第五章 . 結論
第三節 結語
二、 未來研究
本論文透過文獻蒐集以及訪談等田野調查而得知 2013 馬賽之文化規劃於社會 與文化上的體現仍不夠周全，但於現階段即評論馬賽的文化再生成果卻顯得操之 過急。馬賽於舊港區興建許多文化設施，即便讓居民覺得乃好大喜功之舉，但若官 方能持續經營，將目標放遠至往後的五至十年，甚或更遠，能夠試圖以講座或與社 群之合作等規劃將居民重新帶回文化場域。再者，因反對馬賽官方文化規劃而興起 之馬賽 OFF，亦是居民崛起之象徵，若官方能因此興起危機意識，與之合作或協 商，未來之文化規劃仍大有可為。倘若爾後有研究者仍對馬賽之文化規劃感興趣，
後續之追蹤與研究將能對後工業城市之文化再生歷程與挑戰有更全面且透徹之解 析。
此外，由於田野調查時間之限制，未能有足夠時間拜訪與訪問 2013 馬賽中其 餘較小規模之文化團體。而由許多文獻、報導與媒體中可以發現這些文化團體乃是 馬賽的強大文化力量，而他們也正持續地蓄積能量，冀盼終有一天能與官方抗衡，
亦或能與官方有更深入之斡旋與合作。因此，探究馬賽當地眾文化團體之發展策略，
也屬可行之研究，將能對展現在地文化之規劃有更深入之了解。
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附錄
一、Forms of discursive mapping within the ECGO project (Pløger, 2001)
Form of discursive mapping Content
Socio-material and socio-spatial mapping •Living conditions, housing standard, infrastructure.
Mapping significant local histories • Oral and written local history, which can work as a means of creating a historically grounded place-identity.
Mapping significant local culture •Registration of a community ‘way of life’ and related cultural activities. These are activities that create a common cultural fabric with which inhabitants can identify, by means of theatre, exhibitions, and local festivals. Questionnaires, registration of activities, and observation are used.
The identification of a built environment’s • Local architecture, landscape, and built environment. This is done by way socio-cultural and aesthetic values of professional ‘place analysis’.
• Work on the aestheticization of everyday life surroundings (landscape, public places, nature), using the attractiveness as a way of making a social distinction to other places, partly done by local residents associations and partly by professional ‘place analysis’.
Identifying local ‘maps of meaning’ Mapping of everyday values and beliefs among local people.
Most often professional questionnaires, but also students doing qualitative research
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二、筆者與受訪者之合照
筆者與受訪者 Bernard Morel 先生合影（攝於 2015/1/15）