國立臺灣藝術教育網

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઼࡚ᄿᄿѣЩĂፉЇ࿅ᘲ

೻჊ᓁ௚ӄந઼ચࣦă჊প߆ عઘᓁ௚ͽ̈́αޘ༊Ᏼ৸ࡗэ ܜ۞߆ጪࢲำˠۏκႬ഑-ֲႬ ᇇ Ӏ ؈ Ć ࠃ ҹ ೺ ઙ Ğ N e l s o n Aldrich Rockefeller, 1908-1979ğĂ

΁˵ߏ˘ҜјΑ۞Ϯڵ̍ຽ̂

ЋຽछĂТॡՀߏ˘Ҝˠ͛৵ ዳ࠹༊எݓ۞ᘹఙ̂ќᖟछĄ

΄ ˠ ៙ ရ ۞ Ķ ࠃ ҹ ೺ ઙ ׏ ᖟ ķ Ğ The Nelson A. Rockefeller

CollectionğĂᖎۡಶߏ˘ొ߿Ϡ Ϡ۞Ķன΃࡚ఙΫķć͍׎ឰ ԧࣇະׂ۞ߏ΁၆ᘹఙ׶̼͛

ٙᘃٱ۞ॡ΃ֹ׻ຏᄃᄮۢĄ

΁ܧ૱ۺؠгᄲĈĶᘹఙߏι

ٙᛳ̼͛۞෪ᇈĄЯѩՏ˘჌

̼͛υ൒ѣ׎ώ֗۞ᘹఙࢲॾķ ĞWilliam S. Lieberman text, The

Nelson A. Rockefeller Collection- Masterpieces of Modern Art,

Hudson Hills Press, Inc. New York,

1981, Introduction by Nelson A.

