薛詠潔鋼琴音樂會作品分析研究

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(13) Abstract This thesis consists of two recital program notes. The two recitals are a Solo Recital for piano music and a Performance Recital for chamber music. The programs are listed as followingĭ. 1. The Solo Recital J. S. Bach : Italian Concerto, BWV 971 L. v. Beethoven : Piano Sonata Op.53 F. ChopinĭBallade No.1, Op.23 Benjamin Lees : Fantasia. 2. The Performance Recital J. S. Bach/ Max RegerĭToccata and Fugue in D minor BWV565 for Piano 4 hands L. v. Beethoven/ Franz Xaver ScharwenkaĭSymphony No.5 in c minor, Op.67 1st mvt. for Piano 4 hands A.DvořákSlavonic Dances Op.46 No.1 in C Major, Furiant No.2 in e minor, Dumka No.3 in A-Flat Major, Polka No.4 in F Major, Sousedská No.5 in A Major, Skočná No.6 in D Major, Sousedská No.7 in c minor, Skočná No.8 in g minor, Furiant. Key wordsPiano, Bach, Beethoven, Chopin, Benjamin Lees, Dvořák. . .

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(17) Recital Program. J. S. Bach (1685-1750)FItalian Concerto, BWV 971 I. Allegro II. Andante III. Preso. L. v. Beethoven (1770-1827)FPiano Sonata Op.53 I. Allegro con brio II. Adagio molto III. Allegretto moderato. -Intermission-. F. Chopin (1810-1849)FBallade No.1, Op.23. Benjamin Lees (1924-2010)FFantasia . . .

(18) ˵ĸӊɽɓɽɌϿИ ƁрӺΏĲªÊĸɌ`÷ӹ3#! J. S. Bach : Italian Concerto, BWV 971. Ɓр̉Ǝ ӊɽ0ˬͦΑпƁȲ̍ƁрJohann Sebastian Bach, 1685-1750ӹ£̉ ȶӊɽ)Ŝӹ

(19) Ə ɔ Ȼ̉ȶξĦͧрEisenach)ӹɁŜ+̠ƒŋƁр̠ ˬϻŔƃ΋ƁрJohann Ambrosius Bach, 1645-1695Ɂ!ZũȐ˿Ƈӹ

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(46)

(47) ũ͛ ЙǊ˞CĲЙFĲЙ͘ ũ͛ӹ͘ ũ͛·'èȶ-Ӗ̠ȸƷӹ΍ʴ ɉ̠ϫ˼ ͘:΃ĸɽʔӺ͘

(48) ũ͛ ˠМĔЙǊǤɁͫɡӹҋɁδ͘!΃ĸŕ̫èӹŕȮ̠˼. 8͘8ɽ͓ ЙǊ˞dũЙӹ ǺӹϧɣAndanteƁрÜ«Ӊ̇͘ũȐ˿ÊĸɌӛɯ̠Ʋ ӌӹɽɌύӮ΍ӹXBΟ˵ĸλ̠ȸƷ͘8ɽ͓żǩ̡b̋¤ӊ͗c͸Ȃ ȂΉ[ӊbasso continuoӹ͌Ř̠Vĸӊęӹǭ˓ϓÊĸ̠ϾμӹδãǩȸƷӦ е̠˱н̫9ŧʗӹЭɽɌï˼ͭή̠ǐǖϫ˼ ͘!ʔӺ͘ ũ͛ ЙǊdũЙFĲЙ͘ ũ͛ӹтń̠$ũ͛д͏ɌȂΉ[ӊVĸӹèӊ ÚϷĔDӊӹLƎϧ$ƖҼӊѴϧӹŀШdÅ!. ͘ũ͛~̓ĔVͪӹ. Ċ«dũЙIͪ͘ũ͛ȮӥΖЁӹȸƷà¤˞ͪѴыѴӗcИ 11.

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(62) ũ͛ ЙǊ˞dũЙCĲЙ͘

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(65) ũ͛ӹLĉũ͛˞!ɽÞ ѹҢӺ͘ ũ͛ ЙǊ˞FĲЙӹδ͘

(66) ũ͛ѹҢͫɡŕ̫è 16.

(67) ͘:΃ĸɽʔӺ͘ ũ͛ δ͘!΃ĸɽʔŕȮ˼ . 17.

(68) гĮπӺҙ˿ĸӭɌ`÷:Å$ ύǁȲĘ L. v. Beethoven : Piano Sonata Op.53 . гĮπ̉Ǝ ɽΚъǁ͸ƄυгĮπ(Ludwig van Beethoven, 1770-1827)˞Ýɂɚ щфʵ˔ɂɚ̠ғ϶ӊɽŜӹ͈ӗĮÁӹL>ӌɌõҙ˿ĸӭɌ˞Jϫˬϻ ͦΑ¡гĮπ(Johann van Beethoven, 1740-1792)ȶśơȝO̐Ӧӊɽҡ̠ Π¼ӹʕϻ̄Ӯ<̄ѻ˾Ň¢͸Ғр(Maria Magdalena Keverich, 1746-1787) ɁśơƜƇ̠ĽӹɁ!Zлǚ̠ĽǊ гĮπ̠ˬϻƶȼŬȪHƭĸҙ˿ӹYɁɕҐҏþӖ(ΪʚɋяHͷƊ ĔʿįťгĮπƻƔ%ǹтӹ϶гĮπĔHɖÙӇ°˓ĸӹŨγгĮπǕʕϻѼ ½ȶˬϻˬϻ!̪ƄəгĮπΧόɝ˱!ʁ̠£μӹ«åĕ˓£ӹ˞αſо ҚӹċʍƏƒɂ̠гĮπƓ1ǱǨɕɂҤςĔ΀ΐũȐ˿δĲҝ˿ Ü«ˬϻ Ĉɯ̠Ѕ΀ӹгĮπĔ ƏŬңÿH̠ӊɽ˓ĸ̉ʹӹĔ̓ұ̜á˓£ Əǽŭ̌(Christian Gottlob Neefe, 1748-1798)˞Ƈ

