安塔爾．多拉悌 《雙簧管與鋼琴二重協奏曲》之詮釋與分析
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(2) Antal Doráti, 1906-1988. i.
(3) abstract In addition to studying the life and music career of Hungarian composer and conductor Antal Doráti (1906-1988), this thesis also explores the relationship between the oboe and the orchestra by analyzing the music and using the basic structure of the orchestral sound. “Duo concertante” music compositional techniques, musical sounds , corresponding to the song and Hungarian music characteristics and the relationship between the performance of the color change. Using the table method to show the musical phrases of each section.The use of fingering table presented to show the overtone fingerings and changes of tone due to alternate fingering. This thesis will attempt to explain the composer's vision using audio and video excerpts. I hope this provides a window into the music of the Hungarian composer Antal Doráti. Keyword: Antal Doráti, Duo concertante, harmonic series fingering. ii.
(4) ……………………………………………………………..…………….1 ……………………………………………………….1 ……………………………………………………….3 ………………………….….5 …………………………………….5 ……………………………………...…….10 ………………………………………….13 ……………………………………………………………….13 …………………………………………….15 …………………………………………….40 ………………………………………………………………………….73 ……………………………………………………………..……………….76. iii.
(5) . 1. …………………………………………….. 15 16. 2. …………………………………………….. 40 41. iv.
(6) 1. G×. mm.5……………………………………………..…..18. 2. E♯. mm.5………………………………………………....18. 3-1. F♯. mm.42………….…………………………………..28. 3-2. F♯. mm.42……………………….……………………..28. 4. B♯. mm.78………..………………………………………37. 5. G♯. A♯. B♯. mm.2…………...……….43. 6. G♯ A♯ B♯. mm.2…………………….44. v.
(7) 3-2-1. mm. 1-8……………………………..……………17. 3-2-2. A. mm. 9-11…………………………..…………..20. 3-2-3. A mm. 12-16…………………………..………….21. 3-2-4. B mm. 18-21………………………….…………..22. 3-2-5. B mm. 22-27………………………….…………..23. 3-2-6. 1 mm.28-31…………………………….…………25. 3-2-7. C mm.32-43……………………………..………..27. 3-2-8. D mm.44-51………………………………………..30. 3-2-9. E mm.52-55……………………..………………..31. 3-2-10. E mm.58-61……………………………………..32. 3-2-11. 2. 3-2-12. A′ mm.70-72……………………………………..35. 3-2-13. Coda mm.78-80………………………………………..36. 3-2-14. Coda mm.81-83………………………………………..37. 3-2-15. Coda mm. 84-87……………………………………….38. 3-2-16. Coda mm. 89-92………………………………………39. mm.64-65……………………………………..33. 3-3-1. mm. 2………………………………42. 3-3-2. A mm. 7-17……………………….46. 3-3-3. A mm. 27-38………………………………………47. 3-3-4. B mm. 56-63………………………………………49. 3-3-5. B mm. 64-73………………………………………50. vi.
(8) . 3-3-6. A′ mm. 85-114…………………………………..51. 3-3-7. C. mm. 115-124…………………………………..53. 3-3-8. C. mm. 125-134…………………………………..54. 3-3-9. C mm. 145-154…………………………………...55. 3-3-10. D. mm. 160-170…………………………………56. 3-3-11. D. mm. 186-195…………………………………58. 3-3-12. D. mm. 196-205…………………………………59. 3-3-13. D. mm. 196-205…………………………………60. 3-3-14. E mm. 245-268……………………61. 3-3-15. E mm. 243-252…………………..………………63. 3-3-16. E mm. 258-268………………………………….64. 3-3-17. F mm. 269-280…………………………………..65. 3-3-18. F mm. 269-294………………………66. 3-3-19. G. mm. 309-314…………………………………67. 3-3-20. G. mm. 321-336…………………………………69. 3-3-21. 2 mm. 337-338………………………70. 3-3-22. 2 mm. 337-338……………………………………71. 3-3-23. Coda mm. 339-351…………………………………….72. vii.