Rockefeller, p. 12.ğĄ఺ήྖ·̶

ពϯ˞ࠃҹ೺ઙ၆̼͛ᄃᘹఙ

൴णਔඛ۞୻຾ᒢྋĂͽ̈́΁

၆̙Т̼͛ٙயϠ۞̙Тᘹఙ ࢲॾ۞಴ࢦ׶ΒटĂጐგ΁၆ ன΃ᘹఙѣྵк۞ᙯຑĂ֤ߏ ЯࠎĈĶᘹఙಶည࢑ྶ඾ҋ̎۞

ីᅿăҋ̎۞ܑனԛёĂͽ̈́ҋ

̎۞ܫ͕̝֗វጡء˘ᇹĄ҃఺

ֱЯ৵ౌ׶ᘹఙݡ౹Ϡ۞ॡ΃ѣ ໂ૜̷۞ᙯܼķĄĞIbid.ğ

఺࣎ໄهĂϒрΞͽᑒӄ ԧ ࣇ Ν ྋ ᝝ ཌྷ ̂ Ӏ ൪ छ ؞ ೻

೼ Ć Ι گ ཀྵ ᘲ Ҙ Ğ G i u s e p p e Capogrossi, 1900-1972ğܧ૱࣎

ˠ ̼ ۞ ௑ ཱི ٙ ޙ ၹ ۞ ᘱ ൪ ࢲ ॾĄᘹఙΫ୻຾гӘ෦ԧࣇ˘

͓࣎྘۞ְ၁Ĉ˘͞ࢬҬͼд ฟ ጱ Ķ ᘹ ఙ ࢲ ॾ ķ ෳ д ι ߏ Ķ፾˘൑˟ķ۞౹າ៍هĂҭΩ

˘͞ࢬݒ˫ຳϯĂ͉࿅ٺ࣎ˠ

̼ ۞ Ķ Ҿ ΍ ͕ ෗ ķĂ ݒ ົ ౝ ˢ Ķѡ੼׶ဿķ۞П፟Ă౵ޢ۞׻

ྻྫྷĶ൑౹ຍķ۞ᘹఙछߏ˘

ᇹ۞ඕԊĄΙگཀྵᘲҘ۞үݡ ԆБ௑Ъ˯ࢗࠃҹ೺ઙ၆ᘹఙ

۞ϒቁ࠻ڱĂιͅߍ˞ཌྷ̂Ӏ

༊ॡ۞ॡ΃ّĂ˵౹΍፾˘൑

˟۞ॡ΃ࢲॾĄଘޢᜈભ׶۰

̙кĂॡม˳˞ಶົၙၙజҽ ར ٕ ୶ Ԟ ć Я ࠎ ˠ ࣇ ᔘ ѣ ͧ Ķ݈኎ķՀ݈኎۞ᘹఙĂͧĶன

΃ķՀன΃۞౹ຍࢋΝᙯᘃĂ

఺ώֽಶߏˠᙷޥຐซՎ۞ࣧ

જ˧Ăߏ˘ІрְĄΪߏ֗ࠎ ᘹఙΫ۞ࡁտ۰Ăඊ۰̙ਕྫྷ

˘ਠ۞ᘹఙຑр۰˘ᇹ͕хࢲ ॾрೋ۞ј֍Ą

ඊ۰૱૱дຐ˘࣎યᗟĈ ჯ୥ႬĞJan Vermeer de Delft, 1632-1675ğ఺Ҝ˩˛͵ࡔ۞ఈ ᜋ̂൪छĂтڍ̙ߏЯࠎд׌

ѺѐޢĂڱ઼۞ЩᘹఙԲෞछ

74

專欄市集∕藝術春秋（38）

Special Feature∕Art Collection

؞೻೼ĆΙگཀྵᘲҘ

Giuseppe Capogrossi, 1900-1972

王哲雄

Che-Hisung WANG

國立台灣師範大學美術研究所前所長實踐大學工業產品設計研究所專任客座教授

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75 美育第150期 ▎JOURNAL OF AESTHETIC EDUCATION, NO.150

кโ-οఈ౰ĞThoré -Bürgerğٺ

˘ˣ̱̱ѐд΁ٙ͹በ۞Į࡚

ఙຉበįĞLa Gazette des Beaux-

Artsğ൴ܑ၆ჯ୥Ⴌ۞ࡁտĂ൴

னྍ൪छ۞পঅᐹᕇ׶ݡקĂ

҃Гޘֹ఺Ҝజ᏷ԞѺѐ۞ᘹ ఙछĂࢦາ߿ඛдޢˠ۞ཝঔ

྆Ăӎ݋Ăჯ୥ႬޝΞਕдᘹ ఙΫ۞ᓏ୕ᄃгҜಶ̙ߏ̫͟

఺ᇹ˞ĄΙگཀྵᘲҘΝ͵̖˩

ˬѐĂ҃ͷϠ݈˵̙ߏھھ̝

ዅĂഅགྷٺ˘˝˟ˣѐ΃ܑཌྷ

̂ Ӏ д Ķ ރ κ ೻ ᗕ ѐ ण ķ ण

΍ Ă ֭ ͷ ೳ Щ ٺ ᇇ ઼ Ι ๫ Ⴌ ĞKasselğ۞ௐ˟بĶ͛Іणķ ĞDocumenta II, 1959ğć˘˝̱

̣Ҍ˘˝˛ŒѐĂЇିٺĶ֤

οઙ೻࡚ఙጯੰķĞAcadémie des Beaux-Arts de Naplesğćཌྷ̂Ӏ ߆ ع ˵ д ΁ ࿅ ͵ ޢ ׌ ѐ Ğ1974ğĂษࢦгᏴдᘲ੺۞Ķ઼