(69) ƏӹгĮπңńȝOśơ͚ӛ˿Ƈ̠¸˽ӹĔśơŻ`̠ɚҤӹϸ«ЉĮ ƴʪȾϫ˓̠ӊɽŜӹѬʔɚҤгĮπǮ«5!Z5ϿH̠з¸BӹύǁȲĘU ˫(Ferdinand von Waldstein, 1762-1823) ƏӹʷӒ(Joseph Haydn, 1732-1809)ЇþʪȾɂӹ̬ϸгĮπɩ;ȼɚ̠` ÷ӹĔʍɂʷӒŬ̫̖ʇкгĮπӹȶɁ҃ЛHÕ͸4ͧҵαſőΐ̖ɂɒѴ ̠ӊɽ˽МӹгĮπ4ңńǔЧ«αſ̠±`ΧµӹѴ±`̠Ƚ̥ɚӹĔѬɚ ҤHˊˊ'ȴĕ`£åƤåʁ̠ɽɌӹŬĔ8Å8ʏɂӹҾң5ʪȾӹ*ŘŰȶ ͸ͧ . . Љҟɻӹ͸4ͧÝ̠ɽΚáÂӺқ·ӹ1999)ӹ134-135 Oxford Music Online, s.v. ‘‘Beethoven Ludwig Van,’’(by Douglas Johnson), www.oxfordmusiconline.com (accessed February 25, 2019).

(70) ӦКӊɽR²ũͱӹa'à'̳Ѻ̠гĮπ 100 ӡͷ±`Øȧ7áÂӺӦКӹ2007)ӹ 12-14 ΋Ϡ͸ӹѴ`ɌŜ)̑áÂӺӯӹ1998)ӹ8-13 ӦКӊɽR²ũͱӹa'à'̳Ѻ̠гĮπ 100 ӡͷ±`Øȧ7ӹ14-16 . 18.

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(72) . !ȼɚ гĮπʍɂɚ̠`÷˱©̠Я̥ӹ4ɁHĔ͸4ͧŸӄӔϾ̠ɂ® Əӹ гĮπÆҒѢѢͅŰ«͸4ͧǽʷӒ˞ƇӹѬʔѼсHҌ̠ъ*'ɁƶӍѵӹ϶ɁʷӒĈХpœƾƕ˕Ѵ̠Ȫőӹńͯƥ̝'5гĮπ̠εцʷӒ!̪Ƅ əгĮπΧİȍ¬ĪǲΫŋϰ̠ĶǓӹYɁÐˠʨѻǡˢΖĔѬɚҤгĮπ ́&Ǯ5H̠˽МΔƇőΐL·ƬŢµӹϭʷӒ̝˼ƸӹBҦjƻʍ̷Ϯ гĮπһˢŧʷӒ̠Ȫőƶ'ˑǔӹYɁFˢŧH̠>ӌɌÅ¤ĕŷǽӹαſ4 Ҡ̶ʷӒ>ӌɌ̠õΟɌƤɨɼLØ-Ӗ̝ű̠ǯʨʍɂɚċÜ«ʷӒØό ɝ˱ӛɯ̠Ʋӌ±``÷Įȯ˞ҙ˿`÷ ƏӹгĮπɒȼ̠$ӡĸӭ ɌҀĕgĸӭɌ(Kurfuersten Sonatas WoO.47 No.1-3)ӹЙǊ¤©Ɂ Eb ĲЙ (Op.33)f ũЙ(Op.34)D ĲЙ(Op.35)ӹLŕȮ̠$tɽ͓ï˼ ͘!ӡEbĲЙĸӭɌӹŔӅ̠ɌӡӹˁɷѺ£ӹгĮπ*'ǓLВӝǯŽ̭B Η̩ӹΖɁũǂΒΒ̠҂6BëʷӒȄǦ̠ÍаӹʍɌʌɁӖ˸ʹʷӒ̠͘ 8ӡfũЙ͘$ӡDĲЙĸӭɌӹңńɕϹʀ̠ƯƤӹšɕЬÁӹӊҔŧʗδ Éӊҳęǘ̠ȸƷѬ$ӡĸӭɌҋɁųȶ͵ƯƤ̠ǩʨ*ˠʨˑчгĮπѥ ʜ˵˱ӛɯ̠ӂʜ