(9) ㄧ. ㄧ 1 ㄧ 1. microtone harmonic series. 1 double stop. ㄧ. 4. flutter tonguing. Gilles Silvestrini (1923- ) six etudes. ㄧ 1969. 2. 3. 1997. Luciano Berio (1925-2003). 。. serial music. Sequenza VII. ㄧ. 。 《 (Antal Doráti, 1906-1988). 《). (Five Pieces For. ㄧ Oboe Solo). 》. 』. (Symphony No.1) . 』. 】. ó 1.
(10) 《. ). 6 》 ) 《. ㄧ. Duo Concertante 』 12 Serialism -. 5. Atonality. 6. Electronic Music. 】. 7. 》 〉 ㄧ. 』 《. 5. Arnold. Schönberg, 1874-1951 6. ù. 7. 2.
(11) ù 』. (. ㄧ ó. ù 《) ù. 1.. ù. 2. 3.. ㄧ. ó. 1.. 》. ). 2. ). 3.. ㄧ. 』. 〉. 《. 〉 (Grove Music Online, 2001-). 3. (A History of Western.
(12) music). 〇. ㄧ. 8. 8. http://terms.naer.edu.tw/ 4.
(13) ù. ( Antal Doráti,1906-1988). 9. 9 ù Budapest. Ⅰ 《. 【 1920. Ⅰ -. (Notional Hungarian Royal Academy of Music). Léo Weiner, 1885-1960 Kodály, 1882-1967. C. Béla Bartók, 1881-1945. -. Vienna University. 1924 Hungarian State Opera House 9. 1928. 5. Zoltán.
(14) Dresden. Fritz Busch, 1890-1951. Münster ù 『 Georg Solti, 1912-1997 Herbert von Karajan, 1908-1989 ù. 1933. 9 Ballets Russes de Monte Carlo. 」. 9 ) ù. 《. ㄧ 9 9. Washington, DC. National Symphony. Orchestra of Washington, DC. ). America Ballet Theater New Opera Company London. 」 Symphony Orchestra Texas. Dallas Symphony Orchestra. 6. 」.
(15) 5 .. Minnesota. .. Minneapolis Symphony Orchestra 』. ) Hungarian Philharmonic Orchestra. . Hamburg. 。 London. Rome. Vienna. Decca William Glock, 1908-2000 British Broadcasting Corporation Symphony Orchestra Royal Philharmonic. 9 Orchestra Stockholm Philharmonic Orchestra. 7.
(16) 9 m. 9. National Symphony Orchestra of Washington 9 Detroit Symphony Orchestra Bern. Gerzensee. ù. Notes of Seven Decades. For Inner and. ). Outer Peace. ). 9. Igor Stravinsky, 1882-1971 Sacre du Printemps. L’Oiseau de feu. La. Petrushka Philips. 》 Deutsche Grammophon Gesellschaft. Mercury. 』 Decca. ) Chevalier des Arts et des Lettres. Knight of the British. 8.
(17) Empire. Knight of the Swedish Order of Vasa 9. ). ). 』. ù. 』. ). 』. 》 ㄧ 《. 9. 》.
(18) ). 1 。 Mohács. Busójárás Carnival ) Busójárás Orchestra. 3. ù Zoltan. Béla Bartók,1881-1945. ) Kodaly,1882-1967. —. 「. -. 》 「 -. 10.
(19) ù. Dactyl. 9. 〈. ù. 』. 》 》. 9. 11.
(20) . 12.
(21) . ó. ㄧ ㄧ. 1926. Notturno and Capriccio for two Violins, Viola and Violincello. ㄧ. 1980. -. Five pieces for Solo Oboe. Duo Concertante for Oboe and Piano ㄧ. 1983. Trittico. for Oboe d’amour, Oboe, English horn and Strings 【. 1983 9 9 ㄧ 』 ). ㄧ. 》. 《. ㄧ ù Heinz Holliger, 1939-. ㄧ. 10. ù. 10. ù. Heinz Holliger, 193913. ㄧ.
(22) 2/4. ♫♩ ♩♫ ♪♩♪. 》. 14.
(23) . ó. 4/4 Libero, rubatissimo ( Lento, guasi una cadenza). 1. ó . (1-7). 4-11 A (8-16). B (17-27) 1 (28-31). Libero, rubatissimo. 1-4. Lento, Rubato (♩. c.56 ). 12-13. poco accel (♩. 14-16. poco più mosso (♩. 17. tornando al. 18-43. Tempo. 44-45. più mosso (♩. 46-47. più e piùagitato. 48-50. avanti!. 52-63. A tempo, pesante, ma poco mosso. ♩. c.60 ) c.72 ). c.56 ). C (32-43) D (44-51). E (52-63). ♩ 2 (64-66). 64. libero (♩ c.66). 65-66. c.66 ). 15. c.86-92).