ϲ ன ΃ ࡚ ఙ ᐡ ķĞ Galleria Nationale d'Arte Modernağࠎ΁

ᓝᏱ˞˘ѨаᜪणĄ̙࿅Ăޢ

͵၆΁ໂბ࣎ˠ̼۞௑ཱི͛ф ဦ ည ˵ ధ ᄮ ࠎ ߊ ൑ ଂ ᒢ ྋ ׎ Ķԛё࡚ķĂ˫൑ڱវរ׎Ķૣ

੼ķ۞̰உĂٙͽତᜈࡁտ΁

۞ˠ࠹၆г̙֭ሤඛĂඊ۰ፉ

͕Г࿅˘߱ॡ͟ޢĂΙگཀྵᘲ Ҙ۞Ķਕ֍ޘķົດֽດҲĂ ז֤ॡৌߏң׎̙ضĊ

ΙگཀྵᘲҘٺ˘˝˘˝Ҍ

˘ ˝ ˟ ˬ ѐ д ᘲ ੺ ̂ ጯ Խ ᝝ ĶڱޠጯķĞཌྷ͛Ĉgiurispruden- z a ğ ć ̂ ጯ ல ຽ ޢ ۞ ௐ ˬ ѐ Ğ1926ğ΁ฟؕྫྷᐌ෱֧೻ĆΙ

༄ৼĞFelice Carenağጯ൪Ăٺ ߏдѨѐՙؠ݈ـ͐ጌ൴णĂ

఺˘ޞಶߏ̣ѐĞ1927-1932ğĂ

఺߱ॡഇĂ΁͹ࢋߏдĶϲវ

͹ཌྷķ۞ᇆᜩ˭൪׍෪ᘱ൪Ą

˘˝ˬŒѐΙگཀྵᘲҘણΐௐ

˩˛بރκ೻ᗕѐण̝ޢĂੵ

˞˟Ѩ͵ࠧ̂ጼ׎มઃणĂ΁

ೀͼߏĶރκ೻ᗕѐणķ۞م ၁͚޺۰ćଂ˘˝ˬαă˘˝

ˬ̱ă˘˝αˣă˘˝̣Œă

˘˝̣˟ă˘˝̣αă˘˝̱

˟ă˘˝̱α׶˘˝̱ˣĂ΁

ౌᑕᔛણΐण΍ćҋ˘˝ˬ̣

ѐ੓Ă΁˵кѨᑕᔛણΐĶᘲ੺

઼ᅫᘹఙαѐणķĞQuadriennale Nazionale d'Arte di RomağĄ Ğhttp://www.artantide.com/artisti/Bi ografiaArtista.phpĉidArtistaŶ51ğ

ଂ͐ጌаᘲ੺̝ޢĂΙگ ཀྵᘲҘ୊ӈᄃΙॾ֧ĞCorrado Cagli, 1910-1976ğ ׶ Ι ͻ Ӏ ĞEmanuelle Cavalli, 1904-1981ğ

˘੓д˘˝ˬ˟ѐ౹ϲĶᘲ੺

ᘹఙཏķĞGruppo RomanoğĂˬ ˠТॡдĶᘲ੺൪ುķĞGalleria di RomağᓑणĄ˘˝ˬˬѐ˩

˟͡ĂˬҜᘹఙछ۞үݡ˫ז

͐ጌ۞Ķ֣౰ڀ൪ುķĞGalerie BonjeanğणᜓĂ҃ᘹఙԲෞछ ර ᇇ ੺ Ⴌ Ć ಕ ڼ Ğ Wa l d e m a r G e o r g e ğ ֹ ϡ Ķ ᘲ ੺ ൪ ࠁ ķ Ğl'Ecole de Romeğ۞фீֽ̬௜

΁ࣇ۞үݡĄĞIbid.ğ Ιگཀྵ ᘲҘѩॡ۞൪ࢲߏͽՔ್۞አ

ّĂ൪඾Б൒׍෪۞ࢲഀăᐖ ۏ ᄃ ᄥ វ ć ҃ ͷ Ҭ ͼ ߏ צ ז Ķԛ҃˯ᘱ൪ķĞPittura metafiscağ

ۡତ۞ᇆᜩĄ

ٙᏜĶԛ҃˯ᘱ൪ķĂιٙ

෦Ր۞֭ܧߏ˘჌ԫڱĂ˵̙

ߏ˘჌ࢲॾĂ҃ߏ˘჌ᘹఙछ Ķ ̰ д ۞ ၗ ޘ ķĞ a t t i t u d e intérieureğćྍྻજ۞Аᜭߏૄ

֧෨ĞGiorgio De Chirico, 1888- 1978ğĄ๔ٺࡁ᝝ࣰጯछץώර Ğ S c h o p e n h a u e r ğă ރ ှ ॾ Ğ We i n i n g e r ğĂ প Ҿ ߏ κ ܚ ĞNietzscheğ඾ү۞ૄ֧෨Ă၆ Ϗֽ͹ཌྷ΃ܑ۞ன΃ᘹఙٙ೩