(73) ƏҤӹгĮπţ5Åӡҙ˿ĸӭɌӹ¤©Ɂ`÷8ӹ͘!β$ϣ(Op.2, No.1-3)`÷#(Op.7)`÷Åӹ͘!β$ϣ(Op.10, No.1-3)`÷Å$(Op.13)ӹ LØ`÷Åĉӹ͘!β8ϣ(Op.14, No.1-2)Ɍӛҵ0ȤЬӹLĉtɽ͓̠ƯƤ ï˼*(b̋Яš̠-Ӗ̝űЙǊŧʗØΟҊҤͲɼŧý̊̉ύӮ̠Ȩɧ ͘8ɽ͓¯ɁLǙɣˑ»Bͩʂ̠΢͊ɕ[ӊӦӊ̠ŧАӹм6ҙ˿ȳ̠ ˒AӊμӹӐ̻5Ét)ͥƸʵ˔ĲƇ̠ǩʨ*(b̋БНɌǤũʎιɌ`˞ »ʄ̠ęǘӹ!ΖΖ$̠Ϸ˼ӹb͛ĸõΟšɕȳ̠ǔΏӹƸc4ǡ˞ гĮπ±`̠ęǩʨ ƏҤӹţ5:ӡĸӭɌӹ¤©Ɂ`÷8Å8(Op.22)`÷8Å (Op.26)`÷8Å#ӹ͘!β8ϣ(Op.27, No.1-2)ӹLØ`÷8Å(Op.28)ӹ* ңńąЍ±`'è̠ɌӛӹƯƤ4њ˞Ĳę̠ĸӭɌӹĔѬҳʔ̠ĸӭɌ4ϭɿ ̻˞ѠXƑǓɌ̠ĸӭɌ(Sonata quasi una Fantasia)ӹǔСϓɕÎε˓ĸ̠ǡ Pѕɕ̷͐Ǌ̠ӡĸӭɌӹ¤©ɁEbĲЙӹ`÷8Å#ӹ͘!ϣõѕϓé . ɶʣCӹӊɽâδʇкáÂӺ΍ɽӹ2001)ӹ214-223 Gillespie, John. Five Centuries of Keyboard Music. New York: Dover Publications, 1972, 179. è°Њӹ180-181 è°Њӹ182 . 19.

(74) ̠ÇcũЙӹ`÷8Å#ӹ͘8ϣӹɌӡӚˢҋɕÎε̠ǖϼӹƸΕɁ!ӡʎЙ ʠͿ̠ȂΉ̠Ǚɣ(Adagio sostenuto)ӹKЎBӀ˭âĥɆ(Rellstab)ǓтĔ̂ īˇ%ʩκ̠ɔμӹʍƸŒiLɔ0éӏȶ) . 8+ɚ ѬʔɚҤɁгĮπ±`̠ӦŵɚӹÐ4ɁB̉+̠σҿɚȳӬ̠ɽǇõ±`ӹ ȈΨ5Ýɽʳ̠ɌƤδõΟӹĲί̠ȠƫӊӌLØ±`ǯʨӹbƺӊɽĮʁЯ šY'Ɛ̠7ӹΗ̘4ĔʍɂɚʓϓгĮπ±`̠ǔǄ гĮπŧӊɽƸJ̠Ʋӌ-϶ҋɁcαȶ+ɚ̠`÷ӹ4ңńȠĲ5ɽĆ;¬ ӊҔ̠ŧʗLØõΟ̠ЬÁӹ'ȴ̠Ƞƫӊɽϫѻ̠Χµӹbӊɽ£˼5˘˅̠ ӊӌ˚˟̠͛ĸδЯÑ̠õΟӹȫ̝£˛Ñ̠ӊɽǐǖδ̉ôµĔѬtҳʔ 4ŕǡ5ÅӡĸӭɌӹ¤©Ɂ`÷$Å!ӹ͘!β$ϣ(Op.31, No.1 -3)`÷: Å$(Op.53)`÷:Åĉ(Op.54)`÷:Å#(Op.57)`÷#Å(Op.78)` ÷#Å3(Op.79)`÷Å!(Op.81)ӹLØ`÷3Å(Op.90) Əŕǡ5͘$ϣτҸ>ӌɌ(Symphony No.3 in E flat major, Op.55 Eroica)ӹѬӡ£Bǔϫ̠ЈЃӹгĮπťŕ'̫ƍ̠ɽǇ>̗ӹЭӊɽï˼ҩ ̉×'Ŕ̠ӋƷӹ4b̋58Ǻŋδ$Ǻŋ̠>ɑЬÁӹЭȮӡ`÷ˑ5Ĳί ˚Ѵ̠ӛɯ Ə×ŕǡ5͘:ϣôѷ>ӌɌ(Symphony No.5 in c minor, Op.67 )ʍ ɂɚ4ŕǡ5ɒғ϶̠ӡҙ˿ĸӭɌ`÷ӹ ύǁȲĘӹ`÷:Å$(Waldstein Piano Sonata, Op.53)Ø˦ǐӹ`÷:Å#(Appassionata Piano Sonata, Op.57) Jϫ5ҙ˿`÷̠ĲӦŵӹ4ЭĸӭɌ̠˽ǆɕ5Ĳ̠њЬ . $Ƀɚ

(75) гĮπѴɃɚ±`ɂɚӹƏͦĉÅʏӹŕųȶαǢǓ±`̠)̑ӹ' ɁšɕӬʲ̉»̠»ΧӹΖɁGͭ¹µĕȋͬӊɽ̠ƿŁŕǡ5:ӡĸӭ Ɍӹ¤©Ɂ`÷!!(Op.101)`÷!(Op.106)`÷!3(Op.109)` ÷!!(Op.110)ӹLØ`÷!!!(Op.111)ĔѬtɂɚ̠ĸӭɌǨÀì̠ɽ ͓ӹҋɕϓмɯ-ӖδЬĸLØƑǓɌ̠ęǘӹшLƴ̠ƯƤδӛɯҋ̫̖̠ '!ʁӹ4ѩ˕Ɉ̻5ʵ˔ʳα̎Øšɕ˵˱tǊ̠ɌƤ. . è°Њӹ183 è°Њӹ183-188 20.