(24) A′ (67-77). Coda (78-92). 67-72. Tempo. 73-74. accel. poco a poco (♩ c.60). 75-76. poco più mosso (♩. 77. Tempo. 78-84. calmo (♩. 85-90. a tempo. 91-92. rubatissimo. ♩. (♩. c.56 ). c.72). c.56). c.56). . (. 1-7. ). D E. C♯. C♮. A. G♯. E♯. ㄧ. E♯ 11. /. ù D. E♯. ㄧ. 』. D. ㄧ. ㄧ. 11 minor-major 7th chord:. 16.
(25) 2 3 』. 》 F×. ㄧ. E♯. G× E♯. E♯ G× E♯. 1. 3-2-1. mm. 1-8. 』. 17. 2.
(26) 1. 2. mm.5. ㄧ. ㄧ. mm.5. 18. E♯. G×.
(27) A. (. 8-16. 7. ). Arioso. ㄧ. ù. ㄧ 》ㄧ. 』. 3-2-2. 19.
(28) A. 3-2-2. mm. 9-11. ㄧ 』 ㄧ. 』. 』. 2 ♩. 3-2-3 14 ♩. c.72. ff 20. 』. c.56.
(29) 』. 』. A. 3-2-3 』. mm. 12-16. 』. ㄧ 》. B. 21.
(30) B. (. 17-30. ). B. 』. 3-2-4. ). 3-2-4. ㄧ. B. mm. 17-21. ㄧ. . . 22.
(31) 22. ㄧ. ) ) 』. ㄧ. tenuto 』. 3-2-5 』. 3-2-5. 》. B. mm. 22-26. ). 23.
(32) p. ㄧ. ff. O. B. 10. 《 ). B. 》ㄧ. 24.
(33) 1. ( 《. 28-31 28-31. ) 1. D♯ 1. ㄧ 3-2-6. 3-2-6. 1. mm.28-31. 25.
(34) C. (. C. 32-43. ). 1. ㄧ. 3. 』 35. D♯. ㄧ. 』 3-2-7 42 F♯. D♯. ㄧ. F♯ 3-1. 26. 3-2. ㄧ ).
(35) 3-2-7. C. mm.32-43. ㄧ. 27.
(36) . 3-1. ㄧ. mm.42. 3-2. ㄧ. mm.42. 28. F♯. F♯.
(37) D. (. 44-51. ). D. 56. =92. ㄧ ㄧ ). 〉. ㄧ. 』. D. 》. ㄧ. 』. 29. 3-2-8.
(38) 3-2-8. D. mm.44-51. 、. 30.
(39) E. (. 52-63. ). E ff. C. ㄧ. mf. p. 3-2-9 』. 3-2-9. C. ff 》. E mm.52-55. 31. ff.
(40) 58. 、. 』. ㄧ 』. ). ). 3-2-10 ㄧ. 》. 》. 3-2-10. E mm.58-61 ). 32.
(41) 2. (. 64-66. ). 64. 66. 2. 《. ㄧ. ㄧ. E♯. ♯E 】. 。. echo echo. 3-2-11 libero. 、. 、 ppp. 3-2-11. 2. mm.64-65. echo. 33.
(42) A′. (. 67-77. ). A′. 》. ㄧ. rubato. 《. 8 》. 》 72. 《. 1 3-2-12. 34. 』.
(43) 3-2-12. A′ mm.66-72. 35.
(44) Coda. (. 《. 78-92. ). 78. Coda 』. ㄧ. C ). 1. 》 ㄧ. C. PP. 』. 4. 《 3-2-13. 3-2-13. Coda. mm.78-80. ㄧ. 36.
(45) 4 ㄧ. mm.78. B♯. C. 81 ). 3-2-14. Coda. mm.81-83. ㄧ. 37. 3-2-14.
(46) 84. E♯. B♯. 3-2-15 《. F. E♯. B♯. 』. 3-2-15 ㄧ. Coda. mm. 84-87. /. 38.