΍͹ૺ۞ళሰ׶ҁአĂܑϯ࠹

༊۞̙႕Ă΁ࢋ۞ߏĶ˘჌ֶ

ංΞ֍ĂՀԆፋՀஎˢ۞ᘹఙ ޖីķĞૄ֧෨۞ϡᄬğć΁ᖣ

඾γдˠࣇਕᏰᙊ˫࠻଀֍۞

Ķਕ֍͵ࠧķĞle monde visibleğĂ ጱШ̰дৠ؈ᔳ૜൑Ξ॓ၤ۞

Ķ ࠻ ̙ ֍ ۞ ͵ ࠧ ķĞ le monde invisibleğĄૄ֧෨ซ˘ՎܑϯĈ Ķԛ҃˯ᆶ࡚៍ߏޙϲд၆ࢬ᎕

׶វ᎕ྻϡ௟૜҃ჟቁࢍზ۞ૄ

ᖂ˯ķĂĶࠎ۞ߏឰᘹఙϖݬ̙

ѤĂᘹఙυืԆБྯ௲ˠᙷ۞ଐ நᄃទᏭౄј۞۞ᄱᖱĄଂ఺჌

͞ёĂᘹఙүݡ૟ົତܕေဩஎ ג۞үݡ૟ߏϤᘹఙछଂˠّ۞

౵எ๸̝఍ଶפֽ҃Ĉ֤׊Ă՟

ѣ̈໨߹ಆ۞ᓏࢰĂ՟ѣ౧׊۞

୻ભĂ՟ѣፘཧᛜར۞ՒՒү ᜩ ķ Ą Ğ Robert Maillard,

Dictionnaire Universel de la Peinture, t.5, S.N.L.- Dictionnaires Robert, Paris, 1975, p. 290.ğ

۞ቁĂૄ֧෨གྷ૱ࣄϡ˘

჌ှᐖՔ૚۞γд͵ࠧĂѣຍ

൑ຍгܑᜨ΁ሕᖟ̰͕எ఍۞

ώّĂ͔൴΍୶୶۞ᇎຓᄃ̙

щ Ă ϒ ߏ ૄ ֧ ෨ ҋ ̎ ٙ ֏ Ĉ ĶԧࣇӀϡᘱ൪ֽ౹ౄְۏ˘჌

າԛ҃˯͕நጯĄķĞEdward Lucie-Smith, L'Art d'Aujourd'hui, Fernand Nathan, Paris, 1977, p.