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(79). 21.

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(82) Шd8Å!. гĮπӺҙ˿ĸӭɌ`÷:Å$ ύǁȲĘӹ͘!ɽ͓ӹ͘. ũ͛. ͘8-Ӗ͘ ũ͛ӹ˓ĸ£͚ӛ˿ΚЌλ(choral)̠ӛɯӹѷ̋5ĉ«ΟҊ ̠õΟѴϧӹδ͘!-ӖƯǡӊμ%̠ŧʗӹŀШd8Å8 ͘ ũ͛ӹ $ѲӊЬĸǩʨӹȸƷ˞żǩӹŀШd8Å$. ͘ ũ͛ӹ˞EĲЙ̠I. δV7ӹ-ӊδųӊљʴ>ɑӹżǩ¥¤ӊ$Ѳӊ¤ϿõƩδҼǩÚë̠ӊęӹ ŀШd8Åĉ ͘

(83) ũ͛ӹЙǊњ˞AĲЙEĲЙ͘

(84) ũ͛AĲЙ͘

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(86) ũ͛ӹżǩ˞¥¤ӊӊęӹ̫XŘӊӳ̠ӊӌӹӜˑΖɕµӹŀШd8Å : ͘ ũ͛ӹ˞ũŮĸӹѷ̋ӊҳ¤ȫõƩδ[ƖȵƤï˼ӹŀШ d8Å. ̪«͘

(87) ũ͛ӹFĲЙ̠ųõƩѴ̝űҊ. Шd8Å8. гĮπӺҙ˿ĸӭɌ`÷:Å$ ύǁȲĘӹ͘!ɽ͓ӹ͘. ũ͛ . . 24.

(88) Шd8Å$. гĮπӺҙ˿ĸӭɌ`÷:Å$ ύǁȲĘӹ͘!ɽ͓ӹ͘. ũ͛ . . . Шd8Åĉ. гĮπӺҙ˿ĸӭɌ`÷:Å$ ύǁȲĘӹ͘!ɽ͓ӹ͘. ũ͛ . . V7

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(91)

(92)

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(94) . . . 26.

(95) ̝űҊ͘ ũ͛ FĲЙӹ̎͘!-Ӗ»ʄabűңӹЙǊњЬӕ΄͘ ũ͛ӹϝ̎»ʄb̝űӹ żǩӊę'ȴȤЬӹŀ¤ӊ͗ģ˲õƩњЬ˞Å¤ӊ͗Ӄӊӊę͘

(96) ũ͛ӹ Ĕњ˞¤ȫõƩ́ӊӊę͘ ũ͛ȂΉͻƫ̠ǐͼ̪«͘ũ͛ӹżǩb ̋$ѲӊӊęӹǪbƺͻƫʚʙǙǙĕͿõӹŀШd8Å#. . Шd8Å#. гĮπӺҙ˿ĸӭɌ`÷:Å$ ύǁȲĘӹ͘!ɽ͓ӹ͘.

(97) ũ͛͘ ũ͛ . .

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(101) ũ͛ӹųõͰȂΉ̠Ѵϧӹ ˞˼Ҋ}ˋӹŀШd8Å Шd8Å. . гĮπӺҙ˿ĸӭɌ`÷:Å$ ύǁȲĘӹ͘!ɽ͓ӹ͘.

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(103) . ˼Ҋ͘

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(105) ũ ͛ʀQѴϧʍϢ̠ЙǊЬÁ˞CĲЙaũЙ͘ ũ͛AĲЙ͘

(106) ũ͛ CĲЙ͘ũ͛͘ ũ͛ӹЙǊњ˞DbĲЙӹˋѴŮĸ Ůĸ͘ ũ͛ L͘!-Ӗ̠»ʄab·LЬÁδȠƫӹЙǊ˞DbĲЙbbũЙ͘ ũ͛ gũЙ͘ ũ͛GĲЙ͘ ũ͛ӹѷ̣̋ÌĕͯʋƤӹŀШd8Å3 ͘

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(110)

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(112) Ǻb̋ »ʄab̠ŧʗ˞$ʔӥ(ABA')ͲŮLƠҡӊѴ͘$ɽ͓̠љȸɌƤ(Rondo Form) Aʔ͘ũ͛ ЙǊ˞FĲЙӹѷ̋»ʄab²¤ɽÞ͘!ũ̠͛ΏĲªĨõƩӹˀĨӊ ɽ̠μưŕʌɯͯʋƤ͘ũ͛ͲɢɜɽʔӹŀШd$Å! . 29. .

