰國、日本等地，創意市集亦相當活躍且成 熟，因此，未來可蒐集不同文化下的創意市集工作者資料，與台灣進行比較。
三、防衛性悲觀者在創作過程中的心理狀態
在本研究中僅探討防衛性悲觀程度高或低者，其能力信心、沉浸體驗、心情、
創意表現、創作滿意度、再創作意圖之差異，並將其視為調節變項，觀察其對不 同研究構念間關係之影響。然而，由於防衛性悲觀策略是個人在面對與自己設定 的目標有關之活動時的心理狀態，因此，防衛性悲觀程度不同的創作者，在創作 過程中，心理狀況究竟會有何差異，是否與Norem(1986)所提的情況相同，這些 不同的人格特質之差異，有待未來進一步探索。
四、創意表現的衡量
本研究的創造力係由創作者自陳(self-report)其創意表現，未來或許可結合個 人自陳法和他人評定法雙重評估方式，使創造力的衡量更為精確。
五、幸福感
對於自願從事創作活動的人而言，創作可能是個人展現自我，追求更具意義 的人生方法之一。而對於半自願創作者，創作或許乃為符合某項規定、要求。兩 種創作者在從事創作後，他們的幸福感又是如何，彼此間有何差異，這是相當有 趣且值得探討的議題。因此，未來可探討創作者幸福感的變化，以及創意表現對 其幸福感的影響關係。
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附錄
第二部份：
察解問題自我效能(problem awareness and resolve self-efficacy) 當遭遇問題時，我有信心能妥善分配時間以解決問題。(請評估你的信心程度)
第三部份：這個部份主要是想瞭解您過去在面對問題時，對自己的主觀看法，請評估您實
際狀況圈選合適的答案。
察解問題自我效能(problem awareness and resolve self-efficacy) 當遭遇問題時，我有信心能留意當下需要注意的事。(請評估你的信心程度)
第四部份：請思考在你自己從事創作時的實際情況，圈選最合適的答案。