(47) ㄧ E. ㄧ 3-2-15. 3-2-16. Coda. mm. 89-92. 39.
(48) ó. / 2/4 3/4 、. 』. ù. 2. (1-2) A (3-52) 1 (53-56). ó. 1-2. Lento ♩. 3-52. Molto vivace ♩. c.56. 53-56. B (57-80). 57-80. A′ (81-114). 81-114. C (115-159). 115-159. Andante mosso ♩. D (160-240). 160-176. Vivacissimo (pi ♩.. 177-240. c.126. c.80 vivo del Temple. c.84. poco a poco più agitato. 40. ).
(49) 245-252. vulgare. 253-266. grazioso. 267-268. corta. F (269-303). 269-303. poco lento, accel. ……Presto ♩. G (304-336). 304-336. Prestissimo ♩. (337-338). 337-338. Lento (temple del. / (339-351). 339-351. Temple. E (241-268). (. 1-2. c.138. c.144 ° movement) ♩. molto vivace) ♩. c.56. c.126. ). 《. ㄧ. .. 》. 3-3-1. 41.
(50) 3-3-1. 2. ㄧ. ㄧ 5. 42. 6.
(51) mm.2. ㄧ G♯. A♯. B♯. 43.
(52) mm.2. ㄧ G♯. A♯. B♯. 44.
(53) A. (. 3-52. ). 3. 2/4. 3/4 7. M. ㄧ. 1 ㄧ ). 19 1. ㄧ. M y 3-3-2. 45.
(54) 3-3-2. A. mm. 7-17. ㄧ. 1. 29. G E♭. ㄧ. B♮. G. F♯. ㄧ. G G. 3. D. G. E♭ B♮. ㄧ. 》. 】 35 ㄧ. -. 』. 』 3-2-3. 46. 』.
(55) 3-3-3. A. mm. 27-38. 47.
(56) ㄧ ㄧ. ㄧ. 』. -. 47. 』 f. ㄧ ). 、. 1. (. 53. 53-56. ). 56. 《 B. 』. 48.
(57) B. (. B. 57-80. 57. ). C♯. ㄧ. F♯. D♯. ㄧ 《 》 ㄧ 3-3-4. 3-3-4. mm. 56-63. 』. 49. 』. G♯.
(58) 65. 1 ㄧ 73. 、. 』. 』. 》 3-3-5. 3-3-5 ㄧ. B. mm. 64-73. 、. 50.
(59) A′. (. 81-114. ). 1. 81. 《. A′ A′. -. A 3-3-6. 3-3-6. A′ mm. 85-114. 51.
(60) 》. 』. M y. 85. mf. ù. p. 1. 92 B♭. ㄧ. D E F♯. o. 》ㄧ. mp. f. f 100. G A. ㄧ. 105. A B C 』 105. 114. 』. 』 -. 』. C D. 4. 52. F.
(61) C. (. 115-159. ). 115. ù. E♭. 』 C♭. ♩. Andante mosso. C. B♭. A♭. 1. 』. G. F. 《. 80 B♭. E♭. D♭. G♭. 】. 137. ㄧ ㄧ 』 』. ù. 3. 3-2-7. 3-3-7 』. A♭. C. mm. 115-124. ù. 53.
(62) 』. ㄧ. ㄧ. 1. 』. 』. D. ㄧ. 129 ù 』. 3-3-8. 3-3-8. C. mm. 125-134. 』. 54.
(63) 149 』. 3-3-9. 3-3-9. C. mm. 145-154. 』. 55.
(64) D. (. 160-240. 160. 240 3/8. ). 《. D. Vivacissimo ♩.. 3-3-10. 3-3-10. D. mm. 160-170. 56. 2/4 84.
(65) D. 3. ù ㄧ. A. ù. 1. ㄧ. ). ù 172. ù stretto. ù. 』. ㄧ 3-3-11. 』 ㄧ. ù. 』. ). N ee. 177. N ee. ㄧ. 178 179. ㄧ. 』. ) 185. 』. 』. ㄧ 192. M. ㄧ 』. 57. ).
(66) 3-3-11. D. ) 』. mm. 186-195. 197. f. 》. ff. ㄧ. p. f. 3-3-12) 1 』. 58. 205. ㄧ.