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(115) ũ͛ ЙǊ˞CĲЙӹѷ̋»ʄabc²¤ɽÞӹãǩb̋́ӊӊężǩ˞-ȸƷ (C-G-G-E-D-G-C-E)ɼǡ-ӖӹŀШd$Åĉ ͘

(116) ũ͛ӹLʀѴƯǡ ũ̠͛ѲȌÞȌϓӹ-Ӗ̎!ңń̠ăӊȤǡƖӊӹ*̎żǩњβãǩ ӊμЬȒѷ̋әӊδӊҳЭA-Ӗ˼ӹĬӮЯš̠ӊӌӹLŕʌɯͯʋͲ ɢ 31.

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(129) ũ͛ңń$Ѳӊ¤ȫõƩ̠ͫɡ ͘ ũ͛ӹƖųõͰȂΉ«Ůĸ #Coda͘ ũ͛ ЙǊ˞CĲЙӹ˼A-ӖӹŀШdĉÅ. ͘.

(130) ũ͛ӹњЙӕ΄ӹ'. ȴ̠ғϷ»ʄaӹãǩ¯˞́ӊӊęVĸЙǊ˞AbĲЙfũЙ(͘. ũ͛)Db ĲЙ(͘. ũ͛)bbũЙ͘ ũ͛fũЙ͘ ũ͛CĲЙ͘ ũ͛ AbĲЙ͘ ũ͛ӹŀШdĉÅ!. . 35.

(131) ШdĉÅ гĮπӺҙ˿ĸӭɌ`÷:Å$ύǁȲĘ ӹ͘$ɽ͓ӹ͘

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(180) ũ͛ ЙǊ˞ g ũЙӹ Ǻʪ˜ʱˈ̠̠ǉɣ(Presto con fuoco)͘ ũ͛ӹǧ³ƫµĲӹɽÞ4њЬ˞ҡͽɳӹãǩӊĜȐӦӹЭӊɽɕϓ'ŔŘδ ͻˆǖ͘ ũ͛ӹãǩ!Ѳ,%ϧÉӊҳӊęѴϧ͘ ũ͛ӹ Ҽǩӊҳ%ϧӹѯƖδӊҔ%̠ŧʗƬ˟ӹŀШd:Å8 ͘

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(182) Шd:Å8. ϛ҇͘!ϣȩ7Ɍ`÷8Å$ӹ͘ ũ͛.

(183) . . . Шd:Å$. . ϛ҇͘!ϣȩ7Ɍ`÷8Å$ӹ͘

(184) ũ͛. . . . . 47. .

(185) ˻ȿªȲӺƑǓɌ Benjamin Lees : Fantasia . ªȲ̉Ǝ . ˻ȿªȲ(Benjamin Lees, 1924-2010)˞΍čl΋Ȳӊɽ`ɌŜӹĔHƶũ ̠ɂxӹªȲŬõˬʕ!тȕ«΍čӹ*ѭѹ͟ӹ˶ƺ5΍čʘёPªȲ Ĕ·ª̿ŭ<(California)ȌÜȪΤӹHĔ΍čђҲ+ɗƳƸӹĔ8Å!ʏɂӹѴ Ë·źĲőδø˭ϵâϖȰȲ(Halsey Stevens, 1908-1989)ØʉȲ˱Ì ŭχ(Ernest Kanitz, 1829-1904)őΐ`Ɍӹ*́&δĂʥŔʬ˭(George Antheil , 1900-1959)őΐťѠĉƏ

(186) ªȲ˶ƺ'è̠˴őҕӹbHΧİĔʉʰŻ`d ŀӺ1953 ƏӹH˶ƺ5ƦʮŃĝҕɓ˴ӹ1954 ƏӹªȲ˶ƺ5ÝɮʷŃ˴őҕ ªȲ̠̩ɿɁ'Ü̖ɂʴϧ̠΍čӛ˗ƲӌӹΖ¹µ±Ѱαſ̠ӊɽӛɯHѼ ҾЉĮ΍č`ɌŜőΐ̠őϨ+ǂӹΖȶ 1954-1955 ƏØ 1957-1961 ƏӹŰ\Ĕ ʨč̠ļ˭Ȼʤ̒ӵɯϘ(Longpont sur Orge)1955-1956 ƏŰ\Ĕ͸4ͧ(Vienna) LØ 1956-1957 ƏŰ\Ĕр˭ќĝ(Helsinki)196 ƏӹªȲƉϓЉĮǡ˥δK BÍаʿ®̠`÷ѡĊ΍čӹ*Ĕ̀́͘ӊɽőҫõ̢ͨͦêőҫӹɏøӒőɭ õφϊ<ӊɽőҫӹȪő`Ɍδӊɽ

(187) . ªȲӊɽӛɯδ˱μ . ʍӡƑǓɌ˞ªȲȶ Ə̠±`ӹʌɁHβʉʰőΐɂǨţ̠`÷H̠ ӊɽɜнɁL͵̠ǩʨ̝űӹ̦Ҕ'Ü̖ɂ̠°ϩɽʳƲӌӹӛɯɁ͌Ř( !γǊ

(188) H̠±`˱μӹÀǾӺLÉӊЬÁȠűЙǊͤ͵'Нõӊˊα$õ Ʃ̠Ͳɼˁɷ̠ɽÞʔϒšɕŧZ̠μưLØ-Ӗӕ΄ғϲɌƤȵӇӹÀ ǾӺ$ʔƤѤȸɌØĸӭɌƤӹYѬ;ɌƤ4˞5ϫѻHtB̠±`ӂʜΖɕ ǨЬɍ. 61. Oxford Music Online, s.v. ‘‘Benjamin Lees,’’(by Niall O’Loughlin), www.oxfordmusiconline.com (accessed March 19, 2019). 62 Hyung Bae Kim, ‘‘The solo piano works of Benjamin Lees published from 1956 to 1976” (D.M.A ., Peabody Inst. of the Johns Hopkins Univ., Peabody Consv. of Music, 1981), 1.