44.ğ ૄ֧෨၆ΙگཀྵᘲҘ۞຋

ӻᇆᜩĂُ֤ߏז୎ഇٙᏜ٩ ෪ԛё۞ΙگཀྵᘲҘĂֶᖞߏ

޺ᜈ൴ᅔĂटޢд̶ژ׎үݡ Įܑࢬ No. 305įॡГ੅ኢĄ

˟Ѩ͵ࠧ̂ጼ݈́ĂΙگ ཀྵᘲҘЯం৶֧κڱҘ೻߆ᝋ

۞དྷࢅ҃ፉ͕ዎצ׎ࣝ੘Ăᇶ ॡઃ˭൪ඊ̙൪ĂЯѩᙯٺ΁

఺߱ॡഇ۞ᘱ൪གྷ።ĂೀͼΞ ͽᄲ˘ͯ۩ϨĄ̂ໄд˘˝α

˝ Ҍ ˘ ˝ ̣ Œ ѐ ጼ ۋ ඕ Ձ ̝ ᅫĂ΁̖˫ࢦ߂൪ඊĂฟؕᚶ

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專欄市集∕藝術春秋（38）

Special Feature∕Art Collection

76

ᜈ΁ࣧώ۞׍෪൪ࢲć̙࿅д˘

˝̣ŒѐĂΙگཀྵᘲҘݒࡎ൒ᖼ ШԆБ࣎ˠ̼۞٩෪ᘱ൪ĄТ˘

ѐ΁׶ֲႬ֓ћĆο֧ĞAlberto Burri, 1915-1995ğăߟٛĞEttore Collağă͐ႬࠃࡊĞMario Balloccoğ

౹ ϲ Ķ ࣧ ܐ ᘹ ఙ ཏ ķĞņ r u p p o OrigineŇĂણዦĮ࡚ֈįᗕ͡ΏĂ ௐ148ഇĂ઼ϲέ៉ᘹఙିֈᐡĂ Ĳᘹఙߋࡌ36ĳĂ2005/11Ăp. 65.ğĂ

̂˧ଯणаᕩॲώăᖎ̼Ғ૾ă ܧೡᘱّ۞৷٩෪ᘹఙĄଂѩͽ ޢĂΙگཀྵᘲҘͽ΁ҋჍࠎĶෟ

৵ķٕĶԛၗ৵ķĞmorphemeğ۞

ಏ˘Ķ௑ཱིķࠎ΍൴ᕇĂ൴ण΍

ѣ ॡ ૜ ౕ ă ѣ ॡ ฟ ण ۞ ௡ Ъ ඕ ၹć౵АΪߏֹϡโăϨ၆ͧ۞

አّĂତ඾΁˫ֹϡЧ჌Ғրֽ

ܑனĄ҃ΙگཀྵᘲҘ۞Ķෟ৵ķ

ٕĶԛၗ৵ķĂᇹ̄ညߏ˘჌Ķͬ

ԛ̍׍ķĞgriffeğ ٕညࡻ͛фϓM ԛ ې ۞ Ķ ˬ ጎ ˽ ķĞ t r i d e n t ğ ĞRobert Maillard, op. cit.ğć༊ιࣇ