(67) 3-3-12. mm. 196-205. 』. 216. 』. -ㄧ 』. 』. 】. 》. 1. 』. 1. ). 』. 』. 3-3-13 59.
(68) 3-3-13. D. mm. 196-205. ㄧ. 237 G. p 、. f 』. E. E♭. 60.
(69) E. (. 241-268. ). E. ㄧ. ㄧ 3-3-14. 3-3-14. E mm. 243-252. 61. ).
(70) E 9. ó. 241-268. ) 3-3-15) 3-3-15. 245. ruvido. 252. vulgare. 《. 247 f ). 253. p. 260. grazioso. 》. E. 』. 62. 』. ㄧ.
(71) 3-3-15. E ㄧ. mm. 245-268. 1. 3-3-16. 63.
(72) 3-3-16. E mm. 258-268. 64.
(73) F. (. 269-303. F. ). 3/8 1. presto (♩. 2/4/. A. poco lento. o. 1 』. ㄧ (. ù. 3-3-17. F. mm. 269-280 1. y. M. c.138). 65. 3-3-17) .
(74) . 』. 』 』. 】. ㄧ 、. (. 3-3-18). 3-3-18. F. mm. 269-294. ㄧ. 66.
(75) G. (. 303-336. ). Prestissimo (♩. c.144). 3. 』. 3-3-19. G. 3-3-19. mm. 309-314. 』. 67.
(76) Lydian. G. 』 ㄧ. M o T. 』 1. 3-3-20 』. ㄧ. 68.
(77) 3-3-20. G. mm. 321-336. 69.
(78) (. 337-338. 《. 337. 338. ) Lento (♩. c.56). ㄧ. 』. Boosey & Hawkes Music Publishers Ltd.12, 1911. ♯. ㄧ. 338. 3-3-21. 3-3-22. 3-3-21. 2. mm. 337-338. ㄧ. 12. www.boosey.com 70. E.
(79) 3-3-22. Coda. (. 339-351. 337-338. ). Molto vivace ( =c.126). ff. ㄧ 、. D♭ A. C. B. Coda. ff 、 1 / (. 』 3-3-23). 71.
(80) 3-3-23. Coda mm. 339-351 』. /. 72.
(81) . 9. 》. -. ). ) 》 ) ). ù. 《. ó. ㄧ. 《 ). 2. ) ù. ). ㄧ. ). 13. John L. Holmes. 73. 』. ㄧ.
(82) 2. -. 《. 《 《. ù. 《 』. 《. 〉. 16. 5 》. 17. 》. ) ). 《. 1 〉. 14. 15. 〉. 60. 61. E. 7. 243. 268. 《. 《 』 』. 2 〉. -. 74.
(83) 《 ). 《. ) ) ). 《. 。 ) 》 《. ㄧ ). 75.
(84) 〉. Antal Doráti. “Duo Concertante”. London: Boosey & Hawkes Music Publishers Ltd, 1991.. 4 2011 、 2012. ㄧ. ó. ㄧ. 4. C. 2012 90. Enrico Stinchelli.. ( I Grandi Direttori d’Orchestra 1996. John L. Holmes. ). Conductors 1993. Kro , György. “New Hungarian Music.” Notes 39, no.1 (Sep., 1982): 43-71.. Jahren, Helen; Westenholz, Elisabeth. Britten / Dorati / Krenek :“Duo Concertante”, in the Naxos Music Library, http://www.naxos.com/catalogue/item.asp?item_code=BIS-CD-737 (accessed November 21, 2016) Ogrintchouk, Alexei; Ogrintchouk, Leonid. Hindemith / Britten / Dorati / Haas / Ben-Haim: Duo Concertante, in the Naxos Music Library, http://www.naxos.com/catalogue/item.asp?item_code=BIS-2023 (accessed November 21, 2016) Nancy Ambrose King, Alla Kuznetsov, Dorati Duo Concertante Mvt 1, Lento-Rubato, on youtube, https://www.youtube.com/watch?v=T4fh9mC-Q04. 76.
(85) (accessed November 21, 2016) Nancy Ambrose King, Alla Kuznetsov, Dorati Duo Concertante for Oboe and Piano, mvt II Molto Vivace, on youtube, https://www.youtube.com/watch?v=4-dqzPRqfUM (accessed November 21, 2016). 77.
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