(189) è°Њӹ3 48.

(190) ªȲĔH̠ӊɽǡ˥ɚҤӹpȂ'Ü̖ɂʴϧőʳ̠ƲӌӹˢΖӹHÐŧȳÝ -Ώ̠ɺǆʿǖεцHϝ̎η̠±`ǯŽӹ˶ƺ5ɍĮ̠ȍ¬δõНӹ*( Ǯ«5ϫѻαſǐǖ̠tB˵˱ȵƤªȲГ˞H̠ӊɽ̝űÜ«ĉt-϶ŲӇ ƲӌӺ!͵̠>ӌɽǯϨӹ8Ɓ˭Ǭ(Béla Bartók, 1881-1945)̠ĈХӛ ɯӹ$Ɇ΋ӦώĴ(Sergey Prokofiev, 1891-1953)̠Пȵʨӹĉâ˱ǹʝȲ ĝIgor Stravinsky, 1882-1971ȳÝ-Ώ˱Ř̠`ɌǩʨѬ;ƲӌĤѰ5ªȲ Ĕӊɽ±`%̠tǊӹLĈХǳǐ̾Ķδуˢ̠ǩʨ±`

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(193).

(194) . è°Њӹ5 è°Њӹ7 49.

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(198) Шd:Å#. ªȲӹƑǓɌӹ͘ ũ͛. . . Шd:Å. ªȲӹƑǓɌӹ͘ ũ͛. . . . C ʔ͘

(199) ũ͛ ѯƖ˞͇Ǚ(Poco Meno Mosso)ӹƯƤ%ѕα̎ӹµƖ%̠ЬÁ4ʗѕЯšӹ ɕϓǜǠÎε̠ӊɽӛцãǩ¯Ɂª̋Éӊӊężǩ¯˞͌Č̠õƩLØ Ɩӊ˞VĸӹbӊɽΡтcɍ·̾̈́͘

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(201) Шd:Å3. ªȲӹƑǓɌӹ͘

(202) ũ͛. . . ШdÅ. ªȲӹƑǓɌӹ͘ ũ͛. . . ШdÅ!. ªȲӹƑǓɌӹ͘ ũ͛. .

(203) . B'ʔ͘ ũ͛ ѯƖ˞͇ǅ(Più Mosso)ӹ[ӊΟҊLõƩï˼ӹӊɽ̠сëѕɕͻƫ̠ʚʙ ɕϓЀǯɌӛɯ̠ɽʔӹƬΖɕµ̠Ʒ»ǖ͘ ũ͛ӹLÉӊҳǅѯӊ Ύ`˞ѹҢ͘

(204) ũ͛ӹ˞ B ʔ̠ͫɡӹŀШdÅ8. ͘ . ũ͛ӹª̋ғӊ̠ęǘӹbӊɽˑ5»µõӨ˪ǊӹҼǩLĲ$Ɩ̠ӊ͆΅Ɩӹ ЭӊӌȨɧѻ«ÑғЯˑӹŀШdÅ$ 52. .

(205) ШdÅ8. ªȲӹƑǓɌӹ͘ ũ͛. . . ШdÅ$. ªȲӹƑǓɌӹ͘

(206) ũ͛. . A'ʔ͘ ũ͛ ѯƖ˞͇Ǚ(Meno Mosso ma non troppo)ӹA -Ӗ˼ӹãǩL̴ũ̠ǅѯӊΎ ϱѰ£ǉkˡǛ̠ͻƫʚʙӹżǩɍL[Ɩ̠ӊĜӲ͹ӹLʿʠƬЙý£ ͘ ũ͛ӹδ A ʔ͘ ũ͛b̫̋è̠ͫɡ͘ ũ͛ӹżǩL [Ɩ̠ӊĜƬЙӹɕŀȭȜ̠Ĳӳӹ*LӊҔ(fff)ͲɢɌӹŀШdÅĉ 53.

(207) ШdÅĉ. ªȲӹƑǓɌӹ͘ ũ͛. . . . 54.

(208) =%V95 =4? (R (1685-1750)Y3T8 (1873-1916)[d 'ON/4GQ8 BWV565 1ED.F*. P"I (1770-1827))6JKU>;>2 (1850-1924)[c 'OBMW4ZSZ

(209) B 9A 1ED.F * , +)7 (1841-1904)[30$H4Z B X[C #O )& BX[e 'O -: B X[Ab #O <H4 BX[F #O L!JH4 BX[A #O @CH4 BX[D #O L!JH4 B

(210) X[c 'O @CH4 BX[g 'O )& . . .

(211) Performance Recital Program. J. S. Bach (1685-1750)/ Max Reger (1873-1916)[Toccata and Fugue in D minor BWV565 for Piano 4 hands. L. v. Beethoven (1770-1827)/ Franz Xaver Scharwenka (1850-1924)[ Symphony No.5 in c minor, Op.67 1st mvt. for Piano 4 hands. -Intermission-. A. Dvořák (1841-1904)Slavonic Dances Op.46 No.1 in C Major, Furiant No.2 in e minor, Dumka No.3 in A-Flat Major, Polka No.4 in F Major, Sousedská No.5 in A Major, Skočná No.6 in D Major, Sousedská No.7 in c minor, Skočná No.8 in g minor, Furiant. . . .