ү Ч ჌ ௡ Ъ ۞ ॡ ࣏ Ă ˠ ࣇ ۞ ៍ ຏĈௐ˘О෪ߏಏአ۞ࢦኑĂତ

඾ಶߏޥ৶ΙگཀྵᘲҘࠎңࢋт ѩ۞ࣧЯĄ

˵ధனдಶߏ̶ژ׎үݡĈ Įܑࢬ No. 305įĞSuperficie No. 305ğ

౵ޫ༊۞ॡגĄΙگཀྵᘲҘҋ˘

˝̣˟ѐણᄃдѼᜋ߿જ۞Ķ۩

ม͹ཌྷķĞSpazialismoğᘹఙཏ̝

ޢĂ΁үݡ۞൪ᗟౌͽĮܑࢬį րЕበቅ۞͞ё΍னĄְ၁˯Ă ͽދ྿ৼĞLucio Fontanağࠎ८

͕ĂඕЪᜢϞĞGianni Dovağăҹ

֧سĞRoberto Crippağă྄ұࠃ Ğ Beniamino Joppoloğă Ι ඛ ᑻ ĞGiancarlo Carozziğăᇇྮٽૄ

ĞMario Deluigiğ ͽׂ̈́ჯ༄Ӏ ĞCesare Peverelliğ۞۩ม͹ཌྷ۰Ă

΁ࣇ۞͹ૺᄃ៍هĂੵ˞׶Ιگ ཀྵᘲҘͅ၆Ķೡᘱّ۞٩෪ᘱ൪ķ

׍ѣВᙊγĂ၆Ķ۩มķ۞࠻ڱ

˯ Ҭ ͼ ̙ ߏ ޝ ݵ Ъ Ą ˘ ˝ ̣ ˘ ѐĂދ྿ৼд׎Ķ۩มᘹఙ۞ކ

֏ķĞManifeste de l'Art Spacialğഅ གྷܑځĈĶԧ̙ຐࢋ൪˘಼൪Ă

ԧࢋ೵ฟ۩มĂࠎᘹఙฟ౹˘࣎

າ۞͎ޘĂ૟ᘹఙ׶цأ͉۩஝

˯ᙯܼĂѣт͉۩۞ᕖणĂϖ൑

ͤဩĂᅈᅈг෹࿅πࢬ۞ᇆညĄķ Ğhttp://www.mchampetier.com/siteph

p/mouvement.phpĉmouvementŶ SPACIALISMEğ ҃ދ྿ৼ۞ү ݡĂͽ̷౷ٕᕕࡍ൪ο̈́൪ڕĂ

୻຾ܑځ΁۞າ۩ม៍هćΙگ ཀྵᘲҘݒિч΁۞ܑࢬ۩มҌѪ

̙ ൂ Ą ᙯ ٺ ˘ ˝ ̣ ˝ ѐ ٙ ൪ ۞ Įܑࢬ No. 305įүݡĂෲ६Ćᘀ ᐒൄĞRoland Penroseğഅགྷд˘

˝̣˛ѐĂ઄ࣖ೶۞Ķ༊΃ᘹఙ ࡁ տ ੰ ķĞ The Institute of Contemporary Artsğण΍۞ĶΙگ ཀྵᘲҘ࣎णķणᜓϫᐂ۞Ԕ֏ٙ

ೡࢗ۞˘߱ྖĂΞͽүࠎᒢྋ఺

Ҝᘹఙछ۞௑ཱི͵̝ࠧણ҂Ąᘀ ᐒൄᆷ྽ĈĶ΁࣎ˠ۞௑ཱིĂপ Ҿߏ༊ιࣇͽրЕ΍ன۞ॡ࣏Ă ޝညԧࣇ̙ٙᄮᙊ۞˘჌ᄬ֏̝

३ᆷфϓĂ൒҃ಶ௑ཱི۞݈ޢా

ᜈ׶௡੨ֽᄲӮૻধгΒटஉᄏ

˘჌ຍཌྷ۞ពϯČΙگཀྵᘲҘ۞

൪үညߏߙֱঐీ̏˳۞г̝͞

֍ᙋČ΁үݡᖎሒځቁ۞ќ߂Ă ߏߊ఼ܸ˫༊΃ĄᄃԧࣇдЇң ݱξ྆ౌΞͽԱז۞Β྅ϡ৽ߏ Т ˘ छ ୉ ΍ ֽ ۞ Ą ķĞ R o l a n d Penrose, Giuseppe Capogrossi, intro- duction du catalogue d'une exposition organisée à l'Institute of Contempo- rary Arts, London, 1957.ğ