(212) Ƚþκȃǚȃǔ̝̰ Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565 Ƶ˄ʼÙƊ˝Ś J. S. Bach/ Max RegerϣToccata and Fugue in D minor BWV565 for Piano 4 hands ̟ ̴̲Ļ͎ɾQÊǎϢī$1ɾĬǍ?ɾʧχɩκȃQÊĻ͎Ĩʧχɩɾɒ ŽǍŏˍ͟ĒϢĨʧχɩɾQǔŊ-Ϳ$ΙǃäϢ{ɰɾ˞̽/·B̰Ǎ ŧʧχɩ"Ɖőʞ?ƉQɾʧχɩǔ$jOƯ{ƉǜQÊɾø;Ϣ¨ SãQ˞ȃǔƆøΐɩǔǎϢʧχɩ>ɐǍ?QǔɾǸè Ļ͎̥÷ʧχɩǔϢΗċŊ-ͿǍśœ˩ɳ%pDɻƧƐĸɾ̞Ɛǔ (Toccata)þǔ(Prélude)ƆňŹǔ(Fantasia)ϢƠQǔØ̸ǜ̙ɾ͊ǹ ǔ(Fuge){(ǙA;^˧ɉ;´ɾȃǔϢĬǍĻ͎ǅ 1709 ŇƉQɾd Ī ̱̞Ɛǔˬ͊ǹǔ(Toccata & Fuge in d minor, BWV565 )ͭύȃǔϢκȃʶ ǨϗǌɠɜϢpȼƈůϢãʧχɩɾ8ˊ#Ϣǜ̀ΧbęøɾκΉřɍĨ ȘϢÃɦn˒%÷Ȇůɾκȃ ¹ƍʕúǁè(Leopold Anthony Stokowski, 1882-1977)/ħĻ͎ͭύχɩǔƵ˄ƄɰɾʧŖȃǔϢͱǕɌ˽ϙɾ˞ λϢÛȐ˞¿ø× ǥȃǔʻȂϢɌÙø;ŋþʣ Īʨ̞Ɛǔʣ. Īʨ͊ǹʣ ĪʨB¯ʻǪȃȕʣ ĪʨT̰ǌ. . . ͼ˔řϢĻȥrȃǔ͈ǭ¸ϣΎˋϢ1999)Ϣ136-137 ĿʿϢĻËʧχɩκȃ¸ϣ&ɵǀɛϢ1996)Ϣ25-26 ¾̦Ϣ139-142. ͼ˔řϢĻȥrȃǔ͈ǭ¸ϣΎˋϢ19991)Ϣ139 . .

(213) .

(214) Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565 Ƶ ˄ʼÙƊ˝Śȃǔǭ ŋþʣ Īʨ B d Ī̱5ʵÇŖϢ˅ƀä(Adagio)ƓΗŋńϢǜ̀Ƃϓ¯ϛǒɾ˞λɜ ɾǍȗƕκʢ¯FȎʢɾŏΔϢA;įŰϢ̀κȃpȼŘϢĆ̺U +ς/ŧϑ˪Mħͥ!]wŎɾκçŚþ!ȊϢǙţdɷã D ø̱ɿ¥ äʸȎ ̺UĻ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Ī ʨ

(215) . . . . ̞Ɛǔʣ Īʨ ̱ůɌ d Ī̱ϢǙŮǬ(Prestissimo)Ϣǜ̀¨˭ͰŎŬͰ%˩ɳɊƐɾκȃ śœv˞;ΫƊϟþϢB¡ y κ ʢ ʺ Ƅ ɾ ! Ͳ κ Ϣ ɲ κ ˓ "̋κ ΢ ë ʉ Ϣ k Ǎ Ȼ ή ɧ ˰ ä À ơ ͳ Ϣʾł®ãŮͰɾȃȕʝɐdȎϢͰŎ Υů˩ɳϢª$ȩûκȃɾȩǓŎϢİɦ̞ Ɛ ǔ ɾ ɜ ͋ Ȑ ǎ ɾ F Ȏ ʢ /ǒʐǕø˥ΉɾT˨Ϣ̀ήɧ͐Ȼ͐øϢpȼɒŷřɍɾƈůϢ Ć̺U3 B˽ϙɾ̑ϊþʻǪϑɃϢdɷãʣ Īʨɾ d Ī̱+Ç Ŗʣ ĪʨϢǈŢˬΈ̘κ A κ8ǘ˚ƄϢcϑκɾĲȊžϢ̀κȃ òĨȘůϢɱɰǕřɍɾȩžϢƖˍdɷã d Ī̱ɾĳÇʹ"Ϣ Ć̺U !ʣ ĪʨϢv˞;BíɝÇʹ(Block chord)¯ƼÇŖ(Broken chord) cˊŎ"ɾ̿Ϣ ̄ɳκ ΢ œ κ ˓ ɾ ë ʉ Ϣ Φ ̅ ǈ Ţ ˃ Ϣ ț Å Ƅ ɾ ̓ ͱ ǌ φ ɾ Ĩ Ș ƹ ǯ Ϣ Ǚ ţ ʻ Ǫ ȃ ¶ d ɷ ã ĳ . Ç Ŗ Ϣ Ć̺U Ù ʣ Ī ʨ Ϣ ʣ ; ˬ ʣ 3 ; ¾ ǎ ϟ þ Ϣ v ˙ B ʃ Ĺ y Ŏ ɾ κ. .