۞ቁĂΙگཀྵᘲҘͽĶͬԛ

̍ ׍ ķ ׶ ည ࡻ ͛ ф ϓ M ԛ ې ۞ Ķˬጎ˽ķ׌჌Ķෟ৵ķٕĶԛၗ

৵ķϹ̢ត̼ᄃాඕĂ߿ည˘಼

Ο΃ᘲ੺੽ᘙᚮԫಞ׶г˭৪૜

఼྽۞౧ᒟဦĄ༊൒ĂΙگཀྵᘲ Ҙ ̙ ߏ ˘ Ҝ ೡ ᘱ ّ ۞ ٩ ෪ ᘹ ఙ छĂٙͽ΁̙ԓ୕౅࿅৷ෛᛇ۞

֎ޘĂ҃ှΞͽ΁۞Ķෟ৵ķĞ௑

ཱིğܑ྿΁۞٩෪ໄهĄֱ֤࠻

੓ֽޝညᘲ੺ᆿᆦ۞ဦ෪Ăಶඈ ٺ ૄ ֧ ෨ ࣄ ϡ ۞ γ д ͵ ࠧ ۞ ͑ ᇆĂ௡੨۞Ķෟ৵ķ͔ᅳԧࣇซ ˢ۞٩෪ໄهĂ̖ߏ΁ৌϒ۞ሕ

ᖟ͵ࠧĂૄ֧෨ගԧࣇ۞ߏѪ૚

ᄃ ̙ щ Ă ҃ Ι گ ཀྵ ᘲ Ҙ ග ԧ ࣇ

۞ĂߏĶ൑፟ᄃ൑ّķ۞Ķܧˠ ॾ̼ķ۞ڌҘĄᘀᐒൄ೩זΙگ ཀྵᘲҘ۞үݡĶߊ఼ܸ˫༊΃ķĂ

఺˘ᕇࣆߏᅲ࡝ˠஎޥ۞ᛉᗟĈ Яࠎ఺˵ߏ̱Œѐ΃Ķ೼೼ᘹఙķ

۞পኳćΐ˯఺Іүݡ۞ᄦүѐ

΃˫ޝତܕĄᒖᜪཌྷ̂Ӏ၆ࡻă

࡚Ķ೼೼ᘹఙķ঎ሗ۞ਫ਼ᜩĂ׎

ཙ Վ ᅈ ͧ ዐ ܕ ۞ Ҙ ঱ Ͱ ᔘ ࢋ ԣ

ి Ą ּ т ֲ ྿ Ѽ Ğ V a l e r i o AdamiğăᘲপٛĞMimmo Rotellağ ͽ̈́؞࢚ٛĞPiero Gilardiğăϩ೻

ћ࿩ћĞMichelangelo Pistolettoğă ཀྵᏚ֧ĞDomenico GnoliğඈϏֽ

۞Ķళ቎ᘹఙķĞArte Poverağᘹ ఙछ၆఼ܸᗟՄ׶௖ࢩՄኳ۞ݡ קĄΙگཀྵᘲҘݒд΁ࣇ̝݈ಶ

౅ᜨ΍၆Ķ̂ி̼͛ķ఼ّܸຏ Ꮈ኷۞ੈिĂᄲ΁ߏཌྷ̂ӀĶ೼

೼ຍᙊķ۞Аۢ༊̙ࠎ࿅Ą ΙگཀྵᘲҘϠ݈ᑕᔛણΐ઼

ᅫ̂ण۞Ѩᇴ࠹༊кĂ˵གྷ૱ᒔ

଀ ረ ካ ć ࠤ Ҍ д ˛ ˩ ˘ ໐ ۞ ੼

᛬Ă΁ᔘણΐௐ˩˘بཐܲᘲ઼

ᅫᘹఙᗕѐणĂᒔ଀͹ᏱಏҜ࿴

൴۞Ķᗕѐण˟˩ѐķĞVent'anni di Biennaleğјಶረćཌྷ̂Ӏିֈ

ొ ˵ д Т ѐ ࿴ ଱ Ķ ͛ ̼ ܛ ኳ ረ

ౢķĂຏᔁ΁၆̼͛ᘹఙ۞੒ᚥĄ

΁д͵۞ॡ࣏̏གྷ΍ۍˬώᙯٺ

΁࣎ˠ۞૞३Ĉௐ˘ώߏϤڱ઼

ЩᘹఙԲෞछ۽ҢĞM. Seuphorğ

ેඊĞ1954ğćௐ˟ώТᇹϤڱ

઼Щᘹෞछ๰ϩຽĞM. Tapiéğે

ඊ Ğ 1 9 6 2 ğ ć ௐ ˬ ώ Ϥ ֲ Ⴌ ت ĞG. C. Arganğ׶රմࠃĆჄٛ੡

ĞM. Fagiolo dell'Arcoğ׌ˠВТે

ඊĞ1967ğĄ

˘΃࣊ૻ۞λНĈΙگཀྵᘲ Ҙд˘˝˛˟ѐ˩͡˝͟ీ͵Ă ග Ҙ ͞ ࡚ ఙ Ϋ ঻ ˭ Ϋ ൑ ݈ ּ ۞ Ķ࣎ˠ۞ķĞpersonnelğ௑ཱི͵ࠧĂ

˵঻˭఼ܸĶܧ࣎ˠ۞ķĞimper- sonnelğ׏ݭĄ

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77 美育第150期 ▎JOURNAL OF AESTHETIC EDUCATION, NO.150

《表面 No. 305》（Superficie No. 305） 1959 74×64 cm 科隆，亞爾弗瑞德‧歐托‧穆勒典藏

（Cologne, collection Alfred Otto Müller）