(216) ʗϢSȃǔɊƐɾƐĸǕřɍϢ΄΅κȃɾŷ˂ˬκΉϢ͞ɑɾ˞ λ ʻ Ǫ ̞ Ɛ ǔ Ϣ Ć̺U5 ̺U3Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Ī ʨ . . . .

(217) . ̺U!Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Īʨ. . . ̺UÙĻ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Īʨ

(218) .

(219) . . . . .

(220) ̺U5Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ . ĪʨϢʣ;ˬʣ3; . . . ʃĹyŎɾκʗ. . ͊ ǹ ʣ Ī ʨ ͊ǹǍ̔κκȃśœ(ϢǙϠø%ʻȂˉ̔ɾˊϐϢħ+ςͪ͵$ ¾ɾ˞;ϢŨŋȿͳäÃɦϢņ̍ͷěäc̱΂ʊʛ˙ħȐȕƄ a ȕ ʣ Ī ʨ b ȕ ʣ Ī ʨ c ȕ ʣ Ī ʨ T ̰ ǌ . a ȕ ʣ Ī ʨ ̱ ů Ɍ d Ī ̱ g Ī̱ʣ Īʨd Ī̱ʣ Īʨg Ī̱ʣ Ī ʨϢ+ςɌĻȥr}æɾκæœǈŢ(line within a line)Ϣ Ć̺Uyʣ ĪʨϢɌ͵ΕȃȕϢκç$ǃÀ"ŏİϢ̀+ςɦ+ςʻǪţϢĻ͎ ɲ+ςȉħȃ¶ŏİʣ ĪʨϢ̿Ƅ!˞;ĨLϢ$ǃSɲ΁κˬƞ ɷκɾƊȢĦQϢȂƄȕĪĮ˞(Codetta)ʻǪ͊ǹʣȕϢ Ć̺U . .

(221) ̺UyĻ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Īʨ . . . ̺U. Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ . Īʨ . .

(222) . . b ȕ ʣ Ī ʨ ̱ ů Ɍ F ø ̱ d Ī̱ʣ Īʨ c Ī̱ʣ Īʨʣ Īʨ̱ů͡ ΛWø̱"ϢBͲ)ɾκ΢Ɍ͵ΕϢ$ǃɾȅͳϢκΉǜ̀ǌφɾĨȘϢ Ɩˍʣ Īʨ̀+ςɦϢĆ̺Uwʣ ĪʨϢɲȅͳκ΢ "̋wŎκB¯ΰκɾǄœÃɦϢ˞λȪøϢĆ̺U. . .

(223) ̺UwĻ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Īʨ . . . ̺U.Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ

(224) Īʨ . c ȕ ʣ Ī ʨ ̱ ů Ɍ g Ī ̱ d Ī̱ʣ

(225) ĪʨϢʣ Īʨ̱ů͡ g Ī̱"ʣ ĪʨϢʣ3;Ɍ+ςɾ_ŝϢȊṟ̌+ςϢĆ̺U¡ʣ ĪʨϢɌ͵ΕȃȕϢħǈŢëɺò«ϢBωȼ«ģ˺ØɾÇʹʻǪ͊ǹ ̺U¡Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ ĪʨϢʣ3; . .

(226) ʻǪȃȕʣ Īʨ ̱ůɌ Bb ø̱ϢɌĝƺ̱(Recitativo)ȃȕϢΫƊϟþϢͲˍ"̋ÙŎɾκ ΢ȅͳϢΥ ţ ȃ ǔ ɾ Ͱ Ŏ ͡ Ɍ Ȁ ˅ Ǭ (Adagissimo) ϢĆ̺U¡ ʣ

(227) Ī ʨ Ϣ Ͱ Ŏ ͡ Ɍ Ů Ǭ (Presto) ƀ Ǭ (Adagio)Ϣ ̄ ɳ ! ¡ 3 κ ʢɾʨþϢBŚůͰŎ̎ɦκȃϢ͝ʀZ˿%˽ϙɊƐɾÀ"ƳĵϢ ̀ ǈ Ţ ˃ ǜ ̀ ǌ ʌ ɾ Ǆ À Ɩ ˍ ä ŏ İ ʣ Ī ʨ Ϣ Ͱ Ŏ Ɍ ɯ Ŭ Ǭ (Vivace)Ϣ B « Έ ɾ ̝ Ç Ŗ $ ǃ À " ȅ ͳ Ϣ S Ŧ κ ȃ ε ł ê Ě ǯ ǃ ã $ ¾ ɾ Ͱ Ŏ ͡ ƥ ţ Ϣ B ɯ ƀ Ǭ (Molto Adagio)ɾ Ͱ Ŏ Ϣ ˺ Ø « Έ ɾ ƻ ǚ ʸ Ȏ œ Ç Ŗ ʻ Ǫ u ǔ ϢĆ̺U¡3 ̺U¡Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Īʨ . . .

(228) ̺U¡3Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ

(229) Īʨ . . .

(230) . .

(231) . . o7 . . . . . .